Scandal in Fair Haven

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Scandal in Fair Haven Page 30

by Carolyn G. Hart


  If Cra­ig was tel­ling the truth abo­ut that.

  But if Patty Kay ar­ran­ged that last-mi­nu­te din­ner be­ca­use of a mat­ter she wan­ted to bring be­fo­re the trus­te­es why hadn't she li­ned up the ne­ces­sary sup­port?

  All right. Toss the din­ner. It didn't mat­ter.

  Yet, she di­ed only a few ho­urs be­fo­re the trus­te­es wo­uld co­me to her ho­me.

  I lo­oked at the clock.

  Almost half-past fo­ur.

  The dar­kest watch of the night.

  Images flic­ke­red in my mind.

  Patty Kay. Bra­ve, ob­tu­se, ge­ne­ro­us, stub­bornly un­for­gi­ving. Patty Kay fi­er­cely pla­ying ten­nis, Patty Kay la­ug­hing as she te­ased Bro­oke, Patty Kay atop an elep­hant, Patty Kay fa­cing down the san­c­ti­mo­ni­o­us mi­nis­ter, Patty Kay lightly dis­mis­sing her da­ug­h­ter's first pas­si­on, Patty Kay dri­ving out to scho­ol for her fi­les-…

  Everything was fi­ne un­til Thur­s­day night, when she went out to Wal­den Scho­ol.

  Walden Scho­ol, an en­c­la­ve of pri­vi­le­ged yo­uth. I tho­ught of the mag­ni­fi­cent gro­unds, the fi­ne bu­il­dings, and ma­ni­cu­red pla­ying fi­elds. Even a be­a­uti­ful la­ke. But now the la­ke had ser­ved as the bac­k­g­ro­und for such a ne­ed­less yo­ung de­ath. The­se stu­dents we­re pam­pe­red and pro­tec­ted and of­fe­red the fi­nest edu­ca­ti­on. But not even wor­ld-class cos­se­ting co­uld pro­tect one yo­ung girl from ug­li­ness and des­pa­ir.

  The ser­pent in Eden.

  That was the kind of inj­us­ti­ce that wo­uld in­f­la­me Patty Kay.

  1 ima­gi­ned her dri­ving the­re Thur­s­day night, go­ing to her of­fi­ce…

  Thursday night.

  Night. When no one is abo­ut. Or, if abo­ut, so­me­ti­mes tho­se who slip qu­i­etly thro­ugh dar­k­ness are up to no go­od.

  Abruptly 1 saw the tre­es and not the fo­rest.

  Quickly, qu­ickly I ran thro­ugh the idea in my mind, the shoc­king, ex­p­lo­si­ve, qu­ite pos­sib­le idea.

  Oh, yes, yes, it co­uld be.

  God, it co­uld be.

  Patty Kay wo­uld in­de­ed be up­set, out­ra­ged, de­ter­mi­ned to ta­ke ac­ti­on.

  I pus­hed up from my cha­ir, be­gan to pa­ce.

  Think, Hen­rie O, think.

  Patty Kay wo­uld ha­ve to be su­re.

  Perhaps so­mew­he­re in the ho­use was pro­of of my the­ory.

  But the­re might be an easi­er way.

  If Patty Kay had ac­ted as I tho­ught she wo­uld, do­ne what Patty Kay Pren­tiss Pi­er­ce Mat­thews wo­uld ha­ve had to do to be cer­ta­in, the­re might yet be pro­of!

  It was an odd ti­me to be in a scho­ol The an­ti­que clock mo­un­ted mid­way down the hall re­ad fif­te­en mi­nu­tes past fi­ve. Not even the ear­li­esi scho­lar was he­re yet.

  Two as­pects of this hal­lway dif­fe­red from any scho­ol hal­lway I'd ever vi­si­ted. This hal­lway was cle­an. The loc­kers had no locks.

  The fin­ger­p­rint tec­h­ni­ci­an brus­hed black pow­der in gen­t­le, even, cur­ved stro­kes on the sur­fa­ce of loc­ker num­ber for­ty-fi­ve. And on the han­d­le. So far, Li­e­ute­nant Bern had be­en the most ple­asant per­son on this som­ber outing She'd ma­de no com­p­la­int abo­ut the ho­ur.

