"Gotcha." Then a hiss and a playful growl, humanlike voices no louder than a whisper. "Not me, you can't catch me." "Alley cat! You're an alley cat!" "Last one up the tree is dog meat!"
Dulcie scorched up the branches of a huge oak that stood on the crest of the hill, a venerable grandfather flinging its black twisted arms out across the stars. Racing and leaping within the great tree, riding its wind-tossed branches like sailors clinging to a rocking masthead, the cats looked down the hills that fell away below them. Ancient curves of land that, just here, were still totally wild, empty of human civilization. And out over the sea the new moon hung thin as a blade. The stars among which the moon swam were, Dulcie liked to imagine, the eyes of spirit cats who had passed from the world before them.
The wind died. The cats paused, listening.
The night was so still they could hear each other breathing; and in the new silence, another sound.
Something running the hills, trampling the dry tall grass. A big beast running; they could hear him panting.
High above the ground, they were safe from dogs and coyotes. But cougars could climb. And now in the faint moonlight they could see the shadow running, a beast as big as a cougar, large and swift, dodging in and out among the hillside gardens.
It did not move like a cougar.
"Dog," Joe hissed. "Only a dog."
But the plunging beast ran as if demented, and it was a very big dog. Was it tracking them? Following the fresh scent of cat? In the still night, its panting implied a single-mindedness that made them climb quickly higher among the oak's dark foliage.
Contrary to common perception, some dogs could climb quite handily up the sprawling branches of a tree such as this. They had seen such pictures, of coon hounds on a passionate mission. Dulcie glanced at the kit worriedly because me kit was young and small.
But she wasn't small anymore, Dulcie realized.
The little tattercoat wasn't a kitten anymore. She was as big as Dulcie herself and likely was still growing. And Dulcie knew too well, from their mock battles, that this kit was as solid as a rock. Beside her on the branch the kit sat working her claws into the rough bark, staring down at the racing dog with eyes burning like twin fires. As if she couldn't wait to leap on that running back clawing and raking.
It seemed only yesterday that Dulcie and Joe had found the kit up on Hellhag hill, a little morsel of fur and bone so frightened, so bullied by the bigger cats mat she never got enough to eat. Such a strange little cat, vastly afraid one minute, and giddy with adventure the next, filled with excitement and challenge.
But that had been a year ago. A year since Joe saw that car plunge over the sea cliff and found the driver dead inside, a year since Lucinda Greenlaw buried her murdered husband and fell in love with his uncle Pedric. A year since Lucinda and Pedric married, and adopted the kit and set out traveling with her. The kit had been so excited, setting off to see all the world, as the kit put it-only to turn home again very soon, the little cat dreadfully carsick. Three times the Greenlaws had tried, three journeys in which the Kit became deathly ill.
Nearly a year since Lucinda brought the little tatter-coat back for good, to stay with Wilma while the elderly newlyweds traveled.
She's grown up, Dulcie thought sadly. That fact, coupled with the kit's wild and unruly temperament, made Dulcie feel not simply lonely suddenly, but sharply apprehensive.
Once the kit realized that she was a grown-up cat who need not necessarily obey her elders, what might she do then?
Crouching among the branches watching the big pale hound racing along with his nose to the ground eagerly following their scent, Dulcie's head was filled with a cat's natural fear of the unfamiliar beast, and filled as well with all the fear that had accumulated during this strangest of days. With the terrible tragedy that might have been. And with the kit's boldness in preventing that disaster.
And suddenly life seemed to Dulcie overwhelming.
She felt totally adrift, she and Joe and the kit. Alone in the vast world, three cats who were like no other-not totally cat, and not human, but with talents of both. Were they, as Joe had once said, the great cat god's ultimate joke? Three amusing experiments invented for His private and twisted amusement?
She did not believe that.
And why, tonight, did her thoughts turn so frightened?
That terrible explosion had upset her more than she'd imagined.
