"I would have liked to have broken into the sealed-up chamber, but I had neither the time nor the tools for the task. I was hurrying to the coast, having been wounded by an accidental gunshot in the foot, and I stumbled on to the place purely by chance.
"I have been planning to have another look at it, but circumstances have prevented--now I intend to let nothing stand in my way! By chance I came upon a passage in the Golden Goblin edition of this book, describing the temple. But that was all; the mummy was only briefly mentioned. Interested, I obtained one of Bridewall's translations but ran up against a blank wall of baffling blunders. By some irritating mischance the translator had even mistaken the location of the Temple of the Toad, as Von Junzt calls it, and has it in Guatemala instead of Honduras. The general description is faulty, but the jewel is mentioned and the fact that it is a 'key.' But a key to what, Bridewall's book does not state. I now felt that I was on the track of a real discovery, unless Von Junzt was, as many maintain, a madman. But that the man was actually in Honduras at one time is well attested, and no one could so vividly describe the temple--as he does in the Black Book--unless he had seen it himself. How he learned of the jewel is more than I can say. The Indians who told me of the mummy said nothing of any jewel. I can only believe that Von Junzt found his way into the sealed crypt somehow--the man had uncanny ways of learning hidden things.
"To the best of my knowledge only one other white man has seen the Temple of the Toad besides Von Junzt and myself--the Spanish traveller Juan Gonzalles, who made a partial exploration of that country in 1793. He mentioned, briefly, a curious fane that differed from most Indian ruins, and spoke skeptically of a legend current among the natives that there was 'something unusual' hidden under the temple. I feel certain that he was referring to the Temple of the Toad.
"Tomorrow I sail for Central America. Keep the book; I have no more use for it. This time I am going fully prepared and I intend to find what is hidden in that temple, if I have to demolish it. It can be nothing less than a great store of gold! The Spaniards missed it, somehow; when they arrived in Central America, the Temple of the Toad was deserted; they were searching for living Indians from whom torture could wring gold; not for mummies of lost peoples. But I mean to have that treasure."
So saying Tussman took his departure. I sat down and opened the book at the place where he had left off reading, and I sat until midnight, wrapt in Von Junzt's curious, wild and at times utterly vague expoundings. And I found pertaining to the Temple of the Toad certain things which disquieted me so much that the next morning I attempted to get in touch with Tussmann, only to find that he had already sailed.
Several months passed and then I received a letter from Tussmann, asking me to come and spend a few days with him at his estate in Sussex; he also requested me to bring the Black Book with me.
I arrived at Tussmann's rather isolated estate just after nightfall. He lived in almost feudal state, his great ivy-grown house and broad lawns surrounded by high stone walls. As I went up the hedge-bordered way from the gate to the house, I noted that the place had not been well kept in its master's absence.
Weeds grew rank among the trees, almost choking out the grass. Among some unkempt bushes over against the outer wall, I heard what appeared to be a horse or an ox blundering and lumbering about. I distinctly heard the clink of its hoof on a stone.
A servant who eyed me suspiciously admitted me and I found Tussmann pacing to and fro in his study like a caged lion. His giant frame was leaner, harder than when I had last seen him; his face was bronzed by a tropic sun. There were more and harsher lines in his strong face and his eyes burned more intensely than ever. A smoldering, baffled anger seemed to underlie his manner.
"Well, Tussmann," I greeted him, "what success? Did you find the gold?"
"I found not an ounce of gold," he growled. "The whole thing was a hoax--well, not all of it. I broke into the sealed chamber and found the mummy--"
"And the jewel?" I exclaimed.
He drew something from his pocket and handed it to me.
I gazed curiously at the thing I held. It was a great jewel, clear and transparent as crystal, but of a sinister crimson, carved, as Von Junzt had declared, in the shape of a toad. I shuddered involuntarily; the image was peculiarly repulsive. I turned my attention to the heavy and curiously wrought copper chain which supported it.
