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Anne Perry's Silent Nights: Two Victorian Christmas Mysteries

Page 23

by Anne Perry


  Susannah smiled slowly and the tears filled her eyes. “Did you tell Father?”

  “No. I will tell you, and you can do as you think best, whatever you think Hugo would have done, were he here,” Emily replied.

  Then she recounted what she had learned in Galway, and added a little of her certainty about Brendan Flaherty also.

  “I was afraid it could have been Brendan,” Susannah admitted. “Or Fergal. He thought Maggie was in love with Connor.”

  “I think she was in love with Connor’s ideas, his imagination,” Emily said.

  Susannah smiled. “I think we all were. And afraid of him. He could sing too, you know, even better than Seamus. Colleen Flaherty hated him for that. I think he knew what a bully Seamus was too.” She sighed. “Poor Padraic. Could it have been a fight, or an accident?”

  “I don’t know. But even if it was, Padraic let the village be poisoned by it.”

  “Yes … I know.” They sat in silence for several moments. “Father Tyndale has been to see me every day. He’ll come tomorrow, and I’ll tell him. Hugo would have.” Her fingers curled over Emily’s and tightened. “Thank you.”

  The next day when Father Tyndale came in the morning, Emily left him with Susannah and she walked alone along the shore towards the place where Connor Riordan had died. The marker stone was higher up, beyond where the sea reached, but she wished to stand where he had been alive, and tell his spirit that the truth was known. It could hardly matter, except to the living. Even Hugo Ross would know without her telling him. It was simply a sense of completion.

  The waves were strong, hissing up the sand, gouging it out, sucking it back in again, and burying it under with deceptive violence. She could see how easily a slip of the footing could be fatal. No one would walk close to the waves’ edge. Only emotion powerful enough to destroy all attention would lead anyone to be so careless. Had it been a fight?

  She looked up across the dune and the tussock grass and saw Mrs. Flaherty striding towards her, head forward, arms swinging purposefully. Emily kept on walking. She did not want to speak to Colleen Flaherty now, especially if Brendan had told her he was going to leave the village, perhaps never live here again. It would be a relief for Fergal, in time even for Maggie.

  She walked on towards the place where Connor Riordan had died. The sand was softer under her feet. The last wave hissed, white-tongued, up to within a yard of her.

  Colleen Flaherty was gaining on her. Emily felt a sudden flicker of fear. She glanced landward and saw that the dune edge was too steep to climb here. The only way back was to retrace her steps. She was at the end of the open sand. She could see the grave marker. This was where Connor had died. The sea that was creeping upward, this wave wetting her feet, was the same undertow that had pulled him in, burying, drowning, giving him back only when the life had been battered out of him, as if rectifying what the storm had left undone. Now she was frozen, shivering, wet up to her knees, the heavy skirts dragging her down into the hungry sand.

  Colleen Flaherty stopped in front of her, her face gleeful with a bitter triumph. “That’s right, Englishwoman. This is where he died, the young man from the sea who came here intruding into our lives. I don’t know who killed him, but it wasn’t my son. You should have left it alone and kept your prying to yourself.” She took another step forward.

  Emily moved back, and the next wave caught her, almost taking her balance. She teetered wildly, waving her arms, and felt the sand suck her down.

  “Dangerous seas here,” Mrs. Flaherty said. “Lots of people drown in them. You shouldn’t have told Brendan to go away. It isn’t any of your business. This is his land and his heritage. This is where he belongs.”

  Emily tried to pull her feet unstuck and go towards her. “It’s time you let him go,” she said angrily. “You’re suffocating him. That isn’t love, it’s possession. He isn’t Seamus and he doesn’t want to be.”

  “You don’t know what he wants!” Mrs. Flaherty shouted, taking a huge step towards Emily.

  Emily struggled desperately and another wave washed in and raced up the sand, catching her well above the knees and sending her flying, drenched in ice-cold water, fighting for breath. This is how it must have been for Connor Riordan, like the shipwreck all over again.

