“No, we’re good there. They’ve got it covered. We can keep focused on helping find Kaylie.”
Baldwin nodded. “Okay. I want to do a walk-through of the house, get a feel for things, and I want to be there when they do the interrogation. There’s still something we’re missing.”
“I figured as much. Goldman said he’d give you a ride whenever you’re ready. It’s going to take a bit to get Arlen processed anyway. I’ll stick around here, if that’s okay with you. I want to see what else they might find.”
“That sounds good. I’ll see you back in Quantico, then.”
CHAPTER THIRTY-SIX
Nashville
12:00 p.m.
The mood on the ride back to the CJC was triumphant. Taylor called Commander Huston and told her about the morning’s events, got a nice attagirl that left her feeling good. They were getting close, getting very, very close.
Lincoln met them at the door to Homicide, his grin ear to ear. Even the space between his two front teeth looked cheerful. He had a sheaf of papers in his hand. “Got it,” he said.
“Got what?” Taylor said, discarding her leather jacket behind the door to her office.
“The IP address of the video uploads. I cross-referenced the IP addresses the video-sharing sites gave me and got a match to one here in Nashville. Right now, I’m looking for the actual place where the movie was uploaded. It came from Davidson County, that much I know. I’m waiting on BellSouth to give me an exact location.”
“Oh, that’s great news. How long, do you think?”
“Within the hour.”
“Fantastic work, Lincoln. Really.”
“I’m also collating some reports for you from the autopsies. Hang tight, I’ll be there in five minutes. Sam wants you to drop by her office this afternoon when you have a chance. She has something to show you.”
“Gotcha, thanks. We’ve got too much stuff to cover to handle it in my office. Move everything into the conference room.”
She felt good, that high that comes when a case is about to break free. They were forty-eight hours in and had almost all the pieces together. Good old-fashioned police work, not mind reading and other bunk.
Ariadne stepped into the Homicide offices, the patrol escort at her elbow looking nervous. Ariadne seemed to have that effect on men, Taylor noticed.
Taylor nodded to her, thanked the patrol, who wiped his hand surreptitiously on his blues and backed into the corridor.
“I’m sorry we’re so late. Why don’t we go in my office,” Taylor said.
“All right,” Ariadne responded.
Taylor led the woman in, then shut the door behind her.
“You’re looking very pleased this morning,” Ariadne said.
“It’s been a productive day so far. Listen. I have what we call a six-pack of photos that I want you to look at. You tell me if any of the men in the pictures match the one you saw at Subversion Halloween night, okay?”
“Certainly. Anything I can do to help.”
Taylor laid the hard sheet of paper on her desk, facing Ariadne. Six sets of eyes glared up from a white background. Ariadne sat forward, running her finger along the pictures, absorbing.
She finally sat back. “I’m sorry. No one in those pictures is the boy I saw.”
Taylor shook her head slightly. “Look again.” She couldn’t lead the woman, but Juri Edvin was the second from the right, top row. If she was telling the truth at all, surely she’d recognize him.
“I’m sorry,” Ariadne said. “The boy we’re discussing isn’t in these photos.”
Taylor felt the wind go out of her. She pulled the sheet with the females on it, handed it over.
“What about this?” she asked.
Ariadne was quick this time. “That’s her. Bottom right. She’s the one I saw at Subversion, the one that slapped the boy.”
A little relief bled into Taylor’s system. At least they had a positive confirmation on Susan Norwood.
“Okay. Would you be willing to sit down with a sketch artist to help us draw up something with the boy and the other girl that you saw?”
“There’s really no need for that, Lieutenant.” She reached into a capacious velvet bag and pulled out a roll of parchment. “I’ve drawn them for you.”
She unrolled the paper, the stiff vellum crackling. It was a scene from a bar, happy faces, laughing and jumping in the background. Taylor could almost hear the music that made them sway to and fro. In the center were a boy and a girl. The girl was tall, willowy, the boy ramrod straight. They looked like they were wearing masks.
