"He was snotty to us, too."
"Let's go out and eat in the town."
We went down the stairs. On the stairs we passed a girl coming up with a covered tray.
"There goes Brett's lunch," Bill said.
"And the kid's," I said.
Outside on the terrace under the arcade the German head waiter came up. His red cheeks were shiny. He was being polite.
"I haff a tabul for two for you gentlemen," he said.
"Go sit at it," Bill said. We went on out across the street.
We ate at a restaurant in a side street off the square. They were all men eating in the restaurant. It was full of smoke and drinking and singing. The food was good and so was the wine. We did not talk much. Afterward we went to the cafe and watched the fiesta come to the boiling-point. Brett came over soon after lunch. She said she had looked in the room and that Mike was asleep.
When the fiesta boiled over and toward the bullring we went with the crowd. Brett sat at the ringside between Bill and me. Directly below us was the callejon, the passageway between the stands and the red fence of the barrera. Behind us the concrete stands filled solidly. Out in front, beyond the red fence, the sand of the ring was smooth-rolled and yellow. It looked a little heavy from the rain, but it was dry in the sun and firm and smooth. The sword-handlers and bullring servants came down the callejon carrying on their shoulders the wicker baskets of fighting capes and muletas. They were bloodstained and compactly folded and packed in the baskets. The sword-handlers opened the heavy leather sword-cases so the red wrapped hilts of the sheaf of swords showed as the leather case leaned against the fence. They unfolded the dark-stained red Harmel of the muletas and fixed batons in them to spread the stuff and give the matador something to hold. Brett watched it all. She was absorbed in the professional details.
"He's his name stencilled on all the capes and muletas," she said. "Why do they call them muletas?"
"I don't know."
"I wonder if they ever launder them."
"I don't think so. It might spoil the color."
"The blood must stiffen them," Bill said.
"Funny," Brett said. "How one doesn't mind the blood."
Below in the narrow passage of the callejon the sword-handlers arranged everything. All the seats were full. Above, all the boxes were full. There was not an empty seat except in the President's box. When he came in the fight would start. Across the smooth sand, in the high doorway that led into the corrals, the bullfighters were standing, their arms furled in their capes, talking, waiting for the signal to march in across the arena. Brett was watching them with the glasses.
"Here, would you like to look?"
I looked through the glasses and saw the three matadors. Romero was in the centre, Belmonte on his left, Marcial on his right. Back of them were their people, and behind the ban derilleros, back in the passageway and in the open space of the corral, I saw the picadors. Romero was wearing a black suit. His tri-cornered hat was low down over his eyes. I could not see his face clearly under the hat, but it looked badly marked. He was looking straight ahead. Marcial was smoking a cigarette guardedly, holding it in his hand. Belmonte looked ahead, his face wan and yellow, his long wolf jaw out. He was looking at nothing. Neither he nor Romero seemed to have anything in common with the others. They were all alone. The President came in; there was handclapping above us in the grand stand, and I handed the glasses to Brett. There was applause. The music started. Brett looked through the glasses.
"Here, take them," she said.
Through the glasses I saw Belmonte speak to Romero. Marcial straightened up and dropped his cigarette, and, looking straight ahead, their heads back, their free arms swinging, the three matadors walked out. Behind them came all the procession, opening out, all striding in step, all the capes furled, everybody with free arms swinging, and behind rode the picadors, their pics rising like lances. Behind all came the two trains of mules and the bullring servants. The matadors bowed, holding their hats on, before the President's box, and then came over to the barrera below us. Pedro Romero took off his heavy gold-brocaded cape and handed it over the fence to his sword-handler. He said something to the sword-handler. Close below us we saw Romero's lips were puffed, both eyes were discolored. His face was discolored and swollen. The sword-handler took the cape, looked up at Brett, and came over to us and handed up the cape.
"Spread it out in front of you," I said.
Brett leaned forward. The cape was heavy and smoothly stiff with gold. The sword-handler looked back, shook his head, and said something. A man beside me leaned over toward Brett.
