Master and God

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Master and God Page 7

by Lindsey Davis


  Joining in the reign of Titus, his first major exercise was the opening of the Flavian Amphitheatre. This helped his colleagues forget their antagonism. The Guards now had too much to do to waste energy on bullying him. Vinius was too busy perfecting new skills to worry about them.

  The Praetorians were supposed to look friendly to the public, but their role was to scrutinise faces. While everyone else was staring at the Emperor, they would pack around their charge looking outwards, searching for signs of trouble. Soon it came as second nature. Vinius knew to the inch where Titus was sitting or standing, but he never glanced that way. Instead, his one good eye was constantly moving, raking the crowds. With forty or fifty thousand seats in the elegant new amphitheatre, this was a damned large crowd.

  ‘Still, we’re all having fun, aren’t we?’ was the sarcastic comment each centurion barked. For them, the inauguration was a nightmare. They wanted their man back in his easily patrolled throne room.

  There were a hundred days of celebration, with Titus attending all the shows and constantly needing the ultimate security. Often his brother and other relatives came with him, so extra bodyguards were detailed. The imperial box, with its private access corridor, gave protection, but once on show the gregarious Titus liked to throw himself into the occasion. He was never the sort of Games president who just dropped the white scarf to signal the start, then sat like an automaton. Titus was always bobbing up to throw balls labelled with lottery prizes into the crowd, or enjoying arguments with them about contestants’ merits, especially Thracian gladiators who were his favourites. Whenever he leapt to his feet, decorative ranks of Praetorians in celebration uniforms cheered nearby; their breastplates flashed in the sunlight and their tall helmet plumes bristled. But a small, almost invisible cadre of duty Guards in civilian dress were closest to Titus, watching for any suspicious movements that could threaten him, grim faced and with hands on their sword pommels.

  The Prefect was twitchy. All the cohort tribunes were jerky in reaction, so the centurions found it hard to relax and they took it out on the men. This made it easier for newcomers to bond, as everyone suffered. At least, on duty or off, they regularly got the best seats.

  The order of play was similar on most days: animal entertainments in the morning; at midday criminals were executed in various inventive ways, at which point the Emperor and fastidious audience members slipped away for lunch; on their return in the afternoon there were races or gladiatorial displays. Sometimes the arena was flooded for mock sea battles. These were conducted briskly, before the waves leaked out; subsequent performers had a soggy time of it until the arena floor dried.

  Anyone had to marvel at the building’s beauty and efficiency. But its greatest achievement was imperial propaganda. Nero had offended people by commandeering the Forum to build his Golden House, turning the whole centre of the city into one man’s private home and grounds. In giving back the stolen site for public use Vespasian had imposed benign rulership in place of maniacal despotism. When Vespasian returned the Forum to the people, he restored Rome to itself. The massive crowds who assembled in the marble-clad arena, including groups from faraway parts of the world with their colourful robes and outlandish turbans and hairstyles, were staring at the ultimate in statement architecture. Here, sport was pursued not as mystic religion in the way of the Greeks, but as part of the pragmatic politics of Rome.

  The programme made available that August was one nobody present would ever forget. Wild animals had been gathered from all over the Empire for the hunting scenes and beast contests. Elephants, lions, leopards, panthers and tigers; boars and bears from the north; desert ostriches, camels and crocodiles; even cranes and rabbits -

  Rabbits?

  Oh killer bunnies pack a mean thump, Gaius Vinius.

  Don’t even try to tell me how!

  It was exciting when the nervous trainers managed to persuade unusual combinations to fight, and even more exciting when uncooperative animals ran amuck, throwing things in the air and threatening to clamber over the safety barrier right beside the marble seats on the front rows where the senators sat. Fortunately — or not, if you loathed the aristocracy — the barrier was a cunning arrangement of vertical rollers that defeated both animals and gladiators who tried to escape. The maverick rhinoceros was a firm favourite. The bull maddened by torches briefly had his fan club. The trained elephant that approached the royal box then knelt submissively before Titus showed the Emperor as a man with so much charisma he could control wild creatures, while the lion that let a hare play harmlessly between his paws was generally thought adorable. Less appealing was another lion, who unsportingly mauled his trainer.

