Ace, King, Knave

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by Maria McCann


  Mother   female brothel keeper

  Mr Lushington   a drunkard

  Mrs Delany   a bluestocking known for her interest in gardening as well as other aspects of what we might now call ‘lifestyle’

  muff   a woman’s sexual organs. Women beginning a new relationship or getting married were toasted, ‘To the well wearing of your muff.’

  Mussulman   Muslim

  nantz   brandy from Nantes

  nap/nab   catch/get

  necessary house   lavatory

  New Buildings   new developments in the area around Marylebone niaiseries   foolishnesses

  nose   spy

  nuns   prostitutes in a brothel

  ogles   eyes

  Old Harry   the devil

  Old Scratch   the devil

  one of us   a prostitute

  ottomised   dissected (corruption of ‘anatomised’)

  Pam, Pamphile   the Knave of Clubs

  panney   house

  parish settlement   the right to reside in a parish or to receive parish assistance partie de plaisir   enjoyable outing peach, to   to ‘grass someone up’

  pelisse   type of cloak

  perruque   earlier version of ‘periwig’ (modern English, ‘wig’) phiz   face

  pièce de résistance   (in this context) finest achievement pike (off)   ‘do a runner’

  plump currant   ‘in the pink’

  plus ça change    the more things change (the more they stay the same) pomade   hair dressing

  poor’s hole/poor’s pit   type of communal grave in which the coffins of the poor were stacked three or four deep posset   drink of alcohol mixed with milk or cream and spices prad   horse

  priggers   thieves

  prink oneself   beautify oneself

  provocatives   aphrodisiacs

  pushing academy   brothel

  put one’s finger in one’s eye   feign grief/force oneself to cry

  queer culls   sodomites

  Queer Street   a tricky situation, especially financial Quel dommage!   What a shame!

  ragoo   ragout

  Ranelagh   a fashionable pleasure garden readies   ready money

  Receiving House   early kind of post office, often based at an inn red-headed friend   menstrual period

  resurrectionist   grave-robber

  revenons à nos moutons   let’s get back to where we started (literally: ‘Let’s return to our sheep’, an allusion to a fifteenth-century play) riding St George   sex with the woman on top ridotto   gathering with music and dancing rig   fun, game, trick

  Romeville   London

  rose (never blown upon)   a virgin

  rout   fashionable evening party or reception rum   good, fine, desirable

  sacque   style of dress

  sal   salivation caused by mercury treatment (for syphilis) scrag, to   hang (a person)

  seraglio   continental type of brothel, considered more upmarket Sex, the   with a capital ‘S’, this means ‘women’

  shiv   knife

  simpkin   simpleton

  Sisterhood, the   prostitutes

  small, a   the corpse of a child

  sot   drunkard

  sotto voce   spoken so as not to be overheard Spanish fly   cantharides, an aphrodisiac sparrowgrass   asparagus

  Spitalfields silk   silk of London manufacture, from the parish of Spitalfields sprain one’s ankle   become pregnant

  squaretoes   old-fashioned person

  stand bitch   act the hostess, pour tea sugar stick   penis

  supper   evening meal

  sweating   mercury treatment for syphilis

  take the King’s Shilling   join the army Tarocco   Tarot

  tarse   penis

  tendresses   ‘tendernesses’. Here, intimate talk and other sounds from the bedroom three-legged mare   the gallows

  toby   see high toby

  toddle   leave, run away

  togs   clothes

  toilette   grooming, self-presentation ton, the   the fashionable nobility touché   ‘You win that one’

  tray   in cards, the three of any suit trepan   to kidnap, usually into slavery (trusty) Trojan   trustworthy person, confidante

  Uncle   pawnbroker

  Upright Man   gang leader

  wap   fuck

  ware hawk!   look sharp!

  ware trap   watch out for the police

  warm(er)   (more) sexually explicit/arousing whelp   young man (literally ‘puppy’) whipping culls   customers seeking flagellation Wilkes, John   republican, political writer and libertine wiper   handkerchief

  wolf   cancerous tumour

  wrapper   1) dress made by winding fabric about the body 2) a dressing-gown

  Zedland   the West Country

  Select bibliography

  To acknowledge one’s sources is not to present oneself as a historian.

