they sang; and with the lilt of them and the keen beauty of the night, the inherited pain of the ages rose from the depths of the young girl’s heart, so that she thought it must break; for what reason she could not have told, since she was without care or sorrow that she knew, except the French Revolution, yet tears shone upon the long lashes. She shook them off and looked up with a sudden odd consciousness. The next second she sprang to her feet with a gasp and a choked outcry, her bands pressed to her breast.
Ten paces in front of her, a gap in the shrubbery where tall trees rose left a small radiant area of illumination like that of a lime-light in a theatre, its brilliancy intensified by the dark foliage behind. It was open to view only from the bench by which she stood, and appeared, indeed, like the stage of a little theatre a stage occupied by a bizarre figure. For, in the centre of this shining patch, with the light strong on his face, was standing a fair-haired young man, dressed in a yellow coat, a scarlet and white striped waistcoat, wearing a jauntily cocked black hat on his bead. And even to the last detail, the ribbon laces above the ankle and the gold-buckled shoes, he was the sketch of Georges Meilhac sprung into life.
About this slender figure there hung a wan sweetness like a fine mist, almost an ethereality in that light; yet in the pale face lurked something reckless, something of the actor, too; and though his smile was gentle and wistful, there was a twinkle behind it, not seen at first, something amused and impish; a small surprise underneath, like a flea in a rose-jar.
Fixed to the spot by this apparition, Miss Betty stood wildly staring, her straining eyelids showing the white above and below the large brown iris. Her breath came faster and deeper, until, between her parted lips it became vocal in a quick sound like a sob. At that he spoke.
“Forgive me!” The voice was low, vibrant, and so exceedingly musical that he might have been accused of coolly selecting his best tone; and it became only sweeter when, even more softly, in a semi-whisper of almost crucial pleading, he said, “Ah — don’t go away!”
In truth, she could not go; she had been too vitally stirred; she began to tremble excessively, and sank back upon the bench, motioning him away with vague gestures of her shaking hands.
This was more than the Incroyable had counted upon, and far from his desires. He started forward with an exclamation.
“Don’t come near me!” she gasped. “Who are you? Go away!”
“Give me one second to explain,” he began; but with the instant reassurance of this beginning she cut him off short, her fears dispelled by his commonplace. Nay, indignation displaced them so quickly that she fairly flashed up before him to her full height.
“You did not come in by the gate!” she cried. “What do you mean by coming here in that dress What right have you in my garden?”
“Just one word,” he begged quickly, but very gently. “You’d allow a street-beggar that much!”
She stood before him, panting, and, as he thought, glorious, in her flush of youth and anger. Tom Vanrevel had painted her incoherently, but richly, in spite of that, his whole heart being in the portrait; and — Crailey Gray had smiled at what he deemed the exaggeration of an ordinarily unimpressionable man who had fallen in love “at first sight;” yet, in the presence of the reality, the Incroyable decided that Tom’s colors had been gray and humble. It was not that she was merely lovely, that her nose was straight, and her chin dexterously wrought between square and oval; that her dark hair lay soft as a shadow on her white brow; not that the trembling hand she held against her breast sprang from a taper wrist and tapered again to the tips of the long fingers; nor that she was of that slenderness as strong as it is delicate; not all the exquisite regularity of line and mould, nor simplicity of color, gave her that significance which made the Incroyable declare to himself that he stood for the first time in the presence of Beauty, and that now he knew the women he had been wont to call beautiful were but pretty. And yet her beauty, he told himself, was the least of her loveliness, for there was a glamour about her. It was not only the richness of her youth; but there was an ineffable exhalation which seemed to be made partly of light, partly of the very spirit of her, and, oddly enough, partly of the scent of the little fan that hung by a ribbon from her waist. This was a woman like a wine, he felt, there was a bouquet.
In regard to the bouquet of the young man himself, if he possessed one, it is pertinent to relate that at this very instant the thought skipped across his mind (like the hop of a flea in a rose-jar) that some day he might find the moment when he could tell her the truth about herself — with a half-laugh — and say: “The angels sent their haloes in a sandal-wood box to be made into a woman — and it was you!”
