Sarah handed Leslie her wine as she said, "But there's a huge lesbian baby boom going on."
Melissa dumped the chopped bell pepper into the salad and turned her attention to dicing jicama. "Well, there are some people in the community who think that's a sell-out. That some women are using the sexual freedom that other people worked hard for to imitate heterosexual life."
"So?" Leslie was shrugging her shoulders. "Takes all kinds to make a world. You wouldn't believe the number of times perfectly rational women have gotten icky expressions when they find out I was married once upon a time. Like they never made a mistake."
"That's a pretty big mistake, wouldn't you say?"
Melissa added croutons to the salad and turned to Sarah. "Where are the tossing thingies?"
Sarah found the tongs in the drawer and handed them over to Melissa. She stole a glance at Leslie, hoping she wasn't offended by Melissa's outspokenness.
"Actually," Leslie said slowly, looking at Sarah, "it wasn't that big a mistake. Alan and I got along. We had a beautiful child, and I think we'd still be married if I hadn't been with women before we got married. I knew what I was missing, even though what I had with him wasn't bad."
Sarah realized that Melissa was looking at Leslie with something like condescension. She tried to lighten the air by saying, "Was that before or after you left the commune?"
To Sarah's relief, Leslie grinned. "After, long after. I only lived in the commune for two years. Then Richard and I split the scene, man, to do our own thing."
"What were you trying to do?" Melissa set the salad to one side and leaned against the counter.
"More than anything, we were trying to be flower children."
Sarah did a little quick time subtraction. "But — even if you joined the commune when you were seventeen or eighteen, that would be nineteen seventy-what?"
"It was in nineteen seventy-too-late," Leslie said. "Richie got in at the tail end of what he calls the real time, but I was just plain too late. All I'd ever wanted to be was a flower child. Paint my face, grow organic food, live in tune with mother nature. But by the time I found Nirvana it was being rezoned for condos."
"What happened to the dream?" Sarah peeked in the oven at the baking salmon.
"Disco," Leslie said promptly. "Actually, I left the commune because my lesbianism was rocking the boat."
"Isn't that typical," Melissa commented. "Is the salmon done?"
"Just about, a few more minutes." To Leslie, Sarah said, "I thought flower children were into free love."
"They were. My love wasn't free enough since I only wanted to sleep with women. I was ruining the seating chart." Leslie spoke lightly, with a touch of wistfulness.
Sarah sensed that Leslie had long since come to terms with what must have been a painful rejection. "If I'm not being too nosy, how did you end up married?"
"How did we get on this topic?" Leslie sipped her wine. "Oh yeah, you wanted to have Geoff’s babies."
"I did not say that," Sarah said. She got the potholders and lifted the roasting pan out of the oven. "I only said—"
"I'm just teasing. Do you need help?"
"No, I've got it. Mel, could you put the trivet — right there is fine." She set the hot pan down and poked the salmon. It flaked perfectly at the ends.
"Smells wonderful," Leslie said, coming to the counter. "What else are we having?"
"Rice with chick peas and raisins, tossed salad, peach and ginger chutney, French bread, and chocolate cake for dessert," Melissa said, her tone as friendly as Sarah could have wished for.
Sarah continued to poke the salmon, making sure it was cooked in the center. Melissa's hand stroked her back, and it felt good. Maybe Mel was getting over her initial reaction to Leslie — she hadn't seemed to like her at first.
"Sounds delicious," Leslie said, moving back to the breakfast bar.
Sarah finished her inspection of the salmon. "All done. Let's eat."
They settled at the table and for a while talked about the food and the wine, then Melissa turned to Leslie. "So you haven't said how you ended up married."
Sarah wanted to kick her, but instead she said smoothly, "Maybe that's because I was being nosy."
"No, really, I don't mind talking about it. I got married because Alan asked me. It's as simple as that. We were married for seven years. I was the one who got the itch."
"Because he asked you?" Melissa put her hand briefly on Sarah's. "Darling, the salmon is perfect."
