It is clear that this mark is describing the Ta-wer of Osiris.
The word Chirst, “anointed” comes from the Greek krisma (which rings of charisma), and krio, “to anoint.” Thus we have a krio, a HORN, or vessel, in which the anointing oil poured upon Jesus’ body is stored.
Cathar Pillar of ‘Osiris’ watermark.
There is an additional interesting function of Isis’ Ta-wer that is worth noting. Literally translated, says Wilkinson in Reading Egyptian Art, the Egyptian word Ta-Wer means “the Bond between Heaven and Earth” – the same meaning as the Sumerian DUR.AN.KI., according to Sitchin in The Stairway to Heaven. The Sumerians described the Dur.An.Ki as a tall pillar reaching into the heavens. This pillar was secured to the platform atop Mount Moriah and was used by the Shining Ones to “pronounce the word” heavenward. In other words it was an antenna of some kind.
Phonetically, the letters ‘d’ and ‘t’ are interchangeable. Thus, the ‘Duranki’ could be rendered as the ‘Tur’ or Tower (of) Anki. Anki is very close to wise Enki, the head of the Annunaki who as symbolized by a serpent ala the serpent and the Tree of Eden. The Plain of Dura is the location where Nebuchadnezzar erected the Golden Image.
Now, this is quite interesting as at Abydos we see the Head of Osiris is placed upon a platform that resembles the Ark of the Covenant. Housed in Solomon’s Temple, which was built on the same site as the Anuannki communications tower, the Ark was a device the Israelites used to communicate with Yahweh. In it were stored the Tablets or Commandments from Heaven.
Turning once more to Sitchin’s Stairway to Heaven we find a line drawing of a Sumerian cylinder seal depicting the appearance of a deity to a shepherd. The deity, probably the sun god Shamash, appears through the double mountain. Significantly, additional names for Abydos are Abju and Abtu, which was Abz or Abyss. Abz matches the Sumerian AB.ZU, ‘Great Deep’, the domain of Enki from whence came the gods of the Sumerians. We note that despite its simplicity the pillar beside the gate of the Sumerian god is a near perfect match for the pillar of Osiris.
A RELIC OF THE DESPOSYNI
In The Magdalene Legacy Laurence Gardner points out that the 3rd century Fisher King Aminadab, who was the grandson of Mary Magdalene’s son Josephes, entered into an historically significantly marriage that cemented the Grail bloodlines of Jesus and his brother, James.
Pictured on the next page is “The Symbolic Quadriga of Aminadab”, a 13th century medallion in a window at St. Denis, Paris. As we can see, it is a ringer for the Pillar/Tower of Osiris. Jesus is hanging from this Treeof Life, as prescribed in Acts 5:30, 10:39 and 13:29. One 13th century French commentator on the Song of Songs, Honorius of Autun, explains that Aminadab standing in the pillar is represents the Crucifixion. The Ark of the Covenant is seen to be the pedestal for the Cross, as in the example of the Abydos pillar. This Ark-Cross combination is the Quadriga of Aminadab.
The Symbolic Quadriga of Aminadab. Note Jesus’ head is pointed at approximately 25 Sagittarius as the Eagle is Scorpio and the angel is Aquarius... So did the wormhole take him to a Sagittarius star wormhole?
Located a few miles north of the Ile de Citie, the Abbey of St. Denis, patron saint of Paris, Abbot Suger envisioned the church as the center of a new illuminated Christianity. In his three books on the building and consecration of the church, the brilliant Abbot penned thirteen separate inscriptions celebrating the Holy Light. In one of these illustrious inscriptions, a verse inscribed on the golden doors of west façade Suger tells us:
“Bright is the noble work, this work shining nobly/Enlightens the mind so that it may travel through the true lights/To the True Light where Christ is the true door.”
From such words Suger developed his theory of lux continua, or continuous light. His aim was to bring the True Light of God into the world.
Named after Denis the old abbey church of St. Denis had been completed in 775. The abbey had been founded in the seventh century by the Frankish king Dagobert in honor of Denis, and his legendary companions Rusticus and Eleutherius. King Dagobert II, and the Merovingian dynasty from which he came, have been romantically mythologized in the annals of both local legend and modern mystical pseudo-history, which upholds them as the supposed bloodline of Christ.