  Fragments of prints over­lap­ped on the gray me­tal in a be­wil­de­ring ar­ray. But I knew eno­ugh to be pa­ti­ent.

  Captain Walsh to­ok turns gla­ring at me, then at the loc­ker.

  Desmond le­aned aga­inst the pe­ach wall. His fa­ce was

  deeply li­ned with we­ari­ness. He, too, sta­red fi­xedly at the loc­ker.

  Chuck Selwyn, out­ra­ge cle­ar in every ta­ut li­ne of his body, sto­od with his legs apart, his hands jam­med in the poc­kets of his kha­ki slacks. Un­s­ha­ven, in a gray swe­at­s­hirt, he didn't lo­ok qu­ite as bo­yish.

  Berry to­ok her ti­me, used a mag­nif­ying glass. I won­de­red if she re­ali­zed how ten­sely we wa­ited, how lightly we bre­at­hed.

  Her an­s­wer-when it ca­me-was mat­ter-of-fact. "Bin­go." She ga­ve me a swift glan­ce. "I've fo­und se­ven prints ma­de by Patty Kay Mat­thews." Berry po­in­ted at se­ve­ral spots, at the top of the loc­ker, mid­way bet­we­en the top and the han­d­le, and on the in­si­de top re­ar of the han­d­le "… a frag­ment of the se­cond fin­ger, right hand…" The tec­h­ni­ci­an used the wo­oden tip of the brush to pull the han­d­le up and ease the loc­ker open.

  I lo­oked at the loc­ker's con­tents. A scho­ol pep swe­ater hung from a ho­ok. Bo­oks and pa­pers we­re pi­led hap­ha­zardly. The­re was not­hing es­pe­ci­al­ly no­tab­le abo­ut this par­ti­cu­lar loc­ker ex­cept that its ow­ner had to­uc­hed the swe­ater and the pa­pers less than a we­ek past, but wo­uld ne­ver to­uch them aga­in.

  Berry be­gan to brush the pow­der on the in­te­ri­or of the loc­ker do­or.

  But I was on the ho­mes­t­retch. It didn't mat­ter whet­her the­re we­re prints in­si­de the loc­ker, tho­ugh now I knew the­re wo­uld be. What mat­te­red was that even a sin­g­le frag­ment of one of Patty Kay's fin­ger­p­rints had be­en fo­und on the han­d­le of this loc­ker.

  Walsh rub­bed a bristly che­ek.

  Selwyn sta­red at the loc­ker li­ke he was wat­c­hing a cob­ra un­du­la­te from its bas­ket. The ser­pent in Eden, I tho­ught aga­in.

  I con­cen­t­ra­ted on Walsh. I still had a sel­ling job. "The­re is no re­ason for Patty Kay Mat­thews's fin­ger­p­rints to be on this loc­ker."

  The po­li­ce chi­ef shrug­ged. "Mrs. Mat­thews was a te­ac­her he­re."

  But the he­ad­mas­ter's brow cre­ased in a tight, puz­zled frown. "Not in this bu­il­ding." Li­ke me, he knew it was odd, inex­p­li­cab­le.

  1 was wil­ling to be ge­ne­ro­us to the op­po­si­ti­on. "Let's ima­gi­ne for a mo­ment that Patty Kay was in this bu­il­ding- per­haps to talk to anot­her te­ac­her-and let's even ima­gi­ne her wal­king down this hal­lway and re­ac­hing out and hap­pe­ning to to­uch this par­ti­cu­lar loc­ker. That still can't ex­p­la­in the print in­si­de the han­d­le. The­re's only one re­ason Patty Kay wo­uld ha­ve grip­ped the han­d­le: to open the loc­ker."

  "From a par­ti­al print on the in­si­de of the han­d­le, from that you jump to mur­der?" Walsh de­man­ded.

  "Yes." I knew 1 so­un­ded grim. 1 felt grim. Grim and angry, so angry. The sna­ke in Eden had be­en so de­adly, had bro­ught so much harm and pa­in and ne­ed­less suf­fe­ring. "He­re's what must ha­ve hap­pe­ned. She dro­ve in­to the cam­pus Thur­s­day night." I lo­oked at Des­mond. "Are the ga­tes loc­ked at night?"

