A closed cab stood near the fountain at the next corner. There was a trunk on the box by the driver, and the roof was piled with bags and rugs. He approached uncertainly.
“Is — is this — is it Lady Mount-Rhyswicke?” he stammered pitifully.
She opened the door.
“Yes. Will you get in? We’ll just drive round the block if you don’t mind. I’ll bring you back here in ten minutes.” And when he had tremulously complied, “Avanti, cocchiere,” she called to the driver, and the tired little cab-horse began to draw them slowly along the deserted street.
Lady Mount-Rhyswicke maintained silence for a time, while her companion waited, his heart pounding with dreadful apprehensions. Finally she gave a short, hard laugh and said:
“I saw your face by the corner light. Been havin’ a hard day of it?”
The fear of breaking down kept him from answering. He gulped painfully once or twice, and turned his face away from her. Light enough from a streetlamp shone in for her to see.
“I was rather afraid you’d refuse,” she said seriously. “Really, I wonder you were willin’ to come!”
“I was — I was afraid not to.” He choked out the confession with the recklessness of final despair.
“So?” she said, with another short laugh. Then she resumed her even, tired monotone: “Your little friend Cooley’s note this morning gave us all a rather fair notion as to what you must be thinkin’ of us. He seems to have found a sort of walkin’ ‘Who’s-Who-on-the-Continent’ since last night. Pity for some people he didn’t find it before! I don’t think I’m sympathetic with your little Cooley. I ‘guess,’ as you Yankees say, ‘he can stand it.’ But” — her voice suddenly became louder— “I’m not in the business of robbin’ babies and orphans, no, my dear friends, nor of helpin’ anybody else to rob them either! — Here you are!”
She thrust into his hand a small packet, securely wrapped in paper and fastened with rubber bands. “There’s your block of express checks for six hundred dollars and your I O U to Sneyd with it. Take better care of it next time.”
He had been tremulous enough, but at that his whole body began to shake violently.
“What!” he quavered.
“I say, take better care of it next time,” she said, dropping again into her monotone. “I didn’t have such an easy time gettin’ it back from them as you might think. I’ve got rather a sore wrist, in fact.”
She paused at an inarticulate sound from him.
“Oh, that’s soon mended,” she laughed drearily. “The truth is, it’s been a good thing for me — your turning up. They’re gettin’ in too deep water for me, Helene and her friends, and I’ve broken with the lot, or they’ve broken with me, whichever it is. We couldn’t hang together after the fightin’ we’ve done to-day. I had to do a lot of threatenin’ and things. Welch was ugly, so I had to be ugly too. Never mind” — she checked an uncertain effort of his to speak— “I saw what you were like, soon as we sat down at the table last night — how new you were and all that. It needed only a glance to see that Helene had made a mistake about you. She’d got a notion you were a millionaire like the little Cooley, but I knew better from your talk. She’s clever, but she’s French, and she can’t get it out of her head that you could be an American and not a millionaire. Of course, they all knew better when you brought out your express checks and talked like somebody in one of the old-time story-books about ‘debts of honor.’ Even Helene understood then that the express checks were all you had.” She laughed. “I didn’t have any trouble gettin’ the note back!”
She paused again for a moment, then resumed: “There isn’t much use our goin’ over it all, but I want you to know one thing. Your little friend Cooley made it rather clear that he accused Helene and me of signalin’. Well, I didn’t. Perhaps that’s the reason you didn’t lose as much as he did; I can’t say. And one thing more: all this isn’t goin’ to do you any harm. I’m not very keen about philosophy and religion and that, but I believe if you’re let in for a lot of trouble, and it only half kills you, you can get some good of it.”
“Do you think,” he stammered— “do you think I’m worth saving?”
She smiled faintly and said:
“You’ve probably got a sweetheart in the States somewhere — a nice girl, a pretty young thing who goes to church and thinks you’re a great man, perhaps? Is it so?”
“I am not worthy,” he began, choked suddenly, then finished— “to breathe the same air!”
“That’s quite right,” Lady Mount-Rhyswicke assured him. “Think what you’d think of her if she’d got herself into the same sort of scrape by doin’ the things you’ve been doin’! And remember that if you ever feel impatient with her, or have any temptations to superiority in times to come. And yet” — for the moment she spoke earnestly— “you go back to your little girl, but don’t you tell her a word of this. You couldn’t even tell her that meetin’ you has helped me, because she wouldn’t understand.”
“Nor do I. I can’t.”
“Oh, it’s simple. I saw that if I was gettin’ down to where I was robbin’ babies and orphans....” The cab halted. “Here’s your corner. I told him only to go round the block and come back. Good-by. I’m off for Amalfi. It’s a good place to rest.”
He got out dazedly, and the driver cracked his whip over the little horse; but Mellin lifted a detaining hand.
“A spet,” called Lady Mount-Rhyswicke to the driver. “What is it, Mr. Mellin?”
“I can’t — I can’t look you in the face,” he stammered, his attitude perfectly corroborative of his words. “I would — oh, I would kneel in the dust here before you—”
“Some of the poetry you told me you write?”
