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Cosmicomics

Page 14

by Italo Calvino


  When a body succeeds in emitting or in reflecting luminous vibrations in a distinct and recognizable order – I thought – what does it do with these vibrations? Put them in its pocket? No, it releases them on the first passer-by. And how will the latter behave in the face of vibrations he can't utilize and which, taken in this way, might even be annoying? Hide his head in a hole? No, he'll thrust it out in that direction until the point most exposed to the optic vibrations becomes sensitized and develops the mechanism for exploiting them in the form of images. In short, I conceived of the eye-encephalon link as a kind of tunnel dug from the outside by the force of what was ready to become image, rather than from within by the intention of picking up any old image.

  And I wasn't mistaken: even today I'm sure that the project – in its over-all aspect – was right. But my error lay in thinking that sight would also come to us, that is to me and to her. I elaborated a harmonious, colored image of myself to enter her visual receptivity, to occupy its center, to settle there, so that she could utilize me constantly, in dreaming and in memory, with thought as well as with sight. And I felt at the same time she was radiating an image of herself so perfect that it would impose itself on my foggy, backward senses, developing in me an interior visual field where it would blaze forth definitely.

  So our efforts led us to become those perfect objects of a sense whose nature nobody quite knew yet, and which later became perfect precisely through the perfection of its object, which was, in fact, us. I'm talking about sight, the eyes; only I had failed to foresee one thing: the eyes that finally opened to see us didn't belong to us but to others.

  Shapeless, colorless beings, sacks of guts stuck together carelessly, peopled the world all around us, without giving the slightest thought to what they should make of themselves, to how to express themselves and identify themselves in a stable, complete form, such as to enrich the visual possibilities of whoever saw them. They came and went, sank a while, then emerged, in that space between air and water and rock, wandering about absently; and we in the meanwhile, she and I and all those intent on squeezing out a form of ourselves, were there slaving away at our dark task. Thanks to us, that badly defined space became a visual field; and who reaped the benefit? These intruders, who had never before given a thought to the possibility of eyesight (ugly as they were, they wouldn't have gained a thing by seeing one another), these creatures who had always turned a deaf ear to the vocation of form. While we were bent over, doing the hardest part of the job, that is, creating something to be seen, they were quietly taking on the easiest part: adapting their lazy, embryonic receptive organs to what there was to receive; our images. And they needn't try telling me now that their job was toilsome too: from that gluey mess that filled their heads anything could have come out, and a photosensitive mechanism doesn't take all that much trouble to put together. But when it comes to perfecting it, that's another story! How can you, if you don't have visible objects to see, gaudy ones even, the kind that impose themselves on the eyesight? To sum it up in a few words: they developed eyes at our expense.

  So sight, our sight, which we were obscurely waiting for, was the sight that the others had of us. In one way or another, the great revolution had taken place: all of a sudden, around us, eyes were opening, and corneas and irises and pupils: the swollen, colorless eye of polyps and cuttlefish, the dazed and gelatinous eyes of bream and mullet, the protruding and peduncled eyes of crayfish and lobsters, the bulging and faceted eyes of flies and ants. A seal now comes forward, black and shiny, winking little eyes like pinheads. A snail extends ball-like eyes at the end of long antennae. The inexpressive eyes of the gull examine the surface of the water. Beyond a glass mask the frowning eyes of an underwater fisherman explore the depths. Through the lens of a spyglass a sea captain's eyes and the eyes of a woman bathing converge on my shell, then look at each other, forgetting me. Framed by far-sighted lenses I feel on me the far-sighted eyes of a zoologist, trying to frame me in the eye of a Rolleiflex. At that moment a school of tiny anchovies, barely born, passes before me, so tiny that in each little white fish it seems there is room only for the eye's black dot, and it is a kind of eye-dust that crosses the sea.

  All these eyes were mine. I had made them possible; I had had the active part; I furnished them the raw material, the image. With eyes had come all the rest, so everything that the others, having eyes, had become, their every form and function, and the quantity of things that, thanks to eyes, they had managed to do, in their every form and function, came from what I had done. Of course, they were not just casually implicit in my being there, in my having relations with others, male and female, et cetera, in my setting out to make a shell, et cetera. In other words, I had foreseen absolutely everything.

  And at the bottom of each of those eyes I lived, or rather another me lived, one of the images of me, and it encountered the image of her, the most faithful image of her, in that beyond which opens, past the semiliquid sphere of the irises, in the darkness of the pupils, the mirrored hall of the retinas, in our true element which extends without shores, without boundaries.

  ***

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