Then she turned away towards the moon, which seemed glowingly to uncover her bosom every time she faced it. He went to the vague emptiness of the field opposite, dutifully.
They stooped, grasped the wet, soft hair of the corn, lifted the heavy bundles, and returned. She was always first. She set down her sheaves, making a pent house* with those others. He was coming shadowy across the stubble, carrying his bundles. She turned away, hearing only the sharp hiss of his mingling corn. She walked between the moon and his shadowy figure.
She took her new two sheaves and walked towards him, as he rose from stooping over the earth. He was coming out of the near distance. She set down her sheaves to make a new stook. They were unsure. Her hands fluttered. Yet she broke away, and turned to the moon, which laid bare her bosom, so she felt as if her bosom were heaving and panting with moonlight. And he had to put up her two sheaves, which had fallen down. He worked in silence. The rhythm of the work carried him away again, as she was coming near.
They worked together, coming and going, in a rhythm, which carried their feet and their bodies in tune. She stooped, she lifted the burden of sheaves, she turned her face to the dimness where he was, and went with her burden over the stubble. She hesitated, set down her sheaves, there was a swish and hiss of mingling oats, he was drawing near, and she must turn again. And there was the flaring moon laying bare her bosom again, making her drift and ebb like a wave.
He worked steadily, engrossed, threading backwards and forwards like a shuttle across the strip of cleared stubble, weaving the long line of riding shocks, nearer and nearer to the shadowy trees, threading his sheaves with hers.
And always, she was gone before he came. As he came, she drew away, as he drew away, she came. Were they never to meet? Gradually a low, deep-sounding will in him vibrated to her, tried to set her in accord, tried to bring her gradually to him, to a meeting, till they should be together, till they should meet as the sheaves that swished together.
And the work went on. The moon grew brighter, clearer, the corn glistened. He bent over the prostrate bundles, there was a hiss as the sheaves left the ground, a trailing of heavy bodies against him, a dazzle of moonlight on his eyes. And then he was setting the corn together at the stook. And she was coming near.
He waited for her, he fumbled at the stook. She came. But she stood back till he drew away. He saw her in shadow, a dark column, and spoke to her, and she answered. She saw the moonlight flash question on his face. But there was a space between them, and he went away, the work carried them, rhythmic.
Why was there always a space between them, why were they apart? Why, as she came up from under the moon, would she halt and stand off from him? Why was he held away from her? His will drummed persistently, darkly, it drowned everything else.
Into the rhythm of his work there came a pulse and a steadied purpose. He stooped, he lifted the weight, he heaved it towards her, setting it as in her, under the moonlit space. And he went back for more. Ever with increasing closeness he lifted the sheaves and swung striding to the centre with them, ever he drove her more nearly to the meeting, ever he did his share, and drew towards her, overtaking her. There was only the moving to and fro in the moonlight, engrossed, the swinging in the silence, that was marked only by the splash of sheaves, and silence, and a splash of sheaves. And ever the splash of his sheaves broke swifter, beating up to hers, and ever the splash of her sheaves recurred monotonously, unchanging, and ever the splash of his sheaves beat nearer.
Till at last, they met at the shock, facing each other, sheaves in hand. And he was silvery with moonlight, with a moonlit, shadowy face that frightened her. She waited for him.
‘Put yours down,’ she said.
‘No, it’s your turn.’ His voice was twanging and insistent.
She set her sheaves against the shock. He saw her hands glisten among the spray of grain. And he dropped his sheaves and he trembled as he took her in his arms. He had overtaken her, and it was his privilege, to kiss her. She was sweet and fresh with the night air, and sweet with the scent of grain. And the whole rhythm of him beat into his kisses, and still he pursued her, in his kisses, and still she was not quite overcome. He wondered over the moonlight on her nose! All the moonlight upon her, all the darkness within her! All the night in his arms, darkness and shine, he possessed of it all! All the night for him now, to unfold, to venture within, all the mystery to be entered, all the discovery to be made.
Trembling with keen triumph, his heart was white as a star as he drove his kisses nearer.
