Unbreakable: My Story, My Way

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Unbreakable: My Story, My Way Page 14

by Jenni Rivera


  “Oh, this is great. I got two dumbass drunk security guards taking care of me.”

  “Did anything happen?” Juan asked.

  “No.”

  “Then shut the fuck up.”

  16

  * * *

  Speaking Out

  Levanto mis manos aunque no tengo fuerzas.

  (I lift up my hands to you

  even when my strength is failing.)

  —from “Levanto Mis Manos”

  In January of 2006 Rosie saw Trino for the first time in nine years. She was sitting at Norms restaurant in Lakewood with Gladyz when she spotted him a few tables away. She froze. She couldn’t speak, and Gladyz kept asking her what was wrong. Then Trino looked over and locked eyes with Rosie. He froze too. But then in an instant he stood up, put money on the table, and left, passing right by their table as he headed for the door. Rosie didn’t take a breath until he was outside.

  By that time Gladyz was screaming at her, “Are you going to tell me what the hell is going on?”

  “It was Trino,” she finally managed to say. “Go get his plates.” Gladyz ran out into the parking lot, and that’s when Rosie went to the pay phone to call me.

  The first words out of her mouth were “Sister, I’m sorry. I am so stupid. I failed you.”

  “What are you talking about?” I asked. “What happened?”

  “I just saw Trino and I didn’t do anything.”

  “Where are you?”

  “At the Norms two miles from Mom’s house.”

  “Was he with anyone?”

  “Yes, he was with a woman.”

  “Dora?”

  “No. Someone else.”

  “That bastard. I’m sure he’s cheating on her. Did he look the same?”

  “It looked like he had some plastic surgeries to his face. But it was him. I knew by his eyes.”

  Gladyz came back in and told Rosie she couldn’t get his plates. He sped away too fast.

  Rosie started to cry. “I didn’t do anything. All of these years I dreamed of what I would do, and I didn’t do anything.”

  “Listen to me,” I told her. “You did exactly the right thing. It’s good that you saw him. You didn’t fail me. We are going to catch the motherfucker. Are you ready to talk about it?”

  Speaking out about sexual abuse was so taboo back then, especially in the Mexican American community. People used to turn a blind eye and keep their mouths shut because they were too embarrassed or too scared of what might happen to them. Up until 2006 I had never spoken about Trino and the allegations against him, but it was always on my mind. I knew that one day I would get a sign that it was time. That day came in 2006, shortly after Rosie had seen Trino at the diner. Chiquis came home from high school and told me, “Mom, four out of five of my friends have been sexually abused. I want to help them, but I don’t know how.”

  I asked Chiquis the same question I asked Rosie: “Are you ready to speak about it publicly? That is what will help them and millions of other girls and women.” Chiquis, Rosie, and Jacqie all agreed that they were ready. I contacted talk-show host Charytín about doing a special with us. I trusted her and I knew she would handle it with grace and sensitivity.

  Everyone was advising me against doing the show. They said my career would be over. I told them I didn’t care if I lost it all. I’d been poor before, I could do it again. To me this issue was too important not to talk about publicly. Somebody had to be the voice and let girls out there know that they were not alone and they had the power to speak up and speak out. I told Rosie, Chiquis, and Jacqie that they could be that voice. God gave us a platform so they could help others. It was the only way I could make sense of what had happened to my sister and my daughters.

  At the end of March 2006, Rosie, Chiquis, Jacqie, and I sat down with Charytín in our Corona house to talk openly about the sexual abuse they had suffered. This was the first time that any of them had done a TV interview, and it was on such a difficult topic. I could tell that they were all nervous, and I was too. But I could not show it. I had to be brave so they could be brave. I had to be fearless so they could be fearless.

  Once we were on that show, the news started to spread like wildfire. So did the backlash. People said I was only doing it for publicity and attention. They said I was hurting my sister and my daughters. They said we were lying. I didn’t give a fuck. I knew in my heart we were doing the right thing.

