Ted reached into his pocket. “She gave me a card. She’s got a meeting tonight, but when I said we usually started the second set by ten-thirty she said she’d make it by then, no problem.”
Dexter slid me off his lap, then stood up, and Ted handed him the card. He squinted at it for a good while, then handed it back. “Okay,” he said. “Find Lucas. We have to talk about this.”
“You know this could be nothing,” John Miller said, still smarting a bit. “It could be a bunch of smoke up your ass.”
“And it probably is,” Ted replied. “But it also could be that she likes us and we get a meeting and before the summer’s out we’re in a bigger place, bigger venue, bigger town. It happened to Spinnerbait.”
“Hate Spinnerbait,” John Miller said, and they all three nodded, as if this was clear fact.
“Spinnerbait has a deal, though,” Dexter added. “And a record.”
“Spinnerbait?” I said.
“They were this band that started playing the bars near Williamsburg when we did,” Dexter said to me. “Total assholes. Frat rats. But they had this really good guitar player—”
“He wasn’t that good,” Ted said indignantly. “Totally overrated.”
“—and their original stuff was tight. They got signed last year.” Dexter sighed, then looked up at the ceiling. “We hate Spinnerbait.”
“Hate Spinnerbait,” John Miller repeated, and Ted nodded.
“Okay, get ahold of Lucas,” Dexter said, slapping his hands together. “Emergency session. Band meeting!”
“Band meeting!” Ted yelled, as if everyone who was in the band and could feasibly hear it wasn’t within a two-foot radius. “I’m gonna go scrub up and we reconnoiter in the kitchen, twenty minutes.”
Dexter grabbed the cordless phone off the top of the TV, jabbed in some numbers, and then left the room with it pressed against his ear. I could hear him ask for Lucas, then say, “Guess what Ted scored at work today?” Then a pause, as Lucas offered a theory. “No, not tangerines . . .”
John Miller sat down on the couch, crossing one leg over another and leaning back so that his head hit the wall behind him with a thunk. Chloe looked at me, raising her eyebrows, then shook a cigarette out of her pack and lit it, dropping the spent match in an ashtray already overflowing with tangerine peels.
“Okay, I’ll bite,” I said finally. “What’s your news?”
“No, now it’s completely anticlimactic,” he grumbled. He still looked so much like a little kid to me, all red haired and freckled, like a grade schooler you might see on TV in a peanut butter commercial. It didn’t help that he was pouting.
“Suit yourself,” I said, and picked up the remote, turning the TV on. It wasn’t like I was about to beg him or anything.
“My news was,” he said slowly, lifting his head off the wall, “that she agreed to come to Bendo tonight.”
“She did.”
“Yes. Finally. I’ve only been asking her for weeks.” He reached up and scratched his ear. “And it was a very big deal because I was beginning to think I was going to make no progress at all with her.”
I said to Chloe, “John Miller is in love with his boss.”
Chloe exhaled loudly. “At Jump Java?”
John Miller sighed again. “She’s not really my boss,” he told us. “She’s more of a coworker. A friend, really.”
Chloe looked at me. “This is Scarlett Thomas?”
I nodded, but John Miller’s eyes shot open. “You know her?”
“I guess,” Chloe said, shrugging. “Remy knows her better, though. She and Chris go way back, right?”
I swallowed, concentrating on flipping the channels on the TV. I’d known about John Miller’s infatuation with Scarlett back when it was just curious interest, then watched—along with the rest of the employees at various Mayor’s Village businesses—as it progressed to puppy-dog-esque devotion before finally reaching the ridiculous level of romantic pining that was its current state. Scarlett was the manager of Jump Java, and she’d only hired John Miller because of Lola, who she still owed a favor to for her last cut and color. And while I’d listened to John Miller sing her praises, I’d managed to keep it quiet that I knew her more than just in passing. Until now.
I could feel John Miller looking at me, even as I pretended to be completely engrossed in a news story about structural problems with the new county dam. He said, “Remy? You know Scarlett?”
“My brother dated her,” I said, in what I hoped was a no-big-deal kind of voice. “It was ages ago.”