"Well, we met in the commune, and every couple of months after I left, Alan would drop into my life for a few days, just to catch up, chill out, all that jazz. Our relationship was friendship only, and out of the blue he asked me to marry him. He knew I preferred women. I knew I preferred women."
"How could you do it?" Melissa looked incredulous.
Leslie shot a glance at Sarah, then said, "I wanted a home. I wanted a family. It was only... oh, sixteen years ago, but the only way to have those things was the regular heterosexual way. I was twenty-three, the bank had just foreclosed on the organic farm Richard and I were running, and I wanted to succeed at something, so why not succeed in creating a family? I'd always known I wanted kids. I wanted a house overflowing with them. My own commune, you know?"
"Before I started teaching my archery class, I wouldn't have understood in the least. But now — I can sort of see it. Kids are not space aliens to me anymore."
"How many kids do you have?" Melissa pushed back her chair. "I'll get the wine."
"Just the one. Turned out my ovaries had other ideas. Just after Matt turned two, I told Alan I couldn't go on. He wasn't surprised. He's remarried now, has two more boys, and I think we both look back at the time we were married with some fondness. Our only regret — if we have any — is how Matt might have been damaged by our lack of foresight."
Melissa topped off Sarah's glass, then Leslie's. After she had reseated herself, she put her hand on Sarah's again.
"He didn't seem damaged to me," Sarah said. "I'm a child of divorce. No, it wasn't easy sometimes to understand my parents' behavior, but I know they still loved me."
"Alan and I tried our best to make Matt feel like he had two homes where he was equally loved. I can't speak ill of Alan. I know that's not the party line. We loved each other," Leslie continued. "But it wasn't —" Sarah saw Leslie's gaze settle briefly on Melissa's fingers entwining with Sarah's. "Well, you know what it wasn't." She winked at Sarah knowingly.
"That I do," Sarah said. She squeezed Melissa's fingers.
"Pity is," Leslie went on, "I've found women who made my body go ka-thump-thump, which is what I was longing for all the time I was with Alan, but never one who made me feel the way Alan did in all the other ways. He was... comfortable."
"I've never heard comfortable included on the list of what makes a perfect romance," Melissa said.
"If it's not on the list, it should be," Leslie said. "There's a time when you stop wondering what the other person is thinking and you just know. It's comfortable. I'm probably fooling myself that I'll ever find the ka-thump-thump and the comfort in the same woman."
The doorbell rang and Sarah started to push back her chair.
"I'll get it," Melissa said.
Sarah looked after Melissa for a moment, then turned to Leslie. "I don't think you're wrong to want both."
"I can see that," Leslie said. "She's very nice."
"Thanks." Sarah didn't know what else to say.
Melissa returned with a file folder. "Just Leeza dropping something off for me."
"Sarah told me you're making a documentary," Leslie said. Sarah heard the distinct sound of the subject being changed. Leslie must have felt as if she were being interrogated.
"Yes, I am." Melissa brightened. "I've hit a kind of a funding snag, but I'm sure it will all work out. I was in L.A. this past weekend and I met an agent, Shana Dawson. She's the agent for that lesbian who mortgaged everything she owned to make Dream Shadow. Did you see it?"
&nbs
p; "I—well, it wasn't my cup of tea," Leslie said. "But it was good to see someone making a romantic film about lesbians."
"Well, Shana knows everyone in L.A. She knew exactly the bind I was in with my grant."
"Which is?" Leslie seemed genuinely interested, and Sarah relaxed.
"Here, let me take the plates," Sarah said. "You guys talk and I'll listen as I clear up."
"Thank you," Leslie said as Sarah picked up her plate. "It was so much better than the bowl of Cheerios I had last night."
"You're welcome. I'll bring in the cake after I take care of these. A dishwasher would be nice, but I've gotten used to hot soapy water. There's something therapeutic about washing dishes."
"You haven't washed enough of them," Leslie said.
Sarah cleaned up the kitchen and didn't contribute much to the conversation. She watched Leslie and Melissa talk and heaved a sigh of relief. It was important that they like each other because Sarah liked them both. She had been particularly anxious that Leslie take Melissa seriously, in exactly the way Debra had not. She didn't know why it was so important to her, but it was. Leslie looked truly interested, and Sarah smiled into the soap suds.