"He doesn't want you to spread it," he said. "You should fold it and keep it in your lap."
Brett folded the heavy cape.
Romero did not look up at us. He was speaking to Belmonte.
Belmonte had sent his formal cape over to some friends. He looked across at them and smiled, his wolf smile that was only with the mouth. Romero leaned over the barrera and asked for the water jug. The sword-handler brought it and Romero poured water over the percale of his fighting cape, and then scuffed the lower folds in the sand with his slippered foot.
"What's that for?" Brett asked.
"To give it weight in the wind."
"His face looks bad," Bill said.
"He feels very badly," Brett said. "He should be in bed."
The first bull was Belmonte's. Belmonte was very good. But because he got thirty thousand pesetas and people had stayed in line all night to buy tickets to see him, the crowd demanded that he should be more than very good. Belmonte's great attraction is working close to the bull. In bullfighting they speak of the terrain of the bull and the terrain of the bullfighter. As long as a bullfighter stays in his own terrain he is comparatively safe. Each time he enters into the terrain of the bull he is in great danger. Belmonte, in his best days, worked always in the terrain of the bull. This way he gave the sensation of coming tragedy. People went to the corrida to see Belmonte, to be given tragic sensations, and perhaps to see the death of Belmonte. Fifteen years ago they said if you wanted to see Belmonte you should go quickly, while he was still alive. Since then he has killed more than a thousand bulls. When he retired the legend grew up about how his bullfighting had been, and when he came out of retirement the public were disappointed because no real man could work as close to the bulls as Belmonte was supposed to have done, not, of course, even Belmonte.
Also Belmonte imposed conditions and insisted that his bulls should not be too large, nor too dangerously armed with horns, and so the element that was necessary to give the sensation of tragedy was not there, and the public, who wanted three times as much from Belmonte, who was sick with a fistula, as Belmonte had ever been able to give, felt defrauded and cheated, and Belmonte's jaw came further out in contempt, and his face turned yellower, and he moved with greater difficulty as his pain increased, and finally the crowd were actively against him, and he was utterly contemptuous and indifferent. He had meant to have a great afternoon, and instead it was an afternoon of sneers, shouted insults, and finally a volley of cushions and pieces of bread and vegetables, thrown down at him in the plaza where he had had his greatest triumphs. His jaw only went further out. Sometimes he turned to smile that toothed, long-jawed, lipless smile when he was called something particularly insulting, and always the pain that any movement produced grew stronger and stronger, until finally his yellow face was parchment color, and after his second bull was dead and the throwing of bread and cushions was over, after he had saluted the President with the same wolf-jawed smile and contemptuous eyes, and handed his sword over the barrera to be wiped, and put back in its case, he passed through into the callejon and leaned on the barrera below us, his head on his arms, not seeing, not hearing anything, only going through his pain. When he looked up, finally, he asked for a drink of water. He swallowed a little, rinsed his mouth, spat the water, took his cape, and went back into the ring.
Because they were against Belmonte the
public were for Romero. From the moment he left the barrera and went toward the bull they applauded him. Belmonte watched Romero, too, watched him always without seeming to. He paid no attention to Marcial. Marcial was the sort of thing he knew all about. He had come out of retirement to compete with Marcial, knowing it was a competition gained in advance. He had expected to compete with Marcial and the other stars of the decadence of bullfighting, and he knew that the sincerity of his own bullfighting would be so set off by the false aesthetics of the bullfighters of the decadent period that he would only have to be in the ring. His return from retirement had been spoiled by Romero. Romero did always, smoothly, calmly, and beautifully, what he, Belmonte, could only bring himself to do now sometimes. The crowd felt it, even the people from Biarritz, even the American ambassador saw it, finally. It was a competition that Belmonte would not enter because it would lead only to a bad horn wound or death. Belmonte was no longer well enough. He no longer had his greatest moments in the bullring. He was not sure that there were any great moments. Things were not the same and now life only came in flashes. He had flashes of the old greatness with his bulls, but they were not of value because he had discounted them in advance when he had picked the bulls out for their safety, getting out of a motor and leaning on a fence, looking over at the herd on the ranch of his friend the bull-breeder. So he had two small, manageable bulls without much horns, and when he felt the greatness again coming, just a little of it through the pain that was always with him, it had been discounted and sold in advance, and it did not give him a good feeling. It was the greatness, but it did not make bullfighting wonderful to him anymore.