  Gaius Vinius had never been cold-blooded; he was generally pleased that Titus left for lunch so he could miss the execution interlude. That had fairly routine pitting of thieves and army deserters against ferocious wild beasts — or sulky beasts that had to be goaded to attack the cringing convicts. There were also lurid re-enactments of scenes from mythology and theatre: Pasiphae being raped by a bull, supposedly for real; crucifixion of a bandit in a notorious play, adapted to a gory new version where Prometheus had his liver torn out by a Caledonian boar; the Orpheus myth cruelly perverted so that although the pinioned criminal who was acting the lyre player did seem to tame various creatures with his exquisite melodies, a wild bear who was presumably tone-deaf then tore him to pieces.

  After this basic stuff, professional gladiatorial combat seemed to represent pure skill. There were single bouts and group fights. To meet the Roman fascination with the exotic there were female contestants and dwarves. At one point, Titus presided over a record-breaking combat: two evenly matched fighters called Verus and Priscus slogged it out for hours, neither able to break his opponent, neither willing to concede defeat. A draw was not unknown but a draw with honour was unheard of. When Titus eventually persuaded the crowd to allow him to declare equal rewards for these fabulous contestants, giving both gladiators their freedom, the occasion crowned the Games.

  This inauguration would be the highlight of his reign. Nevertheless, a sense of anticlimax visibly began to affect the Emperor. Perhaps it was exhaustion, perhaps he was grieving his father’s demise, perhaps he was already in poor health. On the final day, Titus dedicated the building formally, along with the nearby public baths that he had built in his own name. Something went wrong at the sacrifice, and the bull escaped, which was a bad omen. It was said that Titus wept.

  Vinius was not on duty but he heard about it. Many of the Guards were unsettled.

  There were no more celebrations. The following September, Titus set off from Rome along the Via Salaria towards the Sabine Hills, his father’s place of origin and a long-time family resort in summer. They owned a beautiful villa above Falacrina where Vespasian had been born. On the way, at Aqua Cutiliae, where only two years previously Vespasian had developed a fatal fever after bathing in the ice-cold springs, Titus also fell sick. Immediately his condition must have looked serious. He was taken on to Falacrina, clearly aware that he was dying. His brother must either have been travelling with him or was called to the scene. Lack of clarity about Domitian’s whereabouts and role would add to subsequent suspicions over what happened.

  Back in Rome, the first Gaius Vinius knew was a clamour in the Praetorian Camp. When he emerged from his barracks block to investigate, he was told all leave had been cancelled and a full parade summoned. News had flown round. Men reappeared from all quarters of the city. The camp was soon packed. Tension was so palpable the air tingled.

  It seemed Domitian Caesar had arrived in a state of high excitement. He galloped in and demanded the Guards’ protection and acclamation. Vinius saw him a short time later, his eyes so bright that he looked drugged, his face flushed, heavy sweat stains on his tunic. Any of Vinius’ resourceful aunts would have made the agitated prince open wide for a big spoonful of calming syrup, followed by a lie-down. Vinius himself thought the man needed a stiff drink among older, more equable frien
ds, then a siesta with a couple of well-articulated dancing girls to put life in perspective. But real life had ended for ever for the impatient Caesar.

  Domitian insisted his brother was dead. The Praetorian Prefect responded with caution, still nominally Titus’ man; he probably thought his own days would be numbered from the moment Titus was officially declared dead. Troops began talking amongst themselves of a large accession bonus — for most of them, their second in two years. Somebody said to Vinius in a speculative voice, ‘This should be good news for you!’ but the prospect of Domitian coming to power failed to fill him with joy.

