by Joan Didion
She stayed at the White House until the spring of 1986, when she was more or less forced out by the refusal of Donald Regan, at that time chief of staff, to approve her promotion to head speechwriter. Regan thought her, according to Larry Speakes, who did not have a famous feel for the romance of the revolution, too “hard-line”, too “dogmatic”, too “right-wing”, too much “Buchanan’s protégée”. On the occasion of her resignation she received a form letter from the president, signed with the auto-pen. Donald Regan said that there was no need for her to have what was referred to as “a good-bye moment”, a farewell shake-hands with the president. On the day Donald Regan himself left the White House, Miss Noonan received this message, left on her answering machine by a friend at the White House: “Hey, Peggy, Don Regan didn’t get his good-bye moment.” By that time she was hearing the “true tone of Washington” less as “Appalachian Spring” than as something a little more raucous, “nearer,” she said, “to Jefferson Starship and ‘They Built This City on Rock and Roll’ ”.
The White House she rendered was one of considerable febrility. Everyone, she told us, could quote Richard John Neuhaus on what was called the collapse of the dogmas of the secular enlightenment. Everyone could quote Michael Novak on what was called the collapse of the assumption that education is or should be “value-free”. Everyone could quote George Gilder on what was called the humane nature of the free market. Everyone could quote Jean-Francois Revel on how democracies perish, and everyone could quote Jeane Kirkpatrick on authoritarian versus totalitarian governments, and everyone spoke of “the movement”, as in “he’s movement from way back”, or “she’s good, she’s hard-core”.
They talked about subverting the pragmatists, who believed that an issue could not be won without the Washington Post and the networks, by “going over the heads of the media to the people”. They charged one another’s zeal by firing off endless letters, memos, clippings. “Many thanks for Macedo’s new monograph; his brand of judicial activism is more principled than Tribe’s,” such letters read. “If this gets into the hands of the Russians, it’s curtains for the free world!” was the tone to take on the yellow Post-It attached to a clipping. “Soldier on!” was the way to sign off. Those PROF memos we later saw from Robert McFarlane to Lieutenant Colonel Oliver North (“Roger Ollie. Well done—if the world only knew how many times you have kept a semblance of integrity and gumption to US policy, they would make you Secretary of State. But they can’t know and would complain if they did—such is the state of democracy in the late 20th century. . . . Bravo Zulu”) do not seem, in this context, quite so unusual.
“Bureaucrats with soft hands adopted the clipped laconic style of John Ford characters,” Miss Noonan noted. “A small man from NSC was asked at a meeting if he knew of someone who could work up a statement. Yes, he knew someone at State, a paid pen who’s pushed some good paper.” To be a moderate was to be a “squish”, or a “weenie”, or a “wuss”. “He got rolled,” they would say of someone who had lost the day, or, “He took a lickin’ and kept on tickin’.” They walked around the White House wearing ties (“slightly stained,” according to Miss Noonan, “from the mayonnaise that fell from the sandwich that was wolfed down at the working lunch on judicial reform”) embroidered with the code of the movement: eagles, flags, busts of Jefferson. Little gold Laffer curves identified the wearers as “free-market purists”. Liberty bells stood for “judicial restraint”.
The favored style here, like the favored foreign policy, seems to have been less military than paramilitary, a matter of talking tough. “That’s not off my disk,” Lieutenant Colonel Oliver North would snap by way of indicating that an idea was not his. “The fellas”, as Miss Noonan called them, the sharp, the smooth, the inner circle and those who aspired to it, made a point of not using seat belts on Air Force One. The less smooth flaunted souvenirs of action on the far borders of the Reagan doctrine. “Jack Wheeler came back from Afghanistan with a Russian officer’s belt slung over his shoulder,” Miss Noonan recalls. “Grover Norquist came back from Africa rubbing his eyes from taking notes in a tent with Savimbi.” Miss Noonan herself had lunch in the White House mess with a “Mujahadeen warrior” and his public relations man. “What is the condition of your troops in the field?” she asked. “We need help,” he said. The Filipino steward approached, pad and pencil in hand. The mujahadeen leader looked up. “I will have meat,” he said.
This is not a milieu in which one readily places Nancy Reagan, whose preferred style derived from the more structured, if equally rigorous, world from which she had come. The nature of this world was not very well understood. I recall being puzzled, on visits to Washington during the first year or two of the Reagan administration, by the tenacity of certain misapprehensions about the Reagans and the men generally regarded as their intimates, that small group of industrialists and entrepreneurs who had encouraged and financed, as a venture in risk capital, Ronald Reagan’s appearances in both Sacramento and Washington. The president was above all, I was told repeatedly, a Californian, a Westerner, as were the acquaintances who made up his kitchen cabinet; it was the “Westernness” of these men that explained not only their rather intransigent views about America’s mission in the world but also their apparent lack of interest in or identification with Americans for whom the trend was less reliably up. It was “Westernness”, too, that could explain those affronts to the local style so discussed in Washington during the early years, the overwrought clothes and the borrowed jewelry and the Le Cirque hair and the wall-to-wall carpeting and the table settings. In style and substance alike, the Reagans and their friends were said to display what was first called “the California mentality”, and then, as the administration got more settled and the social demonology of the exotic landscape more specific, “the California Club mentality”.
