At the end of supper, during dessert, the music began to play, violins, and flutes. Everybody’s face was lit up. A glow of excitement prevailed. When the little speeches were over, and the port remained unreached for any more, those who wished were invited out to the open for coffee. The night was warm.
Bright stars were shining, the moon was not yet up. And under the stars burned two great, red, flameless fires, and round these lights and lanterns hung, the marquee stood open before a fire, with its lights inside.
The young people flocked out into the mysterious night. There was sound of laughter and voices, and a scent of coffee. The farm-buildings loomed dark in the background. Figures, pale and dark, flitted about, intermingling. The red fire glinted on a white or a silken skirt, the lanterns gleamed on the transient heads of the wedding guests.
To Ursula it was wonderful. She felt she was a new being. The darkness seemed to breathe like the sides of some great beast, the haystacks loomed half-revealed, a crowd of them, a dark, fecund lair just behind. Waves of delirious darkness ran through her soul. She wanted to let go. She wanted to reach and be amongst the flashing stars, she wanted to race with her feet and be beyond the confines of this earth. She was mad to be gone. It was as if a hound were straining on the leash, ready to hurl itself after a nameless quarry into the dark. And she was the quarry, and she was also the hound. The darkness was passionate and breathing with immense, unperceived heaving. It was waiting to receive her in her flight. And how could she start—and how could she let go? She must leap from the known into the unknown. Her feet and hands beat like a madness, her breast strained as if in bonds.
The music began, and the bonds began to slip. Tom Brangwen was dancing with the bride, quick and fluid and as if in another element, inaccessible as the creatures that move in the water. Fred Brangwen went in with another partner. The music came in waves. One couple after another was washed and absorbed into the deep underwater of the dance.
‘Come,’ said Ursula to Skrebensky, laying her hand on his arm.
At the touch of her hand on his arm, his consciousness melted away from him. He took her into his arms, as if into the sure, subtle power of his will, and they became one movement, one dual movement, dancing on the slippery grass. It would be endless, this movement, it would continue for ever. It was his will and her will locked in a trance of motion, two wills locked in one motion, yet never fusing, never yielding one to the other. It was a glaucous,* intertwining, delicious flux and contest in flux.
They were both absorbed into a profound silence, into a deep, fluid underwater energy that gave them unlimited strength. All the dancers were waving intertwined in the flux of music. Shadowy couples passed and repassed before the fire, the dancing feet danced silently by into the darkness. It was a vision of the depths of the underworld, under the great flood.
There was a wonderful rocking of the darkness, slowly, a great, slow swinging of the whole night, with the music playing lightly on the surface, making the strange, ecstatic, rippling on the surface of the dance, but underneath only one great flood heaving slowly backwards to the verge of oblivion, slowly forward to the other verge, the heart sweeping along each time, and tightening with anguish as the limit was reached, and the movement, at crises, turned and swept back.
As the dance surged heavily on, Ursula was aware of some influence looking in upon her. Something was looking at her. Some powerful, glowing sight was looking right into her, not upon her, but right at her. Out of the great distance, and yet imminent, the powerful, overwhelming watch was kept upon her. And she danced on and on with Skrebensky, while the great, white watching continued, balancing all in its revelation.
‘The moon has risen,’ said Anton, as the music ceased, and they found themselves suddenly stranded, like bits of jetsam on a shore. She turned, and saw a great white moon looking at her over the hill. And her breast opened to it, she was cleaved like a transparent jewel to its light. She stood filled with the full moon, offering herself. Her two breasts opened to make way for it, her body opened wide like a quivering anemone, a soft, dilated invitation touched by the moon. She wanted the moon to fill in to her, she wanted more, more communion with the moon, consummation. But Skrebensky put his arm round her and led her away. He put a big, dark cloak round her, and sat holding her hand, whilst the moonlight streamed above the glowing fires.
