"Radhakrishna Radhakrishna,
Radhakrishna Radhakrishna,
Krishnaradha Radhakrishna,
Radhakrishna Radhakrishna,"
they sang, and woke the sleeping sentry in the Guest House; he leant upon his iron-tipped spear.
"I must go back now, good night," said Aziz, and held out his hand, completely forgetting that they were not friends, and focusing his heart on somethiiig more distant than the caves, something beautiful. His hand was taken, and then he remembered how detestable he had been, and said gently, "Don't you think me unkind any more?"
"No."
"How can you tell, you strange fellow?"
"Not difficult, the one thing I always know."
"Can you always tell whether a stranger is your friend?"
"Yes."
"Then you are an Oriental." He unclasped as he spoke, with a little shudder. Those words—he had said them to Mrs. Moore in the mosque in the beginning of the cycle, from which, after so much suffering, he had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son."
"I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top.
"But you are Heaslop's brother also, and alas, the two nations cannot be friends."
"I know. Not yet."
"Did your mother speak to you about me?"
"Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you."
"Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain. "How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."
Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were—hidden to deter the visitors from going out—and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising.
Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars in his arms, the guest asked no questions about details. There was presently a flash of lightning, followed by a second flash—little red scratches on the ponderous sky. "Was that the Rajah?" he asked.
"What—what do you mean?"
"Row back."
"But there's no Rajah—nothing——"
"Row back, you will see what I mean."
Aziz found it hard work against the advancing wind. But he fixed his eyes on the pin of light that marked the Guest House and backed a few strokes.
"There…"
Floating in the darkness was a king, who sat under a canopy, in shining royal robes…
"I can't tell you what that is, I'm sure," lie whispered. "His Highness is dead. I think we should go back at once."
They were close to the promontory of the tombs, and had looked straight into the chhatri of the Rajah's father through an opening in the trees. That was the explanation. He had heard of the image—made to imitate life at enormous expense—but he had never chanced to see it before, though he frequently rowed on the lake. There was only one spot from which it could be seen, and Ralph had directed him to it. Hastily he pulled away, feeling that his companion was not so much a visitor as a guide. He remarked, "Shall we gc back now?"
"There is still the procession."
"I'd rather not go nearer—they have such strange customs, and might hurt you."
"A little nearer."
Aziz obeyed. He knew with his heart that this was Mrs. Moore's son, and indeed until his heart was involved he knew nothing. "Radhakrishna Radhakrishna Radhakrishna Radhakrishna Krishnaradha," went the chant, then suddenly changed, and in the interstice he heard, almost certainly, the syllables of salvation that had sounded during his trial at Chandrapore.
"Mr. Moore, don't tell anyone that the Rajah is dead. It is a secret still, I am supposed not to say. We pretend he is alive until after the festival, to prevent unhappiness. Do you want to go still nearer?"
"Yes."
He tried to keep the boat out of the glare of the torches that began to star the other shore. Rockets kept going off, also the guns. Suddenly, closer than he had calculated, the palanquin of Krishna appeared from behind a ruined wall, and descended the carven glistening watersteps. On either side of it the singers tumbled, a woman prominent, a wild and beautiful young saint with flowers in her hair. She was praising God without attributes—thus did she apprehend Him. Others praised Him without attributes, seeing Him in this or that organ of the body or manifestation of the sky. Down they rushed to the foreshore and stood in the small waves, and a sacred meal was prepared, of which those who felt worthy partook. Old Godbole detected the boat, which was drifting in on the gale, and he waved his arms—whether in wrath or joy Aziz never discovered. Above stood the secular power of Mau—elephants, artillery, crowds—and high above them a wild tempest started, confined at first to the upper regions of the air. Gusts of wind mixed darkness and light, sheets of rain cut from the north, stopped, cut from the south, began rising from below, and across them struggled the singers, sounding every note but terror, and preparing to throw God away, God Himself, (not that God can be thrown) into the storm. Thus was He thrown year after year, and were others thrown—little images of Ganpati, baskets of ten-day corn, tiny tazias after Mohurram—scapegoats, husks, emblems of passage; a passage not easy, not now, not here, not to be apprehended except when it is unattainable: the God to be thrown was an emblem of that.
The village of Gokul reappeared upon its tray. It was the substitute for the silver image, which never left its haze of flowers; on behalf of another symbol, it was to perish. A servitor took it in his hands, and tore off the blue and white streamers. He was naked, broad-shouldered, thin-waisted—the Indian body again triumphant—and it was his hereditary office to close the gates of salvation. He entered the dark waters, pushing the village before him, until the clay dolls slipped off their chairs and began to gutter in the rain, and King Kansa was confounded with the father and mother of the Lord. Dark and solid, the little waves sipped, then a great wave washed and then English voices cried "Take care!"