“If you have anything to say for yourself, say it quickly!” said Miss Betty.
“You were singing a while ago,” he answered, somewhat huskily, “and I stopped on the street to listen; then I came here to be nearer. The spell of your voice—” He broke off abruptly to change the word. “The spell of the song came over me — it is my dearest favorite — so that I stood afterward in a sort of trance, only hearing again, in the silence, ‘The stolen heart, like the gathered rose, will bloom but for a day!’ I did not see you until you came to the bench. You must believe me: I would not have frightened you for anything in the world.”
“Why are you wearing that dress?”
He laughed, and pointed to where, behind him on the ground, lay a long gray cloak, upon which had been tossed a white mask. “I’m on my way to the masquerade;” he answered, with an airy gesture in the direction of the violins. “I’m an Incroyable, you see; and I had the costume made from my recollection of a sketch of your great-uncle. I saw it a long time ago in your library.”
Miss Carewe’s accustomed poise was quite recovered; indeed, she was astonished to discover a distinct trace of disappointment that the brilliant apparition must offer so tame an explanation. What he said was palpably the truth; there was a masquerade that night, she knew, at the Madrillon’s, a little way up Carewe Street, and her father had gone, an hour earlier, a blue domino over his arm.
The Incroyable was a person of almost magical perceptiveness; he felt the let-down immediately and feared a failure. This would not do; the attitude of tension between them must be renewed at once. “You’ll forgive me?” he began, in a quickly impassioned tone. “It was only after you sang, a dream possessed me, and—”
“I cannot stay to talk with you,” Miss Betty interrupted, and added, with a straightforwardness which made him afraid she would prove lamentably direct: “I do not know you.”
Perhaps she remembered that already one young man had been presented to her by no better sponsor than a white cat, and had no desire to carry her unconventionality farther than that. In the present instance there was not even a kitten.
She turned toward the house, whereupon he gave a little pathetic exclamation of pleading in a voice that was masterly, being as sincere as it was musical, and he took a few leaning steps toward her, both hands outstretched.
“One moment more!” he cried, as she turned again to him. “It may be the one chance of my life to speak with you; don’t deny me this. — All the rest will meet you when the happy evening comes, will dance with you, talk with you, see you when they like, listen to you sing. I, alone, must hover about the gates, or steal like a thief into your garden to hear you from a distance. Listen to me — just this once — for a moment?”
“I cannot listen,” she said firmly; and stood quite still. She was now in deep shadow.
“I will not believe you merciless! You would not condemn the meanest criminal unheard!” Remembering that she was so lately from the convent, he ventured this speech in a deep, thrilling voice, only to receive a distinct shock for his pains, for she greeted it with an irrepressible, most unexpected peal of contralto laughter, and his lips parted slightly with the surprise of it.
They parted much farther in the next instant — in good truth, it may be stated of the gentleman that he was left
with his mouth open — for, suddenly leaning toward him out of the shadow into the light, her face shining as a cast of tragedy, she cried in a hoarse whisper:
“Are you a murderer?”
And with that and a whisk of her skirts, and a footfall on the gravel path, she was gone. He stood dumbfounded, poor comedian, having come to play the chief role, but to find the scene taken out of his hands. Then catching the flutter of her wrap, as she disappeared into the darkness of the veranda, he cried in a loud, manly voice:
“You are a dear!”
As he came out into the street through a gap in the hedge, he paused, drawing his cloak about him, and lifted his face to the eastern moon. It was a strange face: the modelling most like what is called “Greek,” save for the nose, which was a trifle too short for that, and the features showed a happy purity of outline almost childlike; the blue eyes, clear, fleckless, serenely irresponsible, with more the look of refusing responsibility than being unconscious of it; eyes without care, without prudence, and without evil. A stranger might have said he was about twenty-five and had never a thought in his life. There were some blossoms on the hedge, and he touched one lightly, as though he chucked it under the chin; he smiled upon it then, but not as he had smiled upon Miss Betty, for this was his own, the smile that came when he was alone; and, when it came, the face was no longer joyous as it had been in repose; there was an infinite patience and worn tolerance-possibly for himself. This incongruous and melancholy smile was astonishing: one looked for the laughter of a boy and found, instead, a gentle, worldly, old prelate.
