Thus several days passed, during which Emily remained in her own room, Maddelina attending her only at her repast, whose gentle countenance and manners soothed her more than any circumstance she had known for many months. Of her pleasant embowered chamber she now became fond, and began to experience in it those feelings of security, which we naturally attach to home. In this interval also, her mind, having been undisturbed by any new circumstance of disgust, or alarm, recovered its tone sufficiently to permit her the enjoyment of her books, among which she found some unfinished sketches of landscapes, several blank sheets of paper, with her drawing instruments, and she was thus enabled to amuse herself with selecting some of the lovely features of the prospect, that her window commanded, and combining them in scenes, to which her tasteful fancy gave a last grace. In these little sketches she generally placed interesting groups, characteristic of the scenery they animated, and often contrived to tell, with perspicuity, some simple and affecting story, when, as a tear fell over the pictured griefs, which her imagination drew, she would forget, for a moment, her real sufferings. Thus innocently she beguiled the heavy hours of misfortune, and, with meek patience, awaited the events of futurity.
A beautiful evening, that had succeeded to a sultry day, at length induced Emily to walk, though she knew that Bertrand must attend her, and, with Maddelina for her companion, she left the cottage, followed by Bertrand, who allowed her to choose her own way. The hour was cool and silent, and she could not look upon the country around her, without delight. How lovely, too, appeared the brilliant blue, that coloured all the upper region of the air, and, thence fading downward, was lost in the saffron glow of the horizon! Nor less so were the varied shades and warm colouring of the Apennines, as the evening sun threw his slanting rays athwart their broken surface. Emily followed the course of the stream, under the shades, that overhung its grassy margin. On the opposite banks, the pastures were animated with herds of cattle of a beautiful cream-colour; and, beyond, were groves of lemon and orange, with fruit glowing on the branches, frequent almost as the leaves, which partly concealed it. She pursued her way towards the sea, which reflected the warm glow of sun-set, while the cliffs, that rose over its edge, were tinted with the last rays. The valley was terminated on the right by a lofty promontory, whose summit, impending over the waves, was crowned with a ruined tower, now serving for the purpose of a beacon, whose shattered battlements and the extended wings of some sea-fowl, that circled near it, were still illumined by the upward beams of the sun, though his disk was now sunk beneath the horizon; while the lower part of the ruin, the cliff on which it stood and the waves at its foot, were shaded with the first tints of twilight.
Having reached this headland, Emily gazed with solemn pleasure on the cliffs, that extended on either hand along the sequestered shores, some crowned with groves of pine, and others exhibiting only barren precipices of grayish marble, except where the crags were tufted with myrtle and other aromatic shrubs. The sea slept in a perfect calm; its waves, dying in murmurs on the shores, flowed with the gentlest undulation, while its clear surface reflected in softened beauty the vermeil tints of the west. Emily, as she looked upon the ocean, thought of France and of past times, and she wished, Oh! how ardently, and vainly—wished! that its waves would bear her to her distant, native home!
"Ah! that vessel," said she, "that vessel, which glides along so stately, with its tall sails reflected in the water is, perhaps, bound for France! Happy—happy bark!" She continued to gaze upon it, with warm emotion, till the gray of twilight obscured the distance, and veiled it from her view. The melancholy sound of the waves at her feet assisted the tenderness, that occasioned her tears, and this was the only sound, that broke upon the hour, till, having followed the windings of the beach, for some time, a chorus of voices passed her on the air. She paused a moment, wishing to hear more, yet fearing to be seen, and, for the first time, looked back to Bertrand, as her protector, who was following, at a short distance, in company with some other person. Reassured by this circumstance, she advanced towards the sounds, which seemed to arise from behind a high promontory, that projected athwart the beach. There was now a sudden pause in the music, and then one female voice was heard to sing in a kind of chant. Emily quickened her steps, and, winding round the rock, saw, within the sweeping bay, beyond, which was hung with woods from the borders of the beach to the very summit of the cliffs, two groups of peasants, one seated beneath the shades, and the other standing on the edge of the sea, round the girl, who was singing, and who held in her hand a chaplet of flowers, which she seemed about to drop into the waves.