Leslie longed for a conversational opening to offer to dry the dishes while Sarah washed. She wanted to talk to Sarah, not to her girlfriend. Melissa was explaining how she'd met Shana Dawson in the hotel hot tub during the conference. Leslie was amazed that, based on one conversation, Melissa was ready to throw over her grant on the Jacuzzi-induced promise of some entertainment agent.
Maybe it would work out for Melissa, but Leslie had her doubts. She wondered if Sarah had doubts. She must, Leslie thought. She's too down-to-earth.
She let Melissa prattle on about the other people she'd met in the hot tub and seminars. I'll bet this cures me of my crush. If Sarah is ocean-deep and complicated how can she be head over heels for this — well, Melissa wasn't precisely a bimbo, but she seemed so young, and a lot of her politics were so ... seventies. But she was not in Sarah's league.
Slow down, Leslie told herself in her most stern tone. Just slow down. Melissa was not her girlfriend. Sarah was not her girlfriend. Maybe Melissa was just a late starter. And she did have dreams. Maybe they weren't that realistic, but neither were some of Leslie's in the end. Give her a chance.
She'd be more inclined to give Melissa a chance if she hadn't made that nasty crack about being a "real" lesbian, "through and through," as if the millions of lesbians who slept with men and had children by them or other means weren't really lesbians. How shallow could you get?
"So I think I might be able to get Shana to represent me — sell my novels. She seemed very interested and she's sold lesbian novels to the really big publishing houses. I need to follow up, so I'm going to fly down for the day on Monday and have lunch with her. She gave me her assistant's number, and we're all set."
"I'm almost done, so prepare for cake," Sarah said from the kitchen. "Is your grant going to cover the airfare again?"
"Airfare is really cheap to L.A. if you book the tickets right. And I've got plenty of grant money to play with."
As if it's Monopoly money, Leslie thought.
"Aren't they going to want it all back?" Sarah came in from the kitchen with a cake box and dessert plates. The sputtering sound of the cappuccino machine nearly drowned out her words.
"I don't think so," Melissa said. "After all, I have done part of the project, and I'd be more than willing to give someone all the notes and my exhibit listings. And Shana said maybe I don't have to give it up at all, but contract with someone else to do it. I'd be like the executive producer. Maybe Janica would like to finish it, though she's a little bit radical at times."
"I was going to put this on a plate," Sarah said, gesturing at the pink box, "but then I thought you both might prefer to watch me undress it." She winked at Leslie.
"Let me guess," Leslie said. "It's chocolate."
"Chocolate is such an inadequate description of this cake," Sarah said. She slowly opened the box, then popped the tape on the sides. With a dramatic gesture, she exposed the cake. "Tah-dah!"
I might not be over my crush after all, she thought. The cake wasn't just chocolate. It was chocolate on chocolate on chocolate with chocolate on top. The kind of cake a person could use to seduce Counselor Troi — or any chocolate lover for that matter. Sarah was inhaling deeply.
"I have had a chocolate craving for the past week," Sarah said. "This ought to satisfy it."
"A little piece for me. I'm trying to lose five pounds." Melissa put her hand on her stomach, which Leslie thought was already plenty flat.
Give me a break, Leslie thought. "So am I," she said. "I want a piece like Melissa's, except three times bigger."
Sarah laughed. "I'll get the cappuccino, oh, and those chocolate spoons you brought, Les." She was back in just a moment with frothy mugs and the box of chocolates.
Leslie sighed in bliss as she swallowed the first bite. "I think I'll wake up from the sugar coma sometime on Tuesday."
"It is good," Melissa said. She passed on having a chocolate spoon with her coffee but accepted another slim slice of cake at Sarah's urging.
Sarah settled back into her seat and Leslie watched her swoon as she tasted the cake. Then she slowly stirred her cappuccino with a chocolate spoon, scooped up some of the whipped cream on the coffee and put the spoon in her mouth, closing her eyes briefly. "God, this is divine."