The boats had collided with each other.
The four outsiders flung out their arms and grappled, and, with oars and poles sticking out, revolved like a mythical monster in the whirlwind. The worshippers howled with wrath or joy, as they drifted forward helplessly against the servitor. Who awaited them, his beautiful dark face expressionless, and as the last morsels melted
on his tray, it struck them.
The shock was minute, but Stella, nearest to it, shrank into her husband's arms, then reached forward, then flung herself against Aziz, and her motions capsized them. They plunged into the warm, shallow water, and rose struggling into a tornado of noise. The oars, the sacred tray, the letters of Ronny and Adela, broke loose and floated confusedly. Artillery was fired, drums beaten, the elephants trumpeted, and drowniiig all an immense peal of thunder, unaccompanied by lightning, cracked like a mallet on the dome.
That was the climax, as far as India admits of one. The rain settled in steadily to its job of wetting everybody and everything through, and soon spoiled the cloth of gold on the palanquin and the costly disc-shaped banners. Some of the torches went out, fireworks didn't catch, there began to be less singing, and the tray returned to Professor Godbole, who picked up a fragment of the mud adhering and smeared it on his forehead without much ceremony. Whatever had happened had happened, and while the intruders picked themselves up, the crowds of Hindus began a desultory move back into the town. The image went back too, and on the following day underwent a private death of its own, when some curtains of magenta and green were lowered in front of the dynastic shrine. The singing went on even longer… ragged edges of religion… unsatisfactory and undramatic tangles… "God si love." Looking back at the great blur of the last twenty-four hours, no man could say where was the emotional centre of it, any more than he could locite the heart of a cloud.
CHAPTER XXXVII
Friends again, yet aware that they could meet no more, Aziz and Fielding went for their last ride in the Mau jungles. The floods had abated and the Rajah was officially dead, so the Guest House party were departing next morning, as decorum required. What with the mourning and the festival, the visit was a failure. Fielding had scarcely seen Godbole, who promised every day to show him over the King-Emperor George Fifth High School, his main objective, but always made some excuse. This afternoon Aziz let out what had happened: the King-Emperor had been converted into a granary, and the Minister of Education did not like to admit this to his former Principal. The school had been opened only last year by the Agent to the Governor-General, and it still flourished on paper; he hoped to start it again before ts absence was remarked and to collect its scholars before they produced children of their own. Fielding laughed at the tangle and waste of energy, but he did not travel as lightly as in the past; education was a continuous concern to him, because his income and the comfort of his family depended on it. He knew that few Indians think education good in itself, and he deplored this now on the widest grounds. He began to say sonicthing heavy on the subject of Native States, but the friendliness of Aziz distracted him. This reconciliation was a success, anyhow. After the funny shipwreck there had been no more nonsense or bitterness, and they went back laughingly to their old relationship as if nothing had happened. Now they rode between jolly bushes and rocks. Presently the ground opened into full sunlight and they saw a grassy slope bright with butterflies, also a cobra, which crawled across doing nothing in particular, and disappeared among some custard apple trees. There were round white clouds in the sky, and white pools on the earth; the hills in the distance were purple. The scene was as park-like as England, but did not cease being queer. They drew rein, to give the cobra elbow-room, and Aziz produced a letter that he wanted to send to Miss Quested. A charming letter. He wanted to thank his old enemy for her fine behaviour two years back: perfectly plain was it now that she had behaved well. "As I fell into our largest Mau tank under circumstances our other friends will relate, I thought how brave Miss Quested was and decided to tell her so, despite my imperfect English. Through you I am happy here with my children instead of in a prison, of that I make no doubt. My children shall be taught to speak of you with the greatest affection and respect."
"Miss Quested will be greatly pleased. I am glad you have seen her courage at last."
"I want to do kind actions all round and wipe out the wretched business of the Marabar for ever. I have been so disgracefully hasty, thinking you meant to get hold of my money: as bad a mistake as the cave itself."
"Aziz, I wish you would talk to my wife. She too believes that the Marabar is wiped out."
"How so?"
"I don't. know, perhaps she might tell you, she won't tell me. She has ideas I don't share—indeed, when I'm away from her I think them ridiculous. When I'm with her, I suppose because I'm fond of her, I feel different, I feel half dead and half blind. My wife's after something. You and I and Miss Quested are, roughly speaking, not after anything. We jog on as decently as we can, you a little in front—a laudable little party. But my wife is not with us."