Emily, listening with surprise and attention, distinguished the following invocation delivered in the pure and elegant tongue of Tuscany, and accompanied by a few pastoral instruments.
TO A SEA-NYMPH
O nymph! who loves to float on the green wave,
When Neptune sleeps beneath the moon-light hour,
Lull'd by the music's melancholy pow'r,
O nymph, arise from out thy pearly cave!
For Hesper beams amid the twilight shade,
And soon shall Cynthia tremble o'er the tide,
Gleam on these cliffs, that bound the ocean's pride,
And lonely silence all the air pervade.
Then, let thy tender voice at distance swell,
And steal along this solitary shore,
Sink on the breeze, till dying—heard no more—
Thou wak'st the sudden magic of thy shell.
While the long coast in echo sweet replies,
Thy soothing strains the pensive heart beguile,
And bid the visions of the future smile,
O nymph! from out thy pearly cave—arise!
(Chorus)—ARISE!
(Semi-chorus)—ARISE!
The last words being repeated by the surrounding group, the garland of flowers was thrown into the waves, and the chorus, sinking gradually into a chant, died away in silence.
"What can this mean, Maddelina?" said Emily, awakening from the pleasing trance, into which the music had lulled her. "This is the eve of a festival, Signora," replied Maddelina; "and the peasants then amuse themselves with all kinds of sports."
"But they talked of a sea-nymph," said Emily: "how came these good people to think of a sea-nymph?"
"O, Signora," rejoined Maddelina, mistaking the reason of Emily's surprise, "nobody BELIEVES in such things, but our old songs tell of them, and, when we are at our sports, we sometimes sing to them, and throw garlands into the sea."
Emily had been early taught to venerate Florence as the seat of literature and of the fine arts; but, that its taste for classic story should descend to the peasants of the country, occasioned her both surprise and admiration. The Arcadian air of the girls next attracted her attention. Their dress was a very short full petticoat of light green, with a bodice of white silk; the sleeves loose, and tied up at the shoulders with ribbons and bunches of flowers. Their hair, falling in ringlets on their necks, was also ornamented with flowers, and with a small straw hat, which, set rather backward and on one side of the head, gave an expression of gaiety and smartness to the whole figure. When the song had concluded, several of these girls approached Emily, and, inviting her to sit down among them, offered her, and Maddelina, whom they knew, grapes and figs.
Emily accepted their courtesy, much pleased with the gentleness and grace of their manners, which appeared to be perfectly natural to them; and when Bertrand, soon after, approached, and was hastily drawing her away, a peasant, holding up a flask, invited him to drink; a temptation, which Bertrand was seldom very valiant in resisting.
"Let the young lady join in the dance, my friend," said the peasant, "while we empty this flask. They are going to begin directly. Strike up! my lads, strike up your tambourines and merry flutes!"
They sounded gaily; and the younger peasants formed themselves into a circle, which Emily would readily have joined, had her spirits been in unison with their mirth. Maddelina, howe
ver, tripped it lightly, and Emily, as she looked on the happy group, lost the sense of her misfortunes in that of a benevolent pleasure. But the pensive melancholy of her mind returned, as she sat rather apart from the company, listening to the mellow music, which the breeze softened as it bore it away, and watching the moon, stealing its tremulous light over the waves and on the woody summits of the cliffs, that wound along these Tuscan shores.
Meanwhile, Bertrand was so well pleased with his first flask, that he very willingly commenced the attack on a second, and it was late before Emily, not without some apprehension, returned to the cottage.
After this evening, she frequently walked with Maddelina, but was never unattended by Bertrand; and her mind became by degrees as tranquil as the circumstances of her situation would permit. The quiet, in which she was suffered to live, encouraged her to hope, that she was not sent hither with an evil design; and, had it not appeared probable, that Valancourt was at this time an inhabitant of Udolpho, she would have wished to remain at the cottage, till an opportunity should offer of returning to her native country. But, concerning Montoni's motive for sending her into Tuscany, she was more than ever perplexed, nor could she believe that any consideration for her safety had influenced him on this occasion.