She was not there. Patiently she sat, under the cloak, with Skrebensky holding her hand. But her naked self was away there beating upon the moonlight, dashing the moonlight with her breasts and her knees, in meeting, in communion. She half started, to go in actuality, to fling away her clothing and flee away, away from this dark confusion and chaos of people to the hill and the moon. But the people stood round her like stones, like magnetic stones, and she could not go, in actuality. Skrebensky, like a loadstone* weighed on her, the weight of his presence detained her. She felt the burden of him, the blind, persistent, inert burden. He was inert, and he weighed upon her. She sighed in pain. Oh for the coolness and entire liberty and brightness of the moon. Oh for the cold liberty to be herself, to do entirely as she liked. She wanted to get right away. She felt like bright metal weighted down by dark, impure magnetism. He was the dross, people were the dross. If she could but get away to the clean free moonlight.
‘Don’t you like me to-night?’ said his low voice, the voice of the shadow over her shoulder. She clenched her hands in the dewy brilliance of the moon, as if she were mad.
‘Don’t you like me to-night?’ repeated the soft voice.
And she knew that if she turned, she would die. A strange rage filled her, a rage to tear things asunder. Her hands felt destructive, like metal blades of destruction.
‘Let me alone,’ she said.
A darkness, an obstinacy settled on him too, in a kind of inertia. He sat inert beside her. She threw off her cloak and walked towards the moon, silver-white herself. He followed her closely.
The music began again and the dance. He appropriated her. There was a fierce, white, cold passion in her heart. But he held her close, and danced with her. Always present, like a soft weight upon her, bearing her down, was his body against her as they danced. He held her very close, so that she could feel his body, the weight of him sinking, settling upon her, overcoming her life and energy, making her inert along with him, she felt his hands pressing behind her, upon her. But still in her body was the subdued, cold, indomitable passion. She liked the dance: it eased her, put her into a sort of trance. But it was only a kind of waiting, of using up the time that intervened between her and her pure being. She left herself against him, she let him exert all his power over her, as if he would gain power over her, to bear her down. She received all the force of his power. She even wished he might overcome her. She was cold and unmoved as a pillar of salt.*
His will was set and straining with all its tension to encompass him and compel her. If he could only compel her. He seemed to be annihilated. She was cold and hard and compact of brilliance as the moon itself, and beyond him as the moonlight was beyond him, never to be grasped or known. If he could only set a bond round her and compel her!
So they danced four or five dances, always together, always his will becoming more tense, his body more subtle, playing upon her. And still he had not got her, she was hard and bright as ever, intact. But he must weave himself round her, enclose her, enclose her in a net of shadow, of darkness, so she would be like a bright creature gleaming in a net of shadows, caught. Then he would have her, he would enjoy her. How he would enjoy her, when she was caught.
At last, when the dance was over, she would not sit down, she walked away. He came with his arm round her, keeping her upon the movement of his walking. And she seemed to agree. She was bright as a piece of moonlight, as bright as a steel blade, he seemed to be clasping a blade that hurt him. Yet he would clasp her, if it killed him.
They went towards the stackyard. There he saw, with something like terror, the great new stacks of corn glistening and gl
eaming transfigured, silvery and present under the night-blue sky, throwing dark, substantial shadows, but themselves majestic and dimly present. She, like glimmering gossamer, seemed to burn among them, as they rose like cold fires to the silvery-bluish air. All was intangible, a burning of cold, glimmering, whitish-steely fires. He was afraid of the great moon-conflagration of the cornstacks rising above him. His heart grew smaller, it began to fuse like a bead.* He knew he would die.
She stood for some moments out in the overwhelming luminosity of the moon. She seemed a beam of gleaming power. She was afraid of what she was. Looking at him, at his shadowy, unreal, wavering presence a sudden lust seized her, to lay hold of him and tear him and make him into nothing. Her hands and wrists felt immeasurably hard and strong, like blades. He waited there beside her like a shadow which she wanted to dissipate, destroy as the moonlight destroys a darkness, annihilate, have done with. She looked at him and her face gleamed bright and inspired. She tempted him.
And an obstinacy in him made him put his arm round her and draw her to the shadow. She submitted: let him try what he could do. Let him try what he could do. He leaned against the side of the stack, holding her. The stack stung him keenly with a thousand cold, sharp flames. Still obstinately he held her.
