Five

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Five Page 28

by Ursula P Archer


  She freed herself from his grasp on her wrist as he tried to get a closer look at the photo.

  An abattoir.

  ‘I have to go.’ She grabbed her bag and rushed out to the car without saying goodbye. She turned the engine on, the phone slipping from her fingers. She picked it up and dialled Florin’s number. ‘Are you still in the office?’

  ‘No, I just got home, why? Should I—’

  ‘I’ll come to your place, see you in fifteen minutes.’

  A severed middle finger, swimming in blood, next to the mutilated hand. A fresh wound, a bloody stump. The amputation cuts on the ring and little fingers seemed to be inflamed rather than healing. The thumb and index finger, the only ones still attached, were crooked towards each other like the two halves of a pair of crab scissors. Or the tips of a croissant. Beatrice took a deep breath, in and out.

  Enlarged on Florin’s laptop, the picture showed details that hadn’t been visible on the small screen of her mobile phone. There was a newspaper, partially saturated with red, and when they zoomed in today’s date was visible on it.

  ‘Sigart’s still alive.’ It was hard to tell whether Florin saw that as good news or bad. Without tearing his gaze away from the photo, he scrolled from the top to the bottom and from left to right. ‘It’s a wooden table, and the background is quite dark. The photo was taken with flash.’ He pointed at a light reflection in the pool of blood. ‘The killer put something underneath, it looks like a white plastic tablecloth. He’s doing everything he can to maximise the impact of the picture.’

  Although it could have been even more horrific if Sigart’s face had been in the shot. But, like last time, the picture ended at his shoulder.

  Was that because Sigart had actually long since died of blood loss? ‘Can you zoom in on the wound?’

  On closer inspection, Beatrice’s theory didn’t stand: the flesh where the fingers had been severed was pink, not sallow. The hand was pale, but not grey. And it was definitely Sigart’s hand, unless another of the Owner’s victims also had severe burn scars.

  Florin reached for his phone and instructed Stefan to find out where the mobile was at the time the message was sent. He forwarded the photo, and then sent it to Vogt and Drasche. All the usual actions that had so far brought them zero results.

  ‘Why isn’t he showing us Sigart’s face?’ murmured Beatrice.

  ‘I’d prefer to know why he’s sending us these pictures at all. No, I’ll be more specific – why is he sending them to you?’

  ‘Because it’s possible he thinks we have something in common.’ The thought felt like ice on the back of her neck. ‘Because he thinks I’m a perpetrator too, in some ways.’

  Until now, she had kept quiet about the text the Owner had sent to accompany the picture, as if she were concealing a flaw she didn’t want Florin to see. She pulled her phone back out of her bag and read the words to herself once more, silently, before uttering them out loud.

  ‘“Omission to do what is necessary, Seals a commission to a blank of danger.”’

  Now her own wound was almost laid bare. But Florin didn’t yet catch on.

  ‘He sent that with the picture? Is it Goethe again?’

  ‘No. Shakespeare. It doesn’t matter anyway. The important thing is what the Owner means by it. And he means me.’

  Florin turned to face her, took her hand in his and held it tight. ‘He means you and Evelyn?’

  ‘I don’t know who else he could mean.’

  She hasn’t noticed that dark has fallen outside. David is still lying on top of her, his mouth buried in the curve of her neck. He’s humming or murmuring; she can feel the vibration on her skin. A moment of complete and utter contentment. Thank you, she mouths silently, feeling as though she’s about to laugh. Or cry.

  ‘Beabeabea,’ whispers David, rolling off her and pulling her with him, holding her head close to his shoulder. ‘Let’s stay here for ever. Just the two of us. We can shut the world out and make our own.’

  She lays an arm across his chest, breathing in his scent, never having smelt anything better. ‘For ever isn’t long enough.’

  ‘You’re right. Beautiful, clever Bea.’ David’s kisses on her closed eyelids are so gentle, just a whisper, not enough. She seeks his lips with her own, sinking into them.

  ‘I’d fetch us something to drink, but for that I’d have to let you go,’ he says when they surface again.

