Scandal in Fair Haven

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Scandal in Fair Haven Page 23

by Carolyn G. Hart


  He to­ok anot­her step.

  "Walsh will get the­re." My vo­ice was le­vel. "I'm al­re­ady the­re. Cra­ig-it's ti­me you told me the truth."

  "You've got to shut up. Lo­ok-who as­ked you he­re? What the hell are you do­ing? Trying to get me con­vic­ted? Get out. Just get out. Okay? Get the hell out of he­re." His vo­ice crac­ked.

  I sa­id not­hing.

  "You aren't my aunt. Just pack yo­ur-"

  "It's a lit­tle la­te for you to say so, isn't it? What ma­kes you think Walsh wo­uld even let me le­ave town now? Es­pe­ci­al­ly if you tell him we're not re­la­ted. He might be­gin to won­der just what kind of story we rig­ged. And why. No, Cra­ig. You li­ed and now you're stuck with it. I'm not go­ing an­y­w­he­re."

  His hands tig­h­te­ned in­to fists. Co­lor fla­med on his fa­ce. "Dam­mit, dam­mit, ke­ep yo­ur mo­uth shut, you've got to.

  You've got to!" Then, with a last fu­ri­o­us gla­re, he tur­ned and ran out of the ro­om.

  In a mo­ment I he­ard the do­or slam. And, fa­intly, the mo­tor of the Por­s­c­he.

  Interesting.

  Craig got mad-and he ran.

  Just as Stu­art Pi­er­ce pre­dic­ted.

  I wal­ked to­ward the kit­c­hen. I still had to eat. I won­de­red if Cra­ig was hot­fo­oting it to Ste­vie Cos­tel­lo's.

  Not, I pre­su­med, if he had a bra­in.

  Because Cap­ta­in Walsh su­rely was go­ing to ke­ep track of his pri­me sus­pect.

  But may­be that's exactly what Cra­ig wo­uld do.

  That might truly put the fat in the fi­re.

  At this po­int, I ro­yal­ly didn't gi­ve a damn what Cra­ig Mat­thews did.

  But I was still in the ga­me. I wo­uldn't de­al out.

  Not be­ca­use of Cra­ig.

  Because of Mar­ga­ret.

  Because I don't run.

  And be­ca­use of Patty Kay.

  If Cra­ig was gu­ilty, I wan­ted to know. I wo­uld gri­eve for Mar­ga­ret, but I had to know. In my mind I saw a yo­ung, gra­ce­ful, vib­rant wo­man in the pe­ak ye­ars of her li­fe, smi­ling, pla­ying ten­nis, wor­king for her com­mu­nity. And I saw her lying de­ad in her own blo­od.

  I stop­ped at the te­lep­ho­ne in the ma­in hall.

  No mes­sa­ge lights.

  Be in­te­res­ting to know if Cra­ig'd al­re­ady had a call from Ste­vie.

  I di­aled Des­mond's of­fi­ce.

  This ti­me he an­s­we­red.

  "You're wor­king la­te," I sa­id.

  "Yeah. I just got back from get­ting Cra­ig out of ja­il."

  "I know. I tal­ked to him."

  "Tell him to ke­ep a low pro­fi­le. Walsh is de­ter­mi­ned to pin his hi­de to the barn do­or."

  "I'll tell him." And so I wo­uld-even­tu­al­ly. "Des­mond, who's go­ing to cha­ir the trus­te­es me­eting to­mor­row night?"

  Desmond sig­hed he­avily. "I gu­ess I will. I'm vi­ce pre­si­dent." Pa­pers rat­tled. "Bro­oke's al­re­ady left me three mes­sa­ges, so­met­hing abo­ut a me­mo­ri­al for Patty Kay."

  Brooke cer­ta­inly had an agen­da.

  So did I. Two, in fact. One I ex­p­la­ined to Des­mond. The ot­her-mo­un­ting a se­arch for the aut­hor of the let­ters that dro­ve Fran­ci Hol­lis to her de­ath-wo­uld ha­ve to wa­it. But, in ti­me, I wo­uld get to it. Cru­elty can­not be per­mit­ted to tri­umph.