"He's leaving," Joe said, peering down the hill where the dog had swerved away. They watched the animal disappear between cottages, causing housebound dogs all along the street to bark. Block by block, barking dogs marked his progress until all across the village, dogs bored with their dull lives chimed together delighted at any new excitement.
When the dog had vanished and the barking died, the cats dropped out of the tree and headed across the slope to hunt. Prowling in the still night, it was no trick to start a rabbit among the tall grass, to corner and dispatch it. Wedding party food was lovely, but it didn't stay with one like a nice fresh rabbit. At three in the morning, by the chimes of the courthouse clock echoing across the hills, they were crouched in the grass sharing their third rabbit when two gunshots cut the silence.
Distant shots echoing back and forth across the hills.
The cats stopped eating.
The noise could have been backfires, but they didn't think so. They hadn't heard a car purring along the streets. And when they reared up to look above the high grass, they saw no reflection of headlights moving through the dark village. And the sounds had been sharper, more precise than the fuzzed explosion of a backfire-the cats knew too well the sound of a handgun, from listening outside the police station to cops practicing on the indoor range. And Joe and Dulcie knew, from being shot at themselves, an experience they didn't care to repeat.
The echo bouncing among the houses had made it impossible to pin the exact location, even for sensitive feline ears. But certainly the shots had come from the north end of the village. Watching the few scattered lights in that direction, looking for a house light to go on or to be extinguished, they saw no change.
When no further shots were fired, the cats headed down the hills toward home and safety. They might love adventure, but they weren't stupid. But then as they crossed the little park above Highway One, they heard a car somewhere off to their right, its progress muffled among the cottages.
Racing up a pine tree they spotted a lone car, its lights glancing across buildings and through the trees' dark foliage, shafts of intermittent light bright and then lost, then appearing again. They heard it gear down, heard it rev a little as if it had turned in somewhere. Then silence. And the moving glow was gone. They waited for some time but it did not reappear.
It had vanished maybe ten blocks to the north. They couldn't tell which street. Climbing higher up the pine they watched the dark configurations of cottages and dividing streets. No light came on in any house. The car didn't start out again but they heard a car door open and close, the soft echo bouncing along the quiet streets.
They waited a long time, sprawled uncomfortably in the pine tree. The thin, prickly branches were not as accommodating as the easy limbs of a eucalyptus or oak; and the pine was sticky too, its pitch clinging in their fur in hard masses that couldn't be pulled out and that were impossible to lick out. The only thing to do about pine pitch was to let Wilma or Clyde cut away the offending knots, an operation the cats abhorred. The darkness seemed lonely and frightening, now, to these cats who loved the night. Over on Ocean, where only hours before the streets had burned with candlelight and rung with music and laughter, now all was deserted and still and, after the two shots, the silence seemed laced with threat.
Quickly Joe backed down the rough trunk. "That car's in for the night. Probably had nothing to do with the shots-if they were shots." Yawning, he watched the sleepy kit above them turn to make her way down headfirst. "Wake up, Kit! Don't do that." How many times did they have to tell her. "Watch what you're doing! Turn
around. Dig your claws in."
The kit came down in a tumble, clawing bark and leaping to the sidewalk. She might be grown big, but she still pummeled out of a tree like a silly kitten. Righting herself, she looked at the older cats with embarrassment.
Dulcie winked at Joe and glanced away in the direction of Jolly's alley. She had meant to part from him and head home with the kit, to a warm bed beside
Wilma. But maybe a few minutes behind Jolly's Deli would cheer the kit and smooth away her fears.
Joe twitched a whisker, grinning, and headed for Jolly's.
But, padding up the sidewalk staying close to the kit, Dulcie's skin twitched at every shadow and at every patch of darkness. Things were not right, tonight. What were those shots? One culprit was already at large, his bombing attempt gone awry. And now, gunshots? What if the attempted bombing was just the tip of the iceberg? One move in some larger criminal entanglement-a tiny lizard tail that when seen in full, would turn out to be a rattlesnake?