  In April, K-Love, a national radio network, invited us on. We did a long interview, and the calls started to come in from fans giving us tips or telling us where they might have seen Trino. Then a lady called in and requested that she remain anonymous and that her voice not be put on air. Fear was in her voice. She made us promise that we would never reveal her name and that her husband and children would never find out that she had spoken to us. I promised her I would keep her safe.

  “He is my neighbor,” she said. “I know him.” She gave us his address and some more information about him that let me know that she was telling the truth. She was our first big key.

  Our second big key, an FBI agent, called in just a few minutes later, and he also asked that he not be put on air.

  “I shouldn’t be doing this,” he said, “but your story affected me so deeply. I want to help you.”

  With Trino’s address and the FBI agent on our side, we soon had Trino backed against the wall.

  On April 22, 2006, the FBI agent called Rosie and said, “You have seen him. You can identify him.”

  I was on the road, traveling to my next concert, when Rosie called me.

  “You see?” I told her. “It all worked for the good. God has given this to you.”

  “We’re going to get him,” she told me. She was in the back of the FBI van with Mom. They were driving through Corona to Trino’s house.

  “Are you scared?”

  “Yeah.”

  “Don’t be scared. He’s the motherfucker that should be scared. Poor motherfucker doesn’t even know what’s coming.”

  Rosie later told me how it all went down. He was outside watering his garden when they pulled up. They approached him and put him in handcuffs.

  His wife, Dora, started to lose it. “Please don’t take him!” she cried. “He’s innocent.”

  Then his eight-year-old daughter, Diana, ran out of the house and sobbed, “Don’t take my daddy! Please don’t take my daddy!”

  That part broke Rosie’s heart. As the cops led him to a police car, he was only ten or fifteen feet away from Rosie and Mom. They could see him, but he had no idea they were behind those van windows. They told me how he looked so small and powerless, and Rosie said she felt as if the roles had been reversed. He was the one in chains, while she was now free.

  They drove two or three blocks in silence, and then Mom and Rosie started to shriek and cry tears of joy. The FBI agent kept repeating, “Glory to God. Glory to God.”

  Rosie called me again and said the three words I had been waiting to hear for nine years: “We got him.”

  “Fuck yeah!” I screamed.

  “But poor little Diana. She lost her daddy.”

  “Sister, don’t forget. My kids lost their daddy too. And what if he is hurting Diana too? You are probably saving her life.”

  Later we found out that the FBI had been videotaping him and they interviewed all of his neighbors. One of the neighbors said, “I don’t talk to him. And my daughter is not allowed to play with his daughter.”

  The FBI agent gave Rosie the handcuffs he had used to arrest Trino.

  A few weeks later Rosie was going to sing her first solo in church. “Will you be there?” she asked me.

  I wouldn’t have missed it for anything. She sang a song of victory with tears streaming down her face. I was crying too as she walked off the stage and handed the cuffs to me. I hugged my baby doll so tightly then. I was so grateful that God had given her such peace and helped her to find her voice and her path back to light.

  In the parking
lot I said to her, “Sister, you know how to perform. You are good onstage!”

  “It was an altar,” she reminded me.

  “Whatever. It looked like a stage to me. And you had presence.”

  “I learned it from you.”

  “Can I keep these?” I asked, holding up the handcuffs. “I want to use them for the cover of my book.”

  “Of course, those are yours. You risked your career for us. You worked to give us justice. Those are yours.”

  17

  * * *

  Look at Me

  Mírame, no soy la misma de antes

  esta sonrisa es por alguien que quiero a morir.

  (Look at me, I’m not the same as before

  this smile is for someone I love to death.)

  —from “Mírame”

  The day that we caught Trino, April 22, 2006, was so emotional. It was a relief and a victory because I knew there was finally going to be justice. But it was also so difficult because he was, after all, my children’s father. Despite what he had done, Chiquis and Jacqie kept saying, “We don’t want Dad to be hurt.”

