by Meg Cabot
My head spun. “Grandmère! Are you serious?” I didn’t have to worry anymore about Amber Cheeseman sending my nasal cartilage crashing into my frontal lobe! It was like a dream come true.
“You see, Amelia,” Grandmère said smugly. “You helped me, and I helped you. That is the Renaldo way.”
This actually made me laugh.
“But I got you your island,” I said, feeling a bubble of triumph—yes, triumph—well up inside me. “I asked J.P. to eat lunch with me, and that’s what made his dad drop his bid. I didn’t have to stoop to any elaborate lies or blackmail schemes or strangulation—which appears to be the Renaldo way. But there’s another way, Grandmère. You might want to check it out. It’s called being nice to people.”
Grandmère blinked down at me.
“Where would Rosagunde have gotten, if she’d been nice to Lord Alboin? Niceness, Amelia,” she said, “gets you nowhere in life.”
“Au contraire, Grandmère,” I said. “Niceness got you the faux island of Genovia, and me the money I needed….”
And, I added silently to myself, my boyfriend back.
But Grandmère just rolled her eyes and went, “Does my hair look all right? I’m heading over to the photographers now.”
“You look great,” I told her.
Because what does it hurt to be nice?
As soon as Grandmère had been swallowed up by the press corps that had been waiting for her, J.P. appeared, holding out a glass of sparkling cider for me, which I took from him and gratefully gulped down. All that singing can make you thirsty.
“So,” J.P. said. “That was my dad.”
“He seems to really love you,” I said diplomatically. Because it wouldn’t have been nice to say God, you were right! He IS super embarrassing! “In spite of the corn thing.”
“Yeah,” J.P. said. “I guess. Anyway. Mad at me?”
“Mad at you?” I cried. “Why are you always asking if I’m mad at you? I think you’re the greatest guy I ever met!”
“Except Michael,” J.P. reminded me, glancing over to where Michael stood, having a heart-to-heart with Bob Dylan…not far, actually, from where Lana Weinberger and Trish Hayes were being ignored by Colin Farrell. And pouting because of it.
“Well, of course,” I said to J.P. “Seriously, that was SO SWEET, what you did for me…and for Michael. I honestly can’t thank you enough. I don’t know how I’ll ever be able to repay you.”
“Oh,” J.P. said with a smile. “I’m sure I’ll think of something.”
“I do have one question, though,” I said, finally getting the guts to ask him something that had been bothering me for a while. “If you hate corn so much, why do you even GET the chili? I mean, in the caf.”
J.P. blinked at me. “Well, because I hate corn. But I love chili.”
“Oh. Okay. See you tomorrow,” I said, and gave him a little wave good-bye. Even though I didn’t understand at all.
But, you know, I’ve pretty much come to the conclusion that I only understand about 15 percent of what people are saying to me anyway. Like what Amber Cheeseman said to me a little while ago, over by the caviar bar: “You know, Mia, you’re really fun in person. After all the stuff I’ve read about you, I expected you to be sort of a stick in the mud. But you’re a real party girl after all!”
So, I guess the definition of “party girl” sort of varies, depending on who, you know, is doing the talking.
A second later, Lilly sidled up to me. If I hadn’t known the truth—you know, about her parents—I might have been all, “Lilly! What are you doing, sidling up to people? You don’t sidle.”
But it was obvious from the sidle that she knew the truth about them now—so all I said was, “Hey.”
“Hey.” Lilly was gazing across the room at Boris, who was pumping Joshua Bell’s hand so hard, it was clear he might actually break it. Behind him stood two people who could only be Mr. and Mrs. Pelkowski, both beaming shyly at their son’s hero, while behind THEM, my mom and Mr. Gianini, and Lilly’s parents, were listening intently to something Leonard Nimoy was telling them. “How’s it going?”
“All right,” I said. “Did you get to talk to Benazir?”
“She didn’t show,” Lilly said. “I had a nice chat with Colin Farrell, though.”
