by Nora Roberts
He took my hands to pull them away from my face. "We were meant to be together. We knew it, both of us, the first time we saw each other. I was content with those few hours as long as I knew you were safe. But I'll not stand by and see you give your life to a man who'll abuse you. From tonight, you're mine, and will be mine forever. Nothing and no one will change that.''
I believed him. With his face close to mine, his fine gray eyes so clear and sure, I believed And I needed.
"Then tonight, make me yours."
I felt like a bride. The moment he touched me, I knew I had never been touched before. His eyes were on mine as he took the pins from my hair. His fingers trembled. Nothing, nothing has ever moved me more than knowing I had the power to weaken him. His lips were gentle against mine even as I felt the tension vibrating through his body. There in the lamplight he unfastened my dress, and I his shirt. And a bird began to sing in the brush.
I could see by the way he looked at me that I pleased him. Slowly, almost torturously he drew off my petticoats, my corset. Then he touched my hair, running his hands through it, and looking his fill.
"I'll paint you like this one day," he murmured. "For myself."
He lifted me into his arms, and I could feel his heart pounding in his chest as he carried me to the bedroom.
The light was silver, the air like wine. This was no hurried coupling in the dark, but a dance as graceful as a waltz, and as exhilarating. No matter how impossible it seems, it was as though we had loved countless times before, as though I had felt that hard, firm body against mine night after night.
This was a world I had never experienced, yet it was achingly, beautifully familiar. Each movement, each sigh, each need was as natural as breath. Even when the urgency stunned me, the beauty didn't lessen. As he made me his, I knew I had found something every soul searches for. Simple love.
Leaving him was the most difficult thing I have ever done. Though we told each other it would be the last time we were separated, we lingered and loved again. It was nearly dawn before I returned to The Towers. When I looked at the house, walked through it, I knew I would miss it desperately. This, more than any place in my life, had been home. Christian and I, with the children, would make our own, but I would always hold The Towers in my heart.
There was little I would take with me. In the quiet before sunrise, I packed a small case. Nanny would help me put together what the children would need, but this I wanted to do alone. Perhaps it was a symbol of independence. And perhaps that is why I thought of the emeralds. They were the only things Fergus had given me that I considered mine. There were times I had detested them, knowing they had been given to me as a prize for producing a proper heir.
Yet they were mine, as my children were mine.
I didn't think of their monetary value as I took them out, held them in my hands and watched them gleam in the light of the lamp. They would be a legacy for my children, and their children, a symbol of freedom, and of hope. And with Christian, of love.
As dawn broke, I decided to put them, together with this journal, in a safe place until I joined Christian again.
Chapter Ten
The woman seemed ancient. She sat, looking as frail and brittle as old glass, in the shade of a gnarled elm. Close by, pert young pansies basked in a square of sunlight and flirted with droning bees. Residents made use of the winding stone paths through the lawns of the Madison House. Some were wheeled by family or attendants; others walked, in pairs or alone, with the careful hesitance of age.
There were birds trilling. The woman listened, nodding to herself as she plied a crochet hook and thread with fingers that refused to surrender to arthritis. She wore bright pink slacks and a cotton blouse that had been a gift from one of her great–grandchildren. She had always loved vivid colors. Some things don't fade with age.
Her skin was nut–brown, as creased and lined as an old map. Until two years before, she had lived on her own, tending her own garden, cooking her own meals. But a fall, a bad one that had left her helpless with pain on her kitchen floor for nearly twelve hours, had convinced her it was time to change.
Stubborn and set in her ways, she had refused offers by several members of her large family to live with them. If she couldn't have her own place, she'd be damned if she would be a burden. She'd been comfortably off, well able to afford a good home and good medical care. At the Madison House, she had her own room. And if the days of puttering in her garden were past, at least she could enjoy the flowers here.
She had company if she wanted it, privacy if she didn't. Millie Tobias figured that at ninety–eight and counting, she'd earned the right to choose.
She was pleased that she was having visitors. Yes, she thought as she worked her needle, she was right pleased. The day had already started off well. She'd awakened that morning with no more than the usual sundry aches. Her hip was twitching a bit, which meant rain on the way. No matter, she mused. It was good for the flowers.
Her hands worked, but she rarely glanced at them. They knew what to do with needle and thread. Instead, she watched the path, her eyes aided by thick, tinted lenses. She saw the young couple, the lanky young man with shaggy dark hair; the willowy girl in a thin summer dress, her hair the color of October leaves. They walked close, hand in hand. Millie had a soft spot for young lovers and decided they looked pretty as a picture.
Her fingers kept moving as they walked off the path to join her in the shade.
"Mrs. Tobias?"
She studied Max, saw earnest blue eyes and a shy smile. "Ayah," she said. "And you'd be Dr. Quartermain." Her voice was a crackle, heavy with down–east. "Making doctors young these days."
"Yes, ma'am. This is Lilah Calhoun."
Not a shy bone in this one, Millie decided, and wasn't displeased when Lilah sat on the grass at her feet to admire the crocheting.
"This is beautiful." Lilah touched a fingertip to the gossamer blue thread. "What will it be?"
