They say there's an ointment the Devil gives you that turns you into a wolf the minute you rub it on. Or, that he was born feet first and had a wolf for his father and his torso is a man's but his legs and genitals are a wolf's. And he has a wolf's heart.
Seven years is a werewolf's natural span but if you burn his human clothing you condemn him to wolfishness for the rest of his life, so old wives hereabouts think it some protection to throw a hat or an apron at the werewolf, as if clothes made the man. Yet by the eyes, those phosphorescent eyes, you know him in all his shapes; the eyes alone unchanged by metamorphosis.
Before he can become a wolf, the lycanthrope strips stark naked. If you spy a naked man among the pines, you must run as if the Devil were after you.
It is midwinter and the robin, the friend of man, sits on the handle of the gardener's spade and sings. It is the worst time in all the year for wolves but this strong-minded child insists she will go off through the wood. She is quite sure the wild beasts cannot harm her although, well-warned, she lays a carving knife in the basket her mother has packed with cheeses. There is a bottle of harsh liquor distilled from brambles; a batch of flat oatcakes baked on the hearthstone; a pot or two of jam. The flaxen-haired girl will take these delicious gifts to a reclusive grandmother so old the burden of her years is crushing her to death. Granny lives two hours' trudge through the winter woods; the child wraps herself up in her thick shawl, draws it over her head. She steps into her stout wooden shoes; she is dressed and ready and it is Christmas Eve. The malign door of the solstice still swings upon its hinges but she has been too much loved ever to feel scared.
Children do not stay young for long in this savage country. There are no toys for them to play with so they work hard and grow wise but this one, so pretty and the youngest of her family, a little late-comer, had been indulged by her mother and the grandmother who'd knitted her the red shawl that, today, has the ominous if brilliant look of blood on snow. Her breasts have just begun to swell; her hair is like lint, so fair it hardly makes a shadow on her pale forehead; her cheeks are an emblematic scarlet and white and she has just started her woman's bleeding, the clock inside her that will strike, henceforward, once a month.
She stands and moves within the invisible pentacle of her own virginity. She is an unbroken egg; she is a sealed vessel; she has inside her a magic space the entrance to which is shut tight with a plug of membrane; she is a closed system; she does not know how to shiver. She has her knife and she is afraid of nothing.
Her father might forbid her, if he were home, but he is away in the forest, gathering wood, and her mother cannot deny her.
The forest closed upon her like a pair of jaws.
There is always something to look at in the forest, even in the middle of winter--the huddled mounds of birds, succumbed to the lethargy of the season, heaped on the creaking boughs and too forlorn to sing; the bright frills of the winter fungi on the blotched trunks of the trees; the cuneiform slots of rabbits and deer, the herringbone tracks of the birds, a hare as lean as a rasher of bacon streaking across the path where the thin sunlight dapples the russet brakes of last year's bracken.
When she heard the freezing howl of a distant wolf, her practised hand sprang to the handle of her knife, but she saw no sign of a wolf at all, nor of a naked man, neither, but then she heard a clattering among the brushwood and there sprang on to the path a fully clothed one, a very handsome young one, in the green coat and wideawake hat of a hunter, laden with carcasses of game birds. She had her hand on her knife at the first rustle of twigs but he laughed with a flash of white teeth when he saw her and made her a comic yet flattering little bow; she'd never seen such a fine fellow before, not among the rustic clowns of her native village. So on they went together, through the thickening light of the afternoon.
Soon they were laughing and joking like old friends. When he offered to carry her basket, she gave it to him although her knife was in it because he told her his rifle would protect them. As the day darkened, it began to snow again; she felt the first flakes settle on her eyelashes but now there was only half a mile to go and there would be a fire, and hot tea, and a welcome, a warm one, surely, for the dashing huntsman as well as for herself.
