The Best Australian Poems 2011

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The Best Australian Poems 2011 Page 11

by John Tranter


  possessed me to announce I love these cocktails I could drink them

  all night long, or who says cask red wine’s so rough let’s have another

  this is fun, it’s Penny’s big night out, it’s Roger’s last day with us

  let’s make sure we all remember while the café staff are laughing

  looking on and counting money thinking ambulance or police

  They’re waking up and cannot face the ugly thing that’s in the mirrors

  that will catch them with its mug the simulacrum of a plastic drink cup

  crushed, its two small pissholes in the snow glued somewhere

  next to burst capillaries’ cadastral lines around what was a nose

  and will those tom-toms never cease

  they’re waking up if this can be called waking up instead of

  resurrection from the dead and hearing noises coming out of furry caverns,

  burred with algae, fungus, vacuum-cleaner sacks of dust and ashes

  blurred with single malts and rotgut saying who’s a clever boy

  and who’s a clever clogs and whimpering I know

  I didn’t mean it while massed choirs shout You did

  Across the bedrooms of the nation they are crying o my god and omigod

  and omg and g almighty Christ on earth and on a bicycle what happened

  where was I when that truck hit me and I thought among this blasphemy

  my misery must end why are you with me if not helpmeet, friend

  to guide me through the labyrinth of sin, disgrace and worse, insult

  my colleagues and employer and I have to leave for work now

  They are speaking when they finally untie the Windsor knot that was

  their tongue and making words out of the alphabet that’s mixed up

  saying Gertrude Steinways stone me, and the crows and all the raptors

  Nevermore-wise as they hold their safety razors and attempt to shave

  the hairs of dogs that stick out like whatever who remembers,

  are those feet below me mine what face is this I have to look good

  for the funeral somebody’s, mine today

  They’re lying sweltering in their odour hell what perished here last night

  what am I doing in this bed that keeps on moving who’s that body here

  beside me, they are saying this is rough hold on I’m falling through the universe

  again this bed is slipping into space what is that figure on the carpet,

  that’s no painting that’s my husband that’s my wife I think I’m married

  Who are you where am I now how did we meet o god not you

  They’re making whoopee in the barrel that is going over Bridal Falls,

  Niagara, Wollomombi, Apsley Cataract, a dog a snake a wildcat

  getting friendly as they tumble into mateyness and once again with feeling

  to the top, here’s Mister Sisyphus he’s going up again

  the warrior scuttling up the heights to that lone pine

  that’s every morning in the bedrooms of Australia

  Trophy Getters

  Craig Sherborne

  Me and the young guys cough how women

  flirt crude just like us.

  We are the few who get them,

  that’s our boasting.

  We know they want to love us heartfully

  but have hard bargains from which we shy.

  We call one over like an interview –

  her of us as much as us of her.

  ‘Far too homely,’ we smirk

  into our laughing-gas drinks.

  ‘She’ll make someone a nice first wife.’

  Wife’s not the point, we jibe:

  tonight we’re trifling from behind our Marlboros.

  She is a form of money. We four would divvy her

  if we were kinked that way.

  The most neon our eyes can be,

  the most muscled our smiles,

  must lever her into decision:

  is she Brad’s tonight or mine?

  Richo’s or Hobbsy’s?

  The air blind and deaf with indoor night

  and tom-tom bourbon.

  My tactic, being older, is to offer her my seat,

  bow too politely to be genuine,

  and wish there were no laws to this,

  that I could rip and lick right now

  without remorse or evidence or bruise.

  Humility

  Alex Skovron

  For months Mozart has been so crucial I haven’t played him.

  The winds, filibustering the house, have heard

  the chimney crackle and the paint strain

  while the old obsessions went ignored. What was the point?

  One evening I flipped the LP of the A major (K.488)

  and the slow movement lacerated my defences

  all over again. I squinted beyond the buddleia

  on the fenceline and thought I could discern vast citadels

  circling the horizon, and it was almost a joy

  that swept its andante through the sad molecules

  of my imaginings – but just then

  a magpie alighted on the lawn, dragging a shadow

  behind it as the sky turned a molten gold and a storm

  broke from the west. The disc had ended

  (I had no recollection of having heard the rondo finale)

  and I sprang to the phone, jangling churlishly

  to tell me you were gone. Music is like that:

  it knows. It brought to mind what you had shown me

  on the Baltic coast under the lighthouse:

  twirling a miniature sailboat of souvenir amber

  between thumb and forefinger, you pointed to the tower

  and the encircling gulls and ‘Look at them,’ you said.