“I’ve never written any poetry,” he said, not looking up. “Perhaps I can — now. What I want to say is — I’m so ashamed of it — I don’t know how to get the words out, but I must. I may never see you again, and I must. I ‘m sorry — please try to forgive me — I wasn’t myself when I did it—”
“Blurt it out; that’s the best way.”
“I’m sorry,” he floundered— “I’m sorry I kissed you.”
She laughed her tired laugh and said in her tired voice the last words he was ever destined to hear from her:
“Oh, I don’t mind, if you don’t. It was so innocent, it was what decided me.”
One of the hundreds of good saints that belong to Rome must have overheard her and pitied the young man, for it is ascribable only to some such special act of mercy that Mellin understood (and he did) exactly what she meant.
The Flirt
CONTENTS
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
Lobby card for ‘Bad Sister’ (1931), a film adaptation of ‘The Flirt’
Booth Tarkington in 1913, the year he published ‘The Flirt’
TO
SUSANAH
CHAPTER ONE
VALENTINE CORLISS WALKED up Corliss Street the hottest afternoon of that hot August, a year ago, wearing a suit of white serge which attracted a little attention from those observers who were able to observe anything except the heat. The coat was shaped delicately; it outlined the wearer, and, fitting him as women’s clothes fit women, suggested an effeminacy not an attribute of the t
all Corliss. The effeminacy belonged all to the tailor, an artist plying far from Corliss Street, for the coat would have encountered a hundred of its fellows at Trouville or Ostende this very day. Corliss Street is the Avenue du Bois de Boulogne, the Park Lane, the Fifth Avenue, of Capitol City, that smoky illuminant of our great central levels, but although it esteems itself an established cosmopolitan thoroughfare, it is still provincial enough to be watchful; and even in its torrid languor took some note of the alien garment.
Mr. Corliss, treading for the first time in seventeen years the pavements of this namesake of his grandfather, mildly repaid its interest in himself. The street, once the most peaceful in the world, he thought, had changed. It was still long and straight, still shaded by trees so noble that they were betrothed, here and there, high over the wide white roadway, the shimmering tunnels thus contrived shot with gold and blue; but its pristine complete restfulness was departed: gasoline had arrived, and a pedestrian, even this August day of heat, must glance two ways before crossing.
Architectural transformations, as vital, staggered the returned native. In his boyhood that posthumously libelled sovereign lady, Anne, had terribly prevailed among the dwellings on this highway; now, however, there was little left of the jig-saw’s hare-brained ministrations; but the growing pains of the adolescent city had wrought some madness here. There had been a revolution which was a riot; and, plainly incited by a new outbreak of the colonies, the Goth, the Tudor, and the Tuscan had harried the upper reaches to a turmoil attaining its climax in a howl or two from the Spanish Moor.
Yet it was a pleasant street in spite of its improvements; in spite, too, of a long, gray smoke-plume crossing the summer sky and dropping an occasional atomy of coal upon Mr. Corliss’s white coat. The green continuous masses of tree-foliage, lawn, and shrubbery were splendidly asserted; there was a faint wholesome odour from the fine block pavement of the roadway, white, save where the snailish water-wagon laid its long strips of steaming brown. Locusts, serenaders of the heat, invisible among the branches, rasped their interminable cadences, competing bitterly with the monotonous chattering of lawn-mowers propelled by glistening black men over the level swards beneath. And though porch and terrace were left to vacant wicker chairs and swinging-seats, and to flowers and plants in jars and green boxes, and the people sat unseen — and, it might be guessed, unclad for exhibition, in the dimmer recesses of their houses — nevertheless, a summery girl under an alluring parasol now and then prettily trod the sidewalks, and did not altogether suppress an ample consciousness of the white pedestrian’s stalwart grace; nor was his quick glance too distressingly modest to be aware of these faint but attractive perturbations.
A few of the oldest houses remained as he remembered them, and there were two or three relics of mansard and cupola days; but the herd of cast-iron deer that once guarded these lawns, standing sentinel to all true gentry: Whither were they fled? In his boyhood, one specimen betokened a family of position and affluence; two, one on each side of the front walk, spoke of a noble opulence; two and a fountain were overwhelming. He wondered in what obscure thickets that once proud herd now grazed; and then he smiled, as through a leafy opening of shrubbery he caught a glimpse of a last survivor, still loyally alert, the haughty head thrown back in everlasting challenge and one foreleg lifted, standing in a vast and shadowy backyard with a clothesline fastened to its antlers.
Mr. Corliss remembered that backyard very well: it was an old battlefield whereon he had conquered; and he wondered if “the Lindley boys” still lived there, and if Richard Lindley would hate him now as implacably as then.
A hundred yards farther on, he paused before a house more familiar to him than any other, and gave it a moment’s whimsical attention, without emotion.