This young man had a remarkable object in his pocket. It was a compass. She looked at the little round glass face in the palm of his hand and watched the wavering needle with a vague wonder. He assured her this compass had taken him safely through the wood on his hunting trip because the needle always told him with perfect accuracy where the north was. She did not believe it; she knew she should never leave the path on the way through the wood or else she would be lost instantly. He laughed at her again; gleaming trails of spittle clung to his teeth. He said, if he plunged off the path into the forest that surrounded them, he could guarantee to arrive at her grandmother's house a good quarter of an hour before she did, plotting his way through the undergrowth with his compass, while she trudged the long way, along the winding path.
I don't believe you. Besides, aren't you afraid of the wolves?
He only tapped the gleaming butt of his rifle and grinned.
Is it a bet? he asked her. Shall we make a game of it? What will you give me if I get to your grandmother's house before you?
What would you like? she asked disingenuously.
A kiss.
Commonplaces of a rustic seduction; she lowered her eyes and blushed.
He went through the undergrowth and took her basket with him but she forgot to be afraid of the beasts, although now the moon was rising, for she wanted to dawdle on her way to make sure the handsome gentleman would win his wager.
Grandmother's house stood by itself a little way out of the village. The freshly falling snow blew in eddies about the kitchen garden and the young man stepped delicately up the snowy path to the door as if he were reluctant to get his feet wet, swinging his bundle of game and the girl's basket and humming a little tune to himself.
There is a faint trace of blood on his chin; he has been snacking on his catch.
He rapped upon the panels with his knuckles.
Aged and frail, granny is three-quarters succumbed to the mortality the ache in her bones promises her and almost ready to give in entirely. A boy came out from the village to build up her hearth for the night an hour ago and the kitchen crackles with busy firelight. She has her Bible for company, she is a pious old woman. She is propped up on several pillows in the bed set into the wall peasant-fashion, wrapped up in the patchwork quilt she made before she was married, more years ago than she cares to remember. Two china spaniels with liver-coloured blotches on their coats and black noses sit on either side of the fireplace. There is a bright rug of woven rags on the pantiles. The grandfather clock ticks away her eroding time.
We keep the wolves outside by living well.
He rapped upon the panels with his hairy knuckles.
It is your granddaughter, he mimicked in a high soprano:
Lift up the latch and walk in, my darling.
You can tell them by their eyes, eyes of a beast of prey, nocturnal, devastating eyes as red as a wound; you can hurl your Bible at him and your apron after, granny, you thought that was a sure prophylactic against these infernal vermin ... now call on Christ and his mother and all the angels in heaven to protect you but it won't do you any good.
His feral muzzle is sharp as a knife; he drops his golden burden of gnawed pheasant on the table and puts down your dear girl's basket, too. Oh, my God, what have you done with her?
Off with his disguise, that coat of forest-coloured cloth, the hat with the feather tucked into the ribbon; his matted hair streams down his white shirt and she can see the lice moving in it. The sticks in the hearth shift and hiss; night and the forest has come into the kitchen with darkness tangled in its hair.
He strips off his shirt. His skin is the colour and texture of vellum. A crisp stripe of hair runs down his belly, his nipples are ripe and dark as poison fruit but he's so thin y
ou could count the ribs under his skin if only he gave you the time. He strips off his trousers and she can see how hairy his legs are. His genitals, huge. Ah! huge.
The last thing the old lady saw in all this world was a young man, eyes like cinders, naked as a stone, approaching her bed.
The wolf is carnivore incarnate.
When he had finished with her, he licked his chops and quickly dressed himself again, until he was just as he had been when he came through her door. He burned the inedible hair in the fireplace and wrapped the bones up in a napkin that he hid away under the bed in the wooden chest in which he found a clean pair of sheets. These he carefully put on the bed instead of the tell-tale stained ones he stowed away in the laundry basket. He plumped up the pillows and shook out the patchwork quilt, he picked up the Bible from the floor, closed it and laid it on the table. All was as it had been before except that grandmother was gone. The sticks twitched in the grate, the clock ticked and the young man sat patiently, deceitfully beside the bed in granny's nightcap.
Rat-a-tap-tap.