I recall hearing about this “California Club mentality” at a dinner table in Georgetown, and responding with a certain atavistic outrage (I was from California, my own brother then lived during the week at the California Club); what seems curious in retrospect is that many of the men in question, including the president, had only a convenient connection with California in particular and the West in general. William Wilson was actually born in Los Angeles, and Earle Jorgenson in San Francisco, but the late Justin Dart was born in Illinois, graduated from Northwestern, married a Walgreen heiress in Chicago, and did not move United Rexall, later Dart Industries, from Boston to Los Angeles until he was already its president. The late Alfred Bloomingdale was born in New York, graduated from Brown, and seeded the Diners Club with money from his family’s New York store. What these men represented was not “the West” but what was for this century a relatively new kind of monied class in America, a group devoid of social responsibilities precisely because their ties to any one place had been so attenuated.
Ronald and Nancy Reagan had in fact lived most of their adult lives in California, but as part of the entertainment community, the members of which do not belong to the California Club. In 1964, when I first went to live in Los Angeles, and for some years later, life in the upper reaches of this community was, for women, quite rigidly organized. Women left the table after dessert, and had coffee upstairs, isolated in the bedroom or dressing room with demitasse cups and rock sugar ordered from London and cinnamon sticks in lieu of demitasse spoons. On the hostess’s dressing table there were always very large bottles of Fracas and Gardenia and Tuberose. The dessert that preceded this retreat (a soufflé or mousse with raspberry sauce) was inflexibly served on Flora Danica plates, and was itself preceded by the ritual of the finger bowls and the doilies. I recall being repeatedly told a cautionary tale about what Joan Crawford had said to a young woman who removed her finger bowl but left the doily. The details of exactly what Joan Crawford had said and to whom and at whose table she had said it differed with the teller, but it was always Joan Crawford, and it always involved the doily; one of
the reasons Mrs. Reagan ordered the famous new china was because, she told us in her own account of life in the Reagan White House, My Turn, the Johnson china had no finger bowls.
These subtropical evenings were not designed to invigorate. Large arrangements of flowers, ordered from David Jones, discouraged attempts at general conversation, ensuring that the table was turned on schedule. Expensive “resort” dresses and pajamas were worn, Pucci silks to the floor. When the women rejoined the men downstairs, trays of white crème de menthe were passed. Large parties were held in tents, with pink lights and chili from Chasen’s. Lunch took place at the Bistro, and later at the Bistro Garden and at Jimmy’s, which was owned by Jimmy Murphy, who everyone knew because he had worked for Kurt Niklas at the Bistro.
These forms were those of the local ancien régime, and as such had largely faded out by the late sixties, but can be examined in detail in the photographs Jean Howard took over the years and collected Jean Howard’s Hollywood: A Photo Memoir. Although neither Reagan appears in Miss Howard’s book (the people she saw tended to be stars or powers or famously amusing, and the Reagans, who fell into hard times and television, were not locally thought to fill any of these slots), the photographs give a sense of the rigors of the place. What one notices in a photograph of the Joseph Cotten’s 1955 Fourth of July lunch, the day Jennifer Jones led the conga line into the pool, is not the pool. There are people in the pool, yes, and even chairs, but most of the guests sit decorously on the lawn, wearing rep ties, silk dresses, high-heeled shoes. Mrs. Henry Hathaway, for a day in the sun at Anatole Litvak’s beach house, wears a strapless dress of embroidered and scalloped organdy, and pearl earrings. Natalie Wood, lunching on Minna Wallis’s lawn with Warren Beatty and George Cukor and the Hathaways and the Minnellis and the Axelrods, wears a black straw hat with a silk ribbon, a white dress, black and white beads, perfect full makeup, and her hair pinned back.
This was the world from which Nancy Reagan went in 1966 to Sacramento and in 1980 to Washington, and it is in many ways the world, although it was vanishing in situ even before Ronald Reagan was elected governor of California, she never left. My Turn did not document a life radically altered by later experience. Eight years in Sacramento left so little imprint on Mrs. Reagan that she described the house in which she lived there—a house located on 45th Street off M Street in a city laid out on a numerical and alphabetical grid running from 1st Street to 66th Street and from A Street to Y Street—as “an English-style country house in the suburbs”.
She did not find it unusual that this house should have been bought for and rented to her and her husband (they paid $1,250 a month) by the same group of men who gave the State of California eleven acres on which to build Mrs. Reagan the “governor’s mansion” she actually wanted and who later funded the million-dollar redecoration of the Reagan White House and who eventually bought the house on St. Cloud Road in Bel Air to which the Reagans moved when they left Washington (the street number of the St. Cloud house was 666, but the Reagans had it changed to 668, to avoid an association with the Beast in Revelations); she seemed to construe houses as part of her deal, like the housing provided to actors on location. Before the kitchen cabinet picked up Ronald Reagan’s contract, the Reagans had lived in a house in Pacific Palisades remodeled by his then sponsor, General Electric.
