AgathaChristie-HalloweenParty

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by Hallowe'en Party (lit)

"I rang up Mr. Fullerton, the solicitor.

  I will now tell you something. The codicil,

  the forged codicil that was produced for

  probate was not witnessed by Harriet

  Leaman. It was witnessed by a Mary

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  Doherty, deceased, who had been in

  service with Mrs. Llewellyn-Smythe but

  had recently died. The other witness was

  the James Jenkins, who, as your friend

  Mrs. Leaman has told you, departed for

  Australia."

  "So there was a forged codicil," said

  Mrs. Oliver. "And there seems to have

  been a real codicil as well. Look here, Poirot, isn't this all getting a little too

  complicated?"

  "It is getting incredibly complicated,"

  said Hercule Poirot. "There is, if I may

  mention it, too much forgery about."

  "Perhaps the real one is still in the

  library at Quarry House, within the pages

  of Enquire Within upon Everything."

  "I understand all the effects of the house

  were sold up at Mrs. LlewellynSmythe's

  death, except for a few pieces of family

  furniture and some family pictures."

  "What we need," said Mrs. Oliver, "is

  something like Enquire Within here now.

  It's a lovely title, isn't it? I remember my

  grandmother had one. You could, you

  know, inquire within about everything, too. Legal information and cooking recipes

  and how to take ink stains out of linen.

  3^2

  How to make home-made face powder that

  would not damage the complexion. Oh--

  and lots more. Yes, wouldn't you like to

  have a book like that now?"

  "Doubtless," said Hercule Poirot, "it

  would give the recipe for treatment of tired

  feet."

  "Plenty of them, I should think. But

  why don't you wear proper country

  shoes?"

  "Madame, I like to look soign6 in my

  appearance."

  "Well, then you'll have to go on wearing

  things that are painful, and grin and bear

  it," said Mrs. Oliver. "All the same, I

  don't understand anything now. Was that

  Leaman woman telling me a pack of lies

  just now?"

  "It is always possible."

  "Did someone tell her to tell a pack of

  lies?"

  "That too is possible."

  "Did someone pay her to tell me a pack

  of lies?"

  "Continue," said Poirot, "continue. You

  are doing very nicely."

  "I suppose," said Mrs. Oliver thoughtfully, "that Mrs. Llewellyn-Smythe, like

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  many another rich woman, enjoyed

  making Wills. I expect she made a good

  many during her life. You know;

  benefiting one person and then another.

  Changing about. The Drakes were well

  off, anyway. I expect she always left them

  at least a handsome legacy, but I wonder

  if she ever left anyone else as much as she

  appears, according to Mrs. Leaman and

  according to the forged Will as well, to

  that girl Olga. I'd like to know a bit more

  about that girl, I must say. She certainly

  seems a very successful disappearess."

  "I hope to know more about her

  shortly," said Hercule Poirot.

  "How?"

  "Information that I shall receive

  shortly."

  "I know you've been asking for information

  down here. "

  "Not here only. I have an agent in

  London who obtains information for me

  both abroad and in this country. I should

  have some news possibly soon from

  Herzogovinia."

  "Will you find out if she ever arrived

  back there?"

  "That might be one thing I should

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  learn, but it seems more likely that I may

  get information of a different kind—letters

  perhaps written during her sojourn in this

  country, mentioning friends she may have

  made here, and become intimate with."

  "What about the school-teacher?" said

  Mrs. Oliver.

  "Which one do you mean?"

  "I mean the one who was strangled—

  the one Elizabeth Whittaker told you

  about?" She added, "I don't like Elizabeth

  Whittaker much. Tiresome sort of woman,

  but clever, I should think." She added

  dreamily, "I wouldn't put it past her to

  have thought up a murder."

  "Strangle another teacher, do you

  mean?"

  "One has to exhaust all the

  possibilities."

  "I shall rely, as so often, on your

  intuition, Madame."

  Mrs. Oliver ate another date

  thoughtfully.

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  20

  WHEN he left Mrs. Butler's

  house, Poirot took the same way

  as had been shown him by

  Miranda. The aperture in the hedge, it

  seemed to him, had been slightly enlarged

  since last time. Somebody, perhaps, with

  slightly more bulk than Miranda, had used

  it also. He ascended the path in the

  quarry, noticing once more the beauty of

  the scene. A lovely spot, and yet in some

  way, Poirot felt as he had felt before, that

  it could be a haunted spot. There was a

  kind of pagan ruthlessness about it. It

  could be along these winding paths that

  the fairies hunted their victims down or a

  cold goddess decreed that sacrifices would

  have to be offered.

