"I did."
"We bullied her into coming out," Maggie explained and gave a little sigh as she levered herself onto a stool.
"Persuaded," Rogan corrected. "A glass of Harp, Brie?"
"Thank you, I will."
"Tea for Maggie, Tim," Rogan began and grinned as his wife muttered. "A glass of Harp for Brie, a pint of Guiness for me. Another pint, Gray?"
"This'll do me." Gray leaned against the bar. "I remember the last time I went drinking with you."
"Speaking of Uncle Niall," Maggie put in. "He and his bride are spending a few days on the island of Crete. Play something bright, will you, Murphy?"
Obligingly, he reeled into "Whiskey in the Jar" and set her feet tapping.
After listening to the lyrics, Gray shook his head. "Why is it you Irish always sing about war?"
"Do we?" Maggie smiled, sipping at her tea as she waited to join in the chorus.
"Sometimes it's betrayal or dying, but mostly it's war."
"Is that a fact?" She smiled over the rim of her cup. "I couldn't say. Then again, it might be that we've had to fight for every inch of our own ground for centuries. Or-"
"Don't get her started," Rogan pleaded. "There's a rebel's heart in there."
"There's a rebel's heart inside every Irish man or woman. Murphy's a fine voice, he does. Why don't you sing with him, Brie?"
Enjoying the moment, she sipped her Harp. "I'd rather listen."
"I'd like to hear you," Gray murmured and stroked a hand down her hair.
Maggie narrowed her eyes at the gesture. "Brie has a voice like a bell," she said. "We always wondered where she got it, until we found out our mother had one as well." "How about 'Danny Boy'?"
Maggie rolled her eyes. "Count on a Yank to ask for it. A Brit wrote that tune, outlander. Do "James Connolly," Murphy. Brie'11 sing with you."
With a resigned shake of her head, Brianna went to sit with Murphy.
"They make lovely harmony," Maggie murmured, watching Gray.
"Mmm. She sings around the house when she forgets someone's there."
"And how long do you plan to be there?" Maggie asked, ignoring Rogan's warning scowl. "Until I'm finished," Gray said absently. "Then onto the next?" "That's right. Onto the next."
Despite the fact that Rogan now had his hand clamped at the back of her neck, Maggie started to make some pithy comment. It was Gray's eyes rather than her husband's annoyance that stopped her. The desire in them had stirred her protective instincts. But there was something more now. She wondered if he was aware of it.
When a man looked at a woman that way, more than hormones were involved. She'd have to think it over, Maggie decided, and see how it set with her. In the meantime she picked up her tea again, still watching Gray.
"We'll see about that," she murmured. "We'll just see about it."
One song became two, and two, three. The war songs, the love songs, the sly and the sad. In his mind Gray began to craft a scene.
The smoky pub was filled with noise and music-a sanctuary from the horrors outside. The woman's voice drawing the man who didn't want to be drawn. Here, he thought, just here was where his hero would lose the battle. She would be sitting in front of the turf fire, her hands neatly
folded in her lap, her voice soaring, effortless and lovely, her eyes as haunted as the tune.
And he would love her then, to the point of giving his life if need be. Certainly of changing it. He could forget the past with her, and look toward the future.
"You look pale, Gray." Maggie tugged on his arm until he backed onto a stool. "How many pints have you had?"
"Just this." He scrubbed a hand over his face to bring himself back. "I was just... working," he finished. That was it, of course. He'd only been thinking of characters, of crafting the lie. Nothing personal.
"Looked like a trance."
"Same thing." He let out a little breath, laughed at himself. "I think I'll have another pint after all."
Chapter Ten
With the pub scene he'd spun in his imagination replaying in his head, Gray did not spend a peaceful night. Though he couldn't erase it, neither could he seem to write it. At least not well.
The one thing he despised was even the idea of writer's block. Normally he could shrug it off, continue working until the nasty threat of it passed. Much, he sometimes thought, like a black-edged cloud that would then hover over some other unfortunate writer.
But this time he was stuck. He couldn't move into the scene, nor beyond it, and spent a great deal of the night scowling at the words he'd written.