This expectation on the part of the Reagans that other people would care for their needs struck many people, right away, as remarkable, and was usually characterized as a habit of the rich. But of course it is not a habit of the rich, and in any case the Reagans were not rich: they, and this expectation, were the products of studio Hollywood, a system in which performers performed, and in return were cared for. “I preferred the studio system to the anxiety of looking for work in New York,” Mrs. Reagan told us in My Turn. During the eight years she lived in Washington, Mrs. Reagan said, she “never once set foot in a supermarket or in almost any other kind of store, with the exception of a card shop at 17th and K, where I used to buy my birthday cards”, and carried money only when she went out for a manicure.
She was surprised to learn (“Nobody had told us”) that she and her husband were expected to pay for their own food, dry cleaning, and toothpaste while in the White House. She seemed never to understand why it was imprudent of her to have accepted clothes from their makers when so many of them encouraged her to do so. Only Geoffrey Beene, whose clothes for Patricia Nixon and whose wedding dress for Lynda Bird Johnson were purchased through stores at retail prices, seemed to have resisted this impulse. “I don’t quite understand how clothes can be ‘on loan’ to a woman,” he told the Los Angeles Times in January of 1982, when the question of Mrs. Reagan’s clothes was first raised. “I also think they’ll run into a great deal of trouble deciding which of all these clothes are of museum quality. . . . They also claim she’s helping to ‘rescue’ the American fashion industry. I didn’t know it was in such dire straits.”
The clothes were, as Mrs. Reagan seemed to construe it, “wardrobe”—a production expense, like the housing and the catering and the first-class travel and the furniture and paintings and cars that get taken home after the set is struck—and should rightly have gone on the studio budget. That the producers of this particular production—the men Mrs. Reagan called their “wealthier friends”, their “very generous” friends—sometimes misunderstood their own role was understandable: Helene von Damm told us that only after William Wilson was warned that anyone with White House credentials was subject to a full-scale FBI investigation (Fred Fielding, the White House counsel, told him this) did he relinquish Suite 180 of the Executive Office Building, which he had commandeered the day after the inauguration in order to vet the appointment of the nominal, as opposed to the kitchen, cabinet.
“So began my stewardship,” Edith Bolling Wilson wrote later about the stroke that paralyzed Woodrow Wilson in October of 1919, eighteen months before he left the White House. The stewardship Nancy Reagan shared first with James Baker and Ed Meese and Michael Deaver and then less easily with Donald Regan was, perhaps because each of its principals was working a different scenario and only one, James Baker, had anything approaching a full script, considerably more Byzantine than most. Baker, whose ultimate role in this White House was to preserve it for the established order, seems to have relied heavily on the tendency of opposing forces, let loose, to neutralize each other. “Usually in a big place there’s only one person or group to be afraid of,” Peggy Noonan observed. “But in the Reagan White House there were two, the chief of staff and his people and the First Lady and hers—a pincer formation that made everyone feel vulnerable.” Miss Noonan showed us Mrs. Reagan moving through the corridors with her East Wing entourage, the members of which were said in the West Wing to be “not serious”, readers of W and Vogue. Mrs. Reagan herself was variously referred to as “Evita”, “Mommy”, “The Missus”, “The Hairdo with Anxiety”. Miss Noonan dismissed her as not “a liberal or a leftist or a moderate or a detentist” but “a Galanoist, a wealthy well-dressed woman who followed the common wisdom of her class”.
In fact Nancy Reagan was more interesting than that: it was precisely “her class” in which she had trouble believing. She was not an experienced woman. Her social skills, like those of many women trained in the insular life of the motion picture community, were strikingly undeveloped. She and Raisa Gorbachev had “little in common”, and “completely different outlooks on the world”. She and Betty Ford “were different people who came from different worlds”. She seems to have been comfortable in the company of Michael Deaver, of Ted Graber (her decorator), and of only a few other people. She seems not to have had much sense about who goes with who. At a state dinner for José Napoleón Duarte of El Salvador, she seated herself between President Duarte and Ralph Lauren. She had limited social experience and apparently unlimited social anxiety. Helene von Damm complained that Mrs. Reagan would not consent, during the first presiden
tial campaign, to letting the fund-raisers call on “her New York friends”; trying to put together a list for the New York dinner in November of 1979 at which Ronald Reagan was to announce his candidacy, Miss von Damm finally dispatched an emissary to extract a few names from Jerry Zipkin, who parted with them reluctantly, and then said, “Remember, don’t use my name.”
Perhaps Mrs. Reagan’s most endearing quality was this little girl’s fear of being left out, of not having the best friends and not going to the parties in the biggest houses. She collected slights. She took refuge in a kind of piss-elegance, a fanciness (the “English-style country house in the suburbs”), in using words like “inappropriate”. It was “inappropriate, to say the least” for Geraldine Ferraro and her husband to leave the dais and go “down on the floor, working the crowd” at a 1984 Italian-American Federation dinner at which the candidates on both tickets were speaking. It was “uncalled for—and mean” when, at the time John Koehler had been named to replace Patrick Buchanan as director of communications and it was learned that Koehler had been a member of Hitler Youth, Donald Regan said “blame it on the East Wing”.