The old guy nodded back and sucked the gas through his nose.
'You served,' he said. 'Therefore I think you're entitled to your rank.'
There was a fieldstone fireplace, built low in the centre of one wall. The mantel was packed tight with photographs in ornate silver frames. Most of them were colour snaps showing the same subject, a young man in olive fatigues, in a variety of poses and situations. There was one older picture among them, airbrushed black-and-white, a different man in uniform, tall and straight and smiling, a private first class from a different generation of service. Possibly Mr Hobie himself, before bis failing heart started killing him from the inside, although it was hard for Reacher to tell. There was no resemblance.
'That's me,' Hobie confirmed, following his gaze.
'World War Two?' Reacher asked.
The old man nodded. Sadness in his eyes.
'I never went overseas,' he said. 'I volunteered well ahead of the draft, but I had a weak heart, even back then. They wouldn't let me go. So I did my time in a storeroom in New Jersey.'
Reacher nodded. Hobie had his arm behind him, fiddling with the cylinder valve, increasing the oxygen flow.
'I'll bring the coffee now,' the old lady said. 'And the cake.'
'Can I help you with anything?' Reacher asked her.
'No, I'll be fine,' she said, and swished slowly out of the room.
'Sit down, Major, please,' Tom Hobie said.
Reacher nodded and sat down in the silence, in a small armchair near enough to catch the old guy's fading voice. He could hear the rattle of his breathing. Nothing else, just a faint hiss from the top of the oxygen bottle and the clink of china from the kitchen. Patient domestic sounds. The window had a Venetian blind, lime-green plastic, tilted down against the light. The river was out there somewhere, presumably beyond an overgrown yard, maybe thirty miles upstream of Leon Garber's place.
'Here we are,' Mrs Hobie called from the hallway.
She was on her way back into the room with a wheeled cart. There was a matching china set stacked on it, cups and saucers and plates, with a small milk jug and a sugar bowl. The linen cover was off the platter, revealing a pound cake, drizzled with some kind of yellow icing. Maybe lemon. The old percolator was there, smelling of coffee.
'How do you like it?'
'No milk, no sugar,' Reacher said.
She poured coffee into a cup, her thin wrist quivering with the effort. The cup rattled in its saucer as she passed it across. She followed it with a quarter of the cake on a plate. The plate shook. The oxygen bottle hissed. The old man was rehearsing his story, dividing it up into bites, taking in enough oxygen to fuel each one of them.
'I was a printer,' he said suddenly. 'I ran my own shop. Mary worked for a big customer of mine. We met and were married in the spring of '47. Our son was born in the June of '48.'
He turned away and ran his glance along the line of photographs.
'Our son, Victor Truman Hobie.'
The parlour fell quiet, like an observance.
'I believed in duty,' the old man said. 'I was unfit for active service, and I regretted it. Regretted it bitterly, Major. But I was happy to serve my country any way I could, and I did. We brought our son up the same way, to love his country and to serve it. He volunteered for Vietnam.'
Old Mr Hobie closed his mouth and sucked oxygen through his nose, once, twice, and then he leaned down to the floor beside him and came up with a leather-bound folder. He spread it across his bony legs and opened it up. Took out a photograph and passed it across. Reacher juggled his cup and his plate and leaned forward to take it from the shaking hand. It was a faded colour print of a boy in a backyard. The boy was maybe nine or ten, stocky, toothy, freckled, grinning, wearing a metal bowl upside down on his head, with a toy rifle shouldered, his stiff denim trousers tucked into his socks to resemble the look of fatigues buckled into gaiters.
'He wanted to be a soldier,' Mr Hobie said. 'Always. It was his ambition. I approved of it at the time, of course. We were unable to have other children, so Victor was on his own, the light of our lives, and I thought that to be a soldier and to serve his country was a fine ambition for the only son of a patriotic father.'
There was silence again. A cough. A hiss of oxygen. Silence.
'Did you approve of Vietnam, Major?' Hobie asked suddenly.
Reacher shrugged.
'I was too young to have much of an opinion,' he said. 'But knowing what I know now, no, I wouldn't have approved of Vietnam.'