The Templar are often connected with the Merovingians. Their bloodline is called the ‘Red Serpent’. The Merovingian sculpture shown here demonstrates their belief in Christ as the Serpent, and connects them with the Shining Ones.
Two crosses flank the serpent around the Tree of Life; symbol of the Shining Ones. Merovingian sculpture in the church at Pouille in Vendee.
According to legend, the Merovingian bloodline was founded by King Merovee, who is said to have been the spawn of a “Quinotaur”, a giant fish or a sea monster, who raped his mother when she went out to swim in the ocean. He is called “Merovee’, because in French, Mer means sea.
This half-human, half-fish is E.A. or one of his successors.
Dagobert’s name reveals the divine origins of his bloodline. “Dagobert” comes, of course, from Dagon. ‘Dag’ means “fish”. The word “Bert” has its roots in the word Bahir. So Dagobert’s name literally means “Priest-King of the House of the Fish.”
Significantly, Suger’s medallion was placed in St. Denis shortly after the Templars returned to Paris from Jerusalem where they recovered the secrets of the Grail family. I have proposed elsewhere that this is the skull or ‘head’ called Baphomet, which the Catholic Church claimed the Templars used to perform miracles. Is the ‘Quadiga’ the property of Aminadab’s royal family, i.e. of Jesus and Mary Magdalene? Is this evidence of Isis-Osiris (or Anunnaki) technology in the Grail family? What if the skill MM possessed was what modern science calls hyperdimensional physics and Jesus crossed the galaxy in a stargate or a wormhole?
Isis wearing the fish and bird headpiece.
In this detail we can see that Isis has a combined FISH and BIRD HEADPIECE. She tends Osiris’s HEAD/BOX. To the right of his ‘Head’ are the hieroglyphs for ‘bread’ , ‘water’ (or ‘vibration’) and the Key of Life . Beside the Key of Life is the Uas scepter. In the next register to the right is the glyph shown in detail to the right (below). It is called the Asgat-Nefer glyph.
The top of Osiris’s head (left). The Asgat-Nefer glyph (right). It means ‘Harmony of Water’. Its presence suggests the Pillar of Osiris emitted water or even was a fountain of Living Waters.
Tu uab “holy mountain”. (This place name is followed by tubaat, a hill of metal, or a hill containing mines. It is very close to Tubal Cain, the smith).
Ta aub-t, ‘to purify’.
Egyptologists translate this glyph as “beautiful water” or “good water.” However, according to Stephens S. Mehler, writing in The Land of Osiris, the indigenous Egyptian teacher Abd’El Hakim Awyan translates it as “Harmony of Water.” Harmony in this sense, says Mehler, means beyond polarity consciousness, beyond a concept of good and evil, the state of balance or bliss. (In other words beyond the fear of death?)
In The Making of the Egyptians, Michael Rice notes that there is a special usage of this hieroglyph in the Pyramid Texts. The meaning here is ‘Pure’, ‘Clean’, as in Utterance 513 from the Pyramid Texts: ‘Be pure: occupy your seat in the Bark of Re: row over the sky and mount up to the distant ones: row with the imperishable stars, navigate with the Unwearying Stars’.
The Bark of Re, I propose, is the Stargate of the Gods.
THE PULSER AND EMMITTER
Before her departure into the underworld Inanna had warned her chamberlain to send help if she did not return. He appealed to Inanna’s Uncle, Enki, who crafted two beings and sent them on a rescue mission. To one of these beings he gave the Food of Life, to the other the Water of Life. Both were likely alchemical substances. According to Laurence Gardner the ‘bread’ of life is ‘monatomic gold’, an alchemical powder with many magical capabilities, including possibly the ability to open gateways to other realms. So prepared, these helpers descended into
the underworld to rescue Inanna. Then,
Upon the corpse, hung from the stake,
They directed the Pulser and the Emitter.
Upon the flesh that had been smitten,
Sixty times the Food of Life,
Sixty times the Water of Life,
They sprinkled upon it;
And Inanna arose.
The Pulser and the Emitter? Is this some form of a device that transmitted or spit the Water of Life capable of raising the dead to life? If MM personified this goddess is it possible she possessed such a device too? We shall return to this question momentarily.