“You’re an excellent artist,” Taylor said. “These are the two you were talking about?”
Ariadne nodded.
“There’s just one problem. It’s going to be hard to figure out who they are with all this makeup on them.”
“I took the liberty of trying it without, as well,” Ariadne said.
She flipped the paper; a second drawing was below. This captured the exact same scene, but none of the children were obscured by makeup.
“Ah,” Taylor said. “If this is them, we can work with this.”
“That’s them. The little girl from the photograph slapped the big boy here, then they chased after her. I’m sorry, it’s the best I could do under the circumstances.”
Taylor was glad they’d decided to let Ariadne go home last night, with a patrol on her house to assure that she didn’t try to leave. Taylor imagined it hadn’t been a fun night for her. Regardless, the drawings were as good or better than any of their artists could have done with an Identi-Kit, that was for sure. Taylor looked them over one more time.
“I’m going to take these pictures with me, okay? I need to see if anyone who knows these children might recognize them. What do you plan to do?”
“Pray. I plan to pray to the Goddess for your success.”
Taylor stared at the picture for a few more minutes, then looked Ariadne straight in the eye. She weighed her words carefully.
“My detective thinks I should trust you.”
“He’s a very smart man.”
“Then tell me the truth. Do you honestly believe in all of this?”
Ariadne didn’t blink, but the pupils of her eyes grew larger. “I do, Lieutenant. With all my heart. It is who I am. I know that’s hard for you—you’re a very black-and-white person. There’s nothing wrong with that, nothing at all. I imagine in your line of work it can be quite useful. But me…I see all the colors of the universe, and then some. I find the path between the markers, and set upon that. What’s happened over the past two days is evil. It’s bad. It’s wrong. No true witch would consciously seek such power over others. Psychic vampires, yes. But Wicca is the way of the light, of good. It wasn’t one of ours, I promise you that.”
Taylor had to admit, Ariadne was at least partially right. She did see the world in black-and-white. It was how she slept at night.
“Okay,” she said, finally. “I can respect that.”
“Good. Then we can be friends.” Ariadne stuck out her hand, and Taylor shook it.
“You have a huge burden on your shoulders, Lieutenant. May I ease it for you?”
“What are you talking about?”
Ariadne waved toward the roses, toward Taylor. “There’s a storm brewing behind your eyes. You’re suffering, trying to make a major decision. On one hand is your true path. The other leads to pain and suffering. You’ll choose the correct path, and you already know which that is. But a sacrifice must be made. Use your strengths to divine your way.”
Fitz? Or Memphis. Who was the witch talking about? And where did she get off prophesying?
“My path. What do you know of my path? Of my responsibilities? Of the people I care for, and who care for me?”
Ariadne looked at her with sympathy. “It’s all written on your face, and in your aura, Lieutenant. And I may have done a tarot reading last night, just out of curiosity. If you give me your palm, I can direct you. The key to the oc
cult is applying what works for you. You must seek your own truths.”
“Ariadne, now you’re getting into the silly stuff. Tarot cards and palm reading? Come on. Give me a break.”
She smiled, an impish grin. “Aren’t you the least bit curious, Lieutenant? Just the tiniest bit?”
“No, I’m not. I have absolutely zero desire to know what’s coming.”
Fitz flashed into her mind again, bloody, hurt. She couldn’t help but shut her eyes and swallow.
“I can tell you what will happen to him, if you want to know,” Ariadne said softly.
Taylor opened her eyes and stared into the deep blue of the witch’s soul. Yes, she probably could hazard a guess. She had a fifty-fifty chance of being right, too. There were only two outcomes for Fitz—life or death. Taylor didn’t know if she wanted to think about the possibility of the latter.
Ariadne didn’t budge, didn’t breath. They stood, locked in each other’s gaze, until Taylor broke away.