Pedro Romero had the greatness. He loved bullfighting, and I think he loved the bulls, and I think he loved Brett. Everything of which he could control the locality he did in front of her all that afternoon. Never once did he look up. He made it stronger that way, and did it for himself, too, as well as for her. Because he did not look up to ask if it pleased he did it all for himself inside, and it strengthened him, and yet he did it for her, too. But he did not do it for her at any loss to himself. He gained by it all through the afternoon.
His first "quite" was directly below us. The three matadors take the bull in turn after each charge he makes at a picador. Belmonte was the first. Marcial was the second. Then came Romero. The three of them were standing at the left of the horse. The picador, his hat down over his eyes, the shaft of his pic angling sharply toward the bull, kicked in the spurs and held them and with the reins in his left hand walked the horse forward toward the bull. The bull was watching. Seemingly he watched the white horse, but really he watched the triangular steel point of the pic. Romero, watching, saw the bull start to turn his head. He did not want to charge. Romero flicked his cape so the color caught the bull's eye. The bull charged with the reflex, charged, and found not the flash of color but a white horse, and a man leaned far over the horse, shot the steel point of the long hickory shaft into the hump of muscle on the bull's shoulder, and pulled his horse sideways as he pivoted on the pic, making a wound, enforcing the iron into the bull's shoulder, making him bleed for Belmonte.
The bull did not insist under the iron. He did not really want to get at the horse. He turned and the group broke apart and Romero was taking him out with his cape. He took him out softly and smoothly, and then stopped and, standing squarely in front of the bull, offered him the cape. The bull's tail went up and he charged, and Romero moved his arms ahead of the bull, wheeling, his feet firmed. The dampened, mud-weighted cape swung open and full as a sail fills, and Romero pivoted with it just ahead of the bull. At the end of the pass they were facing each other again. Romero smiled. The bull wanted it again, and Romero's cape filled again, this time on the other side. Each time he let the bull pass so close that the man and the bull and the cape that filled and pivoted ahead of the bull were all one sharply etched mass. It was all so slow and so controlled. It was as though he were rocking the bull to sleep. He made four veronicas like that, and finished with a half-veronica that turned his back on the bull and came away toward the applause, his hand on his hip, his cape on his arm, and the bull watching his back going away.
In his own bulls he was perfect. His first bull did not see well.
After the first two passes with the cape Romero knew exactly how bad the vision was impaired. He worked accordingly. It was not brilliant bullfighting. It was only perfect bullfighting. The crowd wanted the bull changed. They made a great row. Nothing very fine could happen with a bull that could not see the lures, but the President would not order him replaced.
"Why don't they change him?" Brett asked.
"They've paid for him. They don't want to lose their money."
"It's hardly fair to Romero."
"Watch how he handles a bull that can't see the color."
"It's the sort of thing I don't like to see."
It was not nice to watch if you cared anything about the person who was doing it. With the bull who could not see the colors of the capes, or the scarlet flannel of the muleta, Romero had to make the bull consent with his body. He had to get so close that the bull saw his body, and would start for it, and then shift the bull's charge to the flannel and finish out the pass in the classic manner. The Biarritz crowd did not like it. They thought Romero was afraid, and that was why he gave that little sidestep each time as he transferred the bull's charge from his own body to the flannel. They preferred Belmonte's imitation of himself or Marcial's imitation of Belmonte. There were three of them in the row behind us.
"What's he afraid of the bull for? The bull's so dumb he only goes after the cloth."
"He's just a young bullfighter. He hasn't learned it yet."
"But I thought he was fine with the cape before."
"Probably he's nervous now."