Inanna’s descent into this holy hole, (later known as Hell), lasted three days and culminated in the Day of Joy, when Tammuz was restored to life, wholeness. This sacred drama was re-enacted at the Temple of Solomon in Jerusalem (Ezekiel 8:14) during which the women “wailed” (crying ‘hallileua’) for Tammuz.
As I have proposed, this state of bliss was triggered by Mary Magdalene’s oil. This substance was created by the Head of God, the Pillar of Osiris.
Turning to E.A. Wallis Budge’s Egyptian Hieroglyphic Dictionary we find additional meanings of significance to the Divine Head:
‘Mer – Head’
‘Mer – Sacred Serpent’
‘Mer – Likeness’
‘Mer – To see’
‘Merr – Beloved one’ (the root of marry?)
‘M’Her – Vessel or container’
This last definition – vessel or container – is most interesting in light of the Cathar symbol of the fleur-de-lis topped vase engraved MR.
The Cathars called a vase or container MR the ‘Flower of Light’. It shows two serpents gathered at the head of the container topped by a fleur-de-lis.
MR (mister or provider of mist) is a key mystery term.
MR is a Sumerian term for brightness, shining, as in Mar-Duk, the Bright One. (MR is the root of the name Nimrod or Ni-Meru-od).
Speaking of towers and plates, let us return to the tower on a platter presented to King Tutankhamun. The two Nubians guard a pillar, which we can now appreciate, is the ‘head’ of Osiris.
In this context the two guardians fulfill a role strikingly similar to the two cherubim who guarded the Gate of Eden. Because Adam and Eve were disobedient to Yahweh, the god of Eden sent them out of the Garden (Genesis 3:23). He placed at the east of Eden Cherubims, and a flaming sword, which turned every way (it rotated gyroscopically), to keep the way of the way of the tree of life. Significantly, the Tree of Life is equated with the Cross.
Two Nubian figures stand beside the Osiris Ta-wer pillar in the middle of the Egyptian symbol for gate.
Now, let us examine a depiction of this tower from Denderah on the next page. Here we find that the lotus ship of the gods has been added. This ship clearly resembles the shape modern science uses to depict a wormhole:
At Abydos we see this head is placed upon a platform that resembles the Ark of the Covenant, as well as the modern scientific symbol for a wormhole.
The striking similarity between the shape used by modern science to depict a wormhole and the Egyptian image of the (b)ark Osiris rode into the Nether World raises astounding implications.
If we view Jesus and Mary Magdalene as exemplars of the archetypes once typified by Isis and Osiris, then this imagery suggests we must view them as advanced scientists, and dedicated esoteric researchers, who were more like quantum physicists than holier-than-thou religious figure-heads dressed in expensive clothing.
The work or reanalyzing Egyptian myth and Christian imagery through this lens needs to be performed by both spiritual theorists and physicists.
Ancient Egyptian hieroglyphs, in particular, are loaded with wormhole imagery and concepts about the fabric or cloth of the cosmos. For instance, take the Egyptian glyph for Nether, meaning ‘cloth’.
The Nether glyph contains an ax or flag, the open-mouth Ra symbol, the Egyptian shen glyph for the heron, the bird of light, and a fourth symbol, , which, amazingly, resembles not only a tuning fork, but also the symbol used by modern science to represent a wormhole.
Representation of an Einstein-Rosen bridge.
In addition to a folded space, science imagines a wormhole as a serpent-rope or umbilical cord threading its way through the cosmos. Our entire conception of the Bible would be changed if it were revealed that this is the serpent of wisdom that is ‘slayed’ by all the heroes.
Who devised the Egyptian symbol system? The NTR, or Neter I (also rendered as nuter or Nu), meaning “one who watches.” Neter is also the Egyptian name for “divine being” or “god”.
This brings up the subject of ‘celestial intermediaries’ and the critical Gnostic word play between Nazarene, one title applied to Jesus, and Neter. Nazarene has been thought to refer to Nazareth, the town where Jesus is alleged to have lived. Bethlehem, Nazareth and Galilee all claim to be the home of Jesus. Scholars now claim, however, that the town of Nazareth did not exist at the time of Jesus.