Who's there, he quavers in granny's antique falsetto.
Only your granddaughter.
So she came in, bringing with her a flurry of snow that melted in tears on the tiles, and perhaps she was a little disappointed to see only her grandmother sitting beside the fire. But then he flung off the blanket and sprang to the door, pressing his back against it so that she could not get out again.
The girl looked round the room and saw there was not even the indentation of a head on the smooth cheek of the pillow and how, for the first time she'd seen it so, the Bible lay closed on the table. The tick of the clock cracked like a whip. She wanted her knife from her basket but she did not dare reach for it because his eyes were fixed upon her--huge eyes that now seemed to shine with a unique, interior light, eyes the size of saucers, saucers full of Greek fire, diabolic phosphorescence.
What big eyes you have.
All the better to see you with.
No trace at all of the old woman except for a tuft of white hair that had caught in the bark of an unburned log. When the girl saw that, she knew she was in danger of death.
Where is my grandmother?
There's nobody here but we two, my darling.
Now a great howling rose up all around them, near, very near, as close as the kitchen garden, the howling of a multitude of wolves; she knew the worst wolves are hairy on the inside and she shivered, in spite of the scarlet shawl she pulled more closely round herself as if it could protect her although it was as red as the blood she must spill.
Who has come to sing us carols, she said.
Those are the voices of my brothers, darling; I love the company of wolves. Look out of the window and you'll see them.
Snow half-caked the lattice and she opened it to look into the garden. It was a white night of moon and snow; the blizzard whirled round the gaunt, grey beasts who squatted on their haunches among the rows of winter cabbage, pointing their sharp snouts to the moon and howling as if their hearts would break. Ten wolves; twenty wolves--so many wolves she could not count them, howling in concert as if demented or deranged. Their eyes reflected the light from the kitchen and shone like a hundred candles.
It is very cold, poor things, she said; no wonder they howl so.
She closed the window on the wolves' threnody and took off her scarlet shawl, the colour of poppies, the colour of sacrifices, the colour of her menses, and, since her fear did her no good, she ceased to be afraid.
What shall I do with my shawl?
Throw it on the fire, dear one. You won't need it again.
She bundled up her shawl and threw it on the blaze, which instantly consumed it. Then she drew her blouse over her head; her small breasts gleamed as if the snow had invaded the room.
What shall I do with my blouse?
Into the fire with it, too, my pet.
The thin muslin went flaring up the chimney like a magic bird and now off came her skirt, her woollen stockings, her shoes, and on to the fire they went, too, and were gone for good. The firelight shone through the edges of her skin; now she was clothed only in her untouched integument of flesh. This dazzling, naked she combed out her hair with her fingers; her hair looked white as the snow outside. Then went directly to the man with red eyes in whose unkempt mane the lice moved; she stood up on tiptoe and unbuttoned the collar of his shirt.
What big arms you have.
All the better to hug you with.
Every wolf in the world now howled a prothalamion outside the window as she freely gave the kiss she owed him.
What big teeth you have!
She saw how his jaw began to slaver and the room was full of the clamour of the forest's Liebestod but the wise child never flinched, even when he answered:
All the better to eat you with.
The girl burst out laughing; she knew she was nobody's meat. She laughed at him full in the face, she ripped off his shirt for him and flung it into the fire, in the fiery wake of her own discarded clothing. The flames danced like dead souls on Walpurgisnacht and the old bones under the bed set up a terrible clattering but she did not pay them any heed.
Carnivore incarnate, only immaculate flesh appeases him.
She will lay his fearful head on her lap and she will pick out the lice from his pelt and perhaps she will put the lice into her mouth and eat them, as he will bid her, as she would do in a savage marriage ceremony.
The blizzard will die down.
The blizzard died down, leaving the mountains as randomly covered with snow as if a blind woman had thrown a sheet over them, the upper branches of the forest pines limed, creaking, swollen with the fall.
Snowlight, moonlight, a confusion of paw-prints.
All silent, all still.