"What are you meaning? Is Stella not faithful to you, Cyril? This fills me with great concern."
Fielding hesitated. He was not quite happy about his marriage. He was passionate physically again—the final flare-up before the clinkers of middle age—and he knew that his wife did not love him as much as he loved her, and he was ashamed of pestering her. But during the visit to Mau the situation had improved. There seemed a link between them at last—that link outside either participant that is necessary to every relationship. In the language of theology, their union had been blessed. He could assure Aziz that Stella was not only faithful to him, but likely to become more so; and trying to express what was not clear to himself, he added dully that different people had different points of view. "If you won't talk about the Marabar to Stella, why won't you talk to Ralph? He is a wise boy really. And (same metaphor) he rides a little behind her, though with her."
"Tell him also, I have nothing to say to him, but he is indeed a wise boy and has always one Indian friend. I partly love him because he brought me back to you to say good-bye. For this is good-bye, Cyril, though to think about it will spoil our ride and make us sad."
"No, we won't think about it." He too felt that this was their last free intercourse. All the stupid misunderstandings had been cleared up, but socially they had no meeting-place. He had thrown in his lot with AngloIndia by marrying a countrywoman, and he was acquiring some of its limitations, and already felt surprise at his own past heroism. Would lie to-day defy all his own people for the sake of a stray Indian? Aziz was a memento, a trophy, they were proud of each other, yet they must inevitably part. And, anxious to make what he could of this last afternoon, he forced himself to speak intimately about his wife, the person most dear to him. He said: "From her point of view, Man has been a success. It calmed her—both of them suffer from restlessness. She found something soothing, some solution of her queer troubles here." After a silence—myriads of kisses around them as the earth drew the water in—he continued: " Do you know anything about this Krishna business?"
"My dear chap, officially they call it Gokul Ashtami. All the States offices are closed, but how else should it concern you and me?"
"Gokul is the village where Krishna was born—well, more or less born, for there's the same hovering between it and another village as between Bethlehem and Nazareth. What I want to discover is its spiritual side, if it has one."
"It is useless discussing Hindus with me. Living with them teaches me no more. When I think I annoy them, I do not. When I think I don't annoy them, I do Perhaps they will sack me for tumbling on to their dolls'house; on the other hand, perhaps they will double my salary. Time will prove. Why so curious about them?"
"It's difficult to explain. I never really understood or liked them, except an occasional scrap of Godbole. Does the old fellow still say 'Come, come?'"
"Oh, presumably."
Fielding sighed, opened his lips, shut them, then said with a little laugh, " I can't explain, because it isn't in words at all, but why do my wife and her brother like Hinduism, though they take no interest in its forms? They won't talk to me about this. They know I think a certain side of their lives is a mistake, and are shy. That's why I wish you would talk to them, for at all events you're Oriental."
Aziz refused to reply. He didn't want to meet
Stella and Ralph again, knew they didn't want to meet him, was incurious about their secrets, and felt good old Cyril to be a bit clumsy. Something—not a sight, but a sound—flitted past him, and caused him to re-read his letter to Miss Quested. Hadn't lie wanted to say something else to her? Taking out his pen, he added: "For my own part, I shall henceforth connect you with the name that is very sacred in my mind, namely, Mrs. Moore." When lie had finished, the mirror of the scenery was shattered, the meadow disintegrated into butterflies. A poem about Mecca—the Caaba of Union—the thornbushes where pilgrims die before they have seen the Friend—they flitted next; he thought of his wife; and then the whole semi-mystic, semi-sensuous overturn, so characteristic of his spiritual life, came to end like a landslip and rested in its due place, and he found himself riding in the jungle with his dear Cyril.
"Oh, shut up," he said. "Don't spoil our last hour with foolish questions. Leave Krishna alone, and talk about something sensible."
They did. All the way back to Mau they wrangled about politics. Each had hardened since Chandrapore, and a good knock about proved enjoyable. They trusted each other, although they were going to part, perhaps because they were going to part. Fielding had "no further use for politeness," he said, meaning that the British Empire really can't be abolished because it's rude. Aziz retorted, "Very well, and we have no use for you," and glared at him with abstract hate. Fielding said: "Away from us, Indians go to seed at once. Look at the KingEmperor High School! Look at you, forgetting your medicine and going back to charms. Look at your poems."—" Jolly good poems, I'm getting published Bombay side."—" Yes, and what do they say? Free our women and India will be free. Try it, my lad. Free your own lady in the first place, and see who'll wash Ahmed, Karim and Jemila's faces. A nice situation!"
A Passage to India Page 30