  Arnold, Catherine   City of Sin

  Ashton, John   The History of Gambling in England Baines, Paul   The Long Eighteenth Century Boswell, James   Journals

  Boswell, James   The Life of Johnson

  Brumwell, S. and Speck, W. A.   Cassell’s Companion to Eighteenth-Century Britain Burnett, John   A History of the Cost of Living Cahill, Katherine   Mrs Delany’s Menus, Medicines and Manners Clarke, Norma   Queen of the Wits

  Cockayne, Emily   Hubbub

  Colquhoun, Kate   Taste

  Cruickshank, Dan   The Secret History of Georgian London Cunnington, C. W. and P. C.   Handbook of English Costume in the Eighteenth Century Douglas, Alfred   The Tarot

  Equiano, Olaudah   The Interesting Narrative George, M Dorothy   London Life in the Eighteenth Century Grose, Francis   Dictionary of the Vulgar Tongue Harvey, A. D.   Sex in Georgian England

  Horn, Pamela   Flunkeys and Scullions

  Jacobs, Harriet   Incidents in the Life of a Slave Girl Moore, Wendy   Wedlock

  Olsen, Kirstin   Daily Life in Eighteenth-Century England Peakman, Julie   Lascivious Bodies

  Picard, Liza   Dr Johnson’s London

  Porter, Roy   London: A Social History

  Porter, Roy   English Society in the Eighteenth Century Rubenhold, Hallie   Harris’s List of the Covent Garden Ladies Rubenhold, Hallie   The Covent Garden Ladies Russell, Gillian   ‘Faro’s Daughters’ (article) Sands, Mollie   Invitation to Ranelagh

  Sitwell, Edith   Bath

  Smith, Virginia   Clean

  Thomas, Hugh   The Slave Trade

  Vickery, Amanda   Behind Closed Doors

  Vickery, Amanda   The Gentleman’s Daughter Wardroper, John   Lovers, Rakes and Rogues Warner, Jessica   Craze

  White, Jerry   London in the Eighteenth Century Wroth, W. W. and A. E.   The London Pleasure Gardens of the Eighteenth Century

  The story of Fortunate’s capture and enslavement draws upon the account given in Olaudah Equiano’s The Interesting Narrative. That the word ‘fortunate’ is one possible translation of ‘Olaudah’ is pure coincidence, since my character took shape, complete with name, long before I came across that book. The coincidence itself seemed fortunate, so I have left the name as it is.

  Betsy-Ann’s songs ‘Sometime I am a butcher bold’ (chapter 4) and ‘Moll of the Wood’ (chapter 15) are authentic; the other songs are
of my own invention.

  Acknowledgements

  Thanks are due to my agent Annette Green (as ever) and to all at Faber, particularly my editor Sarah Savitt whose clarity has been invaluable.

  An earlier incarnation of this book included much more material on both folk music and gambling. I am grateful to C. J. Bearman who patiently answered my queries on Cecil Sharp, and to Professor Gillian Russell of the Australian National University who responded generously to an email from an unknown writer, supplying me with useful materials on eighteenth-century women gamblers. Historical errors and deliberate distortions are of course my own responsibility.

  My friends and fellow writers of the RABS group are an unending source of support, encouragement and the occasional bucket of cold water when I need it. My thanks and love to you all.

  Lastly I should like to thank Ruth Borthwick of the Arvon Foundation, whose offer of work at a crucial time enabled me to complete this novel. May Arvon go from strength to strength.

  About the author

  Maria McCann is the author of As Meat Loves Salt (Fourth Estate, 2001) which was an Economist Book of the Year and The Wilding (Faber, 2010) which was longlisted for the Orange Prize and chosen for the Richard and Judy Book Club. She has also contributed to various anthologies, most recently to Why Willows Weep (2011) and Beacons (2013).

  By the same author

  As Meat Loves Salt

  The Wilding

  First published in 2013

  by Faber and Faber Ltd

  Bloomsbury House

  74–77 Great Russell Street

  London WC1B 3DA

  This ebook edition first published in 2013

  All rights reserved

  © Maria McCann, 2013

  The right of Maria McCann to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly

  ISBN 978–0–571–29760–3

  Table of Contents

  Title page

  Table of Contents

  Dedication

  Note on Language

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  15

  16

  17

  18

  19

  20

  21

  22

  23

  24

  25

  26

  27

  28

  29

  30

  31

  32

  33

  34

  35

  36

  37

  38

  39

  40

  41

  42

  43

  44

  45

  46

  47

  48

  49

  50

  51

  Glossary

  Select bibliography

  Acknowledgements

  About the author

  By the same author

  Copyright

 

 

 


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