  Three days after the arrest we went to his arraignment, and I saw him for the first time in nine years. He never looked at me, but I didn’t take my eyes off of him. He wore a prison jumpsuit. His hair was cut shorter. He had done something to his face, but I couldn’t figure out what it was that looked different. He didn’t display a hint of remorse. I was angry, sad, and full of guilt and shame. Because he appeared without a lawyer, we had to go back on May 2. He was held on a million-dollar bail because he was considered a flight risk.

  After the first arraignment date, Chiquis, who was almost twenty-one, said to me, “Let’s not do this. If he says he’s sorry, can we forget about it?”

  “Mija, we cannot let him go just like that,” I responded. “There has to be justice for you, for your sister, your Tía Rosie, and all the girls out there who are victims of this abuse. And I want you to one day have a relationship with your father. This is the only way that is going to happen.” Because Chiquis had been called a liar so many times by Trino’s family, I couldn’t let that go on for the rest of her life. I knew that taking him to trial was the right thing to do.

  I did my best to stay strong for my daughters, but I was a mess inside. I confided in Rosie, “I can’t handle everything right now. I need you to talk to the lawyers, the detectives, and the police officers. Can you do that?” She nodded that she could.

  A year earlier, in a promotion by a diamond company, the tagline was “Women of the world, raise your right hand.” The idea was that you didn’t have to wait for a man to buy you a rock, you could buy one yourself and wear it on your right ring finger. So I’d bought myself a gorgeous, large diamond as a symbol that I was independent and in love with myself.

  When Trino’s trial was about to start, I took the ring off, handed it to Rosie, and said, “Sister, I’m giving you this ring for strength and support. Finally you are going to have justice and peace.” We called it the Victory Ring and she wore it throughout the trial.

  The trial lasted nearly fourteen months. The courthouse was always packed. All of Trino’s family was on one side, and all of my family was on the other. I petitioned to bar cameras from the courtroom, but I could not prevent the journalists from being there since it was a public place.

  As my popularity grew, so did the media’s interest in my personal life, and the trial was front and center. The two largest Spanish-language TV networks, Univision and Telemundo, reported every detail. On top of it all, I also had to go to court with my other ex-husband, Juan, who was demanding I pay him even more spousal support. Our divorce was still not finalized. On June 9, 2006, nine years to the day when I had married Juan, a judge in the Riverside family-law court decided I was to pay only $20,000 to his attorney, instead of the $100,000 that he’d asked for. He would get nothing else from me, and the spousal support that I had paid for three years (which was nothing close to the $6,000 a month he wanted) was to end. In fact, the judge decided that Juan owed me due to overpayments during those three years. Juan could try to fight for the house in Corona, but doing so would be costly and time-consuming. Instead, we decided to settle that out of court and finally put the legal battle behind us.

  Once we were done fighting, Juan and I grew to be friends. We had two children together and some beautiful memories from our eight-year relationship. I decided to focus on that. He was nothing like Trino. He was a great father to Jenicka and Johnny, and I would always love him for that. He moved into an apartment less than five minutes from my home in Corona, and he saw the kids often.

  On June 3, 2006, my song “De Contrabando” hit number one on the Billboard Regional Mexican airplay list. I was getting gigs in Mexico almost every weekend, and I booked my first concert at the Gibson Amphitheatre for August 5. I was excited and grateful to God to have something to look forward to besides wanting to strangle Trino with my bare hands.

  I informed my manager, Gabo, that no matter what offer came along, we had to work around the trial. I would not miss a single day. All of my brothers cleared their calendars as well so that we could be there for our sister and my daughters.

  We had to go to court about once a month, and each time the courtroom was packed. Every single person from Trino’s extended family was there crying and shouting that he was innocent, despite all of the evidence and testimony indicating that he was guilty of the most disgusting and horrifying shit. I understand why they didn’t want to admit the truth. The truth was so fucking ugly. But it was there. Plain and simple. And sickening.