“He’s going to live,” Taylor said with finality, then swept from her office, leaving the witch behind.
Dear God, I hope I’m right.
CHAPTER THIRTY-SEVEN
Northern Virginia
June 17, 2004
Charlotte
Charlotte watched Baldwin leave with the Fairfax County folks, then started her own walk through Harold Arlen’s house. She was deeply unsettled by the whole incident. Arlen really had seemed sincere when he claimed he wasn’t responsible, that the photos on his computer were planted there. He admitted to looking at some porn now and again, but just looking. My God, he couldn’t have done anything, the shots took care of that. Where was the fun in that? He couldn’t explain how photos of the dead girls got on his computer—was in tears by the time they carted him off.
She could hear the storm getting closer, the thunder booming. There was a sense of urgency to everyone’s movements; dragging evidence through the wind and rain was the last thing they wanted. She could hear the muffled shouts of people trying to set up some sort of shelter between the crime-scene vans and the front door. Arlen was being transported—for the time being, she felt like she was practically alone with the man’s thoughts.
She went through his bedroom carefully. He was organized, methodical. Shirts in the closet were arranged according to color, and he only had white and blue long-sleeved button-downs. There were five pairs of chinos plus one empty hanger, three pairs of brown loafers. His bathrobe had been securely hung on the back of the bathroom door. His medicine cabinet had inconsequential items—shaving cream, aspirin, all the same brand, Kirkland. He did his shopping at Costco. The shower was clean, not a surprise. His house bespoke the worst about him—controlled, and controlling. Everything in its place. Another check mark on the profile.
Charlotte trailed through the house, looking at everything. The preternatural organization was evident in every room. Finding physical evidence was going to be tough—he was meticulous. And they needed the physical evidence to tie Arlen to the Clockwork Killer case. Somewhere in this house, there was a knife with a ten-inch blade, and ligatures, and some sort of bat or bar used to break the girls’ legs. The medical examiner had been relatively sure the girls had been lying down when their legs were broken, a rounded instrument used to crack their tibias and fibulas cleanly.
So where would he have done it? A bed? The floor? Some sort of table? Charlotte tried to get into Arlen’s mind. What would she do if she needed to restrain a young girl?
She shut her eyes and let the terror overwhelm her.
She would put her somewhere scary. In the dark. Away from any sort of light. With creepy, crawly things, rats and spiders and the cold, dark, dank air that signaled you were underground.
A memory rose unbidden to the surface. Her father, a tyrant on the best of days, locking her in the wine cellar below their house, punishment for some perceived transgression.
She shuddered at the thought, then went looking for Arlen’s basement.
CHAPTER THIRTY-EIGHT
Nashville
12:30 p.m.
The conference room was set up just the way Taylor liked it—whiteboards overflowing with information, victims’ photographs at the top, so they could fill in any and all information on the victimology. A separate board was kept for information about the killer. Taylor went to that, unfurled the drawing Ariadne had given her and pinned it up.
“Who’s that?” Marcus asked.
“This is the drawing Ariadne did of the kids she followed Halloween night. Her view of the killers. With and without makeup. She didn’t recognize Thorn, but she did pick Susan Norwood out of a six-pack. I want that girl back here. She’s involved in the killings and the drugs.”
“I’ll get on it,” Marcus said, stepping from the room.
Lincoln was tapping away at his laptop. She heard him whistle, low and long, then he got up and stared hard at the drawing. He went back to the laptop, tapped a few times, then said, “Come here and look at this, LT. I’ve got something.”
Taylor joined him, looking over his broad shoulder at the laptop’s digital screen. He was on a video-sharing site.
“Please tell me this isn’t the movie again,” she said.
“Nope. This is from the address that was part of the ghost IP. Another upload from the same place.”
He hit Play on the video.