  "Sure. Why not? Will I see you be­fo­re then?"

  "Yes. How abo­ut af­ter the fu­ne­ral?"

  "After the fu­ne­ral." Des­mond's vo­ice lost its bu­oyancy.

  "Patty Kay's gu­ild is brin­ging lun­c­he­on over to Pa­me­la's. I'll lo­ok for you the­re." I put down the re­ce­iver.

  I he­ated a fro­zen din­ner. Not su­per­mar­ket fa­re, but Patty Kay's mar­ve­lo­us co­oking: se­sa­me chic­ken, scal­lo­ped zuc­chi­ni, car­rots. As so­on as I fi­nis­hed the dis­hes, I he­aded up­s­ta­irs to Patty Kay's of­fi­ce.

  Patty Kay's tras­hed of­fi­ce.

  I sto­od in the do­or­way.

  Surely this was pro­of of Cra­ig's in­no­cen­ce. For he was in po­li­ce cus­tody when this of­fi­ce was ran­sac­ked.

  But Patty Kay's de­ath co­uld ha­ve trig­ge­red pa­nic in ot­her qu­ar­ters. What if she had let­ters from Stu­art? Pre­sent-day, pas­si­ona­te let­ters? What if Gi­na had fi­red off an angry, thre­ate­ning let­ter abo­ut the land zo­ning?

  I co­uldn't as­su­me this mess was ma­de by the mur­de­rer.

  But I was still glad yo­ung Dan For­rest hadn't so­ught

  out the so­ur­ce of the no­ise Mon­day af­ter­no­on. The­re was a vi­ci­o­us­ness to this de­vas­ta­ti­on that ap­pal­led me.

  I set to work. I co­uldn't put ever­y­t­hing whe­re it went, of co­ur­se, be­ca­use I didn't know. And many obj­ects we­re too bro­ken to be re­pa­ired. But I ti­di­ed up. And fi­nal­ly felt I had all the pa­pers that be­lon­ged in Patty Kay's Wal­den Scho­ol fi­le.

  I to­ok the ma­te­ri­al, mo­re than a do­zen fol­ders in an ex­pan­dab­le brown fi­le, down to the club­ro­om. I didn't want to stay in the of­fi­ce with the scar­red desk and shat­te­red bo­ok­ca­se glass.

  Thursday night at bed­ti­me Patty Kay was happy. She ab­ruptly re­ali­zed she'd for­got­ten so­me fi­les. She dro­ve to Wal­den Scho­ol, re­tur­ned with-pre­su­mab­ly-the fi­le hol­der I now pos­ses­sed. Fri­day mor­ning at bre­ak­fast, Patty Kay's mo­od had al­te­red com­p­le­tely. Fri­day af­ter­no­on she ar­ran­ged a last-mi­nu­te din­ner for the scho­ol's bo­ard of trus­te­es.

  I glan­ced at the clock.

  Half past se­ven.

  At mid­night I ga­ve up. I'd re­ad and re­re­ad every fi­le in the fol­der: Bud­get, Physi­cal Plant, Per­son­nel, Rec­ru­iting, Sports, Aca­de­mic Prog­rams, Scho­lar­s­hips, En­dow­ment, Land Use, Me­dia, Bo­ard Mi­nu­tes.

  If the­re was an­y­t­hing the le­ast bit odd, unu­su­al, or sus­pect in that mass of ma­te­ri­al, I co­uldn't find it-and I'm damn go­od at fin­ding odd, unu­su­al, or sus­pect facts.

  I was frus­t­ra­ted. Frus­t­ra­ted, con­fu­sed, and ex­ha­us­ted.

  I fi­nal­ly ga­ve up and went to bed. Af­ter loc­king my do­or and wed­ging a cha­ir be­ne­ath it. Cra­ig had run away, true. But I co­uldn't be cer­ta­in he was in­no­cent. And I knew a gre­at de­al he wo­uldn't want Cap­ta­in Walsh to le­arn.

  I wo­ke se­ve­ral ti­mes in the night and on­ce was tem­p­ted to get up and ha­ve anot­her go at the fi­les.

