Scandal in Fair Haven

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Scandal in Fair Haven Page 28

by Carolyn G. Hart


  Damn, damn, damn.

  We went dow­n­s­ta­irs to the his­tory and po­li­tics sec­ti­ons. "Amy was le­ar­ning the­se bo­oks," Ste­vie ex­p­la­ined. "Three ti­mes a day she chec­ked and stra­ig­h­te­ned the shel­ves. She was at the in­for­ma­ti­on desk from one to three. The rest of the ti­me she un­pac­ked bo­oks or wor­ked the flo­or or was at the front chec­ko­ut desk, de­pen­ding upon the cus­to­mer flow."

  We wal­ked to a se­mi­cir­cu­lar co­un­ter in the mid­dle of

  the sto­re. "To­day she was sup­po­sed to do­ub­le-check next we­ek's sche­du­le for the da­ily wor­kers. A lot of Patty Kay's fri­ends work in the sto­re one day a we­ek. Mon­day thro­ugh Fri­day. They we­ren't in­te­res­ted in we­ekends, of co­ur­se."

  Stevie pul­led open a shal­low dra­wer and lif­ted out a ring-bin­der no­te­bo­ok. She put it on the co­un­ter­top and ope­ned it.

  I saw monthly si­de tabs.

  She flip­ped to Ap­ril and the se­cond she­et in that month. It was tit­led Da­ily Sche­du­les, Ap­ril 5-9. The na­mes of the clerks ran ho­ri­zon­tal­ly, the days of the we­ek ver­ti­cal­ly The re­sul­ting grid ga­ve a qu­ick con­fir­ma­ti­on of who was sche­du­led to work when.

  I chec­ked back a few we­eks. The la­di­es hop­s­cot­c­hed aro­und.

  Brooke For­rest cus­to­ma­rily wor­ked Mon­days, but the pri­or we­ek she swit­c­hed with Edith Hol­lis on Thur­s­day.

  Pamela Gut­h­rie was down for Fri­days, but she'd wor­ked every ot­her day in the we­ek but Fri­day for the past month.

  The ot­her sin­g­le-day wor­kers we­re Cheryl Kraft, who'd be­en at the sto­re to­day, and Lo­u­ise Pi­er­ce, who wor­ked Tu­es­days.

  There was a red X by each na­me for this we­ek.

  I po­in­ted.

  Stevie tap­ped an X. "That me­ans Amy chec­ked last we­ek and had de­fi­ni­te com­mit­ments for this we­ek."

  "So to­day"- I flip­ped to the next she­et. Da­ily Sche­du­les, Ap­ril 12-16.

  Crimson Xs ne­atly mar­ked each na­me. Next we­ek Bro­oke wo­uld be in both Mon­day and Thur­s­day. Lo­u­ise and Cheryl had swit­c­hed. Pa­me­la was on sche­du­le for Fri­day.

  Stevie to­uc­hed the Thur­s­day co­lumn. "Next we­ek I'd

  better call Mrs. Hol­lis. She may not want to con­ti­nue. But we ha­ve a wa­iting list. It's a pri­zed job in town."

  "I'm su­re it is. But it still sur­p­ri­ses me that Pa­me­la Gut­h­rie do­es it."

  Stevie's eyes glin­ted. "That wo­man."

  "If she do­esn't enj­oy it, why do­es she do it?"

  "To ke­ep an eye on the bo­ok­s­to­re, I sup­po­se. Or may­be she just do­esn't want to be left out of so­met­hing that the wo­men in town do."

  "Does it ha­ve such a so­ci­al cac­het?"

  "Oh, yes. It's even har­der than get­ting in­to Tal­king Le­aves."

  "Talking Le­aves?"

  "The bo­ok club in Fa­ir Ha­ven. Be­en in exis­ten­ce for mo­re than a hun­d­red ye­ars. You prac­ti­cal­ly ha­ve to in­he­rit an ope­ning. Simply be­ing rich isn't eno­ugh."