'Why not?'
'Wrong place,' Reacher said. 'Wrong time, wrong reasons, wrong methods, wrong approach, wrong leadership. No real backing, no real will to win, no coherent strategy.'
'Would you have gone?'
Reacher nodded.
'Yes, I would have gone,' he said. 'No choice. I was the son of a soldier, too. But I would have been jealous of my father's generation. Much easier to go to World War Two.'
'Victor wanted to fly helicopters,' Hobie said. 'He was passionate about it. My fault again, I'm afraid. I took him to a county fair, paid two bucks for him to have his first flight in one. It was an old Bell, a crop duster. After that, all he wanted to be was a helicopter pilot. And he decided the Army was the best place to learn how.'
He slid another photograph out of the folder. Passed it across. It showed the same boy, now twice the age, grown tall, still grinning, in new fatigues, standing in front of an Army helicopter. It was an H-23 Hiller, an old training machine.
'That's Fort Wolters,' Hobie said. 'All the way down in Texas. US Army Primary Helicopter School.'
Reacher nodded. 'He flew choppers in 'Nam?'
'He passed out second in his class,' Hobie said. 'That was no surprise to us. He was always an excellent student, all the way through high school. He was especially gifted in math. He understood accbuntancy. I imagined he'd go to college and then come into partnership with me, to do the book work. I looked forward to it. I struggled in school, Major. No reason to be coy about it now. I'm not an educated man. It was a constant delight for me to see Victor doing so well. He was a very smart boy. And a very good boy. Very smart, very kind, a good heart, a perfect son. Our only son.'
The old lady was silent. Not eating the cake, not drinking the coffee.
'His passing out was at Fort Rucker,' Hobie said. 'Down in Alabama. We made the trip to see it.'
He slid across the next photograph. It was a duplicate of one of the framed prints from the mantel. Faded pastel grass and sky, a tall boy in dress uniform, cap down over his eyes, his arm around an older woman in a print dress. The woman was slim and pretty. The photograph was slightly out of focus, the horizon slightly tilted. Taken by a fumbling husband and father, breathless with pride.
'That's Victor and Mary,' the old man said. 'She hasn't changed a bit, has she, that day to this?'
'Not a bit,' Reacher lied.
'We loved that boy,' the old woman said quietly. 'He was sent overseas two weeks after that photograph was taken.'
'July of '68,' Hobie said. 'He was twenty years old.'
'What happened?' Reacher asked.
'He served a full tour,' Hobie said. 'He was commended twice. He came home with a medal. I
could see right away the idea of keeping the books for a print shop was too small for him. I thought he would serve out his time and get a job flying helicopters for the oil rigs. Down in the Gulf, perhaps. They were paying big money then, for Army pilots. Or Navy, or Air Force, of course.'
'But he went over there again,' Mrs Hobie said. 'To Vietnam again.'
'He signed on for a second tour,' Hobie said. 'He didn't have to. But he said it was his duty. He said the war was still going on, and it was his duty to be a part of it. He said that's what patriotism meant.'
'And what happened?' Reacher asked.
There was a long moment of silence.
'He didn't come back,' Hobie said.
The silence was like a weight in the room. Somewhere a clock was ticking.
It grew louder and louder until it was filling the air like blows from a hammer.
'It destroyed me,' Hobie said quietly.
The oxygen wheezed in and out, in and out, through a constricted throat.
'It just destroyed me. I used to say I'll exchange the whole rest of my life, just for one more day with him.'
'The rest of my life,' his wife echoed. 'For just one more day with him.'
'And I meant it,' Hobie said. 'And I still would. I still would, Major. Looking at me now, that's not much of a bargain, is it? I haven't got much life left in me. But I said it then, and I said it every day for thirty years, and as God is my witness, I meant it every single time I said it. The whole rest of my life, for one more day with him.'
'When was he killed?' Reacher asked, gently.
'He wasn't killed,' Hobie said. 'He was captured.'
'Taken prisoner?'
The old man nodded. 'At first, they told us he was missing. We assumed he was dead, but we clung on, hoping. He was posted missing, and he stayed missing. We never got official word he was killed.'