  He could understand why it had not

  become a picnic spot. One would not want

  for some reason to bring your hard-boiled

  eggs and your lettuce and your oranges

  and sit down here and crack jokes and

  have a jollification. It was different, quite

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  different. It would have been better, perhaps, he thought suddenly, if Mrs.

  Llewellyn- Smythe had not wanted this

  fairy-like transformation. Quite a modest

  sunk garden could have been made out of

  a quarry without the atmosphere, but she

  had been an ambitious woman, ambitious

  and a very rich woman. He thought for a

  moment or two about Wills, the kind of

  Wills made by rich women, the kind of

  lies told about Wills made by rich women, the places in which the Wills of rich

  widows were sometimes hidden, and he

  tried to put himself back into the mind of

  a forger. Undoubtedly the Will offered for

  probate had been a forgery. Mr. Fullerton

  was a careful and competent lawyer. He

  was sure of that. The kind of lawyer, too,

  who would never advise a client to bring

  a case or to take legal proceedings unless

  there was very good evidence and

  justification for so doing.

  He turned a corner of the pathway

  feeling for the moment that his feet were

  much more important than his speculations.

  Was he taking a short cut to

  Superintendent Spence's dwelling or was

  he not? As the crow flies, perhaps, but the

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  main road might have been more good to


  his feet. This path was not a grassy or

  mossy one, it had the quarry hardness of

  stone. Then he paused.

  In front of him were two figures. Sitting

  on an outcrop of rock was Michael

  Garfield. He had a sketching block on his

  knees and he was drawing, his attention

  fully on what he was doing. A little way

  away from him, standing close beside a

  minute but musical stream that flowed

  down from above, Miranda Butler was

  standing. Hercule Poirot forgot his feet,

  forgot the pains and ills of the human

  body, and concentrated again on the

  beauty that human beings could attain.

  There was no doubt that Michael Garfield

  was a very beautiful young man. He found

  it difficult to know whether he himself

  liked Michael Garfield or not. It is always

  difficult to know if you like anyone

  beautiful. You like beauty to look at, at

  the same time you dislike beauty almost

  on principle. Women could be beautiful,

  but Hercule Poirot was not at all sure that

  he liked beauty in men. He would not have

  liked to be a beautiful young man himself,

  not that there had ever been the least

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  chance of that. There was only one thing

  about his own appearance which really

  pleased Hercule Poirot, and that was the

  profusion of his moustaches, and the way

  they responded to grooming and treatment

  and trimming. They were magnificent. He

  knew of nobody else who had any

  moustache half as good. He had never

  been handsome or good-looking. Certainly

  never beautiful.

  And Miranda? He thought again, as he

  had thought before, that it was her gravity

  that was so attractive. He wondered what

  passed through her mind. It was the sort

  of thing one would never know. She would

  not say what she was thinking easily. He

  doubted if she would tell you what she was

  thinking, if you asked her. She had an

  original mind, he thought, a reflective

  mind. He thought too she was vulnerable.

  Very vulnerable. There were other things

  about her that he knew, or thought he

  knew. It was only thinking so far, but yet

  he was almost sure.

  Michael Garfield looked up and said.

  "Ha! Senor Moustachios. A very good

  afternoon to you, sir."

  "Can I look at what you are doing or

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  would it incommode you? I do not want

  to be intrusive."

  "You can look," said Michael Garfield,

  "it makes no difference to me." He added

  gently, "I'm enjoying myself very much."

  Poirot came to stand behind his

  shoulder. He nodded. It was a very

  delicate pencil drawing, the lines almost

  invisible. The man could draw, Poirot

  thought. Not only design gardens. He

  said, almost under his breath:

  "Exquisite!"

  "I think so too," said Michael Garfield.

  He let it be left doubtful whether he

  referred to the drawing he was making, or

  to the sitter.

  "Why? asked Poirot.

  "Why am I doing it? Do you think I

  have a reason?"

  "You might have."

  "You're quite right. If I go away from

  here, there are one or two things I want

  to remember. Miranda is one of them."

  "Would you forget her easily?"

  "Very easily. I am like that. But to have

  forgotten something or someone, to be

  unable to bring a face, a turn of a

  shoulder, a gesture, a tree, a flower, a

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  contour of landscape, to know what it was

  like to see it but not to be able to bring

  that image in front of one's eyes, that

  sometimes causes--what shall I say?--

  almost agony. You see, you record--and

  it all passes away."

  "Not the Quarry Garden or park. That

  has not passed away."