He reached over and took the remote, hitting the mute button. The dam remained on the screen, holding water back just fine, it seemed to me. “Tell me,” he said. “Now.”
I looked at him.
“I mean,” he said quickly, “can you tell me? Anything?”
Across the room, Chloe laughed. I shrugged and said, “My brother dated her toward the end of their senior year. It wasn’t serious. Chris was still in his pothead thing, and Scarlett was way too smart to put up with it. Plus she already had Grace, then.”
He nodded. Grace was Scarlett’s daughter, who was three now. She’d been born when Scarlett was a junior, causing a minor neighborhood scandal. But Scarlett had stayed in school, finishing during a summer session the credits she’d missed, and now was taking classes part-time at the university while managing Jump Java and, apparently, putting up with the besotted John Miller passing longing glances over the muffins about twenty hours a week.
“Isn’t Scarlett a little out of your league?” Chloe asked him, not unkindly. “I mean, she’s got a kid.”
“I am wonderful with children,” he said indignantly. “Grace loves me.”
“Grace loves everybody,” I told him. Just like Monkey, I thought. Kids and dogs. It’s just too easy.
“No,” he said, “she especially likes me.”
Dexter stuck his head through the doorway and pointed a finger at John Miller. “Band meeting!” he said.
“Band meeting,” John Miller repeated, standing up. Then he looked at me and said, “A little help tonight would be greatly appreciated, Remy. A good word, maybe?”
“I can’t promise anything,” I said. “But I’ll see what I can do.”
He seemed happier, hearing this, as he headed into the kitchen. I got up and grabbed my purse, finding my keys. “Let’s go,” I said to Chloe. “Band meeting and all.”
She nodded, stuffing her smokes in her pocket and walking to the front door, pushing it open. “I’ll call Lissa from the car. See if she wants to meet us at the Spot.”
“Sounds good.”
As the screen door slammed behind her, Dexter walked over to me. “This is big,” he said, smiling. “I mean, maybe it isn’t. Maybe it’ll be a crushing disappointment.”
“That’s the right attitude.”
“Or maybe,” he went on, pulling his hands through his hair the way he always did when just barely able to contain himself, “it’s the beginning of something. You know, when Spinnerbait got that meeting with the label, they immediately got an in to the bigger clubs. We could be in Richmond, or D.C., easy. It could happen.”
He was just standing there, grinning, and I made myself smile back. Of course this was good news. Wasn’t it me who wanted everything to be transitory, anyway? It was the best-case scenario, really, for him to get some great chance and ride off in the dirty white van into the sunset, tailpipe dragging. In time he’d just be some story I’d tell, about the crazy musician I’d spent the last days of my senior summer with, just the way Scarlett Thomas was only a footnote now to Chris. They had these stupid songs about potatoes, I could hear myself telling someone. A whole opus.
Yes, definitely. It was best this way.
Dexter leaned down and kissed my forehead, then looked at me closely, cocking his head to the side. “You okay? You look weird.”
“Thanks,” I said. “God.”
“No, I mean, you just seem—”
“Band m
eeting!” Ted yelled from the kitchen. “We’re recon noitering right now!”
Dexter glanced toward the doorway, then back at me.
“Go,” I said, pressing my palms to his chest and pushing him backward, gently. “Band meeting.”
He smiled, and for a second I felt a tug, some alien feeling that made me, for an instant, want to pull him back within arm’s length. But by then he was already walking backward, toward the kitchen, where the voices of his band mates were now building as they made their plans.
“I’ll see you at Bendo around nine,” he said. “Right?”
I nodded, cool as ever, and he turned the corner, leaving me standing there. Watching him go. What a weird feeling that was. I decided I didn’t like it. Not at all.
By ten-thirty, as Truth Squad’s second set was about to get under way, the A&R chick still hadn’t shown up. The natives were getting restless.
“I say we just go on and forget about her,” Lucas said, spitting some ice back into his cup of ginger ale. “All this worrying is making us suck anyway. Ted was off key the whole last set.”