7
Ryan woke before dawn, but woke not eagerly looking forward to her day as had been her habit lately, not leaping up to turn on the coffeepot and pull the curtains back to look out at the first hint of morning. Instead, an unnatural heaviness of spirit pressed her down; a sense of ugliness made her want to crawl into sleep again. Darkness and depression filled her. And an inexplicable fear. She felt as she had so many nights waking in the small hours to see Rupert's side of the bed still empty, to wish wholeheartedly that she was somewhere else, in some other life.
But now, she was somewhere else. This was another life. She was free of Rupert.
So what was wrong?
The pale room rose pleasantly around her, its high, white beams just visible in the near-dark. On the west wall the white draperies over the long bank of windows were starting to grow pale with the first promise of dawn. Before the draperies, her new desk, her drafting table and computer stood waiting for her just as she had arranged them for ultimate efficiency and pleasure. She was here in her private nest. Nothing could be wrong. Squeezing her eyes closed, she tried to get a fix on her powerful but unfocused dread.
A cloud of swirling smoke and churning flying rubble. Black, angry eyes staring at her. People running and screaming. The side of the church gone, the sky above filled with flying pieces of broken walls and with white petals falling, falling. Senseless fragments, borne of senseless hatred.
She lay shivering, seeing the black, hate-filled eyes of that boy. She sat up in bed, driving his image away. Deliberately she brought into vision the lovely bridal procession in the cool night, down the narrow grassy carpet between hundreds of friends all holding up fairy lights, or so it had seemed to her, ephemeral candles burning to mark the bride's way. Charlie approaching her groom stepping to the rhythm of the sea's music and to the rustle of the giant trees that stood guard over her.
Nothing, nothing could have been more filled with joy and closeness. No ceremony could have better demonstrated Charlie's and Max's and the villagers' stubborn defiance of evil.
Rising, she pulled on her robe and padded into the kitchen to fill the coffeepot, dumping out the grounds from last night. As the coffee brewed, she opened the draperies that ran the length of the studio.
Out over the sea, dawn's light was somber. Impatiently waiting for the coffee, she imagined Charlie rising this morning to let in room service, or to fetch in the elegant breakfast cart herself, where it had been left discreetly outside the door of the St. Francis bridal suite. Charlie and Max were safe. They were safe.
Ryan poured her own first cup of coffee not from a silver server into thin porcelain, as Charlie would be doing, but into an old earthenware mug, breathing in its steamy aroma. She was deeply soothed by the absolute seclusion and calm of her own quiet space. And after two weeks of hot weather, of eighty- and ninety-degree temperatures in the California foothills, she was pleased to see a heavy mist fingering in from the sea, to chill the day. Opening the window, she breathed in the cool, damp breeze that smelled of the sea at low tide. Only as she turned did she imagine someone stirring in the apartment behind her.
But how silly. Moving into the empty studio, she could see into the bath and dressing room, could see from their mirrors' reflections that she was quite alone. Her head must be muzzy from the late hours. Certainly her mind still rang not only with the explosion and the sirens and with her friends' frightened cries, but with the forties music and laughter mat had come later.
Strange how sounds stayed with her. When she was working a job, her dreams would ring, each night, with the endless whine of the Skilsaw or with the incessant pounding as she drove nails in a rhythm which, even in dreams, was so real that she would wake to find her arm twitching with tension. Or in her sleep she would hear the repeated thunk, thunk of the automatic nailer like a gun fired over and over. Those measured bangs were with her now, a delayed but strangely insistent residue from days ago, from her long hours' work on the San Andreas job.