Out in the centre of the ring, all alone, Romero was going on with the same thing, getting so close that the bull could see him plainly, offering the body, offering it again a little closer, the bull watching dully, then so close that the bull thought he had him, offering again and finally drawing the charge and then, just before the horns came, giving the bull the red cloth to follow with that little, almost imperceptible, jerk that so offended the critical judgment of the Biarritz bullfight experts.
"He's going to kill now," I said to Brett. "The bull's still strong. He wouldn't wear himself out."
Out in the centre of the ring Romero profiled in front of the bull, drew the sword out from the folds of the muleta, rose on his toes, and sighted along the blade. The bull charged as Romero charged. Romero's left hand dropped the muleta over the bull's muzzle to blind him, his left shoulder went forward between the horns as the sword went in, and for just an instant he and the bull were one, Romero way out over the bull, the right arm extended high up to where the hilt of the sword had gone in between the bull's shoulders. Then the figure was broken. There was a little jolt as Romero came clear, and then he was standing, on-e hand up, facing the bull, his shirt ripped out from under his sleeve, the white blowing in the wind, and the bull, the red sword hilt tight between his shoulders, his head going down and his legs settling.
"There he goes," Bill said.
Romero was close enough so the bull could see him. His hand still up, he spoke to the bull. The bull gathered himself, then his head went forward and he went over slowly, then all over, suddenly, four feet in the air.
They handed the sword to Romero, and carrying it blade down, the muleta in his other hand, he walked over to in front of the President's box, bowed, straightened, and came over to the barrera and handed over the sword and muleta.
"Bad one," said the sword-handler.
"He made me sweat," said Romero. He wiped off his face. The sword-handler handed him the water jug. Romero wiped his lips. It hurt him to drink out of the jug. He did not look up at us.
Marcial had a big day. They were still applauding him when Romero's last bull came in. It was the bull that had sprinted out and killed the man in the morning runni
ng.
During Romero's first bull his hurt face had been very noticeable. Everything he did showed it. All the concentration of the awkwardly delicate working with the bull that could not see well brought it out. The fight with Cohn had not touched his spirit but his face had been smashed and his body hurt. He was wiping all that out now. Each thing that he did with this bull wiped that out a little cleaner. It was a good bull, a big bull, and with horns, and it turned and recharged easily and surely. He was what Romero wanted in bulls.
When he had finished his work with the muleta and was ready to kill, the crowd made him go on. They did not want the bull killed yet, they did not want it to be over. Romero went on. It was like a course in bullfighting. All the passes he linked up, all completed, all slow, templed and smooth. There were no tricks and no mystifications. There was no brusqueness. And each pass as it reached the summit gave you a sudden ache inside. The crowd did not want it ever to be finished.
The bull was squared on all four feet to be killed, and Romero killed directly below us. He killed not as he had been forced to by the last bull, but as he wanted to. He profiled directly in front of the bull, drew the sword out of the folds of the muleta and sighted along the blade. The bull watched him. Romero spoke to the bull and tapped one of his feet. The bull charged and Romero waited for the charge, the muleta held low, sighting along the blade, his feet firm. Then without taking a step forward, he became one with the bull, the sword was in high between the shoulders, the bull had followed the low-swung Hannel, that disappeared as Romero lurched clear to the left, and it was over. The bull tried to go forward, his legs commenced to settle, he swung from side to side, hesitated, then went down on his knees, and Romero's older brother leaned forward behind him and drove a short knife into the bull's neck at the base of the horns. The first time he missed. He drove the knife in again, and the bull went over, twitching and rigid. Romero's brother, holding the bull's horn in one hand, the knife in the other, looked up at the President's box. Handkerchiefs were waving all over the bullring. The President looked down from the box and waved his handkerchief. The brother cut the notched black ear from the dead bull and trotted over with it to Romero. The bull lay heavy and black on the sand, his tongue out. Boys were running toward him from all parts of the arena, making a little circle around him. They were starting to dance around the bull.
The Sun Also Rises Page 18