by Sam Thompson
COMMUNION TOWN
A CITY IN TEN CHAPTERS
SAM THOMPSON
Dedication
For Caoileann and Oisín
Epigraph
This city is Epidamnus while this story is being told:
when another one is told it will become another town.
PLAUTUS
Contents
Title Page
Dedication
Epigraph
I - Communion Town
II - The Song of Serelight Fair
III - The City Room
IV - Gallathea
V - Good Slaughter
VI - Three Translations
VII - The Significant City of Lazarus Glass
VIII - Outside the Days
IX - The Rose Tree
X - A Way to Leave
Acknowledgements
Copyright
About the Publisher
Communion Town
Do you remember how you came to this city, Ulya? Think back, because we need to agree on what happened right from the start. I want to help him out as much as you do, believe me. I know you’re worried, and in your place I’d be the same – but I can promise you that conditions are actually quite tolerable in there. So let’s approach this calmly. When I’ve said what I have to say, I’m going to offer you an opportunity, and I hope you’ll feel able to respond.
It was early morning, remember, when you and Nicolas arrived. Did your spirits lift at the first sight of what you’d travelled so far to reach? A world of grey dawn twilight and blackened stone above, rainwater dripping from the girders, pigeons sulking in rows and strangers spilling from carriages to gather on the concourse, disoriented. Even at that hour the Grand Terminus was full of migrants anxious to enter the city. They formed queues for processing, shambling in their soiled clothes, their heads twitching at the noise of the tannoy.
I picked you out of the crowd right away. You weren’t like the rest: with most of them it’s obvious, you can see it all in their faces as they offer up their papers for inspection, clutch their belongings and steal glances at the carbines of the watch. You and Nicolas, though, you were different. I have an instinct for these things, and I’m seldom mistaken in the end.
You mustn’t be surprised if I seem to know a good deal about your life over these past months: maybe more than you know yourself. The fact is I’ve been here all along. You won’t have seen me, but I’ve kept a discreet eye on your progress. So why don’t I go ahead and talk you through the way I see it? Then you can correct me on the finer points, fill in the details, let me know your side of the story. How does that sound?
No one wants to spend the first hours of a new life in an interview room, so let me apologise for what you went through that morning. I hope you feel you were treated with due sensitivity and respect. After they’d taken your photographs and left you waiting for a while, the door was elbowed open by a short man fumbling with a sheaf of papers. He had a preoccupied, officious manner, I’m afraid, and I certainly wouldn’t have chosen him to welcome you to the city with his damp scalp, his rumbling stomach and his tie that kept twisting around to expose its underside. He didn’t even introduce himself. As for you and Nicolas, you avoided eye contact and kept your answers minimal. Who could blame you?
It’s unsettling, isn’t it, being asked to tell your story over and over, when as far as you’re concerned it’s perfectly straightforward. The little man never said he didn’t believe you, but I know you felt that he was listening for a contradiction, waiting for you to slip up. He sighed as if your responses were somehow disappointing. He left the room, then came back, and you had to try again: Where have you come from? How did you travel here? Do you have friends, family, means of support? Can you prove that you have reason to fear immediate danger in your place of origin? Thoroughly tiresome.
At last they issued you with temporary permits to remain in the city, and a list of appointments to attend in the coming days: to apply for your identity cards, to request help with subsistence and accommodation, to make sure we didn’t lose track of you. By the time they let you go, you must have been hungry, thirsty and aggrieved – I know I would have been – but neither of you showed it. Now, you might think this wasn’t much to go on. But I’ve learnt to trust my intuitions, and I could tell that you and Nicolas were going to need my help.
I realise this is all very inconvenient, and I appreciate your patience. You can’t imagine what involvement he might have with Communion Town, but that’s all right – we’ll get there. Would you like a glass of water before we continue? You need only say the word. Everything now is strange and uncertain, Ulya, I understand this, I really do, but keep in mind that you and I can help each other if we choose.
For what it’s worth, I think you did just about everything you could. You tried gallantly to hold it together, but there were certain aspects of your life in the city that you could not have foreseen. It’s always clearer in retrospect. Think of the first time you walked into the apartment you had been assigned out in that half-empty tower block in Sludd’s Liberty. I’ll admit it wasn’t everything you might have wished for, with the stains on the ceiling and the smell of blocked drains. There was no furniture. Nicolas prodded with his toe at the great chrysalis of ripped-out carpet lying in the middle of the room, then gave it a kick, releasing an odour of damp.
You were uneasy, of course, seeing the reticence he had preserved so well at the Terminus already beginning to come apart. You had an inkling he would need to exercise more self-control in future. I have to say I agreed. Yes, I was there with you – at least in the sense that matters most. I’m good at not being seen, and in my job locked doors aren’t a problem.
What could you do? You were concerned about him, naturally, but you had your own adjustments to make, as every newcomer must. Nowhere is exactly as you think it’s going to be, and when you settle in a strange city you soon find out there’s more to learn than you suspected. You know what I’m getting at. You remember it: the day you saw your first monster.