Ted, sitting next to me and carving lines into the table, glared at him darkly. “I,” he said, “am the only reason she’s coming. So get off my fucking back.”
“Now, now.” Dexter tugged at his collar, something he’d been doing all night long: it was completely stretched out of shape, hanging lopsided. “We need to go up there and do the best job we can. A lot is riding on this.”
“No pressure, though,” Lucas grumbled.
“Where the hell is John Miller?” Ted said, pushing up from the table and craning his neck around the room. “Isn’t this a band meeting?”
“It’s impromptu,” Dexter told him, tugging at his collar again. “Plus he’s over there with what’s-her-name. The coffee boss.”
We all looked at once. Sure enough, at a booth by the stage, John Miller was sitting with Scarlett. He had his drumsticks on the table and was talking animatedly, using his hands. Scarlett was drinking a beer and listening, a polite smile on her face. Every once in a while she’d glance around the room, as if she’d expected this to be more of a group thing and was wondering where everyone else was.
“Pathetic,” Ted said. “Totally blowing us and the band’s future off for a chick. That’s Yoko Ono behavior, man.”
“Leave him alone,” Dexter said. “Okay, so I’m thinking we should start with ‘Potato Song Two,’ then do the kumquat version, and then. . . .”
I tuned them out, drawing my finger through the circle of water under my beer. Off to my left, I could see Chloe, Lissa, and Jess talking to a group of guys at the bar. At the Spot earlier, Chloe had decided they all needed to “get back out there” and make the most of the “summer single-girl thing,” appointing herself ringleader for the effort. So far there had been progress: she was sitting on a barstool next to a blond guy with surfer looks. Lissa was talking to two guys, one really cute, who was still scop ing the room as if in search of an upgrade (bad sign), and one not-so-cute-but-decent who seemed interested and not completely offended that he was most likely an also-ran. And then there was Jess, trapped by the beer taps by a short, wiry guy who was talking so excitedly that she kept having to lean back, which could only have meant he was spitting out more than words.
“. . . decided that we’d do no covers. That was the entire upshot of yesterday’s meeting,” Dexter said.
“I’m just saying that if the potato songs don’t go over well we need a backup plan,” Lucas argued. “What if she hates potatoes? What if she thinks the songs are, you know, infantile, frat-party crap?”
There was a moment of astonished silence as Dexter and Ted absorbed this. Then Ted said, “So that’s what you think?”
“No,” Lucas said quickly, glancing at Dexter, who was now tugging his collar hard enough that I had to reach up and unlatch his fingers, bringing down his hand. He hardly noticed. Lucas said, “I’m just saying we don’t want to come across as derivative.”
“And doing covers isn’t derivative?” Dexter said.
“Covers will get the crowd going and show our range,” Lucas told him. “Look, I’ve been in a lot of bands—”
“Oh, God,” Ted said, throwing up his hands dramatically. “Here we go. Educate us, oh wise one.”
“—and I know from experience that these reps like a tight set that gets the crowd going and showcases our potential as a band. Which means a mix of our own stuff and songs that we cover, yeah, but with our own take on them. It’s not like we do ‘I’ve Got You Babe’ just the way Sonny and Cher do. We give it a twist.”
“We are not doing a Sonny and Cher song here tonight!” Ted yelled. “No way, man. I am not going to be the G Flats for this chick. That’s wedding crap. Forget it.”
“It was just an example,” Lucas said flatly. “We can do another song. Calm down, would you?”
“Hey,” Robert, the owner of Bendo, yelled from behind the bar, “you guys planning on actually working tonight?”
“Let’s go,” Ted said, standing up and finishing his beer.
“Did we even decide anything?” Lucas asked, but Ted ignored him as they made their way to the stage.
Dexter sighed, running his fingers through his hair. I’d never seen him like this, so on edge. “God,” he said softly, shaking his head. “This is so freaking stressful.”
“Stop thinking about it,” I told him. “Just go up there and play the way you always do. Thinking about it is throwing you off.”
“We sounded like shit, didn’t we?”