  He sho­ok his he­ad. "We've ne­ver had a prob­lem with se­cu­rity. We clo­se the ma­in ga­tes un­less the­re's a prog­ram or re­cep­ti­on. But the­re's no lock." No, the­re had ne­ver be­en a prob­lem with se­cu­rity in Fa­ir Ha­ven.

  "So Patty Kay ar­ri­ves. It's qu­ite la­te. No­body's he­re. She pro­bably par­ked clo­se to the lan­gu­ages bu­il­ding. I'm gu­es­sing it's right next do­or?"

  Desmond nod­ded.

  I didn't know the cam­pus. But I knew what had hap­pe­ned, what must ha­ve hap­pe­ned. I met Walsh's un­wa­ver-

  ing ga­ze. "Patty Kay ca­me out of her bu­il­ding in ti­me to see so­me­one en­te­ring this bu­il­ding. Or she ar­ri­ved just as so­me­one ca­me in­to this bu­il­ding. So­met­hing abo­ut that fi­gu­re at­trac­ted her at­ten­ti­on. Be­ing Patty Kay, what did she do?"

  Desmond knew. He'd al­re­ady fi­gu­red it out. "She was ne­ver af­ra­id of an­y­t­hing. She'd go lo­ok."

  I wat­c­hed a jig­saw of prints ma­te­ri­ali­ze on the in­si­de pa­nel. "She saw so­me­one, and she knew it wasn't right. Be­ing Patty Kay, she ca­me to in­ves­ti­ga­te. We'll ne­ver know exactly what hap­pe­ned, but we c
an be su­re of one fact. She saw a stu­dent at this loc­ker, a stu­dent who sho­uldn't ha­ve be­en at this loc­ker. May­be the stu­dent tri­ed to bra­zen it out, cla­imed to be he­re to get a bo­ok, so­met­hing of that sort." "It's all as­sum­p­ti­on. What stu­dent? Why a stu­dent?" Selwyn's vo­ice was shrill. He was pro­tec­ting his stu­dents. He wo­uld al­ways pro­tect his stu­dents, no mat­ter what the cost. "If we're go­ing to pre­tend, let's pre­tend it was an adult she knew."

  I ig­no­red him. "Or it might ha­ve hap­pe­ned qu­ite dif­fe­rently. May­be the stu­dent ran away when Patty Kay ca­me in. But wha­te­ver hap­pe­ned, Patty Kay saw eno­ugh to link the per­son to this loc­ker. We know that be­ca­use she ca­me to this loc­ker, ope­ned it, and fo­und what the stu­dent had left." "You can't be su­re of any of this." Walsh didn't li­ke me very much. I was ma­king his li­fe too com­p­li­ca­ted.

  "Yes, Cap­ta­in, I can. This loc­ker be­lon­ged to Fran­ci Hol­lis."

  "Hollis." Cap­ta­in Walsh hun­c­hed his sho­ul­ders. His dark eyes we­re ble­ak. "The kid who com­mit­ted su­ici­de last we­ek."

  "Yes." Ho­un­ded to de­ath. So yo­ung and so ter­ribly vul­ne­rab­le. "You know why. The anon­y­mo­us let­ters. Dre­ad­ful anon­y­mo­us let­ters. No one's told us how they re­ac­hed her.

  Surely her pa­rents wo­uld ha­ve no­ti­ced if she'd star­ted re­ce­iving ma­il at ho­me that up­set her. It ma­kes a lot mo­re sen­se to as­su­me she got tho­se let­ters at scho­ol. How co­uld she re­ce­ive them anon­y­mo­usly? Very easily-if so­me­one slip­ped them in­to her loc­ker."

  "Sure." Walsh lo­oked at the he­ad­mas­ter.

  We all did.

  Selwyn's fa­ce was ri­gid. "This is all sup­po­si­ti­on. Every bit of it." He sta­red at us de­fi­antly.

  "No." The po­li­ce chi­ef spo­ke qu­i­etly. "Fran­ci Hol­lis is de­ad. We fo­und the let­ters in her bed­ro­om. All right, Mrs. Col­lins. What's the con­nec­ti­on?"

  I put it on the tab­le. "What do you think"-I lo­oked at each of them in turn-"t­hat Patty Kay Mat­thews wo­uld do if she knew who was wri­ting ob­s­ce­ne no­tes to Fran­ci Hol­lis?"