A horrendous racket launched from the speakers, clanging, industrial noises overlaid with some sort of melody. A deep screaming emanated, words hardly recognizable. The subtitle read, A Goth Makeup Tutorial. The screen went black for a second, then a girl’s face filled the space. She was pretty, high cheekbones, wide eyes that were very, very green. Taylor knew in an instant they were colored contacts—Baldwin had naturally clear-green eyes that were just as bright, but much more beautiful. The video accelerated, double time, the girl covering her face in pearly makeup, applying blush, penciling in eyebrows, then going to work on her eyes.
The black rings grew and grew, each swipe applied with a steady, practiced hand. She built a foundation around the eye, each stroke making it deeper, wider, layering on coat after coat of mascara until the green stood out like an emerald and the rest of her face disappeared. She moved to her lips, outlining them in black, then filling the pillows in. A small white line was drawn above the cupid’s bow. Then she went back to the eyes again, adding long, draping tendrils of black in perfect swirls down her cheeks.
Finished! The subtitle screamed, then the shot went back to the girl, a quick before-and-after. When she smiled, her teeth were white against their black background; the long fangs in place of her bicuspids made Taylor think about the gaping mouths in Barent Johnson’s bedroom. Then the video was over, the grating noise ended.
“What do you think about that?” Lincoln asked.
Taylor smiled at him, then went to the whiteboard and brought Ariadne’s drawings to him.
“That’s her, isn’t it?” she asked.
Lincoln nodded. “I think it is. It certainly looks like her.”
“Please tell me that video has a name attached.”
“It does. The credits say, ‘starring The High Priestess Fane, as herself.’”
“Fane. Fane. Why does that name sound familiar?” McKenzie said.
Taylor went to the conference table and grabbed the file folder from Hillsboro High School, held it up triumphantly.
“She’s in here. On the list of Goth kids at Hillsboro.”
Taylor flipped it open, scanning through the names until she saw what she was looking for. She read aloud from the folder. “Here we are. Fane Atilio. She’s a sophomore. Hangs out with the Goth crowd, straightA student, excels in English and history.”
“Does she have a boyfriend?”
“It doesn’t say. The information is sparse on her. It looks like she flies under the radar. She’s never been in trouble, never been disciplined.”
“Is there an address for her?” McKenzie asked.
“Yes, the
re is. Feel like taking a ride? I’m going to bring a few extra patrols, just in case. Maybe we’ll get lucky.”
“You bet.”
CHAPTER THIRTY-NINE
“I wrote something for you, my love.”
Raven was laying on Fane’s bed, head hanging off the edge, watching her study a book on ancient runes. She looked up, set the book down and crawled across the room to him, tearing her stockings further as she scraped along. When she reached him, she slid her tongue into his mouth, sucked on his upper lip, then sat back.
“You did? What is it? A spell?”
“In a way. For you to have endless beauty, and my love, always. Say it thrice by the full moon, and your deepest desires will come true.”
“Don’t tease, Raven. You are my deepest desire, love. Only you. Let me see it?”
He handed the paper to her. She scooted up alongside him, and he watched her lips move slightly as she read his words.
“‘Ode to Antigone’
Black boils beneath thin pink flesh
Molten emotion devouring rational thought.
Carrion attacks the filial bonds of lust
Which lie exposed, faultless in
Oedipal wantonness, broken by greed,
Damned to an eternal external hell
For another’s unknown sins.
The saving grace of a bleeding hand
Reaches through earthly bounds to
Experience the afterlife.
Hades, Creon, Zeus be damned,
Simple Antigone is drawn beyond
Where a silken sash has unforeseen power:
Haemon’s love cannot penetrate
The bridal tomb but for layer
Upon layer of pounded metal thrust
Through a rib as life ebbs onto
The musty gray floor.
Bound forever in the deathly marriage
Of two minds transgressing mortal thought,
Drawn to immortality in legend,
Farther and deeper that bloodless
Lieutenant Taylor Jackson Collection, Volume 2 Page 56