“No,” I said, which wasn’t entirely a lie. But Ted had been off-key, John Miller was showboating outrageously—tossing drumsticks in the air, missing them—and Dexter had mangled the words to “Potato Song Three,” a song that I knew he could, literally, sing in his sleep. “But you sounded unsure of yourself. Wobbly. And you’re not. You’ve done this a million times.”
“A million times.” He still didn’t sound convinced, however.
“It’s like riding a bike,” I told him. “If you actually think about it too much, you realize how complicated a concept it actually is. You have to just hop on and go, and not worry about the mechanics. Let it run itself.”
“You,” he said, kissing my cheek, “are so right. How can you always be so right?”
“It’s a curse,” I said, shrugging. He squeezed my leg and slid out of the booth, still tugging at his collar, and I watched him weave through the crowd, stopping to flick John Miller, who was still chatting up Scarlett, on the head as he passed. Ted put on his guitar, played a few random chords, and then he, Lucas, and Dexter exchanged glances and head nods, setting the game plan.
The first song was a bit unsteady. But then, the next was better. I could see Dexter relaxing, easing into it, and by the third song, when I saw the A&R chick come in, they sounded tighter than they had all evening. I recognized her immediately. First, she was a little old for Bendo, which catered to a college and younger crowd, and second, she was dressed entirely too fashionably for this small town: black pants, silky shirt, small black glasses just nerdy enough to be cool. Her hair was long and pulled back loosely at the base of her neck, and when she walked up to the bar for a drink, every one of the guys chatting up my girlfriends stopped to stare at her. By the time the song wound down, the crowd on the floor was thickening, and I saw Ted glance at the bar, see her, and then say something, quietly, to Dexter.
After the applause and hooting died down, Dexter tugged at his shirt collar and said, “Okay, we’re going to do a little number for you now called ‘The Potato Song.’ ”
The crowd cheered: they’d been playing Bendo long enough now that “The Potato Song,” and its many incarnations, was known. Ted started the opening bridge, John Miller picked up his sticks, and they launched into it.
I kept my eyes on the girl at the bar. She was listening, beer in hand, taking a sip now and then. She smiled at the line about the vegan princess, and again when the crowd chimed in an
d yelled, “sweet potato!” And when it was over, she clapped enthusiastically, not just politely. A good sign.
Feeling confident, they continued with another “Potato Song.” But this one wasn’t quite so strong, and the crowd didn’t know it as well. They gave it a good shot, the best they could, but it sounded flat, and at one point John Miller, who’d only recently learned the new part, screwed up and lost the beat for a second. I saw Dexter flinch at this, then tug his collar. Ted was looking everywhere but at the bar. They launched right into another original song, one not even about potatoes, but it too sounded off, and they cut it short after two verses, ditching the third.
By now the A&R girl seemed distracted, almost bored, looking around the club and then—very bad sign—at her watch. Ted leaned over and said something to Dexter, who shook his head quickly. But then Lucas stepped forward, nodding, and Ted said something else, and Dexter finally shrugged and turned back to the microphone. John Miller tapped out a beat, Ted picked it up, and they launched full force into an old Thin Lizzy song. And suddenly the crowd was right with them again, pressing up closer. And after the first verse, the A&R chick ordered another beer.
When the song was over, Ted spoke to Dexter, who hesitated. Then Ted said something else, and Dexter made a face, shaking his head.
Just do it, I thought to myself. Another cover won’t kill you.
Dexter looked at Lucas, who nodded, and I relaxed. Then the first chords began. They sounded so familiar, somehow, as if I knew them in a different incarnation. I listened for a second, and the realization grew stronger, as if it was just at the tip of my mind, close enough to touch. And then, I got it.
“This lullaby,” Dexter sang, “is only a few words . . .”
Oh, my God, I thought.
“A simple run of chords . . .”
It sounded more retro and lounge-singer-esque, the maudlin aspect that had made it a wedding and lite FM favorite now twisted into something else, something self-mocking, as if it was winking at its own seriousness. I felt a drop in my stomach: he knew how I felt about this. He knew. And still, he kept singing.
Sarah Dessen Page 18