“Can you sit up?” Uffa said. “Do you want to sit up?”
CHAPTER 38
HE WAS IN ALEJANDRO’S bed, still wearing his hospital bracelet. “He hit me in the exact same spot. Right under my left eye.”
“You can’t change what happened now,” Alejandro said.
Berg said nothing.
“Right?”
“Right.”
Alejandro took a book from the bookshelf.
“The exact same spot,” Berg muttered, incredulous.
CHAPTER 39
“JUST CLOSE YOUR EYES now,” Alejandro told him. He had a book in hand now. “Just lean back and relax.”
CHAPTER 40
“THIS STORY IS BY John Szerbiak,” Alejandro said. And then he began to read.
CHAPTER 41
IT WAS SUCH A strange line, Berg thought. He felt addled, confused. Maybe he’d heard it wrong. He was still reeling from the concussion. Is that how the story begins? he thought. This can’t be how the story begins. But he had little time to wonder. The story kept going.
CHAPTER 42
THAT SPRING THE QUAIL congregated in the hills in urban concentrations. They marched back and forth through the forest, clucking and fussing like harried commuters. Everyone in town commented on their abundance, and speculated as to its causes. All of the rain from that winter, or perhaps a decrease in the number of local bobcats, who were among the main quail predators. Woody had a different theory.
“My guess is that the lizard aliens planted them,” he told Berg, a sober look on his face. “They’re priming the habitat so that it can support them when they invade. They like to dine on wild fowl. That is widely known.”
Apart from the quail situation, it was a normal spring. There were thick oak trees and alfalfa butterflies and yellow-breasted meadowlarks. There was morning fog and afternoon sun and cool nights. Ranch hands roamed the fields mending fences and children snorkeled in Sausal Creek, chasing minnows they’d never catch.
Alejandro was at work on his latest canoe, out on the beach, and Uffa was readying the bus for a drive to New York to see Demeter. He was planning to bring a few musicians with him on the trip and play shows across the country. In the shop, he would daydream about the different things they could do on the tour: play a show in an RV campground in Reno, give away pancakes every morning, record live sessions of the musicians in scenic mountain landscapes. But the organization involved seemed to stress him out, too. He had trouble prioritizing the work that needed to be done most urgently. One day, Berg walked onto the bus and found him looking down at a list, chewing on a pencil.
“Too much to do these days,” he said. “Too much to do. Gotta get new tires on the bus, plan this show in Denver, apply for residencies, write a letter to the editor, read these four books. What else? Go surfing, feed the cat, talk to ten different insurance companies… There’s a lot of moving pieces right now.”
Change was afoot in the barn, too. Rebecca had purchased new seeds, fifty chicks, and several sheep, and one of the geese had given birth to goslings. Alejandro and Rebecca had no room for these goslings, like last time, and they intended to sell them off, along with the goose and gander. Tess was devastated by this and she wrote her grandmother a very dramatic letter about the situation.
“Please save them,” it said. “This is too important and we are all counting on you.”
One Saturday morning, days before the goslings were to be sold, Alejandro and Tess let them out of their pen and brought them down to the pond. Berg was up early and decided to accompany them. He liked walking the geese down to the pond, cup of coffee in hand, and watching them eat bugs and bark and grass and all of the strange things that geese eat.
“There has to be a place we can put them,” Tess said.
“Where?” Alejandro asked.
“In the coop with the chickens?”
“The gander would kill the chickens,” Alejandro said.
“It would not,” Tess said.
“It would,” Alejandro insisted. “I’ve seen it happen.”
Tess looked horrified. The gander was floating in the pond. Tess stared at him.
“What if we just kept the goslings but sold the gander?” Tess said.
“I told you, Tess, we have to keep the gander, too. They’d need protection,” Alejandro said.
“From who?”
“Any number of things. But coyotes mostly.”
“What about that shack over in the meadow?” Berg said.
“It has no roof,” Alejandro replied, without looking at him.
The shack had been there when Alejandro bought the property and he hadn’t touched it. It was a ramshackle thing: inside there were ferns and nettle growing out of the floor and Berg wouldn’t be surprised if a few wild animals called it home. The whole thing appeared to be slowly composting back into the earth.
“The shack would be perfect,” Tess said. “It’s not even that far from the pond.”
“It’s farther than I want to walk,” Alejandro said.
“But I’ll do it,” Tess said. “I’ll be the one who does it. I’ll even sign a contract.”
“Will you build the roof?” Alejandro asked.
“I’ll do that,” Berg said.
“You sure?” Alejandro said, turning to him.
“Yeah,” Berg said. “I’ll take care of it.”
“How lucky for you, Tess,” Alejandro said.
And so, in the early days of spring, Berg found himself building a roof for several geese. He used pine for the rafters and gables and half-inch plywood for the roof decking. While he worked, Tess sat nearby, in a patch of nasturtium. She told him about her trips to Horse Island and how Ms. Gans, the teacher she would have for third grade next year, had a mouthful of fake teeth that she removed every night before bed, according to kids in the grade above her. She also liked to talk about stars and outer space.
“I’m a little bit of an expert on the solar system,” she confessed to Berg one day.
In accordance with her nature, she grilled him with questions. Sometimes Berg told her that he couldn’t answer. The problem was that, once you answered the first question, it usually set off a chain reaction of increasingly urgent follow-up questions, which all had to be dealt with. But other times he wandered into the murk with her.
“Why don’t you stay in the guest room anymore?” she said.
“I was recovering,” Berg said. “I was injured and I needed to be in a quiet place. But now I’m back in the shop.”
“Did you always know you were going to work in a boatbuilding shop?” she said.
“No,” Berg said. “I only started building boats when I met your grandfather.”
“He taught you?”
“Yeah, of course.”
“I thought you already knew it all,” Tess said.
“No, I learned everything from him,” Berg said.
They were silent for a moment, and then she said, “Did you go to college?”
“Yes, I did.”
“But you never built any boats in college?”
“No, they don’t really build boats in college.”
“Why not?”
“I don’t know. They should.”
“Are you going to be a boatbuilder forever?”
“It’s what I’m doing for now,” Berg said.
“But you don’t know whether you’ll do it forever?”
“No,” Berg said. “Do you know what you’re doing forever?”
“No, but I’m only eight.”
“Well I’m only twenty-eight.”
“Twenty-eight is old.”
“It’s not that old.”
“I don’t know,” Tess said, picking a nasturtium flower and inspecting it. “I hope I have things figured out by then.”
ACKNOWLEDGMENTS
I owe a huge debt of gratitude to Bob Darr, my friend and boatbuilding teacher, whose generous vision and exceptional artistry inspired this book. I am also deeply gratef
ul to Dave Eggers, who understood what I was trying to do and showed me how to do it better. His support and guidance were crucial. Thanks also to my family: Jesse, David, Rich, and Ellen. To everyone at McSweeney’s: Sunra Thompson, Kristina Kearns, and Claire Boyle. To the Urmys, who gave me a place to begin writing. And to Mikayla, for reasons that are, of course, too numerous to list here.
ABOUT THE AUTHOR
Daniel Gumbiner was born and raised in Northern California. He graduated from UC Berkeley in 2011 and now lives in Southern Nevada. This is his first novel.
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