Standing there, all alone in the moonlight, by the hedge, he lifted both hands high and waved them toward the house, as children wave to each other across lawns at twilight. After that he made a fantastic bow to his corrugated shadow on the board sidewalk.
“Again, you rogue!” he exclaimed aloud. Then, as he faced about and began to walk in the direction of the beckoning violins: “I wonder if Tom’s kitten was better, after all!”
CHAPTER III. The Rogue’s Gallery of a Father Should be Exhibited to a Daughter with Particular Care
THOSE ANGELS APPOINTED to be guardians of the merry people of Rouen, poising one night, between earth and stars, discovered a single brilliant and resonant spot, set in the midst of the dark, quiet town like a jewelled music-box on a black cloth. Sounds of revelry and the dance from the luminous spot came up through the summer stillness to the weary guardians all night long, until, at last, when a red glow stole into the east, and the dance still continued, nay, grew faster than ever, the celestial watchers found the work too heavy for their strength, and forthwith departed, leaving the dancers to their own devices; for, as everyone knows, when a dance lasts till daylight, guardian angels flee.
All night long the fiddles had been swinging away at their best; all night long the candles had shone in thin rows of bright orange through the slits of the window-blinds; but now, as the day broke over the maples, the shutters were flung open by laughing young men, and the drivers of the carriages, waiting in the dusty street, pressed up closer to the hedge, or came within and stretched themselves upon the lawn, to see the people waltzing in the daylight. The horses, having no such desires, stood with loosened check-reins, slightly twitching their upper lips, wistful of the tall grass which bordered the wooden sidewalk, though now and then one would lift his head high, sniffing the morning air and bending an earnest gaze not upon the dancers but upon the florid east.
Over the unwearied plaint of French-horn, violin, and bassoon, rose a silvery confusion of voices and laughter and the sound of a hundred footfalls in unison, while, from the open windows there issued a warm breath, heavily laden with the smell of scented fans, of rich fabrics, of dying roses, to mingle with the spicy perfume of a wild crab-tree in fullest blossom, which stood near enough to peer into the ball-room, and, like a brocaded belle herself, challenge the richest to show raiment as fine, the loveliest to look as fair and joyful in the dawn..
“Believe me, of all those endearing young charms, Which I gaze on so fondly to-day, Were to fade by to-morrow and fleet from my arms, Like fairy gifts fading away—”
So ran the violins in waltz time, so bassoon and horn to those dulcet measures; and then, with one accord, a hundred voices joined them in the old, sweet melody:
“Thou wouldst still be adored as this moment thou art, Let thy loveliness fade as it will; And around the dear ruin each wish of my heart Would entwine itself verdantly still.”
And the jealous crab-tree found but one to overmatch itself in beauty: a lady who was the focus of the singing; for, by the time the shutters were flung open, there was not a young man in the room, lacked he never so greatly in music or in voice, who did not heartily desire to sing to Miss Betty Carewe, and who did not now (craning neck over partner’s shoulder) seek to fix her with his glittering eye, while he sang “Oh, believe me” most directly and conspicuously at her. For that night was the beginning of Miss Betty’s famous career as the belle of Rouen, and was the date from which strangers were to hear of her as “the beautiful Miss Carewe,” until “beautiful” was left off, visitors to the town being supposed to have heard at least that much before they came.
There had been much discussion of her, though only one or two had caught glimpses of her; but most of the gallants appeared to agree with Crailey Gray, who aired his opinion — in an exceedingly casual way — at the little club on Main Street. Mr. Gray held that when the daughter of a man as rich as Bob Carewe was heralded as a beauty the chances were that she would prove disappointing, and, for his part, he was not even interested enough to attend and investigate. So he was going down the river in a canoe and preferred the shyness of bass to that of a girl of eighteen just from the convent, he said. Tom Vanrevel was not present on the occasion of these remarks; and the general concurrence with Crailey may be suspected as a purely verbal one, since, when the evening came, two of the most enthusiastic dancers and love-makers of the town, the handsome Tappingham Marsh and that doughty ex-dragoon and Indian fighter, stout old General Trumble, were upon the field before the enemy appeared; that is to say, they were in the new ball-room before their host; indeed, the musicians had not arrived, and Nelson, an aged negro servitor, was engaged in lighting the house.