"Almost as good as sex?" Melissa was gazing at Sarah with an indulgent smile and Leslie suddenly wanted to slap her.
"Almost..." Sarah was grinning back at Melissa and Leslie suddenly wanted to slap her too. What was it about Sarah that brought out her baser instincts? She'd been thinking nonstop about sex for the past week. Primal, honest-to-God, jungle fever, ripped clothes, heart-pounding, hold on for dear life, sweaty and breathless, ride 'em cowboy sex, sex, sex.
Maybe she was having early menopause. She felt as if she were running a fever, all the time. And watching Sarah have chocolate orgasms was not helping. Watching Melissa touch Sarah for what seemed like the hundredth time was not helping. Her bra and panties feeling two sizes too small was not helping.
Nothing was going to help, Leslie realized. She was stuck until this thing ran its course. Her priority was keeping her feelings from Sarah.
So she smiled, she laughed, she asked questions about Melissa's novels and tried very hard to be the perfect guest. The facade slipped a little when Melissa began describing what she planned for her next novel — or screenplay. She hadn't made up her mind.
"I want to write about the real courage that the activists have. Actually, it was an idea for a short story that Shana Dawson liked, about the first time a woman walks down the street with a DYKE sticker on her jacket. That just seems so brave to me. And there are lots of other stories like that. Shana thought it might make a great short film too."
"That sounds interesting," Leslie said, and in fact it did. "I know the two women who made their auto roadside service club give them joint membership."
"That's not quite what I had in mind," Melissa said. "It doesn't seem like the same thing."
"Oh," Leslie said, blinking. What was the difference? "How about a woman coming out at a PTA meeting?"
Melissa shrugged. "I was thinking more of the physical, day-to-day, in-your-face activism. Loud and proud courage that makes people stop and think about their prejudices."
Leslie bit back her retort. She wanted to explain to Melissa that the other people in the PTA had thought Leslie was being very "in their face" by just mentioning her sexuality in passing, and they'd said as much. Continuing to go to the meetings when she was greeted with coldness, if not outright rudeness, was one of the hardest things she'd ever done — she hated conflict.
She tried to find some common ground. "I do know what you mean, and I am often amazed at how brave some people are—particularly some of the young women. They are very courageous, and I admire them. They are making change by being, as you s
ay, loud and proud. But... well, society changes slowly, and it's rare when just one type of pressure effects all the necessary change. So it takes other kinds of courage, and other kinds of activism, to change everything, for everyone."
Sarah was nodding. "When the English wanted to finish their conquest of Wales, they outlawed the language, even in the churches. There's a lot of Welsh history about the big heroes — both Llewellyns, in particular, and many of the warlords. Owen Glendower even shows up in Shakespeare. But I've always thought that mothers who covertly taught their children Welsh, and the storytellers who kept the stories of their country alive in their own language, and the priests who continued to have secret services in Welsh — I've always thought they were heroes too. Very quiet heroes."
"I see what you mean," Melissa said. "I'll have to think about it."
"There are two women in L.A. who won a settlement against a restaurant that refused to seat them in the 'romantic' section because they were two women. I always thought that it was a pretty amazing thing that they went to court over something so small, but the policy completely invalidated them as a couple. They said it was the little things that kept us from being equal."
Melissa just smiled and sipped her coffee, and Leslie could tell she wasn't impressed. She wondered if Melissa would think Rosa Parks was as brave as the Selma marchers. She felt tired — and old. Melissa looked like she might be almost 30, and the 9 years between them were looming pretty big. Melissa hadn't been out in the world enough to see how today fits into yesterday fits into tomorrow.
Her peevishness faded as she finished the cake. Chocolate cures all things, she thought. She glanced at Sarah, felt the familiar jolt in her nether regions and knew there was one thing chocolate wasn't curing.
"My parents would be so amazed if I actually got an agent," Melissa was saying. "They've been after me for years to get a so-called real job, as if what I'm trying to do isn't real. They think it's a phase, just like being a lesbian. I got a letter from them today, Sarah, I forgot to tell you. They sent me a plane ticket to come home to Cambridge for Christmas."
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