A Greater Evil

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A Greater Evil Page 32

by Natasha Cooper


  Dear Andrew,

  I think it’s time we …

  She paused, still not sure how to put it, and stared unseeingly at the tall oak bookshelves opposite her desk. They held all the legal texts that had formed and buttressed her life for the past thirty-six years. After a moment she started to write again, but the ink had dried. Shaking the pen this time, she dropped a huge blot on the paper. When she’d screwed it into a ball and flung it into the wastepaper basket, she tried once more.

  My dear Andrew …

  Bello

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  Copyright

  First published in Great Britain by Simon & Schuster UK Ltd, 2007

  This edition published 2016 by Bello

  an imprint of Pan Macmillan

  20 New Wharf Road, London N1 9RR

  Associated companies throughout the world

  www.panmacmillan.co.uk/bello

  ISBN 978-1-5098-2568-4 EPUB

  ISBN 978-1-5098-2566-0 HB

  ISBN 978-1-5098-2567-7 PB

  Copyright © Natasha Cooper, 2007

  The right of Natasha Cooper to be identified as the

  author of this work has been asserted by her in

  accordance with the Copyright, Designs and Patents Act 1988.

  All rights reserved. No part of this publication may be reproduced,

  stored in a retrieval system, or transmitted, in any form, or by any means

  (electronic, mechanical, photocopying, recording or otherwise)

  without the prior written permission of the publisher.

  This book remains true to the original in every way. Some aspects may appear

  out-of-date to modern-day readers. Bello makes no apology for this, as to retrospectively

  change any content would be anachronistic and undermine the authenticity of the original.

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  A CIP catalogue record for this book is available from the British Library.

  Typeset by Ellipsis Digital Limited, Glasgow

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  Author’s Note

  I finished writing this novel in May 2005, that is about two months before the appalling events of 7/7. When I heard the news my first instinct was to cut the scene on pages 92-96 out of respect for the victims of the atrocity. Then I came to believe that if writers start to censor themselves because of terrorists’ actions we will be making a kind of surrender. And that cannot happen. So, with the deepest sympathy for everyone who suffered then, and admiration for the emergency services and all the people involved in the clear-up, I have left the scene as I wrote it.

  One other scene that I might have altered in reflection of real life is that on page 308, when the judge is summing up the cut-throat rules. As any lawyer will know, they have been changed.

 

 

 


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