  ‘Dying of thirst isn’t a good idea,’ answers Bea, nudging his shoulder affectionately. She doesn’t take her eyes off him as he stands up and crosses the room, naked and beautiful, much too beautiful for her. She’s always thought that, keeping to friendly kisses on the cheek whenever they met and said goodbye, only wondering occasionally in her daydreams what it would be like. What it could be like. With him.

  Until last night. When his hand had suddenly rested on hers. She had spread out her fingers, and his plunged into the space between, tearing the blue-and-white checked paper tablecloth at the pizzeria.

  ‘He’s been crazy about you for months, sweetie.’ Evelyn had followed her to the bathroom, of course, pulling silly faces as she touched up her mascara. ‘Was I right or was I right?’

  ‘Okay, okay!’ Something inside Beatrice had jumped around in excitement, and if she wasn’t careful she would join in, like a little kid who had just been given a lolly. ‘And you really think … I mean, you reckon it’s not just a whim?’

  ‘This is David we’re talking about, not me,’ Evelyn had grinned, ruffling Beatrice’s hair and then pulling a hairbrush out of her bag. ‘He’s just a tad too respectable to be my type, otherwise you’d have competition.’ She plucked out a few long, deep red hairs that were entangled in the brush.

  ‘Here you go, sweetheart, make yourself pretty for him. And don’t feel like you’re lucky to be with him, okay? If anything it’s the other way around. You’re gold, don’t forget that.’

  Beatrice hums the Spandau Ballet hit to herself as David walks back from the kitchen. He has a tea towel over his arm like a waiter, and he’s carrying a bottle of cheap sparkling wine and two mismatched water tumblers.

  ‘Not very stylish, I’m afraid,’ he says, pressing the prettier of the two glasses into her hand. ‘But I hope you can see the charm in it.’

  She can. Paradise is now a badly ventilated bachelors’ pad with unwashed dishes in the sink and piles of dirty washing in the bedroom. But she doesn’t care about any of that.

  For a while, the cork is reluctant to leave the bottle. They struggle with it, giggling, and once they’re finally victorious a good third of the contents shoot out. But they don’t care about that either, snuggling up to one another, drinking from the old glasses and each other’s mouths, kissing each other’s bodies.

  Then her phone rings.

  ‘I’m not answering it.’ She holds her empty glass out towards David and he fills it up halfway. They drink. The phone continues ringing – beeping, to be precise – boring shrill holes in the mood.

  ‘Fine then.’ Beatrice swings her legs out of bed. Where was her bag?

  ‘Why doesn’t your answerphone kick in?’

  ‘Because I deactivated it. Otherwise I’d never receive any calls – by the time I’ve found the phone the mailbox has always picked up.’

  Evelyn. Oh, God, yes, the stupid party. She’d completely forgotten.

  ‘Hi, Eve.’

  ‘Hey, sweetie, where are you?’

  ‘I’m … um, I’m busy.’

  ‘Busy … oh, I get it, with Michelangelo’s David. Understood. How long will you be there for?’

  ‘That’s hard to say.’ He’s behind her now, lifting the hair from the nape of her neck and kissing the sensitive spot. ‘It’s likely to be a while. A very long while.’

  ‘Does that mean you’re not coming to Nola’s? I’m already there, and I can tell you you’re missing a good party.’

  She suppresses a blissful sigh. ‘I very much doubt that.’

  ‘Oh, com
e on. Just bring him with you. Make everyone else jealous of how happy you are.’

  ‘That’s a good idea in theory, but …’ Did she really have to spell it out?

  ‘Fine then, stay in bed for all I care. The only thing is, I don’t know how I’ll get home later, this place is in the middle of nowhere. I was counting on you.’

  Just like you always do. For the first time that day, her elated mood is starting to deflate. I’m the one with the car and the driving licence, and you’re in absolutely no hurry to get yours. That way, the question of who’s drinking and who’s the designated driver never even comes up.

  ‘There are loads of people there. I’m sure someone will give you a lift.’

  ‘Yes, probably.’ Evelyn giggles. ‘There’s a really cute blond guy with dark brown eyes, so let’s hope he lives near us.’ She hangs up.

  ‘Evelyn?’ asks David. ‘The fiery-headed flatmate?’