‘My love!’ she called, in a low voice, from afar. The low sound seemed to call to him from far off, under the moon, to him who was unaware. He stopped, quivered, and listened.
‘My love,’ came again the low, plaintive call, like a bird unseen in the night.
He was afraid. His heart quivered and broke. He was stopped.
‘Anna,’ he said, as if he answered her from a distance, unsure.
‘My love.’
And he drew near, and she drew near.
‘Anna,’ he said, in wonder and birthpain of love.
‘My love,’ she said, her voice growing rapturous. And they kissed on the mouth, in rapture and surprise, long, real kisses. The kiss lasted, there among the moonlight. He kissed her again, and she kissed him. And again they were kissing together. Till something happened in him, he was strange. He wanted her. He wanted her exceedingly. She was something new. They stood there folded, suspended in the night. And his whole being quivered with surprise, as from a blow. He wanted her, and he wanted to tell her so. But the shock was too great to him. He had never realised before. He trembled with irritation and unusedness, he did not know what to do. He held her more gently, gently, much more gently. The conflict was gone by. And he was glad, and breathless, and almost in tears. But he knew he wanted her. Something fixed in him for ever. He was hers. And he was very glad and afraid. He did not know what to do, as they stood there in the open, moonlit field. He looked through her hair at the moon, which seemed to swim liquid-bright.
She sighed, and seemed to wake up, then she kissed him again. Then she loosened herself away from him and took his hand. It hurt him when she drew away from his breast. It hurt him with a chagrin. Why did she draw away from him? But she held his hand.
‘I want to go home,’ she said, looking at him in a way he could not understand.
He held close to her hand. He was dazed and he could not move, he did not know how to move. She drew him away.
He walked helplessly beside her, holding her hand. She went with bent head. Suddenly he said, as the simple solution stated itself to him:
‘We’ll get married, Anna.’
She was silent.
‘We’ll get married, Anna, shall we?’
She stopped in the field again and kissed him, clinging to him passionately, in a way he could not understand. He could not understand. But he left it all now, to marriage. That was the solution now, fixed ahead. He wanted her, he wanted to be married to her, he wanted to have her altogether, as his own for ever. And he waited, intent, for the accomplishment. But there was all the while a slight tension of irritation.
He spoke to his uncle and aunt that night.
‘Uncle,’ he said, ‘Anna and me think of getting married.’
‘Oh ay!’ said Brangwen.
‘But how, you have no money?’ said the mother.
The youth went pale. He hated these words. But he was like a gleaming, bright pebble, something bright and inalterable. He did not think. He sat there in his hard brightness, and did not speak.
‘Have you mentioned it to your own mother?’ asked Brangwen.
‘No—I’ll tell her on Saturday.’
‘You’ll go and see her?’
‘Yes.’
There was a long pause.
‘And what are you going to marry on—your pound a week?’
Again the youth went pale, as if the spirit were being injured in him.
‘I don’t
know,’ he said, looking at his uncle with his bright inhuman eyes, like a hawk’s.
Brangwen stirred in hatred.
‘It needs knowing,’ he said.
‘I shall have the money later on,’ said the nephew. ‘I will raise some now, and pay it back then.’
‘Oh ay!—And why this desperate hurry? She’s a child of eighteen, and you’re a boy of twenty. You’re neither of you of age to do as you like yet.’
Will Brangwen ducked his head and looked at his uncle with swift, bright mistrustful eyes, like a caged hawk.
‘What does it matter how old she is, and how old I am?’ he said.
‘What’s the difference between me now and when I’m thirty?’
‘A big difference, let us hope.’
‘But you have no experience—you have no experience, and no money. Why do you want to marry, without experience or money?’ asked the aunt.
‘What experience do I want, Aunt?’ asked the boy.
And if Brangwen’s heart had not been hard and intact with anger, like a precious stone, he would have agreed.
Will Brangwen went home strange and untouched. He felt he could not alter from what he was fixed upon, his will was set. To alter it he must be destroyed. And he would not be destroyed. He had no money. But he would get some from somewhere, it did not matter. He lay awake for many hours, hard and clear and unthinking, his soul crystallising more inalterably. Then he went fast asleep.