  It's a small town, for chris­sdkes.

  Stevie's vo­ice wasn't hos­ti­le. She was me­rely re­por­ting a fact.

  She fid­ge­ted. "Is this what you wan­ted to see, Mrs. Col­lins? Are we fi­nis­hed?"

  I didn't an­s­wer at on­ce. I was lo­oking to­ward the front do­or. Amy co­uld ha­ve se­en an­yo­ne who ca­me thro­ugh the front do­or.

  And be­en se­en.

  "No. Tell me abo­ut the sto­re to­day-from the ti­me Amy ar­ri­ved."

  She shi­ve­red. "We didn't open un­til la­te, of co­ur­se. Be­ca­use of the fu­ne­ral. I told ever­yo­ne to co­me in at one. Amy ca­me in a few mi­nu­tes early. I was in the em­p­lo­yee lun­c­h­ro­om. She got a cap­puc­ci­no and a big oat­me­al co­okie from the ca­fe and sat with me. I te­ased her, sa­id she wasn't eating eno­ugh for a gro­wing girl. A co­okie for lunch isn't eno­ugh."

  Her eyes flas­hed. "No­ne of us ate an­y­t­hing at Mrs. Guth he's."

  "How did Amy act?"

  Stevie clo­sed the no­te­bo­ok, slid it back in­to a dra­wer The­re was a pa­use be­fo­re she rep­li­ed, as if she we­re con­si­de­ring her an­s­wer. "Just as usu­al. She ne­ver had a lot to say But she was ple­asant. Ni­ce. The­re was not­hing dif­fe­rent this af­ter­no­on."

  "When did you last see her?"

  "Right be­fo­re I left, abo­ut two-forty. I wal­ked by the in­for­ma­ti­on desk. She didn't see me. She was on the pho­ne That's all I no­ti­ced."

  "So Amy was ali­ve at two-forty." I got out my no­te­bo­ok, flip­ped to a fresh pa­ge. "You didn't see her aga­in?"

  "No."

  "You we­ren't he­re when we fo­und Amy." I'd not tho­ught abo­ut Ste­vie's ab­sen­ce un­til the po­li­ce­man us­he­red her and Cra­ig in­to the bo­ok­s­to­re. Ever sin­ce, I'd tho­ught abo­ut it qu­ite a bit.

  "No. God, I'm glad. It's so aw­ful."

  "Were you off work?"

  "I wasn't fe­eling well. I had a he­adac­he. So I went ho­me j for a whi­le. Then I felt a lit­tle bet­ter and I de­ci­ded to go to the park." Very glib, very qu­ick. She'd tho­ught abo­ut this.

  "Park?"

  "Cravens Park. It's a mi­le or so from he­re. I so­me­ti­mes ta­ke a pic­nic lunch to the park."

  "Did the po­li­ce find you the­re?"

  "Yes."

  "When?"

  "About fo­ur."

  "With Cra­ig?"

  "Oh, no. I me­an, we didn't go the­re to­get­her. We just hap­pe­ned to run in­to each ot­her."

  She didn't lie ne­arly as well as Cra­ig.

  "Oh." I let it hang.

  Her eyes flic­ke­red away from me.

  "Did you see an­yo­ne el­se at the park?"

  "1 didn't pay any at­ten­ti­on. We-I was wal­king in the ro­se gar­den, and I en­ded up in the lit­tle am­p­hit­he­ater. It's at the end of a path and rat­her sec­lu­ded. No one el­se was the­re. Un­til Cra­ig ca­me."

  "When was that?"

  "I think it was aro­und fo­ur."

  So she wasn't ali­bi­ing Cra­ig-or her­self-for the ti­me when Amy was kil­led.

  "I was so sur­p­ri­sed to see him," she sa­id has­tily.

  And I en­ter­ta­in Ve­nu­si­ans be­fo­re sun­ri­se every Tu­es­day.