  ‘They love the lighthouse. It teaches them the humility of flight.’

  Murder at the Poetry Conference

  Melinda Smith

  The old pesticide factory

  casts a buzz-saw shadow

  on the wall of the council chambers.

  Inside, the poets sit like aldermen.

  They talk of war and genocide,

  harrowing themselves silly.

  At night they retire to soft floral sheets, flocked wallpaper. They dream

  infinite shelves of books with tilted spines –

  M and N shapes staggering away;

  leather the colour of blood.

  Where’s my Rattan Overcoat?

  Pete Spence

  where’s my rattan overcoat? i have

  things to say tonight at the basket

  weaver’s AGM! how find anything

  for that matter in this dish of haste!

  i never thought my collection of toothpicks

  could take up so much room! where’s

  my snail shell rimmed spectacles

  my echidna gloves! maybe i should

  resume my search at high tide!

  can i find my snakeskin snorkel!

  here’s my sunglasses made of smoke

  now that’s a find even though summer

  is over & glaring at someone else

  burning the edge of their rock pile

  The Knowledge

  Peter Steele

  That he who distributes charcoal during a snowstorm

  is a fine fellow, and that to be

  like a tree which covers with blossom the hand that shakes it

  warrants careful attention, and that

  ice
will not lodge on a busy spinning wheel –

  all this is common ground. Also,

  to strike at the stars with a bamboo pole is the same

  as to dress in brocade and stroll in the dark,

  or to offer a twenty-one-gun salute when the general

  has clapped spurs in his horse and departed.

  And yes, pride is a flower from the devil’s garden,

  and a well-groomed heart is a good match

  for any well-groomed head. Repentance, they say,

  is the loveliest virtue, at least for a while:

  and is it not odd that marriage is an assembly

  of strangers, and love an inscrutable monster?

  My cousin has bought a farm and I have heartburn:

  but still, with my couple of loaves, I remember

  to sell one and buy a lily and, nibbling

  a bamboo shoot, to bless its grower.

  One hair on a pretty woman’s head is enough

  to tether an elephant, but it’s the creatures

  that swag the knowledge home, as that the sunstruck

  ox pants at the sight of the moon,

  that there’s one phoenix to every thousand chickens,

  that a wren trying to walk like a stork

  will break his crotch, that business is best done

  slow and steady as the cow slobbers.

  No end of wisdom: but what does a frog

  in a well know of the waiting ocean?

  Bondi rock pool. 1963.

  Amanda Stewart

  a line across a plane

  a city marked in water and eucalyptus

  an efficient takeover

  a funnel web enters a sock

  and at the edge of sea bondi’s child

  all hands and tongue sand in mouth

  gathers the movement

  of starfish and snails anemone and cuttle

  an observer, unable to utter, takes place

  a voice, silently present, observes

  this child etched in salt and breath,

  the child thrown up onto the shore,

  the nets thrashing with slow death and light.

  Christmas Poem

  Adrian Stirling

  Last Christmas

  Your father did his impression

  Of a Chinese person

  Your mother wore a see-through dress

  And served up salad

  Made of grated carrot and sultanas

  Your brother gave us tickets

  To the monster trucks

  Then his allergic children

  Who were high on cordial

  Knocked a bottle of red wine

  Into my lap

  Everybody laughed and said:

  ‘What are you going to do, Adrian?’

  ‘Go and write a poem about it?’