She had been some time at the cottage, before she recollected, that, in the hurry of leaving Udolpho, she had forgotten the papers committed to her by her late aunt, relative to the Languedoc estates; but, though this remembrance occasioned her much uneasiness, she had some hope, that, in the obscure place, where they were deposited, they would escape the detection of Montoni.
CHAPTER VIII
My tongue hath but a heavier tale to say.
I play the torturer, by small and small,
To lengthen out the worst that must be spoken.
-RICHARD II
We now return, for a moment, to Venice, where Count Morano was suffering under an accumulation of misfortunes. Soon after his arrival in that city, he had been arrested by order of the Senate, and, without knowing of what he was suspected, was conveyed to a place of confinement, whither the most strenuous enquiries of his friends had been unable to trace him. Who the enemy was, that had occasioned him this calamity, he had not been able to guess, unless, indeed, it was Montoni, on whom his suspicions rested, and not only with much apparent probability, but with justice.
In the affair of the poisoned cup, Montoni had suspected Morano; but, being unable to obtain the degree of proof, which was necessary to convict him of a guilty intention, he had recourse to means of other revenge, than he could hope to obtain by prosecution. He employed a person, in whom he believed he might confide, to drop a letter of accusation into the DENUNZIE SECRETE, or lions" mouths, which are fixed in a gallery of the Doge's palace, as receptacles for anonymous information, concerning persons, who may be disaffected towards the state. As, on these occasions, the accuser is not confronted with the accused, a man may falsely impeach his enemy, and accomplish an unjust revenge, without fear of punishment, or detection. That Montoni should have recourse to these diabolical means of ruining a person, whom he suspected of having attempted his life, is not in the least surprising. In the letter, which he had employed as the instrument of his revenge, he accused Morano of designs against the state, which he attempted to prove, with all the plausible simplicity of which he was master; and the Senate, with whom a suspicion was, at that time, almost equal to a proof, arrested the Count, in consequence of this accusation; and, without even hinting to him his crime, threw him into one of those secret prisons, which were the terror of the Venetians, and in which persons often languished, and sometimes died, without being discovered by their friends.
Morano had incurred the personal resentment of many members of the state; his habits of life had rendered him obnoxious to some; and his ambition, and the bold rivalship, which he discovered, on several public occasions,—to others; and it was not to be expected, that mercy would soften the rigour of a law, which was to be dispensed from the hands of his enemies.
Montoni, meantime, was beset by dangers of another kind. His castle was besieged by troops, who seemed willing to dare every thing, and to suffer patiently any hardships in pursuit of victory. The strength of the fortress, however, withstood their attack, and this, with the vigorous defence of the garrison and the scarcity of provision on these wild mountains, soon compelled the assailants to raise the siege.
When Udolpho was once more left to the quiet possession of Montoni, he dispatched Ugo into Tuscany for Emily, whom he had sent from considerations of her personal safety, to a place of greater security, than a castle, which was, at that time, liable to be overrun by his enemies. Tranquillity being once more restored to Udolpho, he was impatient to secure her again under his roof, and had commissioned Ugo to assist Bertrand in guarding her back to the castle. Thus compelled to return, Emily bade the kind Maddelina farewell, with regret, and, after about a fortnight's stay in Tuscany, where she had experienced an interval of quiet, which was absolutely necessary to sustain her long-harassed spirits, began once more to ascend the Apennines, from whose heights she gave a long and sorrowful look to the beautiful country, that extended at their feet, and to the distant Mediterranean, whose waves she had so often wished would bear her back to France. The distress she felt, on her return towards the place of her former sufferings, was, however, softened by a conjecture, that Valancourt was there, and she found some degree of comfort in the thought of being near him, notwithstanding the consideration, that he was probably a prisoner.
