The Rebel Angels tct-1

Home > Fiction > The Rebel Angels tct-1 > Page 7
The Rebel Angels tct-1 Page 7

by Robertson Davies


  Not Professor the Reverend Simon Darcourt, though that splendidly titled figure had to be given his due, because the University paid him to be both reverend and a professor. The priest and the professor would function suitably if Simon Darcourt, the whole of him, lived in a serious awareness of what he was and spoke to the rest of the world from that awareness, as a priest and a professor and always as a man who was humble before God but not necessarily humble before his fellows.

  This was the real Imitation of Christ, and if Thomas à Kempis didn’t like it, it was because Thomas à Kempis wasn’t Simon Darcourt. But old Thomas could be a friend. “If you cannot mould yourself as you would wish, how can you expect other people to be entirely to your liking?” he asked. You can’t, of course. But I had decided that the strenuous moulding of my earlier days, the prayers and austerities (there had been a short time when I went in for peas in my shoes and even flirted with a scourge, till my mother found it) and playing the Stupid Ass when I thought I was being the Suffering Servant, was nonsense. I had given up moulding myself externally and was patiently waiting to be moulded from within by my destiny.

  Patiently waiting! In my soul, perhaps, but the University does not pay people for patient waiting, and I had my classes to teach, my theologues to push towards ordination, and a muddle of committees and professional university groups to attend to. I was a busy academic, but I found time for what I hoped was spiritual growth.

  My greatest handicap, I discovered, was a sense of humour. If Urquhart McVarish’s humour was irresponsibility and contempt for the rest of mankind, mine was a leaning towards topsy-turveydom, likely to stand things on their heads at inopportune moments. As a professor in a theological faculty I have some priestly duties and at Spook we are ritualists. I am in entire agreement with that. What did Yeats say? “How else but in custom and ceremony are innocence and beauty born?” But just when custom and ceremony should most incline me towards worship, I may have to contend with a fit of the giggles. Was that what ailed Lewis Carroll, I wonder? Religion and mathematics, two realms in which humour seems to be wholly out of place, drove him to write the Alicebooks. Christianity has no place for topsy-turveydom, little tolerance of humour. People have tried to assure me that St. Francis was rich in humour, but I don’t believe it. He was merry, perhaps, but that is something else. And there have been moments when I have wondered if St. Francis were not just the tiniest bit off his nut. Didn’t eat enough, which is not necessarily a path to holiness. How many visions of Eternity have been born of low blood-sugar? (This as I prepare a third piece of toast thickly spread with honey.) Indeed some measure of what might be called cynicism, but which could also be clarity of vision, tempered with charity, is an element in the Simon Darcourt I am trying to discover and set free. It was that which made it impossible for me not to take note that Urky McVarish’s picture of Sir Thomas Urquhart, looking so strikingly like himself, had been touched up to give precisely that impression. The green coat, the hair (a wig), and most of the face were original, but there had been some helpful work on the resemblance. When you looked at the picture sideways, under the light that shone so strongly on it, the over-painting could be plainly seen. I know a little about pictures.

  Poor old Urky. I hadn’t liked the way he pestered the Theotoky girl about virginity, and gentlewomen’s thighs. I looked up the passage in my Rabelais in English: yes, the thighs were cool and moist because women were supposed to pee a bit at odd times (why, I wonder? they don’t seem to do it now) and because the sun never shone there, and they were cooled by farts. Nasty old Rabelais and nasty old Urky! But Maria was not to be disconcerted. Good for her!

  What a pitiable bag of tricks Urky was! Could it be that his whole life was as false as his outward man?

  Was this charitable thinking? Paul tells us that Charity is many things, but nowhere does he tell us that it is blind.

  It would certainly be false to the real Simon Darcourt to leave Urky out of The New Aubrey. And it would be equally false not to seek out and say something friendly to the much-beset Professor Ozias Froats, whom I once had known fairly well, in his great football days.

  Second Paradise III

  1

  “No, I cannot give any undertaking that I will not get drunk this time. Why are you so against a pleasing elevation of the spirits, Molly?”