  The Ashes

  Maria Takolander

  The pig propped his hooves on the seat back and lifted the beer to his mouth. His toes, he saw over the translucent lip of the plastic cup, were perfectly clean if mottled in colour like the earth. The baying and howling intensified, and he turned his attention to the pitch. The raccoon dealt with the first ball, tossed hard in the lull following the crowd’s jeering. The ball rolled dead. A rat retrieved it, spat on the red skin and briskly rubbed it on the hairless skin of his groin. The next ball curved like the smell drifting from rot, and the racoon was out. Plastic cups flew up into the sky and down again like scuttled locusts. It had happened so quickly. As the pig watched the racoon remove his helmet and return to the pavilion, he was momentarily unsettled. How fragile things seemed. How would they fill out the afternoon? The game, though, soon became robust and quite ordinary. The pig might have dozed off, for time passed. When he woke there was a commotion beneath his grandstand. The pig looked down into the bay. An old emu lay on its back in a concrete aisle littered with plastic cups, cigarette butts, pie bags and piss stains. Two paramedics, grey wolves, knelt over him. One had its paws buried in the oily feathers on the emu’s upturned and distended chest. The bird’s legs hung from each side like snapped sticks. There was a small and miscellaneous crowd. Then from the other side of the arena, with a great wailing and roaring, came another wave of plastic cups, catching the sun, hovering and shimmering like angels. The partnership on the field had been broken. The pig found himself hurling his own empty cup into the teeming oval of the sky. When the pig finally looked down at the aisle below, one of the wolves, its fur hoary as the grubby cement, had fetched a stretcher. Only the pig saw the wolves carry the large dead bird away.

  After

  Andrew Taylor

  After the silent removal

  after the silt in the drain

  after all that you’d hoped for

  deftly excised from your brain

  after the cat’s been looked after

  and the dog euthanised and the girl

  who fed it on biscuits and munchies

  quietly removed in a van

  and after the garden is watered

  and after the Rates are all paid

  and after the roof is repaired

  and the guy who’s been screwing the maid

  and the maid make a suitable marriage

  and their kids have all fled from the land

  and after the land has been conquered

  by carbon dioxide and drought

  and the unions are running the government

  beyond a shadow of doubt

  and the price of energy’s rising

  and the internet choking on smut

  whose quality is as depressing

  as the Stock Exchange in full rout

  there will rise from the desert a something

  we’d be probably better without

  which will amble off into the cosmos

  and turn the lights out

  Cave d’Aristide

  Tim Thorne

  It is not the world which passes our long-legged, small table

  outside the Cave d’Aristide where we have hoisted ourselves

  to settle on the slightly too-high stools.

  With my dark glasses and light air,

  my T-shirt striped horizontally, the image I am striving for

  is more faux Français than vrai Palavasien.

  Irony! Somehow this village condones its ease.

  No, it’s not ‘the world’, certainly not as literal

  translation, but it’s more than fellow-tourists,

  who are few despite the excellence

  of the picpoul de pinet, the beach, the sunlight,

  the exchange rate and the mussels.

  This spot, right on the corner

  of Rue Aristide Briand,

  is perfect for remembering his victims:

  Paul Boible, railway worker, before the court

  in 1910 for carrying a prohibited weapon,

  to wit a corkscrew, the thousands

  who tore up their mobilisation orders

  and mailed the scraps to Aristide, the Paris sparkies

  done out of their jobs by soldiers.

  Ah, Aristide, it was Emma Goldman

  who countered your scream of ‘sabotage’ with,

  ‘Who but the most ordinary philistine will call that a crime?’

  If there was a wine bar on some Rue Emma Goldman

  somewhere, I’d be drinking there with the cheminots,

  and Paul Boible would pull my cork.

  But for now it’s Aristide, and the sun sets

  as the shopkeepers’ kids play in the street

  and I
turn to my Mas de Daumas Gassac ’06

  and ask myself how ordinary a philistine I am.

  Aristide, you were the prototype

  for Chifley, Blair, all the Social Democrats

  who (let’s be kind) spun themselves into

  contradiction. Were you, were any of them

  aware of this? Here, on my stool,

  (no armchair Marxist!) I can contemplate

  not just the passing ‘life’, not just the wine,

  but how my hedonism and my history

  have put me here, my feet just off the pavement,

  glad of not having to strike for five francs a day

  and with the luxury of pretending to pretension.

  Ambulance thinking

  Helen Thurloe

  If the wail that whips around the valley

  continues north, past the headland

  the village mothers cross themselves

  their broods safely south, they think.

  Today a hopeful, hopeless rock fisherman

  is washed into the greedy sea, or else

  a holidaying tycoon has popped

  an artery on the sodden golf-course –

  their companions invoke

  the snaking needle of sound, drawing in

  the red flashing lights and the grim referees

  already poised to call the game.

  Adventure at Sadies

  Ann Vickery

  Down the rabbit hole, we find

  a world of cottage cheese and over-inflated

  princedoms. That joke was thirty years too late.

  Sitting there on the piazza

  between the banana trees and austere flamingos,

  we conjecture convivially on the poet’s last fuck –

  ing stand. He’s got beautiful cheeks,

 

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