"What it wants to. You're from the island."
"Yes, I was born there."
Millie let out a little sigh. "Haven't been back in thirty years. Couldn't bear to live there after I lost my Tom, but I still miss the sound of the sea."
"You were married a long time?"
"Fifty years. We had a good life. We made eight children, and saw all of them grown. Now I've got twenty–three grandchildren, fifteen great–grandchildren and seven great–great–grandchildren." She let out a wheezy laugh. "Sometimes I feel like I've propagated this old world all on my own. Take your hands out of your pockets, boy," she said to Max. "And come on down here so's I don't have to crane my neck." She waited until he was settled. "This here your sweetheart?" she asked him.
"Ah...well..."
"Well, is she or isn't she?" Millie demanded, and flashed her dentures in a grin.
"Yes, Max." Lilah sent him an amused and lazy smile. "Is she or isn't she?"
Cornered, Max let out a little huff of breath. "I suppose you could say so."
"Slow to make up his mind, is he?" she said to Lilah and winked. "Nothing wrong with that. You've got the look of her," she said abruptly.
"Of whom?"
"Bianca Calhoun. Isn't that what you came to talk to me about?"
Lilah laid a hand on Millie's arm. The flesh was thin as paper. "You remember her."
"Ayah. She was a great lady. Beautiful with a good and kind heart. Doted on her children. A lot of the wealthy ladies who came summering on the island were happy to leave their children to nursemaids and nannies, but Mrs. Calhoun liked to see to them herself. She was always taking them for walks, or spending time in the nursery. Saw them off to bed herself, every night, unless her husband made plans that would take her out before their bedtime. A good mother she was, and nothing better can be said of a woman than that."
She gave a decisive nod and perked up when she saw that Max was taking notes. "I worked there three summers, 1912, '13 and '14." And with the odd trick of old age, she could remember them wit
h perfect clarity.
"Do you mind?" Max took out a small tape recorder. "It would help us remember everything you tell us."
"Don't mind a bit." In fact, it pleased her enormously. She thought it was just like being on a TV talk show. Her fingers worked away as she settled more comfortably in the chair. "You live in The Towers still?" she asked Lilah.
"Yes, my family and I."
"How many times I climbed up and down those stairs. The master, he didn't like us using the main staircase, but when he wasn't about, I used to come down that way and fancy myself a lady. Aswishing my skirts and holding my nose in the air. Oh, I was a pistol in those days, and not hard to look at either. Used to flirt with one of the gardeners. Joseph was his name. But that was just to make my Tom jealous, and hurry him along a bit."
She sighed, looking back. "Never seen a house like it, before or since. The furniture, the paintings, the crystal. Once a week we'd wash every window with vinegar so they'd sparkle like diamonds. And the mistress, she'd like fresh flowers everywhere. She'd cut roses and peonies out of the garden, or pick the' wild orchids and lady's slippers."
"What can you tell us about the summer she died?" Max prompted.
"She spent a lot of time in her tower room that summer, looking out the window at the cliffs, or writing in her book."
"Book?" Lilah interrupted. "Do you mean a journal, a diary?"
"I suppose that's what it was. I saw her writing in it sometimes when I brought her up some tea. She'd always thank me, too. Call me by name. 'Thank you, Millie,' she would say, 'it's a pretty day.' Or. 'You didn't have to trouble, Millie. How is your young man?' Gracious, she was." Millie's mouth thinned. "Now the master, he wouldn't say a word to you. Might as well have been a stick of wood for all he noticed."
"You didn't like him," Max put in.
"Wasn't my place to like or dislike, but a harder, colder man I've never met in all my years. We'd talk about it sometimes, me and one of the other girls. Why did such a sweet and lovely woman marry a man like that? Money, I would have said. Oh, the clothes she had, and the parties, the jewelry. But it didn't make her happy. Her eyes were sad. She and the master would go out in the evenings, or they'd entertain at home. He'd go his own way most other times, business and politics and the like, hardly paying any mind to his wife, and less to his children. Though he was partial to the boy, the oldest boy."
"Ethan," Lilah supplied. "My grandfather."
"A fine little boy, he was, and a handful. He liked to slide down the banisters and play in the dirt. The mistress didn't mind him getting dirty, but she made certain he was all polished up when the master got home. A tight ship he ran, Fergus Calhoun. Was it any wonder the poor woman looked elsewhere for a little softness?"
Lilah closed a hand over Max's. "You knew she was seeing someone?"
"It was my job to clean the tower room. More than once I looked out that window and saw her running out to the cliffs. She met a man there. I know she was a married woman, but it wasn't for me to judge then, or now. Whenever she came back from seeing him, she looked happy. At least for a little while."
"Do you know who he was?" Max asked her.
"No. A painter, I think, because there were times he had an easel set up. But I never asked anyone, and never told what I saw. It was the mistress's secret. She deserved one."
Because her hands were tiring, she let them still in her lap. “The day before she died, she brought a little puppy home for the children. A stray she said she'd found out on the cliffs. Lord, what a commotion. The children were wild about that dog. The mistress had one of the gardeners fill up a tub on the patio, and she and the children washed the pup themselves. They were laughing, the dog was howling. The mistress ruined one of her pretty day frocks. After, I helped the nanny clean up the children. It was the last time I saw them happy."