  "Oh, Christ." Des­mond pus­hed away from the wall, his fa­ce sick.

  "I think I know." I was su­re I knew. Be­ca­use in the­se last days I'd co­me to un­der­s­tand Patty Kay Mat­thews, her strengths and her we­ak­nes­ses. And her co­ura­ge. "She set up a me­eting of the bo­ard of trus­te­es. She told the let­ter wri­ter that he or she must con­fess and ta­ke pub­lic res­pon­si­bi­lity be­fo­re that me­eting-or Patty Kay wo­uld re­ve­al the wri­ter's iden­tity."

  Selwyn's lo­ok of in­c­re­du­lo­us dis­may was wor­ld-class. "You can't me­an-su­rely you aren't in­ti­ma­ting-you can't pos­sibly think a stu­dent shot Mrs. Mat­thews to pre­vent her spe­aking out!"

  "Right on all co­unts, Mr. Selwyn."

  "You're ac­cu­sing a child of mur­der!" The he­ad­mas­ter swung to­ward the po­li­ce chi­ef. "This is ab­surd, pa­tently ab­surd!"

  Walsh ig­no­red him. "That din­ner party at her ho­use.

  That's whe­re she was go­ing to spring it if the kid didn't own up. Is that how you see it?"

  "Exactly."

  "Captain Walsh, I stre­nu­o­usly obj­ect to this ab­surd de­duc­ti­on." Selwyn prac­ti­cal­ly dan­ced with im­pa­ti­en­ce. Ed­ging on pa­nic. "It's ri­di­cu­lo­us. Why, it's li­be­lo­usl Wal­den Scho­ol is al­re­ady suf­fe­ring gre­at tra­uma from Fran­ci's de­ath. It has cost us her brot­her Walt, one of our fi­nest stu­dents. Walt is mag­na cum la­ude. He's be­en ac­cep­ted at Ya­le. And now he has wit­h­d­rawn from this scho­ol. I'm ho­ping to per­su­ade him to chan­ge his mind. But if any kind of pub­lic re­ve­la­ti­on is ma­de abo­ut this tra­gic si­tu­ati­on, it may dri­ve even mo­re stu­dents away-"

  My tem­per fi­nal­ly snap­ped. "You pre­fer to hi­de a mur­de­rer from pro­se­cu­ti­on?" I de­man­ded.

  The he­ad­mas­ter's fa­ce flus­hed. "I'm ap­pal­led, simply ap­pal­led at the un­con­s­ci­onab­le co­up­ling of this scho­ol with Mrs. Mat­thews's mur­der. The­re are many who might ha­ve pro­fi­ted"-he slid me a qu­ick lo­ok-"f­rom Patty Kay's de­ath. To ma­ke this jump, this ab­surd con­nec­ti­on me­rely be­ca­use she went out to the scho­ol on Thur­s­day night-"

  I po­in­ted at Fran­ci Hol­lis's pow­der-sme­ared loc­ker.

  "- is to­tal­ly un­re­aso­nab­le and may do gri­evo­us da­ma­ge to Wal­den Scho­ol."

  Walsh nod­ded po­li­tely. "I un­der­s­tand yo­ur con­cerns, Mr. Selwyn. Ho­we­ver, it will be ne­ces­sary to in­ter­vi­ew yo­ur stu­dents."

  "A stu­dent as­sembly is sche­du­led at ten this mor­ning." I li­ke to be hel­p­ful.

  Selwyn was hor­ri­fi­ed. "Under no cir­cum­s­tan­ces will I ag­ree to po­li­ce in­va­ding the cam­pus."

  Even Des­mond was con­cer­ned. "Cap­ta­in, pa­rents will be up­set if po­li­ce ad­dress the stu­dents abo­ut mur­der. This has got to be han­d­led ca­re­ful­ly."

  Walsh roc­ked back on his he­els. "Wo­uld you gen­t­le­men pre­fer for the­se kids to be in­ter­vi­ewed at the po­li­ce sta­ti­on?"

  It was the op­ti­mum mo­ment.

  "Gentlemen," I sa­id, "I be­li­eve I ha­ve a so­lu­ti­on that will sa­tisfy ever­yo­ne con­cer­ned."