  Because the an­s­wer had to be the­re, hadn't it? Patty Kay was her usu­al self Thur­s­day eve­ning. She went to the scho­ol, got tho­se fi­les, ca­me ho­me. And Fri­day mor­ning she was very up­set. Why, dam­mit, why?

  The Epis­co­pal bu­ri­al ser­vi­ce is swift and mer­ci­ful. A silk pall co­vers a clo­sed cas­ket. The li­turgy em­p­ha­si­zes the pro­mi­se that de­ath is swal­lo­wed up in vic­tory. Pra­yer asks that the de­ce­ased, in­c­re­asing in know­led­ge and lo­ve of the Lord, go from strength to strength in the li­fe of per­fect ser­vi­ce in the he­avenly kin­g­dom.

  Sometimes the­re Js a eulogy, of­ten not. The­re was a eulogy for Patty Kay. "… yo­ur ser­vant, O Lord, who la­bo­red di­li­gently to ma­ke this world bet­ter…"

  The el­derly pri­est qu­i­etly and lo­vingly re­cal­led Patty Kay's im­pact on the li­ves in her com­mu­nity. Her go­od works. And they we­re many.

  It was be­yond the pri­est's skill to re­call her gus­to for li­fe, her cocky dis­da­in for the pre­ten­ti­o­us, her wil­lin­g­ness to fa­ce abu­se for un­po­pu­lar ca­uses.

  It was odd, sta­ring at the cross em­b­la­zo­ned in scar­let

  on the gol­den silk pall, how well I felt I knew a wo­man I'd ne­ver met.

  The church pews we­re full. The­re we­re fol­di
ng cha­irs set up in the nar­t­hex.

  I sat with Cra­ig. We'd ex­c­han­ged only nods that mor­ning. He ca­me dow­n­s­ta­irs shortly be­fo­re the li­mo­usi­ne ar­ri­ved. He'd avo­ided lo­oking at me, hi­ding be­hind the new­s­pa­per with his cof­fee.

  But he ne­ver tur­ned a pa­ge of it.

  We sat alo­ne in the first black li­mo­usi­ne.

  A ha­un­ted-lo­oking, red-eyed Bri­git ro­de with her fat­her and step­mot­her and the Gut­h­ri­es in the se­cond li­mo­usi­ne.

  But des­pi­te my ir­ri­ta­ti­on with Cra­ig and des­pi­te my newly kin­d­led sus­pi­ci­ons of him, the fu­ne­ral ma­de me glad I'd co­me to Fa­ir Ha­ven three days ago.

  Because Cra­ig wo­uld ha­ve sto­od alo­ne wit­ho­ut me. And that sho­uldn't hap­pen to an­yo­ne. As the ser­vi­ce be­gan, I co­uld fe­el his body shrink be­si­de me, as if a he­avy we­ight bo­wed his sho­ul­ders. He grip­ped the uno­pe­ned pra­yer bo­ok so tightly, his fin­gers blan­c­hed.

  It was al­most as if an in­vi­sib­le wall sur­ro­un­ded him when we en­te­red the church. So many eyes slid away from his glan­ce. So few hands re­ac­hed out to to­uch him. So many qu­ick, co­vert lo­oks fol­lo­wed af­ter he pas­sed.

  As we wal­ked out of that pac­ked church, I co­uld co­unt on one hand tho­se who even ac­k­now­led­ged his pre­sen­ce. Gi­na Ab­bott. Bri­git. And yes, Stu­art Pi­er­ce. And the For­rest fa­mily, Bro­oke, her hus­band Da­vid and son Dan. Cheryl and Bob Kraft.

  But most eyes avo­ided con­tact. Most fa­ces tur­ned away.

  Some of it might ha­ve be­en aw­k­war­d­ness.

  How do you gre­et a man who­se wi­fe has be­en vi­olently mur­de­red?

  It isn't the ac­cep­tab­le way to die. If Patty Kay had di­ed

  of can­cer, the han­d­c­lasps wo­uld ha­ve co­me, the mur­mu­red con­do­len­ces.

  But this was mur­der, and Cra­ig had be­en ar­res­ted for the cri­me.