It was a shabby old brick structure, and it stood among the gayest, the most flamboyant dwellings of all Corliss Street like a bewildered tramp surrounded by carnival maskers. It held place full in the course of the fury for demolition and rebuilding, but remained unaltered — even unrepaired, one might have thought — since the early seventies, when it was built. There was a sagging cornice, and the nauseous brown which the walls had years ago been painted was sooted to a repellent dinge, so cracked and peeled that the haggard red bricks were exposed, like a beggar through the holes in his coat. It was one of those houses which are large without being commodious; its very tall, very narrow windows, with their attenuated, rusty inside shutters, boasting to the passerby of high ceilings but betraying the miserly floor spaces. At each side of the front door was a high and cramped bay-window, one of them insanely culminating in a little six-sided tower of slate, and both of them girdled above the basement windows by a narrow porch, which ran across the front of the house and gave access to the shallow vestibule. However, a pleasant circumstance modified the gloom of this edifice and assured it a remnant of reserve and dignity in its ill-considered old age: it stood back a fine hundred feet from the highway, and was shielded in part by a friendly group of maple trees and one glorious elm, hoary, robust, and majestic, a veteran of the days when this was forest ground.
Mr. Corliss concluded his momentary pause by walking up the broken cement path, which was hard beset by plantain-weed and the long grass of the ill-kept lawn. Ascending the steps, he was assailed by an odour as of vehement bananas, a diffusion from some painful little chairs standing in the long, high, dim, rather sorrowful hall disclosed beyond the open double doors. They were stiff little chairs of an inconsequent, mongrel pattern; armless, with perforated wooden seats; legs tortured by the lathe to a semblance of buttons strung on a rod; and they had that day received a streaky coat of a gilding preparation which exhaled the olfactory vehemence mentioned. Their present station was temporary, their purpose, as obviously, to dry; and they were doing some incidental gilding on their own account, leaving blots and splashes and sporadic little round footprints on the hardwood floor.
The old-fashioned brass bell-handle upon the caller’s right drooped from its socket in a dead fag, but after comprehensive manipulation on the part of the young man, and equal complaint on its own, it was constrained to permit a dim tinkle remotely. Somewhere in the interior a woman’s voice, not young, sang a repeated fragment of “Lead, Kindly Light,” to the accompaniment of a flapping dust-cloth, sounds which ceased upon a second successful encounter with the bell. Ensued a silence, probably to be interpreted as a period of whispered consultation out of range; a younger voice called softly and urgently, “Laura!” and a dark-eyed, dark-haired girl of something over twenty made her appearance to Mr. Corliss.
At sight of her he instantly restored a thin gold card-case to the pocket whence he was in the act of removing it. She looked at him with only grave, impersonal inquiry; no appreciative invoice of him was to be detected in her quiet eyes, which may have surprised him, possibly the more because he was aware there was plenty of appreciation in his own kindling glance. She was very white and black, this lady. Tall, trim, clear, she looked cool in spite of the black winter skirt she wore, an effect helped somewhat, perhaps, by the crisp freshness of her white waist, with its masculine collar and slim black tie, and undoubtedly by the even and lustreless light ivory of her skin, against which the strong black eyebrows and undulated black hair were lined with attractive precision; but, most of all, that coolness was the emanation of her undisturbed and tranquil eyes. They were not phlegmatic: a continuing spark glowed far within them, not ardently, but steadily and inscrutably, like the fixed stars in winter.
Mr. Valentine Corliss, of Paris and Naples, removed his white-ribboned straw hat and bowed as no one had ever bowed in that doorway. This most vivid salutation — accomplished by adding something to a rather quick inclination of the body from the hips, with the back and neck held straight expressed deference without affecting or inviting cordiality. It was an elaborate little formality of a kind fancifully called “foreign,” and evidently habitual to the performer.
It produced no outward effect upon the recipient
. Such self-control is unusual.
“Is Mr. Madison at home? My name is Valentine Corliss.”
“He is at home.” She indicated an open doorway upon her right. “Will you wait in there?”
“Thank you,” said Mr. Corliss, passing within. “I shall be — —” He left the sentence unfinished, for he was already alone, and at liberty to reflect upon the extraordinary coolness of this cool young woman.
The room, with its closed blinds, was soothingly dark after the riotous sun without, a grateful obscurity which was one of two attractions discovered in it by Mr. Corliss while he waited. It was a depressing little chamber, disproportionately high, uncheered by seven chairs (each of a different family, but all belonging to the same knobby species, and all upholstered a repellent blue), a scratched “inlaid table,” likewise knobby, and a dangerous looking small sofa — turbulent furniture, warmly harmonious, however, in a common challenge to the visitor to take comfort in any of it. A once-gilt gas chandelier hung from the distant ceiling, with three globes of frosted glass, but undeniable evidence that five were intended; and two of the three had been severely bitten. There was a hostile little coal-grate, making a mouth under a mantel of imitation black marble, behind an old blue-satin fire-screen upon which red cat-tails and an owl over a pond had been roughly embroidered in high relief, this owl motive being the inspiration of innumerable other owls reflected in innumerable other ponds in the formerly silver moonlight with which the walls were papered. Corliss thought he remembered that in his boyhood, when it was known as “the parlour” (though he guessed that the Madison family called it “the reception room,” now) this was the place where his aunt received callers who, she justifiably hoped, would not linger. Altogether, it struck him that it might be a good test-room for an alienist: no incipient lunacy would remain incipient here.
Collected Works of Booth Tarkington Page 117