Cold, he thought. He was just running cold. That's why the scene was cold.
Itchy was what he was, he admitted bitterly. Sexually frustrated by a woman who could hold him off with no more than one quiet look.
Served him right for obsessing over his landlady when he should be obsessing about murder.
Muttering to himself, he pushed away from his desk and stalked to the window. It was just his luck that Brianna should be the first thing he saw.
There she was below his window, neat as a nun in some prim pink dress, her hair all swept up and pinned into submission. Why was she wearing heels? he wondered and leaned closer to the glass. He supposed she'd call the unadorned pumps sensible shoes, but they did senselessly wonderful things to her legs.
As he watched, she climbed behind the wheel of her car, her movements both practical and graceful. She'd set her purse on the seat beside her first, he thought. And so she did. Then carefully buckle her seat belt, check her mirrors. No primping in the rearview for Brianna, he noted. Just a quick adjustment to be certain it was aligned properly. Now turn the key.
Even through the glass he could hear the coughing fatigue of the engine. She tried it again and a third time. By then Gray was shaking his head and heading downstairs.
"Why the hell don't you get that thing fixed?" he shouted at her as he strode out the front door.
"Oh." She was out of the car by now and trying to lift the hood. "It was working just fine a day or two ago."
"This heap hasn't worked fine in a decade." He elbowed her aside, annoyed that she should look and smell so fresh when he felt like old laundry. "Look, if you need to go to the village for something, take my car. I'll see what I can do with this."
In automatic defense against the terse words, she angled her chin. "Thank you just the same, but I'm going to Ennistymon."
"Ennistymon?" Even as he placed the village on his mental map, he lifted his head from under the hood long enough to glare at her. "What for?"
"To look at the new gallery. They'll be opening it in a couple of weeks, and Maggie asked if I'd come see." She stared at his back as he fiddled with wires and cursed. "I left you a note and food you can heat since I'll be gone most of the day."
"You're not going anywhere in this. Fan belt's busted, fuel line's leaking, and it's a pretty good bet your starter motor's had it." He straightened, noted that she wore earrings today, thin gold hoops that just brushed the tips of her lobes. They added a celebrational air that irritated him unreasonably. "You've got no business driving around in this junkyard."
"Well, it's what I have to drive, isn't it? I'll thank you for your trouble, Grayson. I'll just see if Murphy can-"
"Don't pull that ice queen routine on me." He slammed the hood hard enough to make her jolt. Good, he thought. It proved she had blood in her veins. "And don't throw Murphy up in my face. He couldn't do any more with it than I can. Go get in my car, I'll be back in a minute." "And why would I be getting in your car?" "So I can drive you to goddamn Ennistymon." Teeth set, she slapped her hands on her hips. "It's so kind of you to offer, but-"
"Get in the car," he snapped as he headed for the house. "I need to soak my head."
"I'd soak it for you," she muttered. Yanking open her car door, she snatched out her purse. Who'd asked him to drive her, she'd like to know? Why she'd rather walk every step than sit in the same car with such a man. And if she wanted to call Murp
hy, well... she'd damn well call him. But first she wanted to calm down. She took a deep breath, then another, before walking slowly among her flowers. They soothed her, as always, the tender green just beginning to bud. They needed some work and care, she thought, bending down to tug out an invading weed. If tomorrow was fine, she'd begin. By Easter, her garden would be in its glory.
The scents, the colors. She smiled a little at a brave young daffodil. Then the door slammed. Her smile gone, she rose,turned. He hadn't bothered to shave, she noted. His hair was damp and pulled back by a thin leather thong, his clothes clean if a bit ragged.
She knew very well the man had decent clothes. Why, didn't she wash and iron them herself?
He flicked a glance at her, tugged the keys out of his jeans pocket. "In the car."
Oh, he needed a bit of a coming down, he did. She walked to him slowly, ice in her eyes and heat on her tongue. "And what do you have to be so cheerful about this morning?"
Sometimes, even a writer understood that actions can speak louder than words. Without giving either of them time to think he hauled her against him, took one satisfied look at the shock that raced over her face, then crushed her mouth with his.