  A small mounted squadron was quietly despatched to Falacrina but met a sobbing messenger who confirmed the news. All kinds of rumours rapidly circulated. Most fanciful was the Jewish belief that when he destroyed the Temple at Jerusalem, Titus had slept with a prostitute and a gnat entered his ear, growing inside his head for years until he could no longer bear the noise of it. Perhaps the headaches he suffered were really malarial, though doctors seemed to doubt that. Popular belief was that Domitian’s plots had finally succeeded; one way or another, he had murdered Titus. More believable was that he had ordered Titus to be finished off by putting him into an ice-bath; but could this be a proper medical recourse for a patient with such a high fever? The certain truth was that Domitian abandoned Titus to die alone while he raced to Rome, indecently eager to replace his brother.

  An announcement was sent from Domitian to the Senate. To his pique, the senators spent all the rest of that day applauding the virtues of Titus and grieving their loss of such a beloved leader. Theoretically they could hail anyone to follow him, which was the reason Domitian so hurriedly pleaded for Praetorian support. Only the next day did the senators appoint Domitian formally as successor. They would pay for their delay.

  The Praetorian Prefect lined up the ranks. To a man, the nine thousand Guards dutifully swore the oath of allegiance to their new master, their mighty shout audible across large parts of the city and intentionally threatening. So, apart from the first year, Gaius Vinius would spend his service as a Praetorian Guard with Domitian as his emperor.

  He swore the oath. He took the money. He supposed that he would do his duty.

  6

  Alba. The Alba Longa of the ancients, pride of Latium, chief city of the Latin League, whose kings claimed an unbroken line from Ascanius, son of Trojan Aeneas, to Romulus, founder of Rome. The lake, a deep volcanic crater with sheer sides is accounted the most beautiful in Italy. On a high sunlit ridge stands a five and a half square mile compound of elegant white buildings, centred on the Emperor’s enormous villa, built over the citadel of the old, lost town. This has been and will always be a holiday retreat for the best people. Its devotees say it has the best views in the world.

  In high summer, it has the best houseflies. Or so the Alban flies believe.

  High on a fold of drapery indoors, motionless against its deep Tyrrhenian purple hue, Musca broods, thinking up her next move. Her six feet have suckered onto the sumptuous cloth, so she hangs head-down with ease. Close by is an ornate plaster cove, creamy and delicate, its soft surface always welcoming. Less appeal belongs to the smooth polish of marble columns, though their patterning offers greater camouflage.

  She fixes her attention on the human below. He sits, almost as motionless as she. He is a man who has obtained what he yearned for and now has to think what to do with it. By definition the people he most wanted to impress have died before him.

  He could be asleep, but it is the fly’s business to be certain and she knows he is not.

  He has failed to settle easily into his coveted role. He is the foremost man in the civilised world. Twenty nine legions in the front line provinces, plus nine elite cohorts of Praetorian Guards, three of the Urban Cohorts and seven of the vigiles, have all sworn, every man in them, allegiance to their new emperor. Son of a divine father, sibling to a newly deified brother, husband to an august wife, father of an august son. In Italy, and in every province throughout Europe, Asia and Africa, each man, woman and child now knows his name. They speak it with as much familiarity as if he were a relative; most honour him; some already revere him as a god. They erect statues of his wife; they love his infant son. Soon they will see his profile every time they hold coins. His statues will dominate marketplaces and basilicas at the ends of the Empire. Camel drovers and peat choppers, date harvesters and cinnabar miners, oyster fishers and ivory merchants will all be aware of him, the ruler who nominally cares for their welfare; has them counted; sends them benign instructions, grinds them into poverty with impossible demands for taxes.