'So we waited,' Mrs Hobie said. 'We just kept on waiting, for years and years. Then we started asking. They told us Victor was missing, presumed killed. That was all they could say. His helicopter was shot down in the jungle, and they never found the wreckage.'
'We accepted that then,' Hobie said. 'We knew how it was. Plenty of boys died without a known grave. Plenty of boys always have, in war.'
'Then the memorial went up,' Mrs Hobie said. 'Have you seen it?'
'The Wall?' Reacher said. 'In DC? Yes, I've been there. I've seen it. I found it very moving.'
'They refused to put his name on it,' Hobie said.
'Why?'
'They never explained. We asked and we begged, but they never told us exactly why. They just said he's no longer considered a casualty.'
'So we asked them what he is considered as,' Mrs Hobie said. 'They just told us missing in action.'
'But the other MIAs are on the Wall,' Hobie said.
There was silence again. The clock hammered away in another room.
'What did General Garber say about this?' Reacher asked.
'He didn't understand it,' Hobie said. 'Didn't understand it at all. He was still checking for us when he died.'
There was silence again. The oxygen hissed and the clock hammered.
'But we know what happened,' Mrs Hobie said.
'You do?' Reacher asked her. 'What?'
'The only thing that fits,' she said. 'He was taken prisoner.'
'And never released,' Hobie said.
'That's why the Army is covering it up,' Mrs Hobie said. 'The government is embarrassed about it. The truth is some of our boys were never released. The Vietnamese held on to them, like hostages, to get foreign aid and trade recognition and credits from us, after the war. Like blackmail. The government held out for years, despite our boys still being prisoners over there. So they can't admit it. They hide it instead, and won't talk about it.'
'But we can prove it now,' Hobie said.
He slid another photograph from the folder. Passed it across. It was a newer print. Vivid glossy colours. It was a telephoto shot taken through tropical vegetation. There was barbed wire on bamboo fence posts. There was an Asian figure in a brown uniform, with a bandanna around his forehead. A rifle in his hands. It was clearly a Soviet AK-47. No doubt about it. And there was another figure in the picture. A tall Caucasian, looking about fifty, emaciated, gaunt, bent, grey, wearing pale rotted fatigues. Looking half away from the Asian soldier, flinching.
'That's Victor,' Mrs Hobie said. 'That's our son. That photograph was taken last year.'
'We spent thirty years asking about him,' Hobie said. 'Nobody would help us. We asked everybody. Then we found a man who told us about these secret camps. There aren't many. Just a few, with a handful
of prisoners. Most of them have died by now. They've grown old and died, or been starved to death. This man went to Vietnam and checked for us. He got close enough to take this picture. He even spoke to one of the other prisoners through the wire. Secretly, at night. It was very dangerous for him. He asked for the name of the prisoner he'd just photographed. It was Vic Hobie, First Cavalry helicopter pilot.'
'The man had no money for a rescue,' Mrs Hobie said. 'And we'd already paid him everything we had for the first trip. We had no more left. So when we met General Garber at the hospital, we told him our story and asked him to try and get the government to pay.'
Reacher stared at the photograph. Stared at the gaunt man with the grey face.
'Who else has seen this picture?'
'Only General Garber,' Mrs Hobie answered. 'The man who took it told us to keep it a secret. Because it's very sensitive, politically. Very dangerous. It's a terrible thing, buried in the nation's history. But we had to show it to General Garber, because he was in a position to help us.'
'So what do you want me to do?' Reacher asked.
The oxygen hissed in the silence. In and out, in and out, through the clear plastic tubes. The old man's mouth was working.
'I just want him back,' he said. 'I just want to see him again, one more day before I die.'
After that, the old couple were done talking. They turned together and fixed misty gazes on the row of photographs on the mantel. Reacher was left sitting in the silence. Then the old man turned back and used both hands and lifted the leather-bound folder off his
bony knees and held it out. Reacher leaned forward and took it. At first he assumed it was so he could put the three photographs back inside. Then he realized the baton had been passed to him. Like a ceremony. Their quest had become Leon's, and now it was his.