You had been at the Agency all day, trying to see someone about your claim. You’d reported at nine a.m. sharp, as instructed, then queued until four in the afternoon to have an irritable clerk glance over your documents. Afterwards you crossed town to the depot in Glory Part where you queued again to redeem your food stamps. Then, burdened with cans of preserved meat and UHT milk, you rode the city metro west to the end of the line and a forty-minute walk through Sludd’s Liberty.
They have an unfortunate reputation, those banlieues where the old streets are overshadowed by never-completed tower blocks stalled midway through the process of being torn down. Most people I know wouldn’t venture out that way. On your route home stood one half-demolished high-rise with the open sockets of bedrooms and bathrooms visible from down in the street. Another tower, still whole, was trussed up in scaffolding, and the wind sang through the structure of metal poles, wanting to fling pieces down at you.
You walked by vacant lots behind chain-link fencing and under the arterial flyover. You passed a cherry tree in blossom, and an off-licence like a bunker, locked down with steel shutters. You skirted a rubblescape where mechanical diggers scraped the ground and a builder in a fluorescent jacket trudged along with a hod on his shoulder, while another picked his way over heaps of bricks, slowly and helplessly, as if it were the wreck of his own house. Three more sat in a circle, like practitioners of some ancient folk industry, using hand-tools to chip mortar off bricks.
You did notice these things, didn’t you, on your daily trek through the outskirts? It’s important we pay attention to the details, because I want to understand what it was like for you in those first days and weeks. I want you to persuade me of it, Ulya. I really th
ink I’d be letting you and Nicolas down if I didn’t try my best to see things from your point of view.
As you neared the tower block, you became aware that something unusual was happening. Most of the time the inhabitants of Sludd’s Liberty went about their errands furtively and alone, but now a group had formed on the dilapidated high street: women and children from the high-rises, men from the bar on the corner, some of the youths who hung around in the recreational areas and a couple of the homeless people who frequented the district. A city watchman was there, too, and the doctor who ran a clinic here once a month. In spite of the group’s diversity, something united them, a recklessness sketched across all the faces. They had clustered around the entrance to a short blind alley that ran down beside a fast-food restaurant, their body language tense.
Drawing closer, you caught sight of what they had cornered. I’m sorry you had to go through that, but I suppose in truth it was a rite of passage into our city more significant than any Agency interview.
Can we try to describe what you saw? We could say it was pale and ragged, that its movements were oddly askew and that you felt sure it was broken or deformed in a way you couldn’t quite identify. We could say that your stomach turned, and you grew dizzy as the urge to stamp the thing out of existence struggled against the need to flee as far away from it as you could get; that you would have done anything rather than let it touch you. But in the end all we can say is that what confronted you was wrong, so intrinsically wrong that just by being there it was committing an outrage against us all. It stared back at you with ghoulish immodesty, clutching a lump of rotten matter which it had fished out of the bins.
I know you recognise what I’m telling you, Ulya, because I’ve had those encounters myself. You might spend a lifetime in the city and never glimpse one, if you’re lucky, but few of us escape the occasional reminder of their presence. They’re bolder in areas like the Liberties, but even in Cento Hill or Lizavet or Rosamunda you can never be sure they won’t slither without warning out of the crevices where they hide. Walking to work you might hear a verminous scrabbling underneath a bridge. Travelling on some deep line of the metro you might catch fleeting sight of an ill-fitting parody of a face, smeared and pallid in the dark beyond the glass.
There are several names for what they are. Some people call them ingrates or the abject, the pharmakoi or the homines sacri. But you might as well call a monster a monster.
For a long moment the people of Sludd’s Liberty confronted the thing. Then someone groaned, and someone else threw a stone that crashed into the bins. The trapped creature giggled and cowered and the watchman finally fumbled at his holster as the others cast around for weapons. But then it leapt forward, and as the crowd recoiled it slipped past with loathsome speed to vanish into the nest of alleys towards the foot of the tower.
After that there was nothing to be done except lay down the stones and sticks, exhale, shake heads and trade reassurances. Everyone was voluble at once, talking and laughing, eager to tell everyone else the story of what they had just witnessed. They turned to you, inviting you to join the conversation.
But you didn’t, did you? That was a pity, I think, because for a person in your position it’s worth taking every chance to become more integrated with the community. Still, you’d had a shock. Under the circumstances, no one could really hold it against you that you ignored their exclamations and hurried away alone, back to the apartment in which you could hear several generations of a large family quarrelling on the other side of the wall.
All right. He’s on your mind, so let’s talk about Nicolas. There’s a strong resemblance there, did you know that? The same dark eyes, always watchful, never telling.
You may find it difficult to believe, but I have a good idea of how it hurt when you realised you had lost him. I wish I could change it, I really do. And I know you can’t help holding the city a bit responsible. You can’t help feeling that if the two of you had never come here then everything would have been different. I just hope you won’t let it colour your impressions unduly – because there’s so much to celebrate about this place, and we mustn’t forget that. Of course sometimes it can seem excessive, too huge, with its fathoms of brick and iron and its endless capacity to churn out litter and exhaust fumes, and too sad, with its sleepers in stairwells and Cynics plotting in respectable suburbs. But that’s the price we pay for the sheer vibrancy that surrounds us. I don’t think I could ever leave.