She paused a moment to gather her thoughts while two butterflies danced toward the pansies. "There was a dreadful fight when the master came home. I'd never heard the mistress raise her voice before. They were in the parlor and I was in the hall. I could hear them plain. The master wouldn't have the dog in the house. Of course, the children were crying, but he said, just as cold, that the mistress was to give it to one of the servants and have it destroyed."
Lilah felt her own eyes fill. "But why?"
"It wasn't good enough, you see, being a mutt. The little girl, she stood right up to him, but she was only a wee thing, and it made no difference to him. I thought he might strike her–his voice had that meanness in it–but the mistress told the children to take the dog and go up to their nanny. It got worse after that. The mistress was fit to be tied. I wouldn't have said she had a temper, but she cut loose. The master said terrible things to her, vicious things. He said he was going to Boston for a few days, and that she was to get rid of the dog, and to remember her place. When he came out of the parlor, his face–I'll never forget it. He looked mad, I said to myself, then I peeked into the parlor and there was the mistress, white as a ghost, just sitting in a chair with her hand pressed to her throat. The next night, she was dead."
Max said nothing for a moment. Lilah was looking away, her eyes blind with tears. "Mrs. Tobias, had you heard anything about Bianca planning to leave her husband?"
"Later I did. The master, he dismissed the nanny, even though those poor babies were wild with grief. She–Mary Beals was her name–she loved the children and the mistress like they were her own. I saw her in the village the day they were to take the mistress back to New York for burying. She told me that her lady would never have killed herself, that she would never have done that to the children. She insisted that it had been an accident. And then she told me that the mistress had decided to leave, that she'd come to see she couldn't stay with the master. She was going to take the children away. Mary Beals said she was going to New York herself and that she was going to stay with the children no matter what Mr. Calhoun said. I heard later that she'd gotten her position back."
"Did you ever see the Calhoun emeralds, Mrs. Tobias?" Max asked.
"Oh, ayah. Once seen, you’d never forget them. She would wear them and look like a queen. They disappeared the night she died." A faint smile moved her mouth. "I know the legend, boy. You could say I lived it."
Composed again, Lilah looked back. "Do you have any idea what happened to them?"
"I know Fergus Calhoun never threw them into the sea. He wouldn't so much as flip a penny into a wishing well, so close with his money he was. If she meant to leave him, then she meant to take them with her. But he came back, you see."
Max's brows drew together. "Came back?"
"The master came back the afternoon of the day she died. That's why she hid them. And the poor thing never had a chance to take them, and her children, and get away."
"Where?" Lilah murmured. "Where could she have put them?"
"In that house, who could say?" Millie picked up her work again. "I went back to help pack up her things. A sad day. Wasn't one of us dry–eyed. We put all her lovely dresses in tissue paper and locked them in a trunk. We were told to clear the room out, even her hair combs and perfume. He wanted nothing left of her in there. I never saw the emeralds again."
"Or her journal?" Max waited while Millie pursed her lips. "Did you find the journal in her room?"
"No." Slowly she shook her head. "There was no diary."
"How about stationery, or cards, letters?"
"Her writing paper was in the desk, and the little book she kept her appointments in, but I didn't see a diary. We put everything away, didn't even leave a hairpin. The next summer, he came back. He kept her room locked up, and there wasn't a sign of the mistress in the house. There had been photographs, and a painting, but they were gone. The children hardly laughed. Once I came across the little boy standing outside his mother's room, just staring at the door. I gave my notice in the middle of the season. I couldn't bear to work in that house, not with the master. He'd grown even colder, harder. And he took to going up to
the tower room and sitting for hours. I married Tom that summer, and never went back to The Towers."
Later Lilah stood on the narrow balcony of their hotel room. Below she could see the long blue rectangle of the pool, hear the laughter and splashing of families and couples enjoying their vacation.
But her mind wasn't on the bright summer sun or the shouts and rippling water. It was on the days eighty years past, when women wore long, graceful dresses and wrote their dreams in private journals.
When Max came up quietly behind her to slip his arms around her waist, she leaned back into him, comforted.
"I always knew she was unhappy," Lilah said. "I could feel that. Just as I could feel she was hopelessly in love. But I never knew she was afraid. I never picked up on that."
"It was a long time ago, Lilah." Max pressed a kiss to her hair. "Mrs. Tobias might have exaggerated. Remember, she was a young, impressionable woman when it all happened."
Lilah turned to look quietly, deeply into his eyes. "You don't believe that."
"No." He stroked his knuckles over her cheek. "But we can't change what happened. We can't help her now."
"But we can, don't you see? By finding the necklace, and the journal. She must have written everything she felt in that book. Everything she wanted, and feared. She wouldn't have left it where Fergus would find it. If she hid the emeralds, she hid the book, too."
"Then we'll find them. If we follow Mrs. Tobias's account, Fergus came back before Bianca expected him. She didn't have the opportunity to get the emeralds out of the house. They're still there, so it's only a matter of time before we find them."