It was noon, when she had left the cottage, and the evening was closed, long before she came within the neighbourhood of Udolpho. There was a moon, but it shone only at intervals, for the night was cloudy, and, lighted by the torch, which Ugo carried, the travellers paced silently along, Emily musing on her situation, and Bertrand and Ugo anticipating the comforts of a flask of wine and a good fire, for they had perceived for some time the difference between the warm climate of the lowlands of Tuscany and the nipping air of these upper regions. Emily was, at length, roused from her reverie by the far-off sound of the castle clock, to which she listened not without some degree of awe, as it rolled away on the breeze. Another and another note succeeded, and died in sullen murmur among the mountains:—to her mournful imagination it seemed a knell measuring out some fateful period for her.
"Aye, there is the old clock," said Bertrand, "there he is still; the cannon have not silenced him!"
"No," answered Ugo, "he crowed as loud as the best of them in the midst of it all. There he was roaring out in the hottest fire I have seen this many a day! I said that some of them would have a hit at the old fellow, but he escaped, and the tower too."
The road winding round the base of a mountain, they now came within view of the castle, which was shown in the perspective of the valley by a gleam of moon-shine, and then vanished in shade; while even a transient view of it had awakened the poignancy of Emily's feelings. Its massy and gloomy walls gave her terrible ideas of imprisonment and suffering: yet, as she advanced, some degree of hope mingled with her terror; for, though this was certainly the residence of Montoni, it was possibly, also, that of Valancourt, and she could not approach a place, where he might be, without experiencing somewhat of the joy of hope.
They continued to wind along the valley, and, soon after, she saw again the old walls and moon-lit towers, rising over the woods: the strong rays enabled her, also, to perceive the ravages, which the siege had made,—with the broken walls, and shattered battlements, for they were now at the foot of the steep, on which Udolpho stood. Massy fragments had rolled down among the woods, through which the travellers now began to ascend, and there mingled with the loose earth, and pieces of rock they had brought with them. The woods, too, had suffered much from the batteries above, for here the enemy had endeavoured to screen themselves from the fire of the ramparts. Many noble trees were levelled with the ground, and others, to a wide extent, were entirely stripped of their upper branches. "W
e had better dismount," said Ugo, "and lead the mules up the hill, or we shall get into some of the holes, which the balls have left. Here are plenty of them. Give me the torch," continued Ugo, after they had dismounted, "and take care you don't stumble over any thing, that lies in your way, for the ground is not yet cleared of the enemy."
"How!" exclaimed Emily, "are any of the enemy here, then?"
"Nay, I don't know for that, now," he replied, "but when I came away I saw one or two of them lying under the trees."
As they proceeded, the torch threw a gloomy light upon the ground, and far among the recesses of the woods, and Emily feared to look forward, lest some object of horror should meet her eye. The path was often strewn with broken heads of arrows, and with shattered remains of armour, such as at that period was mingled with the lighter dress of the soldiers. "Bring the light hither," said Bertrand, "I have stumbled over something, that rattles loud enough." Ugo holding up the torch, they perceived a steel breastplate on the ground, which Bertrand raised, and they saw, that it was pierced through, and that the lining was entirely covered with blood; but upon Emily's earnest entreaties, that they would proceed, Bertrand, uttering some joke upon the unfortunate person, to whom it had belonged, threw it hard upon the ground, and they passed on.
At every step she took, Emily feared to see some vestige of death. Coming soon after to an opening in the woods, Bertrand stopped to survey the ground, which was encumbered with massy trunks and branches of the trees, that had so lately adorned it, and seemed to have been a spot particularly fatal to the besiegers; for it was evident from the destruction of the trees, that here the hottest fire of the garrison had been directed. As Ugo held again forth the torch, steel glittered between the fallen trees; the ground beneath was covered with broken arms, and with the torn vestments of soldiers, whose mangled forms Emily almost expected to see; and she again entreated her companions to proceed, who were, however, too intent in their examination, to regard her, and she turned her eyes from this desolated scene to the castle above, where she observed lights gliding along the ramparts. Presently, the castle clock struck twelve, and then a trumpet sounded, of which Emily enquired the occasion.
The Complete Northanger Horrid Novel Collection (9 Books of Gothic Romance and Horror) Page 82