The Complete Northanger Horrid Novel Collection (9 Books of Gothic Romance and Horror)

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The Complete Northanger Horrid Novel Collection (9 Books of Gothic Romance and Horror) Page 74

by Eliza Parsons


  She determined, however, to watch on the following night, when her doubts might, perhaps, be cleared up; and she almost resolved to address the figure, if it should appear again.

  CHAPTER III

  Such are those thick and gloomy shadows damp,

  Oft seen in charnel-vaults and sepulchres,

  Lingering, and sitting, by a new-made grave.

  MILTON

  On the following day, Montoni sent a second excuse to Emily, who was surprised at the circumstance. "This is very strange!" said she to herself. "His conscience tells him the purport of my visit, and he defers it, to avoid an explanation." She now almost resolved to throw herself in his way, but terror checked the intention, and this day passed, as the preceding one, with Emily, except that a degree of awful expectation, concerning the approaching night, now somewhat disturbed the dreadful calmness that had pervaded her mind.

  Towards evening, the second part of the band, which had made the first excursion among the mountains, returned to the castle, where, as they entered the courts, Emily, in her remote chamber, heard their loud shouts and strains of exultation, like the orgies of furies over some horrid sacrifice. She even feared they were about to commit some barbarous deed; a conjecture from which, however, Annette soon relieved her, by telling, that the people were only exulting over the plunder they had brought with them. This circumstance still further confirmed her in the belief, that Montoni had really commenced to be a captain of banditti, and meant to retrieve his broken fortunes by the plunder of travellers! Indeed, when she considered all the circumstances of his situation—in an armed, and almost inaccessible castle, retired far among the recesses of wild and solitary mountains, along whose distant skirts were scattered towns, and cities, whither wealthy travellers were continually passing—this appeared to be the situation of all others most suited for the success of schemes of rapine, and she yielded to the strange thought, that Montoni was become a captain of robbers. His character also, unprincipled, dauntless, cruel and enterprising, seemed to fit him for the situation. Delighting in the tumult and in the struggles of life, he was equally a stranger to pity and to fear; his very courage was a sort of animal ferocity; not the noble impulse of a principle, such as inspirits the mind against the oppressor, in the cause of the oppressed; but a constitutional hardiness of nerve, that cannot feel, and that, therefore, cannot fear.

  Emily's supposition, however natural, was in part erroneous, for she was a stranger to the state of this country and to the circumstances, under which its frequent wars were partly conducted. The revenues of the many states of Italy being, at that time, insufficient to the support of standing armies, even during the short periods, which the turbulent habits both of the governments and the people permitted to pass in peace, an order of men arose not known in our age, and but faintly described in the history of their own. Of the soldiers, disbanded at the end of every war, few returned to the safe, but unprofitable occupations, then usual in peace. Sometimes they passed into other countries, and mingled with armies, which still kept the field. Sometimes they formed themselves into bands of robbers, and occupied remote fortresses, where their desperate character, the weakness of the governments which they offended, and the certainty, that they could be recalled to the armies, when their presence should be again wanted, prevented them from being much pursued by the civil power; and, sometimes, they attached themselves to the fortunes of a popular chief, by whom they were led into the service of any state, which could settle with him the price of their valour. From this latter practice arose their name—CONDOTTIERI; a term formidable all over Italy, for a period, which concluded in the earlier part of the seventeenth century, but of which it is not so easy to ascertain the commencement.

  Contests between the smaller states were then, for the most part, affairs of enterprise alone, and the probabilities of success were estimated, not from the skill, but from the personal courage of the general, and the soldiers. The ability, which was necessary to the conduct of tedious operations, was little valued. It was enough to know how a party might be led towards their enemies, with the greatest secrecy, or conducted from them in the compactest order. The officer was to precipitate himself into a situation, where, but for his example, the soldiers might not have ventured; and, as the opposed parties knew little of each other's strength, the event of the day was frequently determined by the boldness of the first movements. In such services the condottieri were eminent, and in these, where plunder always followed success, their characters acquired a mixture of intrepidity and profligacy, which awed even those whom they served.