  I ref­ra­ined from sa­ying it. I ne­eded her co­ope­ra­ti­on.

  She wasn't thril­led at my plan.

  But she ag­re­ed.

  We each man­ned a te­lep­ho­ne. That was one re­ason I'd wan­ted to co­me to the sto­re. Mo­re than one pho­ne li­ne. We split up the list. I ga­ve her the clerks. I to­ok the cus­to­mers. But I tri­ed to lis­ten to her qu­es­ti­ons and res­pon­ses even as I tal­ked.

  At this po­int I didn't trust an­y­body.

  It was li­ke we­aring a Wal­k­man with a dif­fe­rent talk show in each ear.

  Stevie got mo­re wil­ling res­pon­ses than I, of co­ur­se. She was, af­ter all, the boss. I was an un­k­nown wo­man cal­ling la­te in the eve­ning to ask abo­ut a tra­uma­tic event. I had one han­gup and one thre­at to re­port me to the cops. "Be my gu­est," I rep­li­ed. "The­re's no law aga­inst as­king qu­es­ti­ons- and I ho­ped you wo­uld want to find the per­son who stran­g­led Amy Foss. She was ni­ne­te­en." That got me co­ope­ra­ti­on.

  Stevie and I each as­ked the sa­me qu­es­ti­ons:

  Did you talk to Amy?

  When?

  Abo­ut what?

  When did you last see Amy?

  Who did you no­ti­ce in the sto­re from two-thirty to three o'clock?

  We ma­de the last call shortly be­fo­re ele­ven.

  By ele­ven-fif­te­en we wor­ked it out:

  Amy was last se­en at two for­ty-fi­ve by Jac­kie. "She was wal­
king to­ward the sto­re­ro­om. I ne­ver saw her aga­in."

  At two- fifty, Pa­ul re­ali­zed the in­for­ma­ti­on desk wasn't man­ned and the­re we­re se­ve­ral cus­to­mers wa­iting. "I tho­ught may­be she'd go­ne to the bat­h­ro­om. But she didn't co­me back. So I to­ok over."

  At three, Todd star­ted hun­ting for Amy.

  "Okay. It se­ems cle­ar eno­ugh. She was kil­led bet­we­en two-forty and three. So, let's see how many pe­op­le we think we­re in the sto­re then."

  This was whe­re it bro­ke down. No one co­uld say with any gre­at cer­ta­inty. We did get the na­mes of three lon­g­ti­me cus­to­mers. Ste­vie co­uld call them to­mor­row to see if they'd no­ti­ced an­y­t­hing hel­p­ful.

  The rest of the list was in­de­ter­mi­na­te. An ol­der man, a red­he­aded wo­man, a yo­ung guy in a navy ho­oded swe­at­s­hirt and pants, a co­up­le of el­derly wo­men, two te­ena­ge girls. And, of co­ur­se, the clerks, Todd, Jac­kie, Pa­ul, Candy, and Cheryl Kraft.

  On a fresh she­et, I lis­ted the­se na­mes:

  Cra­ig Mat­thews Ste­vie Cos­tel­lo Bri­git Pi­er­ce Stu­art Pi­er­ce Lo­u­ise Pi­er­ce

  Des­mond Ma­ri­no Wil­lis Gut­h­rie Pa­me­la Gut­h­rie Bro­oke For­rest Da­vid For­rest Gi­na Ab­bott

  One fact ar­gu­ed aga­inst the ap­pe­aran­ce of any of the­se: Cheryl Kraft knew each of them.

  Of co­ur­se, it was pos­sib­le that one of them had ma­na­ged to en­ter the sto­re and es­ca­pe no­ti­ce.

  Or what if it was so­me­one who wo­uldn't ex­ci­te no­ti­ce at all, such as Cra­ig or Ste­vie?