And temerously, his hands went over her, over the salt, compact brilliance of her body. If he could but have her, how he would enjoy her! If he could but net her brilliant, cold, salt-burning body in the soft iron of his own hands, net her, capture her, hold her down, how madly he would enjoy her. He strove subtly, but with all his energy, to enclose her, to have her. And always she was burning and brilliant and hard as salt, and deadly. Yet obstinately, all his flesh burning and corroding, as if he were invaded by some consuming, scathing poison, still he persisted, thinking at last he might overcome her. Even, in his frenzy, he sought for her mouth with his mouth, though it was like putting his face into some awful death. She yielded to him, and he pressed himself upon her in extremity, his soul groaning over and over:
‘Let me come—let me come.’
She took him in the kiss, hard her kiss seized upon him, hard and fierce and burning corrosive as the moonlight. She seemed to be destroying him. He was reeling, summoning all his strength to keep his kiss upon her, to keep himself in the kiss.
But hard and fierce she had fastened upon him, cold as the moon and burning as a fierce salt. Till gradually his warm, soft iron yielded, yielded, and she was there fierce, corrosive, seething with his destruction, seething like some cruel, corrosive salt around the last substance of his being, destroying him, destroying him in the kiss. And her soul crystallised with triumph, and his soul was dissolved with agony and annihilation. So she held him there, the victim, consumed, annihilated. She had triumphed: he was not any more.
Gradually she began to come to herself. Gradually a sort of daytime consciousness came back to her. Suddenly the night was struck back into its old, accustomed, mild reality. Gradually she realised that the night was common and ordinary, that the great, blistering, transcendent night did not really exist. She was overcome with slow horror. Where was she? What was this nothingness she felt? The nothingness was Skrebensky. Was he really there?—who was he? He was silent, he was not there. What had happened? Had she been mad: what horrible thing had possessed her? She was filled with overpowering fear of herself, overpowering desire that it should not be, that other burning, corrosive self. She was seized with a frenzied desire that what had been should never be remembered, never be thought of, never be for one moment allowed possible. She denied it with all her might. With all her might she turned away from it. She was good, she was loving. Her heart was warm, her blood was dark and warm and soft. She laid her hand caressively on Anton’s shoulder.
‘Isn’t it lovely?’ she said, softly, coaxingly, caressingly. And she began to caress him to life again. For he was dead. And she intended that he should never know, never become aware of what had been. She would bring him back from the dead with out leaving him one trace of fact to remember his annihilation by.
She exerted all her ordinary, warm self, she touched him, she did him homage of loving awareness. And gradually he came back to her, another man. She was soft and winning and caressing. She was his servant, his adoring slave. And she restored the whole shell of him. She restored the whole form and figure of him. But the core was gone. His pride was bolstered up, his blood ran once more in pride. But there was no core to him: as a distinct male he had no core. His triumphant, flaming, overweening heart of the intrinsic male would never beat again. He would be subject now, reciprocal, never the indomitable thing with a core of overweening, unabateable fire. She had abated that fire, she had broken him.
But she caressed him. She would not have him remember what had been. She would not remember herself.
‘Kiss me, Anton, kiss me,’ she pleaded.
He kissed her, but she knew he could not touch her. His arms were round her, but they had not got her. She could feel his mouth upon her, but she was not at all compelled by it.
‘Kiss me,’ she whispered, in acute distress, ‘kiss me.’
And he kissed her as she bade him, but his heart was hollow. She took his kisses, outwardly. But her soul was empty and finished.
Looking away, she saw the delicate glint of oats dangling from the side of the stack, in the moonlight, something proud and royal, and quite impersonal. She had been proud with them, where they were, she had been also. But in this temporary warm world of the commonplace, she was a kind, good girl. She reached out yearningly for goodness and affection. She wanted to be kind and good.
They went home through the night that was all pale and glowing around, with shadows and glimmerings and presences. Distinctly, she saw the flowers in the hedge-bottoms, she saw the thin, raked sheaves flung white upon the thorny hedge.