  ‘That’s the one. I stood her up, and she’s not used to that.’ Smiling, she goes back to bed, into David’s arms, into the space beyond the passing of time, into the chaotic paradise.

  Four hours later, the phone rings again. ‘Hi, sweetie. Listen, I can’t get a lift home. Some people left early and the others are sleeping here.’

  Beatrice had been sleeping too – not for long, maybe fifteen minutes or so. Her mind is foggy and she’s barely able to grasp what Evelyn is saying. ‘Then sleep there too.’

  ‘No way. There’s no space left, apart from on the floor. And there are two drunken, annoying guys I want to get away from. Would you be an angel and pick me up?’

  You can’t be serious. ‘I’m sorry, but I’m tired and I’ve been drinking and—’

  ‘And David is about to ravish you again.’ She hears Evelyn sigh. ‘I’m happy for you, really I am. It’s just a difficult situation – but I know it’s my own fault. I really have to get around to doing my driving licence. Never mind, it’s been a while since I hitch-hiked. So, hopefully I’ll see you tomorrow and hear all the dirty details?’

  For a split second Beatrice considers giving in. Getting dressed and driving twenty miles through the night to pick up her friend from a party and take her home. Then David’s hands win out, on her back, around her waist, on her buttocks, moving down and in between.

  ‘Sure. See you tomorrow.’

  ‘Don’t do anything I wouldn’t.’ Evelyn blows her a kiss down the line before hanging up.

  Their night comes to an end shortly after seven the next morning. David has to get up and start work at the call centre job with which he’s financing his medical studies. She leaves the house with him, breathing in Vienna’s morning air and scraping together a few coins to buy croissants for breakfast. She plans to brew some fresh coffee at home, hoping that there is still some of the raspberry jam left that her mother had sent her.

  ‘Will I see you this evening?’ David whispers into her hair. She’s happy that the question comes from him; otherwise she would have had to ask. She nods, kisses him and is still warming herself with his words even once she’s sitting on the metro.

  Five stops on the U6. David’s place is in Vienna’s ninth district, her flatshare with Evelyn in the sixth. She can still smell David on her. She closes her eyes and smiles, breathing in his scent. In the small branch of one of the large bakery chains, she buys four croissants, pleased to find they’re on offer. As she skips down the narrow Turmgasse towards her home, she feels like bursting out into song.

  Evelyn is evidently already back and awake. Pink Floyd’s The Wall is blaring out into the hallway, and old Frau Heckel glares at her as they meet at the main door. ‘I’m going to call the police at some point, you know, if you keep making such a racket all the time. It’s been on for hours – it’s just not acceptable!’

  ‘I’m sorry, Frau Heckel. It won’t happen again.’ She feels the urge to hug the old woman, wanting her to be cheerful too. Her happiness won’t tolerate any sullenness today.

  She dashes up the stairs to the third floor, feeling as though she could run for ever, The Wall accompanying her on her climb. She and Evelyn have been listening to the CD constantly over the last few weeks, and know every song by heart. ‘One of My Turns’ is a favourite, even though its sombre lyrics are laughably inappropriate this morning. She spins around as she reaches the front door, her eyes closed, smiling indulgently at Roger Waters’s depressing contemplations on life.

  She fumbles her key out of her bag and puts it in the lock. Frau Heckel did have a point; the music was on really loud. Luckily the other flats in the building are rented to students, so hardly anyone ever complains.

  The door now open, the song blares out into the hallway.

  Beatrice sings along to the words. She holds the paper bag filled with croissants up in front of her face like a microphone.

  She smells it before she sees it, and wonders why her heart has suddenly begun to beat faster, why something within her wants to turn back.

  Ignoring the feeling, she closes the door. It smells … smells of …

  ‘Evelyn?’

  No answer. She passes through the tiny kitchen and is about to knock on Evelyn’s door, but it’s already standing ajar so she pushes it open.

  Evelyn isn’t there. The room has been trashed and it looks as though an animal has been slaughtered on the bed, splattering the walls with blood, dripping all over the floor, all over the room.

  The thing, whatever it is, is splayed out on the bed amongst the duvet and pillows. It’s well disguised amidst all the red, glistening in parts.