I raised my eyebrows. “You did?”
“Yeah,” Lilly said. “He agrees with me that the IRA needed to disarm, but has some pretty radical ideas on how they ought to have gone about it. Oh, and then I had a long talk with Paris Hilton.”
“What did you and Paris Hilton talk about?”
“Mostly the peace process in the Middle East. Though she did say she thought my shoes were hot,” Lilly said.
And we both looked down at Lilly’s black Converse high-tops, the ones she’d drawn silver Stars of David all over, in order to celebrate her Jewish heritage, and which she’d donned especially for tonight’s occasion.
“They are nice,” I admitted. “Listen, Lilly. Thanks. For helping to straighten out things between me and Michael, I mean.”
“What are friends for?” Lilly asked with a shrug. “And don’t worry. I didn’t tell Michael about that kiss you gave J.P.”
“It didn’t mean anything!” I cried.
“Whatever,” Lilly said.
“It didn’t,” I insisted. And then, because it seemed like the right thing to do, I added, “Look. I’m really sorry about your parents.”
“I know,” Lilly said. “I should have—I mean, I’ve known for a while things weren’t going so well for them. Morty’s been moving away from the neopsychoanalytical school of psychiatry ever since he left grad school. He and Ruth have been fighting over this for years, but it all came to a head with a recent article in Psychoanalysis Today, blasting the Jungians for essentialism. Ruth feels Morty’s attitude toward the neopsychoanalysis movement is merely a symptom of a midlife crisis, and that next thing you know, Morty’ll be buying a Ferrari and vacationing in the Hamptons. But Morty insists he’s on the verge of an important breakthrough. Neither of them will back off. So Ruth asked Morty to move out until he gets his priorities back in order. Or publishes. Whichever comes first.”
“Oh,” I said. Because I couldn’t figure out how else to respond. I mean, do couples really split up over things like this? I’ve heard about people getting divorced because one person keeps on losing the cap to the toothpaste.
But to break up over methodological differences?
Oh, well. At least that’s one I never have to worry about happening to Michael and me!
“Still, I shouldn’t have kept it all to myself,” Lilly went on. “I should have told you. At least it might have helped you understand—you know. Why I’ve been acting like such a freak lately.”
“At least,” I said gravely, “you have an excuse. For freakish behavior, and all. What’s mine?”
Lilly laughed, the way I’d meant her to.
“I’m sorry I wouldn’t pull your story,” she said. “You were totally right. It would have been mean to J.P. Not to mention completely insulting to your cat.”
“Yeah,” I said, glancing over to where J.P. was standing, not too far from Doo Pak, who was breathlessly telling something to Elton John. “J.P.’s a really nice guy. And you know…” Well, why not? The niceness thing hadn’t let me down yet. “…I think he really likes you.”
“Shut up,” Lilly said. But not in quite as listless a voice as she’d been speaking in before. “I’ve given up guys. You know that. They don’t bring anything but trouble and heartache. It’s like I was telling David Mamet a minute ago that—”
“Wait,” I said. “David Mamet is here?”
“Yeah,” Lilly said. “He’s buying the faux island of Massachusetts or something. Why?”
“Lilly,” I said excitedly. “Go up to J.P. and tell him you want to introduce him to someone. Then bring him over to David Mamet.”
“Why?”
“Don’t ask. Just do it. I swear you won’t regret
it. In fact, I bet he asks you out afterward.”
“Do you really think he likes me?” Lilly wanted to know, eyeing J.P. uncertainly.
“Totally,” I said.
“Then I’m going to do it,” Lilly said with sudden determination. “Right now.”
“Go for it,” I told her.
And she went.
But I didn’t get to see how J.P. reacted, because at that very moment, Michael came up, and slid an arm around my waist.
“Hi,” I said. “How was Bob?”
“Bob,” Michael said, “is so cool. How are you?”
“You know what? I’m good.”
And I wasn’t even lying, for a change.