How beautiful, how beautiful it was! She thought with anguish how wildly happy she was to-night, since he had kissed her. But as he walked with his arm round her waist, she turned with a great offering of herself to the night that glistened tremendous, a magnificent godly moon white and candid as a bridegroom, flowers silvery and transformed filling up the shadows.
He kissed her again, under the yew-trees at home, and she left him. She ran from the intrusion of her parents at home, to her bedroom, where, looking out on the moonlit country, she stretched up her arms, hard, hard, in bliss, agony offering herself to the blond, debonair presence of the night.
But there was a wound of sorrow, she had hurt herself, as if she had bruised herself, in annihilating him. She covered up her two young breasts with her hands, covering them to herself; and covering herself with herself, she crouched in bed, to sleep.
In the morning the sun shone, she got up strong and dancing. Skrebensky was still at the Marsh. He was coming to church. How lovely, how amazing life was! On the fresh Sunday morning she went out to the garden, among the yellows and the deep-vibrating reds of autumn, she smelled the earth and felt the gossamer, the cornfields across the country were pale and unreal, everywhere was the intense silence of the Sunday morning, filled with unacquainted noises. She smelled the body of the earth, it seemed to stir its powerful flank beneath her as she stood. Into the bluish air came the powerful exudation, the peace was the peace of strong, exhausted breathing, the reds and yellows and the white gleam of stubble were the quivers and motion of the last subsiding transports and clear bliss of fulfilment.
The church-bells were ringing when he came. She looked up in keen anticipation at his entry. But he was troubled and his pride was hurt. He seemed very much clothed, she was conscious of his tailored suit.
‘Wasn’t it lovely last night?’ she whispered to him.
‘Yes,’ he said. But his face did not open nor become free.
The service and the singing in church that morning passed unnoticed by her. She saw the coloured glow of the windows, the forms of the worshippers. Only she glanced at the book of Genesis, which was her favourite book in the Bible.
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br /> ‘And God blessed Noah and his sons, and said unto them, Be fruitful and multiply and replenish the earth.
‘And the fear of you and the dread of you shall be upon every beast of the earth, and upon every fowl of the air, upon all that moveth upon the earth, and upon all the fishes in the sea; into your hand are they delivered.
‘Every moving thing that liveth shall be meat for you; even as the green herb have I given you all things.’*
But Ursula was not moved by the history this morning. Multiplying and replenishing the earth bored her. Altogether it seemed merely a vulgar and stock-raising sort of business. She was left quite cold by man’s stock-breeding lordship over beast and fishes.
‘And you, be ye fruitful and multiply; bring forth abundantly in the earth, and multiply therein.’
In her soul she mocked at this multiplication, every cow becoming two cows, every turnip ten turnips.
‘And God said; This is the token of the covenant which I make between me and you and every living creature that is with you, for perpetual generations;
‘I do set my bow in the cloud, and it shall be a token of a covenant between me and the earth.
‘And it shall come to pass, when I bring a cloud over the earth, that a bow shall be seen in the cloud;
‘And I will remember my covenant, which is between me and you and every living creature of all flesh, and the waters shall no more become a flood to destroy all flesh.’*
‘Destroy all flesh,’ why ‘flesh’ in particular? Who was this lord of flesh? After all, how big was the Flood? Perhaps a few dryads and fauns had just run into the hills and the further valleys and woods, frightened, but most had gone on blithely unaware of any flood at all, unless the nymphs should tell them. It pleased Ursula to think of the naiads in Asia Minor meeting the nereids at the mouth of the streams, where the sea washed against the fresh, sweet tide, and calling to their sisters the news of Noah’s Flood. They would tell amusing accounts of Noah in his ark. Some nymphs would relate how they had hung on the side of the ark, peeped in, and heard Noah and Shem and Ham and Japheth,* sitting in their place under the rain, saying, how they four were the only men on earth now, because the Lord had drowned all the rest, so that they four would have everything to themselves, and be masters of every thing, sub-tenants under the great Proprietor.
The Rainbow (Oxford World’s Classics) Page 39