"What are these characters carved on the chain?" I asked curiously.
"I can not say," Tussmann replied. "I had thought perhaps you might know. I find a faint resemblance between them and certain partly defaced hieroglyphics on a monolith known as the Black Stone in the mountains of Hungary. I have been unable to decipher them."
"Tell me of your trip," I urged, and over our whiskey-and-sodas he began, as if with a strange reluctance.
"I found the temple again with no great difficulty, though it lies in a lonely and little-frequented region. The temple is built against a sheer stone cliff in a deserted valley unknown to maps and explorers. I would not endeavor to make an estimate of its antiquity, but it is built of a sort of unusually hard basalt, such as I have never seen anywhere else, and its extreme weathering suggests incredible age.
"Most of the columns which form its facade are in ruins, thrusting up shattered stumps from worn bases, like the scattered and broken teeth of some grinning hag. The outer walls are crumbling, but the inner walls and the columns which support such of the roof as remains intact, seem good for another thousand years, as well as the walls of the inner chamber.
"The main chamber is a large circular affair with a floor composed of great squares of stone. In the center stands the altar, merely a huge, round, curiously carved block of the same material. Directly behind the altar, in the solid stone cliff which forms the rear wall of the chamber, is the sealed and hewn-out chamber wherein lay the mummy of the temple's last priest.
"I broke into the crypt with not too much difficulty and found the mummy exactly as is stated in the Black Book. Though it was in a remarkable state of preservation, I was unable to classify it. The withered features and general contour of the skull suggested certain degraded and mongrel peoples of lower Egypt, and I feel certain that the priest was a member of a race more akin to the Caucasian than the Indian. Beyond this, I can not make any positive statement.
"But the jewel was there, the chain looped about the dried-up neck."
From this point Tussmann's narrative became so vague that I had some difficulty in following him and wondered if the tropic sun had affected his mind. He had opened a hidden door in the altar somehow with the jewel--just how, he did not plainly say, and it struck me that he did not clearly understand himself the action of the jewel-key. But the opening of the secret door had had a bad effect on the hardy rogues in his employ. They had refused point-blank to follow him through that gaping black opening which had appeared so mysteriously when the gem was touched to the altar.
Tussmann entered alone with his pistol and electric torch, finding a narrow stone stair that wound down into the bowels of the earth, apparently. He followed this and presently came into a broad corridor, in the blackness of which his tiny beam of light was almost engulfed. As he told this he spoke with strange annoyance of a toad which hopped ahead of him, just beyond the circle of light, all the time he was below ground.
Making his way along dank tunnels and stairways that were wells of solid blackness, he at last came to a heavy door fantastically carved, which he felt must be the crypt wherein was secreted the gold of the ancient worshippers. He pressed the toad-jewel against it at several places and finally the door gaped wide.
"And the treasure?" I broke in eagerly.
He laughed in savage self-mockery.
"There was no gold there, no precious gems--nothing"--he hesitated--"nothing that I could bring away."
Again his tale lapsed into vagueness. I gathered that he had left the temple rather hurriedly without searching any further for the supposed treasure. He had intended bringing the
mummy away with him, he said, to present to some museum, but when he came up out of the pits, it could not be found and he believed that his men, in superstitious aversion to having such a companion on their road to the coast, had thrown it into some well or cavern.
"And so," he concluded, "I am in England again no richer than when I left."
"You have the jewel," I reminded him. "Surely it is valuable."
He eyed it without favor, but with a sort of fierce avidness almost obsessional.
"Would you say that it is a ruby?" he asked.
I shook my head. "I am unable to classify it."
"And I. But let me see the book."
He slowly turned the heavy pages, his lips moving as he read. Sometimes he shook his head as if puzzled, and I noticed him dwell long over a certain line.
"This man dipped so deeply into forbidden things," said he, "I can not wonder that his fate was so strange and mysterious. He must have had some foreboding of his end--here he warns men not to disturb sleeping things."