  The day that Rosie and Chiquis gave their testimony tore my heart open all over again. I can’t imagine what it must have been like for them. Before Rosie took the stand, she was nervous and ashamed. “How am I going to say these words in front of my father?” she asked me. “In front of my brothers? And with Trino sitting right there?”

  Lupe told her, “Just look at me, Sister. Whatever you do, don’t look at him. Look at me.”

  “I can’t,” she answered. “It’s too embarrassing. It’s going to hurt you too much.”

  “I can take it, Rosie. I will be fine. Look at me,” Lupe kept repeating.

  Rosie did as Lupe said. She looked right at him as she narrated the details of her trauma. Tears streamed down all of our faces. Chiquis waited outside since she wasn’t allowed to be in the courtroom when Rosie gave her testimony. We took a recess, and before Chiquis was set to take the stand, she told me she wasn’t sure if she could go through with it. I sat with her on the bench in the hallway and said, “You can do this, princess. You can do this for all the other little girls who have suffered. For all the women who are afraid to speak out. You can be their voice. I am here for you.”

  Her testimony was crucial to the case. Without it, Trino could possibly have walked free. I reminded her that we couldn’t let that happen. She bravely took the stand and spoke about what her father had done to her since she was eight years old. She had to take breaks, but she got through it all with such strength. Much of what she said echoed Rosie’s testimony. The way it started, how it escalated, the threats he made, where and when he did it.

  With each incident that they described, I would ask myself, “Where was I? Why couldn’t I stop it? Why couldn’t I protect them?” The guilt pressing down on my chest was unbearable, but I had to keep my head up. I had to show Rosie and Chiquis that I was a source of strength that they could lean on.

  Aside from their testimony, there were the medical records, which could simply not be denied. Yet Trino and his family did still deny it. In the elevators and the hallways, Trino’s family would say, “You are fucking whores and fucking liars.” I wanted to beat them down, but we were in a courthouse and I knew I could get arrested and not be allowed to attend the trial with my daughters and sister. I refused to let my temper get the best of me.

  That didn’t mean I wasn’t threatening. When Trino’s family was with us in the elevators, I told
them, “What the fuck are you looking at? Turn around. Face the fucking wall.” When they called me a whore, I shot back, “At least I’m not ugly.”

  On the morning of August 5, 2006, I was preparing for my concert at the Gibson. The same place where I had seen so many of my idols perform. The same stage where Vicente Fernández brought me up to sing in 2001 and then told the audience that I had the talent to make it.

  As I was getting ready, my managers called me and told me we were sold out and I was the first female banda artist to sell out the Gibson. I started to cry. When I took the stage on that unforgettable summer night, the tears continued. I was crying tears of joy for all of my blessings. Tears of pain for all of my heartache. Tears of gratitude for the thousands of fans who sang along with me, cheering for me, shouting out that they loved me, every chance they got. Amid the nightmare I was living, it was a dream come true.

  In October 2006 Trino posted the million-dollar bail. I have no idea how the asshole came up with the money, but we thought for sure he was going to flee. Instead, he showed up at the next court date in a suit and tie. Now that he was no longer in a prison jumpsuit, Trino appeared confident and cocky. As he walked out of the courtroom during a recess, he looked at my brother Lupillo and smiled. My son Michael, who looked to all of his uncles as father figures, lunged at Trino, the man he did not consider a father at all. Michael punched Trino in the face, and in seconds an all-out street fight broke out in the courtroom. At least forty Riveras and Maríns were punching, pulling hair, and banging heads. Every cop in the courthouse ran in to break it up, and though they had the right to arrest us all, they let us off with a warning.

  By the grace of God, my brother Juan was late that day and arrived twenty minutes after the fight. If he had been there, I know he would have gone crazy and beat the shit out of half of Trino’s family. Most likely he’d have been taken to jail. When he did arrive, the court officials said that he couldn’t sit in the courtroom that day. “We can’t have a man of your size in here after what happened today,” they explained.

 

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