It was rough and hungry and full of frustration. Her heart leaped, seemed to burst in her head. She had an instant to fear, a moment to yearn, then he was yanking her away again.
His eyes, oh, his eyes were fierce. A wolfs eyes, she thought dully, full of violence and stunning strength.
"Got it?" he tossed out, furious with her, with himself when she only stared. Like a child, he thought, who'd just been slapped for no reason.
It was a feeling he remembered all too well.
"Christ, I'm going crazy." He scrubbed his hands over his face and fought back the beast. "I'm sorry. Get in the car, Brianna. I'm not going to jump you."
His temper flashed again when she didn't move, didn't blink. "I'm not going to fucking touch you."
She found her voice then, though it wasn't as steady as she might have liked. "Why are you angry with me?"
"I'm not." He stepped back. Control, he reminded himself. He was usually pretty good at it. "I'm sorry," he repeated. "Stop looking at me as if I'd just punched you."
But he had. Didn't he know that anger, harsh words, hard feelings wounded her more than a violent hand? "I'm going inside." She found her defenses, the thin walls that blocked out temper. "I need to call Maggie and tell her I can't be there."
"Brianna." He started to reach out, then lifted both hands in a gesture that was equal parts frustration and a plea for peace. "How bad do you want me to feel?"
"I don't know, but I imagine you'll feel better after some food."
"Now she's going to fix me breakfast." He closed his eyes, took a steadying breath. "Even tempered," he muttered and looked at her again. "Isn't that what you said I was, not too long ago? You were more than a little off the mark. Writers are miserable bastards, Brie. Moody, mean, selfish, self-absorbed."
"You're none of those things." She couldn't explain why she felt bound to come to his defense. "Moody, perhaps, but none of the others."
"I am. Depending on how the book's going. Right now it's going badly, so I behaved badly. I hit a snag, a wall. A goddamn fortress, and I took it out on you. Do you want me to apologize again?"
"No." She softened, reached out and laid a hand on his stubbled cheek. "You look tired, Gray."
"I haven't slept." He kept his hands in his pockets, his eyes on hers. "Be careful how sympathetic you are, Brianna. The book's only part of the reason I'm feeling raw this morning. You're the rest of it."
She dropped her hand as if she'd touched an open flame. Her quick withdrawal had his lips curling.
"I want you. It hurts wanting you this way."
"It does?"
"That wasn't supposed to make you look pleased with yourself."
Her color bloomed. "I didn't mean to-"
"That's part of the problem. Come on, get in the car. Please," he added. "I'll drive myself insane trying to write today if I stay here."
It was exactly the right button to push. She slipped into the car and waited for him to join her. "Perhaps if you just murdered someone else."
He found he could laugh after all. "Oh, I'm thinking about it."
Worldwide Gallery of Clare County was a gem. Newly constructed, it was designed like an elegant manor house, complete with formal gardens. It wasn't the lofty cathedral of the gallery in Dublin, nor the opulent palace of Rome, but a dignified building specifically conceived to house and showcase the work of Irish artists.
It had been Rogan's dream, and now his and Maggie's reality.
Brianna had designed the gardens. Though she hadn't been able to plant them herself, the landscapers had used her scheme so that brick walkways were flanked with roses, and wide, semi-circular beds were planted with lupins and poppies, dianthus and foxglove, columbine and dahlias, and all of her favorites.
The gallery itself was built of brick, soft rose in color, with tall, graceful windows trimmed in muted gray. Inside the grand foyer, the floor was tiled in deep blue and white, with a Waterford chandelier overhead and the sweep of mahogany stairs leading to the second floor.
" 'Tis Maggie's," Brianna murmured, caught by the sculpture that dominated the entranceway.
Gray saw two figures intwined, the cool glass just hinting of heat, the form strikingly sexual, oddly romantic.
"It's her Surrender. Rogan bought it himself before they were married. He wouldn't sell it to anyone."
"I can see why." He had to swallow. The sinuous glass was an erotic slap to his already suffering system. "It makes a stunning beginning to a tour."