ACKNOWLEDGMENTS
Many thanks to Beth Ader, Jennifer Brown, Barbara Cabot, Lexa Hillyer, Michele Jaffe, Laura Langlie, Janey Lee, and Abigail McAden. Special thanks to Benjamin Egnatz, who wrote many of the songs/poems in this book, and also fed me while I was writing it.
About the Author
MEG CABOT is the author of the best-selling, critically acclaimed Princess Diaries books, which were made into the wildly popular Disney movies of the same name. Her other books for teens include the Mediator series, the 1-800-Where-R-You books, All-American Girl, Ready or Not, Teen Idol, and Avalon High, as well as Nicola and the Viscount and Victoria and the Rogue. She also writes books for adults, including The Boy Next Door, Boy Meets Girl, Every Boy’s Got One, and Size 12 Is Not Fat. She is still waiting for her real parents, the king and queen, to restore her to her rightful throne. She lives in Key West and New York City with her husband and a one-eyed cat named Henrietta.
Visit Meg’s website at: www.megcabot.com
For exclusive information on your favorite authors and artists, visit www.authortracker.com.
Books by
MEG CABOT
The Princess Diaries
THE PRINCESS DIARIES, VOLUME II:
Princess in the Spotlight
THE PRINCESS DIARIES, VOLUME III:
Princess in Love
THE PRINCESS DIARIES, VOLUME IV:
Princess in Waiting
THE PRINCESS DIARIES, VOLUME IV AND A HALF:
Project Princess
THE PRINCESS DIARIES, VOLUME V:
Princess in Pink
THE PRINCESS DIARIES, VOLUME VI:
Princess in Training
The Princess Present:
A PRINCESS DIARIES BOOK (VOLUME VI AND A HALF)
THE PRINCESS DIARIES, VOLUME VII:
Party Princess
Sweet Sixteen Princess:
A PRINCESS DIARIES BOOK (VOLUME VII AND A HALF)
ILLUSTRATED BY CHESLEY MCLAREN:
Princess Lessons:
A PRINCESS DIARIES BOOK
Perfect Princess:
A PRINCESS DIARIES BOOK
Holiday Princess:
A PRINCESS DIARIES BOOK
ALL-AMERICAN GIRL
READY OR NOT: AN ALL-AMERICAN GIRL NOVEL
TEEN IDOL
AVALON HIGH
NICOLA AND THE VISCOUNT
VICTORIA AND THE ROGUE
THE MEDIATOR BOOKS:
THE MEDIATOR 1: SHADOWLAND
THE MEDIATOR 2: NINTH KEY
THE MEDIATOR 3: REUNION
THE MEDIATOR 4: DARKEST HOUR
THE MEDIATOR 5: HAUNTED
THE MEDIATOR 6: TWILIGHT
THE BOY NEXT DOOR
BOY MEETS GIRL
EVERY BOY’S GOT ONE
SIZE 12 IS NOT FAT
THE 1-800-WHERE-R-YOU BOOKS:
WHEN LIGHTNING STRIKES
CODE NAME CASSANDRA
SAFE HOUSE
SANCTUARY
Credits
Jacket art © 2006 by Howard Huang
Jacket design by Amy Ryan
Copyright
Party Princess
Copyright © 2006 by Meg Cabot, LLC. All rights reserved under International and Pan-American Copyright
Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™.
PerfectBound™ and the PerfectBound™ logo are trademarks of HarperCollins Publishers, Inc.
Microsoft Reader February 2006 ISBN 0-06-087496-1
For information address HarperCollins Children’s Books, a division of HarperCollins Publishers, 1350 Avenue of the Americas, New York, NY 10019. www.harperteen.com
Library of Congress Catalog Card Number: 2006000364
ISBN-10: 0-06-072453-6 (trade bdg.)
ISBN-13: 978-0-06-072453-5 (trade bdg.)
ISBN-10: 0-06-072454-4 (lib. bdg.)
ISBN-13: 978-0-06-072454-2 (lib. bdg.)
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