  “Because it isn’t pleasing. It’s noisy and tiresome and makes people stare.”

  “What a middle-class attitude! I would have expected better from you, a scholar and a Rabelaisian. I expect you to have a scholarly freedom from vulgar prejudice, and a Rabelaisian’s breadth of spirit. Get drunk with me, and you won’t notice that the common horde is staring.”

  “I hate drunkenness. I’ve seen too much of it.”

  “Have you, indeed? There’s a revelation—the first one I have ever had from you, Molly. You’re a great girl for secrets.”

  “Yes, I am.”

  “It’s inhuman, and probably unhealthy. Unbutton a little, Molly. Tell me the story of your life.”

  “I thought I was to hear the story of your life. A fair exchange. I pay for the dinner: you do the talking.”

  “But I can’t talk into a void.”

  “I’m not a void; I have a splendid memory for what I hear—better, really, than for what I read.”

  “That’s interesting. Sounds like a peasant background.”

  “Everybody has a peasant background, if you travel back in the right directions. I hate talking in a place like this. Too noisy.”

  “Well, you brought me here. The Rude Plenty—a student beanery.”

  “It’s quite a decent Italian restaurant. And it’s cheap for what you get.”

  “Maria, that is gross! You invite a needy and wretched man to dinner—because that’s what we call ourselves in the Spook grace, remember, miseri homines et egentes—and you tell him to his face that it’s a cheap joint, implying that you could do better for somebody else. You are not a scholar and a gentleman, you are a female pedant and a cad.”

  “Very likely. You can’t bounce me with abuse, Parlabane.”

  “Brother John, if you please. Damn you, you are always so afraid somebody is going to bounce you, as you put it. What do you mean? Bounce you up and down on some yielding surface? What Rabelais calls the two-backed beast?”

  “Oh shut up, you sound like Urky McVarish. Every man who can spell out the words picks up a few nasty expressions from the English Rabelais and tries them on women, and thinks he’s a real devil. It gives me a royal pain in the arse, if you want a Rabelaisian opinion. By bounce I mean men always want to disconcert women and put them at a disadvantage; bouncing is genial, patronizing bullying and I won’t put up with it.”

  “You wound me more deeply than I can say.”

  “No, I don’t. You’re a cultivated sponger, Brother John. But I don’t care. You’re interesting, and I’m happy to pay if you’ll talk. I call it a fair exchange. I’ve told you, I hate talking against noise.”

  “Oh, this overbred passion for quiet! Totally unnatural. We are usually begotten with a certain amount of noise. For our first nine months we are carried in the womb in a positive hubbub—the loud tom-tom of the heart, the croaking and gurgling of the guts, which must sound like the noise of the rigging on a sailing-ship, and a mother’s loud laughter—can you imagine what that must be like to Little Nemo, lurching and heaving in his watery bottle while the diaphragm hops up and down? Why are children noisy? Because, literally, they’re bred to it. People find fault with their kids when they say they can do their homework better while the radio is playing, but the kids are simply trying to recover the primal racket in which they learned to be everything from a blob, to a fish, to a human creature. Silence is entirely a sophisticated, acquired taste. Silence is anti-human.”

  “What do you want to eat?”

  “Let’s start with a big go of shrimp. Frozen, undoubtedly, but as it’s the best you mean to do for me, let’s give ourselves up to third-class
luxury. And lots of very hot sauce. To follow that, an omelette frittata with chicken stuffing. Then spaghetti, again; it was quite passable last time, but double the order, and I’m sure they can manage a more piquant sauce. Tell the chef to throw in a few extra peppers; my friend will pay. Then zabaglione, and don’t spare the booze in the mixture. We’ll top off with lots and lots of cheese; the goatiest and messiest you have, because I like my cheese opinionated. We’ll need at least a loaf of that crusty Italian bread, unsalted butter, some green stuff—a really good belch-lifting radish, if you have such a thing—and some garlic butter to rub on this and that, as we need it. Coffee nicely frothed. Now as for drink—God, what a list! Well, no use complaining; let’s have fiasco each of Orvieto and Chianti, and don’t chill the Orvieto, because God never intended that and I won’t be a party to it. And we’ll talk about Strega when things are a little further advanced. And make it quick.”