"She has a special gift, doesn't she?" Gently, with fingertips only, Brianna stroked the cool glass that her sister had created from fire and dreams. "Special gifts make a person moody, I suppose." Smiling a little, she looked over her shoulder at Gray. He looked so restless, she thought. So impatient with everything, especially himself. "And difficult, because they'll always ask so much of themselves."
"And make life hell for everyone around them when they don't get it." He reached out, touched her instead of the glass. "Don't hold grudges, do you?"
"What's the point in them?" With a shrug, she turned a circle, admiring the clean and simple lines of the foyer.
"Rogan wanted the gallery to be a home, you see, for art. So there's a parlor, a drawing room, even a dining room, and sitting rooms upstairs." Brianna took his hand and drew him toward open double doors. "All the paintings, the sculptures, even the furniture, are by Irish artists and craftsmen. And-oh."
She stopped dead and stared. Cleverly arranged over the back and side of a low divan was a soft throw in bold teal that faded into cool green. She moved forward, ran her hand over it.
"I made this," she murmured. "For Maggie's birthday. They put it here. They put it here, in an art gallery."
"Why shouldn't they? It's beautiful." Curious, he took a closer look. "Did you weave this?"
"Yes. I don't have much time for weaving, but..." She trailed off, afraid she might weep. "Imagine it. In an art gallery, with all these wonderful paintings and things."
"Brianna."
"Joseph."
Gray watched the man stride across the room and envelope Brianna in a hard and very warm embrace. Artistic type, Gray thought with a scowl. Turquoise stud in the ear, ponytail streaming down the back, Italian suit. The look clicked. He remembered seeing the man at the wedding in Dublin.
"You get lovelier every time I see you."
"You get more full of nonsense." But she laughed. "I didn't know you were here."
"I just came in for the day, to help Rogan with a few details."
"And Patricia?"
"She's in Dublin still. Between the baby and the school, she couldn't get away."
"Oh, the baby, and how is she?"
"Beautiful. Looks like her mother." Joseph looked at Gray then, held out a hand. "You'd be Grayson Thane? I'm Joseph D
onahue."
"Oh, I'm sorry. Gray, Joseph manages Rogan's gallery in Dublin. I thought you'd met at the wedding."
"Not technically." But Gray shook in a friendly manner. He remembered Joseph had a wife and daughter.
"I'll have to get it out of the way and tell you I'm a big fan."
"It's never in the way."
"It happens I brought a book along with me, thinking I could pass it along to Brie to pass it to you. I was hoping you wouldn't mind signing it for me."
Gray decided he could probably learn to like Joseph Donohue after all. "I'd be glad to."
"It's kind of you. I should tell Maggie you're here. She wants to tour you about herself."
"It's a lovely job you've done here, Joseph. All of you."
"And worth every hour of insanity." He gave the room a quick, satisfied glance. "I'll fetch Maggie. Wander around if you like." He stopped at the doorway, turned, and grinned. "Oh, be sure to ask her about selling a piece to the president."
"The president?" Brianna repeated.
"Of Ireland, darling. He offered for her Unconquered this morning."
"Imagine it," Brianna whispered as Joseph hurried off. "Maggie being known to the president of Ireland."
"I can tell you she's becoming known everywhere."
"Yes, I knew it, but it seems..." She laughed, unable to describe it. "How wonderful this is. Da would have been so proud. And Maggie, oh, she must be flying. You'd know how it feels, wouldn't you? The way it is when someone reads your books."
"Yeah, I know."
"It must be wonderful, to be talented, to have something to give that touches people."
"Brie." Gray lifted the end of the soft teal throw. "What do you call this?"
"Oh, anyone can do that-just takes time. What I mean is art, something that lasts." She crossed to a painting, a bold, colorful oil of busy Dublin. "I've always wished... it's not that I'm envious of Maggie. Though I was, a little, when she went off to study in Venice and I stayed home.
But we both did what we needed to do. And now, she's doing something so important."
"So are you. Why do you do that?" he demanded, irritated with her. "Why do you think of what you do and who you are as second place. You can do more than anyone I've ever known."
Books by Nora Roberts Page 94