  She saw Colleen Flaherty looming over her, then felt arms pulling her, and she had barely the strength to fight. There was another wave, burying them both, robbing her of breath. Then suddenly she was free and Padraic Yorke was holding her up. Mrs. Flaherty was yards away. Emily gasped in the air. She was so cold it seemed to numb her entire body.

  Another wave came and Padraic Yorke pushed her forward, towards the shore. She took another step. There were more people there but she was too battered to know who they were. Her lungs ached unbearably. Someone reached for her. Another wave came, but this time it did not take her. She was faint, stumbling, and then she pitched forward into darkness.

  She awoke in her own bed in Susannah’s house, still fighting for breath, and deathly cold inside.

  “It’s all right,” Father Tyndale said gently. “It’s all over. You’re safe.”

  She blinked. “Over?”

  “Yes. Colleen will be ashamed for the rest of her life, I think. And Padraic Yorke has made his restitution, may he rest in peace.” He made the sign of the cross.

  She stared at him, understanding filling her slowly. “Is he alive?”

  “No,” he said softly. “He gave his life to save you. It was what he wanted to do.”

  She felt the tears prickle her eyes, but she did not argue.

  “Thank you, Mrs. Radley,” he said softly, touching her hand. “You have ended a long grief for us. Perhaps in a way you have given us a second chance. This time we will not turn away a stranger who brings us truth about ourselves that we might prefer not to know.”

  She shook her head. “It wasn’t I, Father, it was circumstances that brought Daniel to the village, and gave us all an opportunity to face ourselves, and do it better this time. For me also. Perhaps that is what Christmas is, another chance. But it won’t work if you don’t tell everyone who killed Connor Riordan, and why.”

  His face pinched. “Can’t we allow Padraic to die with his secrets? The poor man has paid. It might have been an accident. Connor was not Daniel, you know. He had a cruel tongue, at times. It may have been the blind cruelty of youth, but it hurts. The words cut just as deep.”

  “No, Father, if they don’t know who killed him, they will not lay their own suspicions away, and realize that it was the lies that hurt. No one needs to know what secret Padraic Yorke had, but we need to know our own.”

  “Perhaps so,” he said reluctantly. “If I had been honest with myself maybe all these bitter years need not have been. I wanted to save pain, but I only added to it. It was Hugo’s debt too. I must thank Susannah for paying it.”

  When, on Christmas Eve, the church bells began at midnight, Emily and Susannah sat before the fire listening to the wind in the eaves. Daniel had decided to walk to the service, and they were alone in the house.

  Susannah smiled. “I’m glad I can hear them,” she said gently. “I wasn’t sure if I would. Tomorrow will be a good day. Thank you, Emily.”

  ANNE PERRY is the bestselling author of two acclaimed series set in Victorian England: the William Monk novels, including Execution Dock and Dark Assassin, and the Charlotte and Thomas Pitt novels, including Buckingham Palace Gardens and Long Spoon Lane. She is also the author of the World War I novels No Graves As Yet, Shoulder the Sky, Angels in the Gloom, At Some Disputed Barricade, and We Shall Not Sleep, as well as seven holiday novels, most recently A Christmas Promise. Anne Perry lives in Scotland. Visit her website at [http://www.anneperry.net] www.anneperry.net.

  Silent Nights is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.


  2009 Ballantine Books Trade Paperback Edition

  A Christmas Beginning copyright © 2007 by Anne Perry

  A Christmas Grace copyright © 2009 by Anne Perry

  All rights reserved.

  Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  BALLANTINE and colophon are registered trademarks of Random House, Inc.

  Originally published in hardcover as two separate works entitled A Christmas Beginning and A Christmas Grace by Ballantine Books in 2007 and 2008.

  eISBN: 978-0-345-51746-3

  [http://www.ballantinebooks.com] www.ballantinebooks.com

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