  And I won­de­red how many kno­wing lo­oks had be­en ex­c­han­ged in con­ver­sa­ti­ons ac­ross Fa­ir Ha­ven, how many sil­ken whis­pers sha­red: So much yo­un­ger than Patty Kay… I've he­ard he and that girl, the pretty blond one, at the sto­re… The gun ca­me from his car… Al­ways tho­ught he lo­oked shifty…

  It was no bet­ter at the ce­me­tery.

  Craig sat stiffly be­si­de me in the first row be­ne­ath the gre­en fu­ne­ral ca­nopy. The bron­ze cas­ket res­ted abo­ve the newly dug gra­ve. The gra­ve­si­te, part of the Pren­tiss fa­mily plots, was ne­ar the top of a hill. A sea of tom­b­s­to­nes fell away be­low, spar­k­ling in the soft Ap­ril sun­light. Pi­ne tre­es sto­od watch, sen­ti­nels to sor­row. But no ob­ser­ver wo­uld ha­ve no­ted he­ar­t­b­re­ak in the fa­ce of this wi­do­wed hus­band. In­s­te­ad, Cra­ig lo­oked hun­ted, his eyes de­fen­si­ve, his sho­ul­ders hun­c­hed, his tightly clas­ped hands trem­b­ling.

  Desmond Ma­ri­no was in the front row of a se­mi­cir­c­le of mo­ur­ners fa­cing the gra­ve. The law­yer's mon­key-bright eyes, som­ber and tho­ug­h­t­ful, re­ma­ined on Cra­ig.

  Marino wasn't the only per­son wat­c­hing Cra­ig. Cap­ta­in Walsh sto­od de­ep in the sha­dow of the to­we­ring pi­ne. His co­ol, dis­sec­ting eyes ne­ver left Cra­ig's fa­ce.

  The pri­est's re­so­nant vo­ice car­ri­ed his words to us: "Almighty God, with whom do li­ve the spi­rits of tho­se who de­part hen­ce in the Lord, and with whom the so­uls of the fa­it­h­ful, af­ter they are de­li­ve­red from the bur­den of the flesh, are in joy and fe­li­city…"

  I lo­oked at ot­her now-fa­mi­li­ar fa­ces.

  Chuck Selwyn, the he­ad­mas­ter, might ha­ve po­sed for Fu­ne­ral Di­rec­tor, U.S.A. His black su­it, bo­wed he­ad, and

  somber fa­ce em­bo­di­ed de­co­ro­us gri­ef. To­night at the trust ees me­eting, I in­ten­ded to po­int out that the­re was not­hing in Patty Kay's scho­ol fi­les abo­ut an aero­na­utics prog­ram.

  Mr. Selwyn, what was the re­al re­ason for her an­ger with you?

  I co­uldn't wa­it.

  "We gi­ve thee he­arty thanks for the go­od exam­p­les of all tho­se thy ser­vants, who, ha­ving fi­nis­hed the­ir co­ur­se in fa­ith, do now rest from the­ir la­bors…"

  Louise Pi­er­ce to­uc­hed a da­inty cam­b­ric han­d­ker­c­hi­ef to her eyes. But her he­art-sha­ped fa­ce was calm. I saw no te­ars. Her ot­her hand grip­ped her hus­band's arm pos­ses­si­vely. I re­mem­be­red her to­ne so cle­arly.

  Stu­art is my hus­band. Mi­ne.

  "And we be­se­ech thee…"

  Stuart Pi­er­ce se­emed una­wa­re of his wi­fe's to­uch. He sto­od with his hands clas­ped be­hind his back and ga­zed at the cas­ket, his dark eyes empty, his fa­ce ble­ak.

  Patty Kay and I- it was al­ways wild and a lit­tle bit in­sa­ne.