It was as if his soul had turned into a hard crystal. He might tremble and quiver and suffer, it did not alter.
The next morning Tom Brangwen, inhuman with anger, spoke to Anna.
‘What’s this about wanting to get married?’ he said.
She stood, paling a little, her dark eyes springing to the hostile, startled look of a savage thing that will defend itself, but trembles with sensitiveness.
‘I do,’ she said, out of her unconsciousness.
His anger rose, and he would have liked to break her.
‘You do—you do—and what for?’ he sneered with contempt.
The old, childish agony, the blindness that could recognise nobody, the palpitating antagonism as of a raw, helpless, undefended thing came back on her.
‘I do because I do,’ she cried, in the shrill, hysterical way of her childhood. ‘You are not my father—my father is dead—you are not my father.’
She was still a stranger. She did not recognise him. The cold blade cut down, deep into Brangwen’s soul. It cut him off from her.
‘And what if I’m not?’ he said.
But he could not bear it. It had been so passionately dear to him, her ‘Father—Daddie.’
He went about for some days as if stunned. His wife was bemused. She did not understand. She only thought the marriage was impeded for want of money and position.
There was a horrible silence in the house. Anna kept out of sight as much as possible. She could be for hours alone.
Will Brangwen came back, after stupid scenes at Nottingham. He too was pale and blank, but unchanging. His uncle hated him. He hated this youth, who was so inhuman and obstinate. Nevertheless, it was to Will Brangwen that the uncle, one evening, handed over the shares which he had transferred to Anna Lensky. They were for two thousand five hundred pounds. Will Brangwen looked at his uncle. It was a great deal of the Marsh capital here given away. The youth, however, was only colder and more fixed. He was abstract, purely a fixed will. He gave the shares to Anna.
After which she cried for a whole day, sobbing her eyes out. And at night, when she had heard her mother go to bed, she slipped down and hung in the doorway. Her father sat in his heavy silence, like a monument. He turned his head slowly.
‘Daddy,’ she cried from the doorway, and she ran to him sobbing as if her heart would break. ‘Daddy—daddy—daddy.’
She crouched on the hearthrug with her arms round him and her face against him. His body was so big and comfortable. But something hurt her head intolerably. She sobbed almost with hysteria.
He was silent, with his hand on her shoulder. His heart was bleak. He was not her father. That beloved imge she had broken. Who was he then? A man put apart with those whose life has no more developments. He was isolated from her. There was a generation between them, he was old, he had died out from hot life. A great deal of ash was in his fire, cold ash. He felt the inevitable coldness, and in bitterness forgot the fire. He sat in his coldness of age and isolation. He had his own wife. And he blamed himself, he sneered at himself, for this clinging to the young, wanting the young to belong to him.
The child who clung to him wanted her child-husband. As was natural. And from him, Brangwen, she wanted help, so that her life might be properly fitted out. But love she did not want. Why should there be love between them, between the stout, middle-aged man and this child? How could there be anything between them, but mere human willingness to help each other? He was her guardian, no more. His heart was like ice, his face cold and expressionless. She could not move him any more than a statue.
She crept to bed, and cried. But she was going to be married to Will Brangwen, and then she need not bother any more. Brangwen went to bed with a hard, cold heart, and cursed himself. He looked at his wife. She was still his wife. Her dark hair was threaded with grey, her face was beautiful in its gathering age. She was just fifty. How poignantly he saw her! And he wanted to cut out some of his own heart, which was incontinent, and demanded still to share the rapid life of youth. How he hated himself.
His wife was so poignant and timely. She was still young and naïve, with some girl’s freshness. But she did not want any more the fight, the battle, the control, as he, in his incontinence, still did. She was so natural, and he was ugly, unnatural, in his inability to yield place. How hideous, this greedy middle-age, which must stand in the way of life, like a large demon.
