Another license it may be more difficult to excuse. I have blended together the Christian religion and the pagan mythology, and introduced recollections of the Moorish superstition. But the scene of the drama is Messina-where these three religions either exercised a living influence, or appealed to the senses in monumental remains. Besides, I consider it a privilege of poetry to deal with different religions as a collective whole. In which everything that bears an individual character, and expresses a peculiar mode of feeling, has its place. Religion itself, the idea of a Divine Power, lies under the veil of all religions; and it must be permitted to the poet to represent it in the form which appears the most appropriate to his subject.
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The Bride of Messina (play) Page 11