You know what I like to do? I like to go out running. It’s so easy to lose touch with the simple, indispensable things, just the world around us, but running keeps me in the city in a fundamental way: the texture of the ground under the feet, the flow of the air around the body. I run first thing every morning. You can picture me lacing up my shoes in the dim space of my flat with dawn coming up in the windows. My place is over in Loamside, so I head past shut shops and cafés and across the park, I dodge the gangs of men hauling crates along the streets as the gaining light scribbles colour and texture into the world, and soon I smell brine and I’m on the seafront, buffeted by gusts of wind, with crows blowing around above the mud like cinders off a bonfire.
Actually I’m a serious runner. Not one of your fair-weather joggers, anyway: you’ll find me out there every morning without fail, heatwave or hailstorm or dead of winter. I’m never going to win any marathons but, you know, that doesn’t matter. It means something to me. When I think back, I get the feeling I’ve spent the better part of my life in this city pounding the pavements and river walkways and cycle paths, pushing through the pain barriers, keeping up that steady rhythm on one unending run, looping from Three Liberties to Green Stairs, from Syme Gardens to Glory Part, never stopping, with first light setting the pace.
This morning it was very fine. I ran along the path with the sun breaking through the mist, and I paused to catch my breath, paced up and down, leant on a bench and stretched my calves. Further down the seafront a pair of forms thickened out of the visual hiss and shot by me, one before the other, freewheeling. The light was lifting off the water in nets and chains of dazzle, and a gaff-rigged sloop was cutting around in the bay, jammed in between the elements, gearing the sea and the wind together, taking the strain in its ropes and the hands of its crew …
I’m digressing, aren’t I? You’ll have to forgive me. I think you know what I’m trying to say.
* * *
When someone means that much to you, you don’t have many choices, do you, much as you may pretend you’re free to do as you like. That other person is threaded into you as deep as your own soul – you hold his image in your mind, always, and you hope he keeps an image of you, because in the end that’s the only place where you can live secure and complete. You know that if you were to vanish from the world it would be in that person’s thoughts that you lingered, for a while at least, after you were gone. So I understand what it was like, those times he went off alone into the city without quite explaining his plans. Do you remember the night, less than a month after you arrived, when he came home late with two black eyes and a bloody nose? You were frightened for him but he shrugged off your questions. Already he seemed to be breaking away.
It’s true he didn’t reveal much, but I do feel that I came to know him, in my fashion, in the time we had. Have you noticed how each of us conjures up our own city? You have your secret haunts and private landmarks and favourite short cuts, and I have mine, so as we navigate the streets each of us walks through a world of our own invention. And by following you into your personal city, I can learn a great deal of what I need to know.
Of course I can’t approve of his decision to seek out unlawful employment. I have to make it very clear I think that was the wrong choice. But at the same time I understand how people in your situation can find themselves facing an unenviable range of options, and so I watched with some sympathy as he crossed the city every night for his illicit shift in the kitchens of the Cosmopole. I can assure you, incidentally, that the relevan
t authorities will be taking a keen interest in working practices at that particular establishment.
Nicolas’s personal city was dingy and utilitarian – he would always take the fastest route to his destination, however squalid or threatening the streets – but there was an honesty about it, and a certain pride as well. He lived in a city populated exclusively with his equals. If he never acknowledged the grand department stores on Vere Street or the fin-de-siècle facades of the Palace Mile, it wasn’t because of his broken shoes and four-day beard but because he found their hypocrisies unacceptable. Once, in the Esplanade, a motorcycle tore past him along the pedestrian precinct, sounding its siren to clear the way for a cavalcade of police jeeps and VIP cars to roar through, followed by more bikes carrying more weaponised, shiny-helmeted men. The passers-by formed naturally into lines of spectators, but Nicolas swore under his breath at the arrant incivility of it.
He preferred cutting through the back streets of the city centre. In those alleys, which seem to contain all the litter that has been swept out of the boulevards, he knew where he was going: his stride became longer and easier and he’d nod to the waiters out for a smoke or slip the odd coin to a sleeping drunk. After work at the Cosmopole, most days, he stopped off to treat himself to breakfast at a place called the Rose Tree Café. Did you know that? Then he’d walk to the Communion Town metro and disappear into the underground crush to fight his way back to Sludd’s Liberty. Half his wages must have gone on metro tokens but there was no alternative if he wanted to snatch a few hours’ sleep each afternoon.
Communion Town: strange, isn’t it. Nowadays it’s hard to remember a time when those two words weren’t loaded with horror. The season has hardly turned since it happened, and yet to think of the days when Communion Town was merely the jostling heart of the Old Quarter, and its baroque subterranean maze of a station nothing more than the hub of the city’s transport, is to recollect another era.