  It was just past se­ven a.m. I pun­c­hed the bell at Gi­na Ab­bott's ho­use. Not a pro­per ho­ur to call. But I still had things to dis­co­ver be­fo­re the as­sembly at ten.

  The do­or ope­ned. The de­co­ra­tor was shrug­ging in­to a se­er­suc­ker ro­be. Her ex­p­res­si­ve fa­ce lo­oked both wor­ri­ed and we­ary.

  "Gina, I ne­ed to talk to yo­ur da­ug­h­ter. Abo­ut tho­se let­ters Fran­ci re­ce­ived. Patty Kay knew who wro­te them."

  "Oh, no. If Patty Kay knew, she'd ha­ve do­ne so­met­hing abo­ut it."

  "She did."

  Gina's fa­ce was ab­ruptly very still. Her dark eyes wi­de­ned. Sud­den com­p­re­hen­si­on ga­ve way to hor­ror. "Oh, no. Do you think… Oh, God. You'd bet­ter co­me in."

  The li­ving ro­om was a ni­ce mix­tu­re of pe­ri­ods, a com­for­tab­le, em­b­ra­cing ro­om lig­h­te­ned with le­mon and ac­cen­ted with plum.

  "Chloe!" Gi­na step­ped in­to the ma­in hall. "Chloe!"

  Chloe Ab­bott was mid­way in­to the li­ving ro­om when she re­ali­zed her mot­her wasn't alo­ne. She stop­ped, her co­ol gray eyes sur­ve­ying me. "I'm not dres­sed. I'll…"

  Gina sho­ok her he­ad. "It do­esn't mat­ter, ho­ney. You know Mrs. Col­lins, Cra­ig's aunt. She wants to talk to you abo­ut tho­se let­ters Fran­ci got."

  Chloe re­ma­ined in the do­or­way, her fa­ce blank, her eyes wary.

  Gina lo­oked at her da­ug­h­ter sharply. "What's wrong?"

  The te­ena­ger's plump fa­ce was sul­len, wit­h­d­rawn. "Not­hing. I just ha­te tal­king abo­ut it. Can't you un­der­s­tand that?"

  Her mot­her wasn't fo­oled. She re­ac­hed out her hand. "Chloe, what do you know?"

  "Nothing. Not­hing!" But she wo­uldn't lo­ok to­ward her mot­her.

  "Actually, Chloe," I sa­id qu­i­etly, "I'm in­te­res­ted in an­y­t­hing you can tell me. What you think, what you gu­ess."

  Reluctantly, Chloe ca­me in the ro­om. She per­c­hed on the arm of an easy cha­ir. "I ha­te thin­king abo­ut it. I ha­te it."

  "We all ha­te it!" Gi­na yan­ked a pac­ka­ge from her ro­be poc­ket, fran­ti­cal­ly pul­led out a ci­ga­ret­te, and lit it. Her hands we­re sha­king. "But we've got to think abo­ut it. Ple­ase, Chloe. Tell Mrs. Col­lins what you can."

  "I don't know much. And now ever­y­body's bla­ming me be­ca­use I didn't tell an­y­body. But I didn't know what Fran­ci was go­ing to do…"

  Again I tri­ed for re­as­su­ran­ce. "No­body's bla­ming you."


  "Mother is." The ac­cu­sa­ti­on was hot and swift.

  "Chloe, no. It's just-if you'd just told me!" She drew de­eply on the ci­ga­ret­te.

  "If I had, what wo­uld you ha­ve do­ne? Call Mrs. Hol­lis. And that's why I think Fran­ci did it. She didn't want her mot­her to know."

  "Let's not worry abo­ut that right now, Chloe." I al­most as­ked Gi­na to le­ave us alo­ne, but one glan­ce at the wo­man's stra­ined fa­ce told me I'd get now­he­re. "When did Fran­ci tell you abo­ut the no­tes?"

  Chloe pus­hed her ha­ir away from her fa­ce with both hands. "She didn't exactly tell me. It was last we­ek. Wed­nes­day af­ter­no­on. Af­ter fi­eld hoc­key. I was wal­king back to the girls' gym and I saw Fran­ci un­der­ne­ath one of

 

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