  "… that we, with all tho­se who are de­par­ted in the true fa­ith of thy holy na­me…"

  The For­rest fa­mily was in the cen­ter of the se­mi­cir­c­le. It wo­uld ha­ve be­en a fo­cal po­int for a pho­tog­rap­her. I sup­po­sed the For­rest fa­mily al­ways auto­ma­ti­cal­ly as­su­med pri­de of pla­ce. Da­vid For­rest's stern fa­ce was com­po­sed. His black pin­s­t­ri­pe su­it fit him per­fectly. Of co­ur­se. I wo­uld scar­cely ha­ve ex­pec­ted less. Dan For­rest, slim and han­d­so­me in a crisp navy bla­zer and dark gray slacks, sto­od bet­we­en his pa­rents. The han­d­so­me te­ena­ger was de­fi­ni­tely his mot­her's son, her be­a­uty tran­s­for­med in­to a yo­ung man's cle­ar, re­so­lu­te fe­atu­res. Dan sta­red fi­xedly, his eyes enor­mo­us, at the flo­we­ring rho­do­den­d­ron to the right of the gra­ve­si­te. De­ath is dif­fi­cult for any yo­ung per­son, and wit­hin the spa­ce of a day Dan For­rest had ex­pe­ri­en­ced both

  the de­ath of a scho­ol­ma­te and of a fa­mily fri­end. I ho­ped the co­un­se­lors at Wal­den Scho­ol we­re skil­led. Bro­oke's lo­vely fa­ce twis­ted in sor­row. Te­ars slid down her che­eks. Her hus­band might say she and Patty Kay we­re me­rely so­ci­al equ­als. The­re was mo­re he­re than that.

  It's so im­por­tant to do the right thing.

  "… may ha­ve our per­fect con­sum­ma­ti­on and bliss…"

  Gina Ab­bott's eyes we­re clo­sed. Her bony fa­ce was drawn and frig­h­te­ningly pa­le.

  That's the last ti­me we tal­ked. We yel­led at each ot­her.

  Gina's da­ug­h­ter Chloe clut­c­hed a pra­yer bo­ok. She sta­red at the cas­ket with puz­zled, frig­h­te­ned eyes.

  "… both in body and so­ul…"

  Stevie Cos­tel­lo's arms we­re clas­ped tightly ac­ross her chest. She wo­re a boxy black su­it that wasn't es­pe­ci­al­ly be­co­ming. It ma­de her lo­ok shor­ter, he­avi­er. And black tur­ned her pa­le fa­ce sal­low. She, too, wat­c­hed Cra­ig.

  "… in thy eter­nal and ever­las­ting glory…"

  I al­most didn't re­cog­ni­ze the fi­nal mem­ber of the ten­nis fo­ur­so­me. I had yet to me­et her, of co­ur­se, ot­her than in Patty Kay's vi­de­os of the ten­nis ho­li­day and Bri­git's bir­t­h­day. I wis­hed I co­uld step for­ward, ta­ke her arm, cry, "I un­der­s­tand, I un­der­s­tand."

  Edith Hol­lis lo­oked twenty ye­ars ol­der than the wo­man who had va­ca­ti­oned at the ten­nis re­sort. Her fa­ir, frec­k­led fa­ce was blo­ated with suf­fe­ring; her chunky body-on­ce a mus­cu­lar thre­at on the co­urt-sag­ged he­avily. She clung to the arm of the man next to her. Her hus­band, I as­su­med. His fa­ce, too, bo­re the marks of sor­row. Bal­ding and stocky, her hus­band lo­oked my age. He was pro­bably twenty ye­ars yo­un­ger.

  My he­art ac­hed, too, for the­ir son, Walt, the de­ad girl's brot­her, the ot­her ni­ce-lo­oking red­he­aded kid in the snap-

  shots in Gi­na's sto­re. Walt's sun­ken, splotchy fa­ce- so yo­ung, too yo­un
g for so much pa­in-lo­oked ut­terly da­zed, lost, des­pa­iring. My Emily had gri­eved so long, so de­eply for her lit­tle brot­her.

  "… thro­ugh Jesus Christ our Lord. Amen."

  One fi­nal pra­yer.

  The fu­ne­ral di­rec­tor ca­ught my eye and nod­ded.

  "Craig."

  Those hun­ted eyes slid to­ward me.

  "Time to go," I mur­mu­red.

  Brigit was the first of the fa­mily to re­ach open gro­und.

 

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