Sipping her coffee, she decided to take herself out to breakfast before she tackled her mail and some phone calls, give herself a little treat. Maybe breakfast at the Miramar Hotel, sitting on the terrace watching the sea and enjoying a Spanish omelet-a small celebration to welcome herself home. She was never shy about tendering herself fancy invitations. Seven weeks in a cramped trailer sharing that tiny space with her two carpenters, and she deserved a little pampering. Particularly since their nights had been purely platonic, about as exciting as curbing up with the family picture album. Scotty was one of her two second fathers. And young Dan Hall was happily married, his wife coming up every weekend, further crowding the cramped, two-bedroom rig. On those nights when Dan needed a place of his own rather than bunking with Scotty, she had given him her room, and she had slept in the main house among stacks of lumber and torn-out walls. Dan Hall was a hunk, all right, and so was his beautiful wife, a slim girl with a body to kill for. Dan had lived from weekend to weekend in a haze of sickening longing, a yearning so palpable it was at times embarrassing.
It must be very special to know that your husband wouldn't cheat on you, to be absolutely certain that he lived only to be with you, and would never play around or lie to you.
Ryan sighed. She had never believed for a minute that Rupert wouldn't cheat. She had known better.
Why she had stayed with him so long was just as much a mystery to her as to everyone else. Both Scotty and Dallas, and certainly her dad, had been more than pleased when she left him. Through all the years she procrastinated, they had stood by her-and most of the time they had kept their mouths shut.
Scotty, her father's big, redheaded brother, had inherited all the bold, blustery genes of the Flannery family. Her dad was quiet and low-keyed, his humor far more subtle-a little quizzical smile, and crow's feet marking his green eyes. Michael Flannery enjoyed the world fully, but with little comment. Her uncle Scott Flannery took hold of life with both hands and shook it, and laughed when life banged and rattled.
But her dead mother's brother, Dallas, was the rock. You had to know the stern, silent cop for a long while to enjoy the warmth and humor underneath.
She refilled her coffee mug and sat at the kitchen table, her bare feet freezing. The fog was moving in quickly, the sky turning the color of skimmed milk; she could hear the waves pounding the shore and the seals barking from the rocks, but the ocean itself was hidden in fog. Too restless to be still, she tied her robe more securely and went out along the front deck and down me long flight to get the paper.
The wooden steps were rough under her bare feet, the chill dampness of the fog stroking her ankles. The concrete drive was icy, the Sunday paper damp where it had been tossed against the bushes.
The church bombing covered the front page. A montage of pictures, the ragged, torn-out wall. The more severely wounded, the pictures taken at angles that magnified the seriousness of cuts and the size of bandages. She didn't need to look at this. Refolding the paper, she turned back up the drive.
But, brushing by her pickup mat Dallas had gone over last night collecting evidence, she stopped, frowning.
She had left the truck relatively clean yesterday, much to Dallas's chagrin. Now it wasn't clean, but smeared with mud and with huge paw prints.
She'd had the truck only a month, had traded in the old company model for this reliable baby that made her work so much more fun. It had everything, king cab, lockable toolboxes down both sides, a bull-strong overhead rack. At this particular time in her life, no husband or lover could have given her the same ego trip, the same sense of self-worth, as that shiny new truck.
But now, the vehicle was filthy. Some dog as big as a moose had been all over it, some bad-mannered neighborhood beast had hopped up into the truck bed and apparently walked along the tops of the lockboxes too, rendering her shiny red paint a mess of dried, flaking mud and paw marks. Circling the truck, she headed around the side of the garage to the pedestrian door to fetch some rags and the hose. She didn't realize until she was through the door that she'd left it unlocked last night, that, preoccupied with Dallas's search for evidence she'd forgotten to punch the lock.
Switching on the light she dug under the sink for the box of rags she kept there, pulling out a handful of threadbare towels. Rising, she turned toward the frail, vintage windows that she'd brought down from the foothills, glad the mutt hadn't been able to get into the garage to trash the antique stained glass.
She caught her breath and stepped back, banging into the sink.
The windows stood leaning away from each other, each set of four supported by a heavy box of plumbing fixtures, leaving an empty V space between. A man lay there, jammed between the windows, his face turned away.
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