  When they were not thus engaged, their chief had usually his own fortress, in which, or in its neighbourhood, they enjoyed an irksome rest; and, though their wants were, at one time, partly supplied from the property of the inhabitants, the lavish distribution of their plunder at others, prevented them from being obnoxious; and the peasants of such districts gradually shared the character of their warlike visitors. The neighbouring governments sometimes professed, but seldom endeavoured, to suppress these military communities; both because it was difficult to do so, and because a disguised protection of them ensured, for the service of their wars, a body of men, who could not otherwise be so cheaply maintained, or so perfectly qualified. The commanders sometimes even relied so far upon this policy of the several powers, as to frequent their capitals; and Montoni, having met them in the gaming parties of Venice and Padua, conceived a desire to emulate their characters, before his ruined fortunes tempted him to adopt their practices. It was for the arrangement of his present plan of life, that the midnight councils were held at his mansion in Venice, and at which Orsino and some other members of the present community then assisted with suggestions, which they had since executed with the wreck of their fortunes.

  On the return of night, Emily resumed her station at the casement. There was now a moon; and, as it rose over the tufted woods, its yellow light served to show the lonely terrace and the surrounding objects, more distinctly, than the twilight of the stars had done, and promised Emily to assist her observations, should the mysterious form return. On this subject, she again wavered in conjecture, and hesitated whether to speak to the figure, to which a strong and almost irresistible interest urged her; but terror, at intervals, made her reluctant to do so.

  "If this is a person who has designs upon the castle," said she, "my curiosity may prove fatal to me; yet the mysterious music, and the lamentations I heard, must surely have proceeded from him: if so, he cannot be an enemy."

  She then thought of her unfortunate aunt, and, shuddering with grief and horror, the suggestions of imagination seized her mind with all the force of truth, and she believed, that the form she had seen was supernatural. She trembled, breathed with difficulty, an icy coldness touched her cheeks, and her fears for a while overcame her judgment. Her resolution now forsook her, and she determined, if the figure should appear, not to speak to it.

  Thus the time passed, as she sat at her casement, awed by expectation, and by the gloom and stillness of midnight; for she saw obscurely in the moon-light only the mountains and woods, a cluster of towers, that formed the west angle of the castle, and the terrace below; and heard no sound, except, now and then, the lonely watch-word, passed by the sentinels on duty, and afterwards the steps of the men who came to relieve guard, and whom she knew at a distance on the rampart by their pikes, that glittered in the moonbeam, and then, by the few short words, in which they hailed their fellows of the night. Emily retired within her chamber, while they passed the casement. When she returned to it, all was again quiet. It was now very late, she was wearied with watching, and began to doubt the reality of what she had seen on the preceding night; but she still lingered at the window, for her mind was too perturbed to admit of sleep. The moon shone with a clear lustre, that afforded her a complete view of the terrace; but she saw only a solitary sentinel, pacing at one end of it; and, at length, tired with expectation, she withdrew to seek rest.

  Such,
however, was the impression, left on her mind by the music, and the complaining she had formerly heard, as well as by the figure, which she fancied she had seen, that she determined to repeat the watch, on the following night.

  Montoni, on the next day, took no notice of Emily's appointed visit, but she, more anxious than before to see him, sent Annette to enquire, at what hour he would admit her. He mentioned eleven o'clock, and Emily was punctual to the moment; at which she called up all her fortitude to support the shock of his presence and the dreadful recollections it enforced. He was with several of his officers, in the cedar room; on observing whom she paused; and her agitation increased, while he continued to converse with them, apparently not observing her, till some of his officers, turning round, saw Emily, and uttered an exclamation. She was hastily retiring, when Montoni's voice arrested her, and, in a faltering accent, she said,—"I would speak with you, Signor Montoni, if you are at leisure."