  "Don't you think so? It soon will. It

  soon will if no-one is here. Nature takes

  over, you know. It needs love and attention

  and care and skill. If a Council takes it

  over--and that's what happens very often

  nowadays--then it will be what they call "kept up'. The latest sort of shrubs may be

  put in, extra paths will be made, seats will

  be put at certain distances. Litter bins

  even may be erected. Oh, they are so

  careful, so kind at preserving. You can't

  preserve this. It's wild. To keep something

  wild is far more difficult than to preserve

  it."

  "Monsieur Poirot." Miranda's voice

  came across the stream.

  Poirot moved forward, so that he came

  within earshot of her.

  "So I find you here. So you came to sit

  for your portrait, did you?"

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  She shook her head.

  "I didn't come for that. That just

  happened."

  "Yes," said Michael Garfield, "yes, it

  just happened. A piece of luck sometimes

  comes one's way."

  "You were just walking in your

  favourite garden?"

  "I was looking for the well, really," said

  Miranda.

  "A well?"

  "There was a wishing well once in this

  wood."

  "In a former quarry? I didn't know they

  kept wells in quarries."

  "There was always a wood round the

  quarry. Well there were always trees here.

  Michael knows where the well is but he

  won't tell me."

  "It will be much more fun for you,"

  said Michael Gal-field, "to go on looking

  for it. Especially when you're not at all

  sure it really exists."

  "Old Mrs. Goodbody knows all about

  it."

  And added:

  "She's a witch."

  "Quite right," said Michael. "She's the

  312

  local witch, Monsieur Poirot. There's

  always a local witch, you know, in most

  places. They don't always call themselves

  witches, but everyone knows. They tell a

  fortune or put a spell on your begonias or

  shrivel up your peonies or stop a farmer's

  cow from giving milk and probably give

  love potions as well."

  "It was a wishing well," said Miranda.

  "People used to come here and wish. They

  had to go round it three times backwards

  and it was on the side of the hill, so it

  wasn't always very easy to do." She looked

  past Poirot at Michael Garfield. "I shall

  find it one day," she said, "even if you

  won't tell me. It's here somewhere, but it

  was sealed up, Mrs. Goodbody said. Oh!

  years ago. Sealed up because it was said to

  be dangerous. A child fell into it years ago

  — Kitty Somebody. Someone else might

  have fallen into it."

  "Well, go on thinking so," said Michael

  Garfield. "It's a good local story, but there

  is a wishing well over at Little Belling."

&
nbsp; "Of course," said Miranda, "I know all

  about that one. It's a very common one,"

  she said. "Everybody knows about it, and

  it's very silly. People throw pennies into it

  and there's not any water in it any more

  so there's not even a splash."

  "Well, I'm sorry."

  "I'll tell you when I find it," said

  Miranda.

  "You mustn't always believe everything

  a witch says. I don't believe any child ever

  fell into it. I expect a cat fell into it once

  and got drowned."

  "Ding dong dell, pussy's in the well,"

  said Miranda. She got up. "I must go

  now," she said. "Mummy will be

  expecting me."

  She moved carefully from the knob of

  rock, smiled at both the men and went off

  down an even more intransigent path that

  ran the other side of the water.

  "'Ding dong dell'," said Poirot,

  thoughtfully. "One believes what one

  wants to believe, Michael Garfield. Was

  she right or was she not right?"

  Michael Garfield looked at him thoughtfully, then he smiled.

  "She is quite right," he said. "There is

  a well, and it is as she says sealed up.

  I suppose it may have been dangerous. I

  don't think it was ever a wishing well. I

  think that's Mrs. Goodbody's own bit of

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  fancy talk. There's a wishing tree, or there

  was once. A beech tree half-way up the

  hillside that I believe people did go round

  three times backwards and wished."

  "What's happened to that? Don't they

  go round it any more?"

  "No. I believe it was struck by lightning

  about six years ago. Split in two. So that

  pretty story's gone west."

  "Have you told Miranda about that?"

  "No. I thought I'd rather leave her with

  her well. A blasted beech wouldn't be

  much fun for her, would it?"

  "I must go on my way," said Poirot.

  "Going back to your police friend?"

  "Yes."

  "You look tired."

  "I am tired," said Hercule Poirot. "I am

  extremely tired."

  "You'd be more comfortable in canvas

  shoes or sandals."

  "Ah, ga, con."

  "I see. You are sartorially ambitious."

  He looked at Poirot. "The tout ensemble;

  it is very good and especially, if I may

  mention it, your superb moustache."

  "I am gratified," said Poirot, "that you

  have noticed it."

  315

  "The point is rather, could anyone not

  notice it?"

  Poirot put his head on one side. Then

 

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