The folder was thin. Apart from the three photographs he had seen, it contained nothing more than infrequent letters home from their son and formal letters from the Department of the Army. And a sheaf of paperwork showing the liquidation of their life savings and the transfer by certified check of eighteen thousand dollars to an address in the Bronx, to fund a reconnaissance mission to Vietnam led by a man named Rutter.
The letters from the boy started with brief notes from various locations in the South, as he passed through Dix, and Polk, and Wolters, and Rucker, and Belvoir and Benning on his way through his training. Then there was a short note from Mobile in Alabama, as he boarded ship for the month-long voyage through the Panama Canal and across the Pacific to Indochina. Then there were flimsy Army Mailgrams from Vietnam itself, eight from the first tour, six from the second. The paper was thirty years old, and it was stiff and dry, like ancient papyrus. Like something discovered by archaeologists.
He hadn't been much of a correspondent. The letters were full of the usual banal phrases a young soldier writes home. There must have been a hundred million parents in the world with treasured old letters like these, different times, different wars, different languages, but the same messages: the food, the weather, the rumour of action, the reassurances.
The responses from the Department of the Army marched through thirty years of office technology. They started out typed on old manual machines, some letters misaligned, some wrongly spaced, some with red haloes above them where the ribbon had slipped. Then electric typewriters, crisper and more uniform. Then word processors, immaculately printed on better paper. But the messages were all the same. No information. Missing in action, presumed killed. Condolences. No further information.
The deal with the guy called Rutter had left them penniless. There had been some modest mutual funds and a little cash on deposit. There was a sheet written in a shaky hand Reacher guessed was the old woman's, totalling their monthly needs, working the figures again and again, paring them down until they matched the Social Security checks, freeing up their capital. The mutuals had been cashed in eighteen months ago and amalgamated with the cash holdings and the whole lot had been mailed to the Bronx. There was a receipt from Rutter, with the amount formally set off against the cost of the exploratory trip, due to leave imminentl
y. There was a request for any and all information likely to prove helpful, including service number and history and any existing photographs. There was a letter dated three months subsequently, detailing the discovery of the remote camp, the risky clandestine photography, the whispered talk through the wire. There was a prospectus for a rescue mission, planned in great detail, at a projected cost to the Hobies of forty-five thousand dollars. Forty-five thousand dollars they didn't have.
'Will you help us?' the old woman asked through
the silence. 'Is it all clear? Is there anything you need to know?'
He glanced across at her and saw she had been following his progress through the dossier. He closed the folder and stared down at its worn leather cover. Right then the only thing he needed to know was why the hell hadn't Leon told these people the truth?
NINE
Marilyn Stone missed lunch because she was busy, but didn't mind because she was happy about the way the place was starting to look. She found herself regarding the whole business in a very dispassionate manner, which surprised her a little, because after all it was her home she was getting ready to sell, her own home, the place she'd chosen with care and thought and excitement not so many years ago. It had been the place of her dreams. Way bigger and better than anything she'd ever expected to have. It had been a physical thrill back then, just thinking about it. Moving in felt like she'd died and gone to heaven. Now she was just looking at the place like a showpiece, like a marketing proposition. She wasn't seeing rooms she'd decorated and lived in and thrilled to and enjoyed. There was no pain. No wistful glances at places where she and Chester had fooled around and laughed and ate and slept. Just a brisk and businesslike determination to bring it all up to a whole new peak of irresistibility.
The furniture movers had arrived first, just as she'd planned. She had them take the credenza out of the hallway, and then Chester's armchair out of the living room. Not because it was a bad piece, but because it
was definitely an extra piece. It was his favourite chair, chosen in the way men choose things, for comfort and familiarity rather than for style and suitability. It was the only piece they'd brought from their last house. He'd put it next to the fireplace, at an angle. Day to day, she rather liked it. It gave the room a comfortable lived-in quality. It was the touch that changed the room from a magazine showpiece to a family home. Which was exactly why it had to go.
Child, Lee - Reacher 3 - Tripwire e-txt.txt Page 17