Therefore, Nazarene must refer to something else. The words Naaseni and Nazarene are believed by some to have originated from nazar, meaning keep, guard, protect, and from naas or nahash, Hebrew for serpent.
Historian Michael Grant interprets Nazoraios as “guardian,” and says it comes from the root netser (netser), meaning, “shoot” or “branch” (klone in Latin). Jesus was known as the branch of David, the long-awaited Messiah. (Isn’t it interesting that the word “branch,” earlier associated with ‘mist’, reappears in this context?)
Grant identifies Jesus as a member of an exclusive religious sect of priest-kings who guarded or “watched” the secrets of the ancient science of salvation and enlightenment. This group inherited this role from Egypt and the ancient Neter (also rendered as nuter or Nu), meaning “one who watches.”
The word neter passed over directly into the Coptic (Egyptian Christian) language as nouti and noute (phonetically note), both terms meaning “God” and “Lord.”
God, Lord, Watcher: all these terms were applied to Jesus. The secret knowledge I propose Jesus possessed and protected – and then passed to Mary Magdalene – was the secrets of the transformation of humans into a neter (Shining One) preparatory to scaling the Stairway to Heaven and sailing to Neter-Neter land, the home of the gods.
19.
MISTRESS OF THE WATERS
We will now further explore the premise that Mary Magdalene’s vigil at the foot of the crossMark 15:40 and Jesus’ appearance to her after his ResurrectionMatthew 28:9, were part of an elaborate alchemical ceremony designed to help Jesus’ body resonate with the rays or vibrations of the Empire of Light. Her liquid ‘Christos potion (po-shen)’ prepared Jesus, who called himself “the Door,” to rise to the higher plane of the Empire of the Illumined and then fed “the dead” Jesus upon his rai-sing or return from that realm.
This places MM on the level of Isis who also raised Osiris and was impregnated by him after he had risen to a higher plane.
MM’s oil was ‘resin for the raisin one’, the bread/manna/Christ, symbolized in Cathar symbolism by a cluster of grapes (called raisins when dried in the sun). In fact, rai-sin comes from the Latine racemus, bunch of grapes. The (cosmic) rays that compose this resin trigger the Christos substance that rises within and raises us from sin.
A key reference to this fragrant ‘raisin resin’ is found in Song of Songs:
Until the king returns
I lie in fragrance,
Sweet anticipation
Of his entrance.
Between my breasts he’ll lie –
Sachet of spices,
Spray of blossoms plucked
Form the oasis.
The term ‘sachet’ is important. A ‘sachet’ (s_-sh_’) is a small packet or sack of perfumed powder. Sack carries with it a few thousand years of commercial or mercantile history and therefore cues us to evaluate its Mercurial meaning among the good people. It goes back to Middle Eastern antiquity and is easily recognizable in the Greek sakkos,
the Hebrew saq, and the Akkadian saqqu.
Continuing, sack is the name of various light, dry, strong wines from Spain. The phonetically similar Japanese word sake is a liquor made from fermented rice. Of course, Christians believe Christ (the Grape) died for our sake.
“A spray of blossoms plucked from the oasis.” This line from the Song of Songs is more than poetry. I believe it is a major clue to identifying the nature of MM’s mysterious balm that she rubbed or sprayed on Jesus (which, Tantrists believe, may have taken place while they were in the sack).
A spray is water or other liquid moving in a mass of dispersed droplets, as from a wave.
The noun spray is a dispenser that turns a liquid (such as perfume) into a fine spray.
The flower sacred to Astarte was the lily, the Easter flower. The alchemists portrayed Jesus as the spray of the blue lily.
Spray may be written (s)pray with the emphasis on pray (to ask) or (sp)ray, meaning essentially ‘spread rays’.
A spray is also a flower arrangement consisting of a single branch or shoot bearing flowers and foliage.
Another word for a fine spray is mist. The connection between the word-concepts messiah and mist, I hypothesize, explains why the alche-mists portrayed ‘Christos’ as a blue lily spraying from Mary – the Oasis. In the illustration on the previous page, ‘Mary’ sits in a radiant orb. Mary and Jesus are one substance. In the five-part blue lily is Jesus.
Mary Magdalene The Illuminator (v5.0) Page 15