  Or what if so­me­one cal­led and as­ked Amy to be in the sto­re­ro­om or the al­ley at, say, two for­ty-fi­ve? That way the mur­de­rer might not ha­ve co­me in­to Bo­oks, Bo­oks, Bo­oks.

  Surely Amy hadn't be­en that fo­olish.

  "Stevie, what abo­ut the do­or to the al­ley. Was it kept loc­ked?"

  "No. Not du­ring the wor­k­day. We wo­uld be in and out, tos­sing car­tons, re­ce­iving de­li­ve­ri­es."

  That do­or wo­uld ha­ve be­en kept loc­ked in a lar­ger city. But this wasn't a city, this was a small town. No one wor­ri­ed abo­ut thi­eves or stre­et pe­op­le co­ming in from an al­ley in Fa­ir Ha­ven.

  "So an­yo­ne co­uld ha­ve co­me in, wa­ited in the sha­dows ne­ar the de­li­very dock, kno­wing Amy wo­uld co­me in­to the back area at so­me po­int. Is that right?"

  "I sup­po­se it is."

  I felt con­fi­dent ever­yo­ne con­nec­ted with Patty Kay knew the bo­ok­s­to­re well eno­ugh to be awa­re of that al­ley en­t­ran­ce.

  So the mur­de­rer didn't ha­ve to be among tho­se in the bo­ok­s­to­re.

  All right. Go at it anot­her way. Amy knew so­met­hing. That's why she cal­led the Mat­thews ho­use. That's why she left the mes­sa­ge for me.

  What did she know?

  Was it con­nec­ted with the pho­ne call as­king Cra­ig to pick up the fru­it bas­ket?

  Or was it simply that she knew-and wo­uld swe­ar-that Cra­ig left the bo­ok­s­to­re at a qu­ar­ter to fo­ur on Sa­tur­day?

  Stevie le­aned back in her cha­ir and sig­hed.

  I lo­oked at her. The swe­at­s­hirt she'd pul­led on when we left her apar­t­ment was over­si­ze. Not the kind of thing she'd we­ar to work. No, she wo­re cot­ton car­di­gans to work. She cla­imed so­me­one had ta­ken hers from the bo­ok­s­to­re on Fri­day.

  What if- somehow-Amy knew bet­ter?

  What if Amy saw Ste­vie with that car­di­gan Fri­day night or Sa­tur­day mor­ning?

  "Is Amy's apar­t­ment ne­ar yo­urs?"

  Stevie ga­ve me a gu­ar­ded, ca­uti­o­us lo­ok. "Not­hing's far from an­y­t­hing in Fa­ir Ha­ven."

  "Did you and Amy shop at the sa­me gro­cery?"

  "What are you get­ting at? Why are you as­king me that kind of qu­es­ti­on? I didn't ha­ve any re­ason to-"

  A brisk knock so­un­ded at the front do­or.

  We both tur­ned to lo­ok.

  I mo­ved first. "Go­od. It's Des­mond."

  Stevie un­loc­ked the do­or.

  "Henrie O, I got yo­ur mes­sa­ge. I tal­ked to Su­san Nic­hols."

  We sto­od ne­ar the front chec­ko­ut co­un­ter in a yel­low po­ol of light. The law­yer lo­oked des­pe­ra­tely ti­red. His fa­ce was hag­gard. Dark cir­c­les sha­do­wed eyes numb with mi­sery.

  "Good. We­Ve nar­ro­wed things down at this end. Amy was kil­led so­me­ti­me bet­we­en two-forty and three. What did you find out?"

  "Susan sa­id Amy was hit on the he­ad, pro­bably stun­ned, then stran­g­led. The po­li­ce fo­und a ti­re iron in the bot­tom of the dum­p­s­ter. No prints on it, but tra­ces of Amy's blo­od and ha­ir."

  The at­tack was ta­king sha­pe in my mind. I co­uld see a fi­gu­re in tho­se dark sha­dows by the clo­sed de­li­very do­or, Amy wal­king by, the bru­tal blow that struck with no war­ning.