  The waitress cocked an eye at me, and I nodded.

  “I’ve ordered well, don’t you think? A good meal should be a performance; the Edwardians understood that. Their meals were a splendid form of theatre, like a play by Pinero, with skilful preparation, expectation, denouement, and satisfactory ending. The well-made play: the well-made meal. Drama one can eat. Then of course Shaw and Galsworthy came along and the theatre and the meals became high-minded: the plays were robbed of their delicious adulteries and the meals became messes of pond-weed, and a boiled egg if you were really stuffing yourself?”

  “Is this an introduction to the story of your life?”

  “Just about anything leads to the story of my life. Well, here goes: I was born of well-off but honest parents in this city of Toronto, forty-five heavily packed years ago. Your historical sense fills in what is necessary: the war-clouds gathering, Hitler bestrides the narrow world like a Colossus and as usual none of the politicians know a bastard when they see one; war, and fear clutches the heart as Mother Britain fights bravely and alone (though of course the French and several other nations don’t quite agree). The US stumbles in, late and loud. At last, victory and a new world rises somewhat shakily on the ruins of the old. Russia, once a wartime chum, resumes its status as a peacetime bum. During all this uproar I went to school, and quite a good school it was, because not only did I learn a few things and acquire an early taste for philosophy, but I met some very glittering and rich boys, like David Staunton, and some brilliantly clever boys, like your present boss Clement Hollier. We were friends and contemporaries—he’s a few months my senior; he thought I was cleverer than I was, because I was a fast talker and could put all my goods in the shop-window, but I knew that he was really the clever one, though he had great trouble putting words together. He stood by me through a very rough time, and I’m grateful. Then I went to the University and swept through the heavens of Spook like a comet, and was such a fool that I had the gall to feel sorry and a little contemptuous of Clem, who had to work hard for a few not very glittering honours.

  “I gloried in the freedom of the University. Of course I had no idea what a university is: it’s not a river to be fished, it’s an ocean in which the young should bathe, and give themselves up to the tides and the currents. But I was a fisherman, and a successful one. Clem was becoming a strong ocean swimmer, though I couldn’t see that. But this is too solemn, and here come the shrimps.

  “Shrimps remind me, for some reason, of my early sexual adventures. I was an innocent youth, and for reasons that you can guess by looking at my ruined face I never dared approach girls. But a successful young man is catnip to a certain sort of older woman, and I was taken up by Elsie Whistlecraft.

  “You’ve heard of Ogden Whistlecraft? Now acclaimed as a major Canadian poet? In those days he was what was called a New Voice, and also a junior professor at this University. Elsie, who had a lot of energy and no shame, was building his career at a great rate, but she still had time for amorous adventure, which she thought becoming to a poet’s wife. So one night when Oggie was out reading his poetry somewhere, she seduced me.

  “It was not a success, from Elsie’s point of view, because the orgasm for women was just coming into general popularity then, and she didn’t have one. The reason was that she had forgotten to lock up the dog, a big creature called Mat, and Mat found the whole business exciting and interesting, and barked loudly. Trying to shut Mat up took Elsie’s mind off her main concern, and at a critical moment Mat nosed me coldly in the rump, and I was too quick for Elsie. I laughed so hard that she became furious and refused to give it another try. We managed things better during the next few weeks, but I never forgot Mat, and took the whole affair in a spirit Elsie didn’t like. Adultery, she felt, ought to be excused and sanctified by overwhelming passion, but Mat had learned to associate me with interesting doings, and even when he was tied up outside he barked loudly all the time I was in the house.

  “The affair gave me confidence, however, and it was balm to my spirit to have cuckolded a poet. Altogether I didn’t fare badly during my university years, but I never did what is called falling in love.

  “That came later, when I went to Princeton to do graduate work, and there I fell in love with a young man—fell fathomlessly and totally in love, and it was a thing of great beauty. The only thing of great beauty, I should say, in my story.