The crafty pair had planned this early descent with a view to monopoly by right of priority, in case the game proved worth the candle, and they were leaning effectively against the little railing about the musicians’ platform when Mr. Carewe entered the room with his daughter on his arm.
She was in white, touched with countless small lavender flowers; there were rows and rows of wonderful silk and lace flounces on her skirt, and her fan hung from a rope of great pearls. Ah, hideous, blue, rough cloth of the convent, unforgotten, but laid aside forever, what a chrysalis you were!
Tappingham twitched his companion’s sleeve, but the General was already posing; and neither heard the words of presentation, because Miss Betty gave each of them a quick look, then smiled upon them as they bowed; the slayers were prostrated before their prey. Never were lady-killers more instantaneously tamed and subjugated by the power of the feminine eye. Will Cummings came in soon, and, almost upon his heels, Eugene Madrillon and young Frank Chenoweth. No others appeared for half an hour, and the five gentlemen looked at one another aside, each divining his own diplomacy in his fellow’s eye, and each laboriously explaining to the others his own mistake in regard to the hour designated upon Mr. Carewe’s cards of invitation. This small embarrassment, however, did not prevent General Trumble and young Mr. Chenoweth from coming to high words over Miss Carewe’s little, gilt-filigree “programme” of dances.
It may be not untimely to remark, also, of these five redoubtable beaux, that, during the evening, it occurred to every one of them to be glad that Crailey Gray was betrothed to Fanchon Bareaud, and that he was down on the Rouen River with a canoe, a rod and a tent. Nay, without more words, to declare the truth in regard to Crailey, they felt greater security in his a
bsence from the field than in his betrothal. As Mr. Chenoweth, a youth as open as out-of-doors, both in countenance and mind, observed plaintively to Tappingham Marsh in a corner, while they watched Miss Betty’s lavender flowers miraculously swirling through a quadrille: “Crailey, you know, well, Crailey’s been engaged before!” It was not Mr. Chenoweth’s habit to disguise his apprehensions, and Crailey Gray would not fish for bass forever.
The same Chenoweth was he, who, maddened by the General’s triumphantly familiar way of toying with Miss Betty’s fan between two dances, attempted to propose to her during the sunrise waltz. Having sung “Oh, believe me” in her ear as loudly as he could, he expressed the wish — quite as loudly— “That this waltz might last for always!”
That was the seventh time it had been said to Betty during the night, and though Mr. Chenoweth’s predecessors had revealed their desires in a guise lacking this prodigious artlessness, she already possessed no novel acquaintance with the exclamation. But she made no comment; her partner’s style was not a stimulant to repartee. “It would be heaven,” he amplified earnestly, “it would be heaven to dance with you forever — on a desert isle where the others couldn’t come!” he finished with sudden acerbity as his eye caught the General’s.
He proceeded, and only the cessation of the music aided Miss Carewe in stopping the declaration before it was altogether out; and at that point Frank’s own father came to her rescue, though in a fashion little saving of her confusion. The elder Chenoweth was one of the gallant and kindly Southern colony that made it natural for Rouen always to speak of Miss Carewe as “Miss Betty”. He was a handsome old fellow, whose hair, long moustache and imperial were as white as he was proud of them, a Virginian with the admirable Southern fearlessness of being thought sentimental. Mounting a chair with complete dignity, he lifted a glass of wine high in the air, and, when all the other glasses had been filled, proposed the health of his young hostess. He made a speech of some length, pronouncing himself quite as hopelessly in love with his old friend’s daughter as all could see his own son was; and wishing her long life and prosperity, with many allusions to fragrant bowers and the Muses.
Collected Works of Booth Tarkington Page 46