  "These are my friends," he replied, "whatever you would say, they may hear."

  Emily, without replying, turned from the rude gaze of the chevaliers, and Montoni then followed her to the hall, whence he led her to a small room, of which he shut the door with violence. As she looked on his dark countenance, she again thought she saw the murderer of her aunt; and her mind was so convulsed with horror, that she had not power to recall thought enough to explain the purport of her visit; and to trust herself with the mention of Madame Montoni was more than she dared.

  Montoni at length impatiently enquired what she had to say? "I have no time for trifling," he added, "my moments are important."

  Emily then told him, that she wished to return to France, and came to beg, that he would permit her to do so.—But when he looked surprised, and enquired for the motive of the request, she hesitated, became paler than before, trembled, and had nearly sunk at his feet. He observed her emotion, with apparent indifference, and interrupted the silence by telling her, he must be gone. Emily, however, recalled her spirits sufficiently to enable her to repeat her request. And, when Montoni absolutely refused it, her slumbering mind was roused.

  "I can no longer remain here with propriety, sir," said she, "and I may be allowed to ask, by what right you detain me."

  "It is my will that you remain here," said Montoni, laying his hand on the door to go; "let that suffice you."

  Emily, considering that she had no appeal from this will, forbore to dispute his right, and made a feeble effort to persuade him to be just. "While my aunt lived, sir," said she, in a tremulous voice, "my residence here was not improper; but now, that she is no more, I may surely be permitted to depart. My stay cannot benefit you, sir, and will only distress me."

  "Who told you, that Madame Montoni was dead?" said Montoni, with an inquisitive eye. Emily hesitated, for nobody had told her so, and she did not dare to avow the having seen that spectacle in the portal-chamber, which had compelled her to the belief.

  "Who told you so?" he repeated, more sternly.

  "Alas! I know it too well," replied Emily: "spare me on this terrible subject!"

  She sat down on a bench to support herself.

  "If you wish to see her," said Montoni, "you may; she lies in the east turret."

  He now left the room, without awaiting her reply, and returned to the cedar chamber, where such of the chevaliers as had not before seen Emily, began to rally him, on the discovery they had made; but Montoni did not appear disposed to bear this mirth, and they changed the subject.

  Having talked with the subtle Orsino, on the plan of an excursion, which he meditated for a future day, his friend advised, that they should lie in wait for the enemy, which Verezzi impetuously opposed, reproached Orsino with want of spirit, and swore, that, if Montoni would let him lead on fifty men, he would conquer all that should oppose him.

  Orsino smiled contemptuously; Montoni smiled too, but he also listened. Verezzi then proceeded with vehement declamation and assertion, till he was stopped by an argument of Orsino, which he knew not how to answer better than by invective. His fierce spirit detested the cunning caution of Orsino, whom he constantly opposed, and whose inveterate, though silent, hatred he had long ago incurred. And Montoni was a calm observer of both, whose different qualifications he knew, and how to bend their opposite character to the perfection of his own designs. But Verezzi, in the heat of opposition, now did not scruple to accuse Orsino of cowardice, at which the countenance of the latter, while he made no reply, was overspread with a livid paleness; and Montoni, who watched his lurking eye, saw him put his hand hastily into his bosom. But Verezzi, whose face, glowing with crimson, formed a striking contrast to the complexion of Orsino, remarked not the action, and continued boldly declaiming against cowards to Cavigni, who was slyly laughing at his vehemence, and at the silent mortification of Orsino, when the latter, retiring a few steps behind, drew forth a stiletto to stab his adversary in the back. Montoni arrested his half-extended arm, and, with a significant look, made him return the poignard into his bosom, unseen by all except himself; for most of the party were disputing at a distant window, on the situation of a dell where they meant to form an ambuscade.

  When Verezzi had turned round, the deadly hatred, expressed on the features of his opponent, raising, for the first time, a suspicion of his intention, he laid his hand on his sword, and then, seeming to recollect himself, strode up to Montoni.