  “I hadn’t had much emotional growth before that. The old university tale, to which you alluded puritanically last time we were here—the over-developed mind and the under-developed heart. I thought I had emotional breadth, because I’d looked for it in art—music, chiefly. Of course art isn’t emotion; it’s evocation and distillation of emotion one has known. But if you’re clever it’s awfully easy to fake emotion and deceive yourself, because what art gives is so much like the real thing. This affair was a revolution of the spirit, and like so many revolutions it left in its wake a series of provisional governments which, one after another, proved incapable of ruling. And like many revolutions, what followed was worse than what went before.

  “Don’t expect details. He grew tired of me, and that was that. Happens in love-affairs of all kinds, and if death is any worse, God is a cruel master.

  “Here’s the omelette. More Orvieto? I will. I need sustaining during our next big instalment.

  “This was a descent into Hell. I’m not being melodramatic; just wait and see. I came back here, and got a job teaching philosophy—which has always been quite a good trade and keeps bread in your mouth—and Spook was happy to reclaim one of its bright boys. Not so happy when they could no longer blind themselves to the fact that I was leading some of their students into what they had to regard as evil courses of life. Kids are awful squealers, you know; you seduce them and they like that, but they also like confessing and bleating about it. And I wasn’t a very nice fellow, I suppose; I used to laugh at them when they had qualms of conscience.

  “So Spook threw me out, and I got a couple of jobs teaching out West, where the same thing happened, rather quicker. This was before the Dawn of Permissiveness, you must remember.

  “I managed to get a job in the States, just as the first rosy gleam of Permissiveness appeared on the horizon. By this time I was in rather a bad way, because rough fun with kids didn’t erase the memory of what had happened with Henry, and I was pretty heavily on the booze. A drunk, though I didn’t see it quite in those terms. And booze wasn’t a complete answer, so it being the mode of the day, I had a go at drugs, and they were fine. Really fine. I saw myself as a free soul and a great enlightener of the young. . . Maria, that ring on your finger twinkles most fascinatingly every time you lift your fork to your mouth. Isn’t that rather a big diamond for a girl who entertains her friends at The Rude Plenty?”

  “Just costume jewellery,” I said, and took it off and tucked it into my handbag. I was stupid to wear it, but I had put it on for McVarish’s cocktail party the day before and had worn it to dinner with Arthur Cornish, who took me out afterwards. I liked it, and absent-mindedly put it on today, breaking my rule
never to wear that sort of thing at the University.

  “Liar. That’s a very good rock.”

  “Let’s go on with your story. I’m spellbound.”

  “As if by the Ancient Mariner? ‘He listens as a three-years child, The Mariner hath his will.’ Well, not to drag things out, the Mariner was shipped back to Canada by the F.B.I, because of a little trouble at my American university, and the next thing the Mariner knew he was in a Foundation in British Columbia, where some earnest and skilled people were working to get him off the drugs and the drink. Do you know how that’s done? They just take the drugs away from you and for a while you have a thorough foretaste of Hell, and you sweat and rave and roll around and then you feel as I imagine the very old feel, if they’re unlucky. Then, for the drink, they fill you full of a special drug and let you have a drink when you feel like one, only you don’t feel like one because the drug makes the effect of the booze so awful that you can’t face even a glass of sherry. The drug is called, or used to be called when I took it, Antabuse. Get the featherlight pun? Antibooze! God, the humour of the medical world! Then, when you’re cleared out physically, and in terrible shape mentally, they set to work to put you on your intellectual feet again. For me that was worst of all—Ah, thank God for spaghetti! And Chianti—no, no, not to worry, Maria, I’m not slipping back into addiction, as they so unpleasantly call it. Just a mild binge with a friend. I can control it, never you fear.

  “Let’s see, where were we—ah, yes, Group Therapy. Know what that is? Well, you get together with a group of your peers, and you rap together about your problems, and you are free to say anything you like, about yourself or anybody else who feels like talking, and it’s all immensely therapeutic. Gets it all out of your system. Real psychological high jinks. Blood all over the walls. Of course I had some private sessions with a shrink, but the Group Therapy was the big magic.

 

‹ Prev