What was missing in his life, that, in his ravening soul, he was not satisfied? He had had that friend at school, his mother, his wife, and Anna? What had he done? He had failed with his friend, he had been a poor son; but he had known satisfaction with his wife, let it be enough; he loathed himself for the state he was in over Anna. Yet he was not satisfied. It was agony to know it.
Was his life nothing? Had he nothing to show, no work? He did not count his work, anybody could have done it. What had he known, but the long, marital embrace with his wife! Curious, that this was what his life amounted to! At any rate, it was something, it was eternal. He would say so to anybody, and be proud of it. He lay with his wife in his arms, and she was still his fulfilment, just the same as ever. And that was the be-all and the end-all. Yes, and he was proud of it.
But the bitterness, underneath, that there still remained an unsatisfied Tom Brangwen, who suffered agony because a girl cared nothing for him. He loved his sons—he had them also. But it was the further, the creative life with the girl, he wanted as well. Oh, and he was ashamed. He trampled himself to extinguish himself.
What weariness! There was no peace, however old one grew! One was never right, never decent, never master of oneself. It was as if his hope had been in the girl.
Anna quickly lapsed again into her love for the youth. Will Brangwen had fixed his marriage for the Saturday before Christmas. And he waited for her, in his bright, unquestioning fashion, until then. He wanted her, she was his, he suspended his being till the day should come. The wedding day, December the twenty-third, had come into being for him as an absolute thing. He lived in it.
He did not count the days. But like a man who journeys in a ship, he was suspended till the coming to port.
He worked at his carving, he worked in his office, he came to see her; all was but a form of waiting, without thought or question.
She was much more alive. She wanted to enjoy courtship. He seemed to come and go like the wind, without asking why or whither. But she wanted to enjoy his presence. For her, he was the kernel of life, to touch him alone was bliss. But for him, she was the essence of life. She existed as much when
he was at his carving in his lodging in Ilkeston, as when she sat looking at him in the Marsh kitchen. In himself, he knew her. But his outward faculties seemed suspended. He did not see her with his eyes, nor hear her with his voice.
And yet he trembled, sometimes into a kind of swoon, holding her in his arms. They would stand sometimes folded together in the barn, in silence. Then to her, as she felt his young, tense figure with her hands, the bliss was intolerable, intolerable the sense that she possessed him. For his body was so keen and wonderful, it was the only reality in her world. In her world, there was this one tense, vivid body of a man, and then many other shadowy men, all unreal. In him, she touched the centre of reality. And they were together, he and she, at the heart of the secret. How she clutched him to her, his body the central body of all life. Out of the rock of his form the very fountain of life flowed.
But to him, she was a flame that consumed him. The flame flowed up his limbs, flowed through him, till he was consumed, till he existed only as an unconscious, dark transit of flame, deriving from her.
Sometimes, in the darkness, a cow coughed. There was, in the darkness, a slow sound of cud chewing. And it all seemed to flow round them and upon them as the hot blood flows through the womb, laving the unborn young.
Sometimes, when it was cold, they stood to be lovers in the stables, where the air was warm and sharp with ammonia. And during these dark vigils, he learned to know her, her body against his, they drew nearer and nearer together, the kisses came more subtly close and fitting. So when in the thick darkness a horse suddenly scrambled to its feet, with a dull, thunderous sound, they listened as one person listening, they knew as one person, they were conscious of the horse.
Tom Brangwen had taken them a cottage at Cossethay, on a twenty-one years’ lease. Will Brangwen’s eyes lit up as he saw it. It was the cottage next the church, with dark yew-trees, very black old trees, along the side of the house and the grassy front garden; a red, squarish cottage with a low slate roof, and low windows. It had a long dairy-scullery, a big flagged kitchen, and a low parlour, that went up one step from the kitchen. There were whitewashed beams across the ceilings, and odd corners with cupboards. Looking out through the windows, there was the grassy garden, the procession of black yew-trees down one side, and along the other sides, a red wall with ivy separating the place from the high-road and the churchyard. The old, little church, with its small spire on a square tower, seemed to be looking back at the cottage windows.
The Rainbow (Oxford World’s Classics) Page 17