  Something smacks against Beatrice’s head. The door frame, but why? She grabs onto it, the breath streaming out of her body with a whistling sound. Now something hits her left knee. The floor. A speck of red is just a few centimetres away; she can’t tear her eyes away from it. What if it creeps and flows over to her, touches her?

  Summoning up all her strength, she lifts her gaze to the bed.

  There! Silver. It glistens and shines, brought to life by a beam of sunlight.

  Nail varnish.

  Evelyn’s …

  nail varnish.

  The floor comes closer and everything falls, falls slowly towards the red: first the croissants, landing in a saucer-sized puddle, the red eating greedily into the paper bag, the printed image of the baker grinning away as it reaches his mouth, his eyes …

  She only realises she’s screaming when someone grabs her from behind, turns her around, pulls her in towards them. Her screams are smothered by a sweaty body in a washed-out T-shirt. She hits out, bites and scratches until she catches a glimpse of the face above the T-shirt. Holger from next door. His hands tug at her, trying to drag her into the kitchen, MyGodmyGodohmyGod, he cries.

  She tries to close her eyes but it won’t work, she can’t, she’s forgotten something. But what?

  The croissants.

  One of them has tumbled out on the floor, the left tip saturated with blood. Raspberry jam, thinks Beatrice, vomiting on the kitchen floor.

  The policewoman speaking to her is focused and friendly, but Beatrice can see her own horror reflected in her eyes. She hates her for that. And for the fact that every single one of her words confirms something that should never have happened.

  ‘You lived here with Frau Rieger?’

  Rieger, pronounced like Tigger but with a long ‘e’ instead of ‘i’ and Rrrrr, says Evelyn in Bea’s head. ‘When did you last see her?’

  ‘Yesterday lunchtime. We were planning to—’ She stops as she sees two men in white overalls walk into Evelyn’s room wearing masks and gloves. Anonymous, veiled figures.

  ‘They’re my colleagues,’ explains the policewoman. ‘You were just about to say you were planning to do something together?’

  Go to a party. Again, Beatrice’s body reacts more quickly than her mind, crumbling into sobs.

  The policewoman is patient. ‘Take your time.’

  Gradually, Beatrice manages to choke out words. The address of Nola’s house, where
the party was held. The rough times of Evelyn’s first and last call.

  It is around this time that Beatrice’s brain begins the ‘what if’ game. For years to come, it will be her constant companion. The ‘what if’ game can last hours, and never fails to unleash its exhausting impact.

  If I had picked her up, if I had driven there with David, if I hadn’t left her alone, if …

  ‘We’ll get you some counselling,’ says the policewoman as Beatrice breaks down yet again.

  In the end, it’s an injection which erases the red images in her head and stops the ‘what if’ game. For a short while. After that, the whole thing starts all over again.

  The police reconstruct Evelyn’s last night. The party guests provide detailed statements, and it soon becomes clear what must have happened. The phone call at half-past three, the one that reached the sleepy and love-drunk Beatrice, was the last Evelyn had made in her life. She hadn’t tried to call a taxi or any other friends.

  ‘She said she was going to hitch-hike,’ sobbed Nola on the phone. ‘But she could have stayed here – the first bus into town would have left at five.’

  New what-ifs for Beatrice’s game. If Evelyn had waited, if she had been more careful …

  But it was Beatrice, and only Beatrice, who Evelyn had asked for help.

  She can no longer bear David’s presence; he has become an accomplice. She hardly eats and sleeps very little, walking through the streets and staring into people’s faces. Which of them could be capable of it? Maybe it’s the man standing next to her in the metro, or the man letting her go ahead of him at the supermarket checkout. Maybe it’s the young guy on the other side of the street pushing the blue polka-dot pushchair, or the bald man with the worn-out trousers reading the newspaper as he walks along. Of course. He’s looking for reports about what he did.

  Beatrice besieges the investigators with phone calls. The policewoman gave her the direct line in case she thinks of anything else that might be relevant, and she calls three times a day. She reports minute details from Evelyn’s life, things that suddenly seem to be full of significance. But above all, she just wants to know, know, know.

 

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