  To Musca he is merely a motionless figure. He is dressed in loathsomely clean robes, robes that are changed several times daily to meet the demands of protocol. At least the oils that scent those garments hold some fascination; even from her perch high above, Musca detects enticing undernotes of fish organs and long-fermented rotten flower-petals. Her olfactory equipment is perfect. Musca can smell death from ten miles away, then be there in an hour laying eggs in the corpse. Most attractive to her here are the teetering gold comports of ripe fruit, where pears and apples hold a sensuous hint of decay. She notices the bold stickiness left on a porphyry table, where a goblet has been carried away by a painted slaveboy, leaving dark fluff to accumulate where the cleaners’ sponges have continually missed a three-week-old circle of dripped wine.

  Musca sees possibilities for a landing place on the man’s partly bald head. To a housefly, as to anybody else, this cavernous room is the height of luxury. Too much is inhospitable for Musca, though. True, high up in these festoons of drapery lie ancient seams of dust, while the comings and goings of numerous people far below have tramped in dropped hair, dander and street detritus — sometimes even a sublime slick of dog or donkey faeces or a drunk’s vomit. But too many surfaces are hard and bare. Pre-dawn, the court has been prepared with busy activity, polishing its expensive sheen to befit its occupant. Some places have even been properly washed.

  Not all. Slaves have no incentive to reach high or sponge crannies.

  The solitary man promises entertainment. Taking off with a light spring, Musca begins a slow test run, at first swooping gently from one side of the room to the other. She alights upon a branch of an ornate, five-foot-high candelabrum, gazing around. Though he seems to sleep, she remains watchful. With large eyes that have many lenses and all-round vision, she can see everything within the room. That includes the broken bodies of several of her relatives, prone on the surface of a marble table in front of the human. The stabbed corpses lie around an expensive writing pen with a sharp nib. She sees this, but learns little from it. Dead relations hold no interest. Suspicion is Musca’s watchword, yet flies are not sentimental.

  On a side buffet stand interesting treats. There are flagons, conical sieves, little bowls of appetisers, spice grinders and goblets. Musca soars gently in that direction, criss-crossing with anticipation above the wine equipment before landing on the cold, curved rim of a silver water ewer. Head down again, she tiptoes, then sips. Buzzing happily to another container she tastes wine. After each visit she leaves behind traces of all the disgusting places she has been that day. She slicks saliva onto her front legs, considering whether to lay eggs on the food remains.

  Illness has carried off the human’s father and brother. Illness will take his young son soon. He lost his own mother before he could remember her, his sister not long after. He lives in the utmost luxury, yet disease threatens continually. No one will ever explain to him that Musca and the millions like her are the biggest enemy he has. Nobody knows.

  Two major bereavements in less than two years have affected him more deeply than he will ever acknowledge. He has honoured his father and brother: announced them as gods, planned monuments in their name. This does not compensate his loss. Vespasian and Titus were men of great physical and mental energy, characters who filled a house with their presence. However much he fretted against those warm-hearted heavyweights, w
ith them both gone, his isolation weighs oppressively. His female relatives eye him up too coolly; even his wife is too conscious of her own status as Corbulo’s daughter. Distrust and disinterest sour the atmosphere around family dinner couches; there will be no comfort there. His surviving male relatives, his cousins, all have to be seen as rivals. Enough said. If they push him, he will deal with them.

  He sits, as he has done now for many hours, sluggish and barely moving, in chronic depression. He stares emptily. He neither thinks, nor works, nor even enjoys the solitude he has demanded. He has realised a dismal truth. He is the Emperor. He is trapped in his role forever, not freed from impositions but doomed to spend his every hour according to the expectations of others. He must live as emperor until he dies, yet the joy he had expected eludes him. A worm of despondency gnaws; this despair will never leave him.

  He will be a good emperor. Work diligently. Take a meticulous interest in all aspects of administering the Empire. Honour the gods. Rebuild, replenish coffers, tackle moral degeneration, crush revolt, initiate festivals, encourage artistic and athletic achievement, leave Rome flourishing and ready for a Golden Age. His name will reverberate through history. His fame will be perpetual.

 

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