  "Signor," said he, with a significant look at Orsino, "we are not a band of assassins; if you have business for brave men employ me on this expedition: you shall have the last drop of my blood; if you have only work for cowards—keep him," pointing to Orsino, "and let me quit Udolpho."

  Orsino, still more incensed, again drew forth his stiletto, and rushed towards Verezzi, who, at the same instant, advanced with his sword, when Montoni and the rest of the party interfered and separated them.

  "This is the conduct of a boy," said Montoni to Verezzi, "not of a man: be more moderate in your speech."

  "Moderation is the virtue of cowards," retorted Verezzi; "they are moderate in every thing—but in fear."

  "I accept your words," said Montoni, turning upon him with a fierce and haughty look, and drawing his sword out of the scabbard.

  "With all my heart," cried Verezzi, "though I did not mean them for you."

  He directed a pass at Montoni; and, while they fought, the villain Orsino made another attempt to stab Verezzi, and was again prevented.

  The combatants were, at length, separated; and, after a very long and violent dispute, reconciled. Montoni then left the room with Orsino, whom he detained in private consultation for a considerable time.

  Emily, meanwhile, stunned by the last words of Montoni, forgot, for the moment, his declaration, that she should continue in the castle, while she thought of her unfortunate aunt, who, he had said, was laid in the east turret. In suffering the remains of his wife to lie thus long unburied, there appeared a degree of brutality more shocking than she had suspected even Montoni could practise.

  After a long struggle, she determined to accept his permission to visit the turret, and to take a last look of her ill-fated aunt: with which design she returned to her chamber, and, while she waited for Annette to accompany her, endeavoured to acquire fortitude sufficient to support her through the approaching scene; for, though she trembled to encounter it, she knew that to remember the performance of this last act of duty would hereafter afford her consoling satisfaction.

  Annette came, and Emily mentioned her purpose, from which the former endeavoured to dissuade her, though without effect, and Annette was, with much difficulty, prevailed upon to accompany her to the turret; but no consideration could make her promise to enter the chamber of death.

  They now left the corridor, and, having reached the foot of the stair-case, which Emily had formerly ascended, Annette declared she would go no further, and Emily proceeded alone. When she saw the track of blood, which she had before observed, her spirits fainted, and, being compelled to rest on the stairs, she almost d
etermined to proceed no further. The pause of a few moments restored her resolution, and she went on.

  As she drew near the landing-place, upon which the upper chamber opened, she remembered, that the door was formerly fastened, and apprehended, that it might still be so. In this expectation, however, she was mistaken; for the door opened at once, into a dusky and silent chamber, round which she fearfully looked, and then slowly advanced, when a hollow voice spoke. Emily, who was unable to speak, or to move from the spot, uttered no sound of terror. The voice spoke again; and, then, thinking that it resembled that of Madame Montoni, Emily's spirits were instantly roused; she rushed towards a bed, that stood in a remote part of the room, and drew aside the curtains. Within, appeared a pale and emaciated face. She started back, then again advanced, shuddered as she took up the skeleton hand, that lay stretched upon the quilt; then let it drop, and then viewed the face with a long, unsettled gaze. It was that of Madame Montoni, though so changed by illness, that the resemblance of what it had been, could scarcely be traced in what it now appeared. She was still alive, and, raising her heavy eyes, she turned them on her niece.

  "Where have you been so long?" said she, in the same tone, "I thought you had forsaken me."

  "Do you indeed live," said Emily, at length, "or is this but a terrible apparition?" she received no answer, and again she snatched up the hand. "This is substance," she exclaimed, "but it is cold—cold as marble!" She let it fall. "O, if you really live, speak!" said Emily, in a voice of desperation, "that I may not lose my senses—say you know me!"

  "I do live," replied Madame Montoni, "but—I feel that I am about to die."

 

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