Tussmann seemed lost in thought for some moments.
"Aye, sleeping things," he muttered, "that seem dead, but only lie waiting for some blind fool to awake them--I should have read further in the Black Book--and I should have shut the door when I left the crypt--but I have the key and I'll keep it in spite of hell."
He roused himself from his reveries and was about to speak when he stopped short. From somewhere upstairs had come a peculiar sound.
"What was that?" He glared at me. I shook my head and he ran to the door and shouted for a servant.
The man entered a few moments later and he was rather pale.
"You were upstairs?" growled Tussmann.
"Yes, sir."
"Did you hear anything?" asked Tussmann harshly and in a manner almost threatening and accusing.
"I did, sir," the man answered with a puzzled look on his face.
"What did you hear?" The question was fairly snarled.
"Well, sir," the man laughed apologetically, "you'll say I'm a bit off, I fear, but to tell you the truth, sir, it sounded like a horse stamping around on the roof!"
A blaze of absolute madness leaped into Tussmann's eyes.
"You fool!" he screamed. "Get out of here!" The man shrank back in amazement and Tussmann snatched up the gleaming toad-carved jewel.
"I've been a fool!" he raved. "I didn't read far enough--and I should have shut the door--but by heaven, the key is mine and I'll keep it in spite of man or devil."
And with these strange words he turned and fled upstairs. A moment later his door slammed heavily and a servant, knocking timidly, brought forth only a blasphemous order to retire and a luridly worded threat to shoot any one who tried to obtain entrance into the room.
Had it not been so late I would have left the house, for I was certain that Tussmann was stark mad. As it was, I retired to the room a frightened servant showed me, but I did not go to bed. I opened the pages of the Black Book at the place where Tussmann had been reading.
This much was evident, unless the man was utterly insane: he had stumbled upon something unexpected in the Temple of the Toad. Something unnatural about the opening of the altar door had frightened his men, and in the subterraneous crypt Tussmann had found something that he had not thought to find. And I believed that he had been followed from Central America, and that the reason for his persecution was the jewel he called the Key.
Seeking some clue in Von Junzt's volume, I read again of the Temple of the Toad, of the strange pre-Indian people who worshipped there, and of the huge, tittering, tentacled, hoofed monstrosity that they worshipped.
Tussmann had said that he had not read far enough when he had first seen the book. Puzzling over this cryptic phrase I came upon the line he had pored over--marked by his thumb nail. It seemed to me to be another of Von Junzt's many ambiguities, for it merely stated that a temple's god was the temple's treasure. Then the dark implication of the hint struck me and cold sweat beaded my forehead.
The Key to the Treasure! And the temple's treasure was the temple's god! And sleeping Things might awaken on the opening of their prison door! I sprang up, unnerved by the intolerable suggestion, and at that moment something crashed in the stillness and the death-scream of a human being burst upon my ears.
In an instant I was out of the room, and as I dashed up the stairs I heard sounds that have made me doubt my sanity ever since. At Tussmann's door I halted, essaying with shaking hand to turn the knob.
The door was locked, and as I hesitated I heard from within a hideous high-pitched tittering and then the disgusting squashy sound as if a great, jelly-like bulk was being forced through the window. The sound ceased and I could have sworn I heard a faint swish of gigantic wings. Then silence.
Gathering my shattered nerves, I broke down the door. A foul and overpowering stench billowed out like a yellow mist. Gasping in nausea I entered. The room was in ruins, but nothing was missing except that crimson toad-carved jewel Tussmann called the Key, and that was never found. A foul, unspeakable slime smeared the window-sill, and in the center of the room lay Tussmann, his head crushed and flattened; and on the red ruin of skull and face, the plain print of an enormous hoof.
The Dweller in Dark Valley
The nightwinds tossed the tangled trees, the stars were cold with scorn; Midnight lay over Dark Valley the hour I was born.
The mid-wife dozed beside the hearth, a hand the window tried--
She woke and stared and screamed and swooned at what she saw outside.