  "Why hit her, then stran­g­le her?" Ste­vie as­ked.

  1 knew. "Stran­g­ling is qu­i­eter. The ini­ti­al blow wo­uld ma­ke no­ise. Re­pe­ated blows wo­uld ma­ke mo­re no­ise."

  Stevie tur­ned away.

  A ti­re iron. It co­uld pos­sibly be tra­ced to a par­ti­cu­lar ma­ke and mo­del of car. But it co­uld be lin­ked to a par­ti­cu­lar car only if fi­bers clung to it. Su­rely this crafty and ca­re­ful kil­ler cle­aned the mur­der we­apon tho­ro­ughly be­fo­re brin­ging it to the bo­ok­s­to­re. "What was used to stran­g­le her?"

  "A navy scarf with a red di­amond pat­tern."

  "Oh, my God." Ste­vie's hands clut­c­hed at her thro­at. "So­me­one to­ok my scarf. So­me­one to­ok it!"

  The MG he­ad­lights swept over the blue Le­xus and gre­en Por­s­c­he. I par­ked be­si­de the Por­s­c­he, tur­ned off my lights.

  It was dark in­de­ed, mid­nig­ht-dark.

  Craig hadn't left on any out­si­de lights to wel­co­me me ho­me. When I step­ped in­si­de, I saw that even the tor­c­he­re down the hall was off. I used my small pur­se flas­h­light to il­lu­mi­na­te my way to the sta­irs.

  In the up­s­ta­irs hal­lway I he­si­ta­ted. I wan­ted to bang on his do­or, de­mand to know whe­re he'd be­en when Amy was mur­de­red.

  But why wo­uld Cra­ig stran­g­le Amy with the scarf be­lon­ging to the wo­man he lo­ved?

  A do­ub­le bluff? But he didn't ha­ve that kind of gam­b­ling in­s­tinct. I wo­uld ha­ve sworn to that.

  God, how it went ro­und and ro­und in my mind.

  Yes, it's Cra­ig.

  No, it can't be.

  I tur­ned away.

  In my ro­om I slip­ped in­to my T-shirt and shorts, ra­ised the win­dow wi­de, and tur­ned off the light. I was ex­ha­us­ted. 1 fell al­most im­me­di­ately in­to a res­t­less, une­asy sle­ep. A mind on over­lo­ad do­esn't ma­ke for swe­et slum­ber.

  Images tan­g­led: gra­yish an­k­les, Patty Kay atop an elep­hant, the bru­ised sha­dows be­ne­ath an­gu­is­hed aqu­ama­ri­ne eyes, a sin­g­le-en­gi­ne pla­ne twis­ting and tur­ning aga­inst a stormy sky, a mon­s­t­ro­us gin­ger mus­tac­he, the glis­ten oi earth at a gra­ve­si­te, the so­no­ro­us pi­ety of an evan­ge­list's ra­dio spi­el, the diz­zying smell from a gas pump…

  Gasoline.

  My eyes snap­ped open.

  1 bre­at­hed the harsh, un­mis­ta­kab­le stench of ga­so­li­ne.

  I rol­led out of bed, hur­ri­ed to the win­dow.

  No mo­on. No light.

  And waf­ting thro­ugh the win­dow on the silky night bre­eze, the ac­rid scent of ga­so­li­ne.

  Below, I he­ard the scuff of hur­rying fo­ot­s­teps-and the so­und of li­qu­id slos­hing, splas­hing.

  Whirling, I grab­bed up the flas­h­light from the nig­ht-stand. I ran out of the ro­om and down the hal­lway.


  I flung open Cra­ig's do­or.

  "Craig, Cra­ig!"

  My flas­h­light dan­ced ac­ross the empty bed. The sil­ken spre­ad was thrown back, a pil­low bun­c­hed aga­inst the he­ad­bo­ard.

 

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