Midnight; and the clock strikes. It is Christmas Day, the werewolves' birthday, the door of the solstice stands wide open; let them all sink through.
See! sweet and sound she sleeps in granny's bed, between the paws of the tender wolf.
Wolf-Alice
Could this ragged girl with brindled lugs have spoken like we do she would have called herself a wolf, but she cannot speak, although she howls because she is lonely--yet' howl' is not the right word for it, since she is young enough to make the noise that pups do, bubbling, delicious, like that of a panful of fat on the fire. Sometimes the sharp ears of her foster kindred hear her across the irreparable gulf of absence; they answer her from faraway pine forest and the bald mountain rim. Their counterpoint crosses and criss-crosses the night sky; they are trying to talk to her but they cannot do so because she does not understand their language even if she knows how to use it for she is not a wolf herself, although suckled by wolves.
Her panting tongue hangs out; her red lips are thick and fresh. Her legs are long, lean and muscular. Her elbows, hands and knees are thickly callused because she always runs on all fours. She never walks; she trots or gallops. Her pace is not our pace.
Two-legs looks, four-legs sniffs. Her long nose is always a-quiver, sifting every scent it meets. With this useful tool, she lengthily investigates everything she glimpses. She can net so much more of the world than we can through the fine, hairy, sensitive filters of her nostrils that her poor eyesight does not trouble her. Her nose is sharper by night than' our eyes are by day so it is the night she prefers, when the cool reflected light of the moon does not make her eyes smart and draws out the various fragrances from the woodland where she wanders when she can. But the wolves keep well away from the peasants' shotguns, now, and she will no longer find them there.
Wide shoulders, long arms and she sleeps succinctly curled into a ball as if she were cradling her spine in her tail. Nothing about her is human except that she is not a wolf; it is as if the fur she thought she wore had melted into her skin and become part of it, although it does not exist. Like the wild beasts, she lives without a future. She inhabits only the present tense, a fugue of the continuous, a world of sensual immediacy as w
ithout hope as it is without despair.
When they found her in the wolf's den beside the bullet-riddled corpse of her foster mother, she was no more than a little brown scrap so snarled in her own brown hair they did not, at first, think she was a child but a cub; she snapped at her would-be saviours with her spiky canines until they tied her up by force. She spent her first days amongst us crouched stockstill, staring at the whitewashed wall of her cell in the convent to which they took her. The nuns poured water over her, poked her with sticks to rouse her. Then she might snatch bread from their hands and race with it into a corner to mumble it with her back towards them; it was a great day among the novices when she learned to sit up on her hind legs and beg for a crust.
They found that, if she were treated with a little kindness, she was not intractable. She learned to recognize her own dish; then, to drink from a cup. They found that she could quite easily be taught a few, simple tricks but she did not feel the cold and it took a long time to wheedle a shift over her head to cover up her bold nakedness. Yet she always seemed wild, impatient of restraint, capricious in temper; when the Mother Superior tried to teach her to give thanks for her recovery from the wolves, she arched her back, pawed the floor, retreated to a far corner of the chapel, crouched, trembled, urinated, defecated--reverted entirely, it would seem, to her natural state. Therefore, without a qualm, this nine days' wonder and continuing embarrassment of a child was delivered over to the bereft and unsanctified household of the Duke.
Deposited at the castle, she huffed and snuffed and smelled only a reek of meat, not the least whiff of sulphur, nor of familiarity. She settled down on her hunkers with that dog's sigh that is only the expulsion of breath and does not mean either relief or resignation.
The Duke is sere as old paper; his dry skin rustics against the bed-sheets as he throws them back to thrust out his thin legs scabbed with old scars where thorns scored his pelt. He lives in a gloomy mansion, all alone but for this child who has as little in common with the rest of us as he does. His bedroom is painted terracotta, rusted with a wash of pain, like the interior of an Iberian butcher's shop, but for himself, nothing can hurt him since he ceased to cast an image in the mirror.
The Bloody Chamber and Other Stories Page 15