Her hair was white as a leper's hand, she never spoke again; But laughed and wove the wild flowers into an endless chain.
But when my childish tongue could speak, and my infant feet could stray, I found her dying in the hills at the haunted dusk of day.
And her darkening eyes at last were sane; she passed with a fearsome word:
"You who were born in Dark Valley, beware the Valley's lord!"
As I came down through Dark Valley, the grim hills gulped the light; I heard the ponderous tramping of a monster in the night.
The great trees leaned together, the vines ensnared my feet, I heard across the darkness my own heart's thundering beat.
Damned be the dark ends of the earth where old horrors live again.
And monsters of lost ages lurk to eat the souls of men!
I climbed the ridge into the moon and trembling there I turned--
Down in the blasted shadows two eyes like hellfire burned.
Under the black malignant trees a shapeless Shadow fell--
I go no more to Dark Valley which is the Gate of Hell.
The Horror from the Mound
Steve Brill did not believe in ghosts or demons. Juan Lopez did. But neither the caution of the one nor the sturdy skepticism of the other was shield against the horror that fell upon them--the horror forgotten by men for more than three hundred years--a screaming fear monstrously resurrected from the black lost ages.
Yet as Steve Brill sat on his sagging stoop that last evening, his thoughts were as far from uncanny menaces as the thoughts of man can be. His ruminations were bitter but materialistic. He surveyed his farmland and he swore. Brill was tall, rangy and tough as boot-leather--true son of the iron-bodied pioneers who wrenched West Texas from the wilderness. He was browned by the sun and strong as a longhorn steer. His lean legs and the boots on them reflected his cowboy habits and instincts, and now he cursed himself that he had ever climbed off the hurricane deck of his crank-eyed mustang and turned to farming. He was no farmer, the young puncher admitted profanely.
Yet his failure had not all been his fault. Plentiful rain in the winter--rare enough in West Texas--had given promise of good crops. But as usual, things had happened. A late blizzard had destroyed all the budding fruit. The grain which had looked so promising was ripped to shreds and battered into the ground by terrific hailstorms just as it was turning yellow. A period of intense dryness, followed by another hailstorm, finished the corn.
; Then the cotton, which had somehow struggled through, fell before a swarm of grasshoppers which stripped Brill's field almost over night. So Brill sat and swore that he would not renew his lease--he gave fervent thanks that he did not own the land on which he had wasted his sweat, and that there were still broad rolling ranges to the west where a strong young man could make his living riding and roping.
Now as Brill sat glumly, he was aware of the approaching form of his nearest neighbor, Juan Lopez, a taciturn old Mexican who lived in a hut just out of sight over the hill across the creek and grubbed for a living. At present he was clearing a strip of land on an adjoining farm, and in returning to his hut he crossed a corner of Brill's pasture.
Brill idly watched him climb through the barbed wire fence and trudge along the path he had worn in the short dry grass. He had been working at his present job for over a month now, chopping down tough gnarly mesquite trees and digging up their incredibly long roots, and Brill knew that he always followed the same path home. And watching, Brill noted him swerving far aside, seemingly to avoid a low rounded hillock which jutted above the level of the pasture. Lopez went far around this knoll and Brill remembered that the old Mexican always circled it at a distance. And another thing came into Brill's idle mind--Lopez always increased his gait when he was passing the knoll, and he always managed to get by it before sundown--yet Mexican laborers generally worked from the first light of dawn to the last glint of twilight, especially at these grubbing jobs, when they were paid by the acre and not by the day. Brill's curiosity was aroused.
He rose, and sauntering down the slight slope on the crown of which his shack sat, hailed the plodding Mexican.
"Hey, Lopez, wait a minute."
Lopez halted, looked about, and remained motionless but unenthusiastic as the white man approached.
"Lopez," said Brill lazily, "it ain't none of my business, but I just wanted to ask you--how come you always go so far around that old Indian mound?"
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