Good Omens

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Good Omens Page 22

by Terry David John Pratchett


  Crowley raised the green plastic plant mister, and sloshed it around threateningly. "Go away," he said. He heard the phone downstairs ring­ing. Four times, and then the ansaphone caught it. He wondered vaguely who it was.

  "You don't frighten me," said Hastur. He watched a drip of water leak from the nozzle and slide slowly down the side of the plastic con­tainer, toward Crowley's hand.

  "Do you know what this is?" asked Crowley. "This is a Sainsbury's plant mister, cheapest and most efficient plant mister in the world. It can squirt a fine spray of water into the air. Do I need to tell you what's in it? It can turn you into that, " he pointed to the mess on the carpet. "Now, go away."

  Then the drip on the side of the plant mister reached Crowley's curled fingers, and stopped. "You're bluffing," said Hastur.

  "Maybe I am," said Crowley, in a tone of voice which he hoped made it quite clear that bluffing was the last thing on his mind. "And maybe I'm not. Do you feel lucky?"

  Hastur gestured, and the plastic bulb dissolved like rice paper, spill­ing water all over Crowley's desk, and all over Crowley's suit.

  "Yes," said Hastur. And then he smiled. His teeth were too sharp, and his tongue flickered between them. "Do you?"

  Crowley said nothing. Plan A had worked. Plan B had failed. Ev­erything depended on Plan C, and there was one drawback to this: he had only ever planned as far as B.

  "So," hissed Hastur, "time to go, Crowley."

  "I think there's something you ought to know," said Crowley, stall­ing for time.

  "And that is?" smiled Hastur.

  Then the phone on Crowley's desk rang.

  He picked it up, and warned Hastur, "Don't move. There's some­thing very important you should know, and I really mean it. Hallo?

  "Ngh," said Crowley. Then he said, "Nuh. Got an old friend here."

  Aziraphale hung up on him. Crowley wondered what he had wanted.

  And suddenly Plan C was there, in his head. He didn't replace the handset on the receiver. Instead he said, "Okay, Hastur. You've passed the test. You're ready to start playing with the big boys."

  "Have you gone mad?"

  "Nope. Don't you understand? This was a test. The Lords of Hell had to know that you were trustworthy before we gave you command of the Legions of the Damned, in the War ahead."

  "Crowley, you are lying, or you are insane, or possibly you are both," said Hastur, but his certainty was shaken.

  Just for a moment he had entertained the possibility; that was where Crowley had got him. It was just possible that Hell was testing him. That Crowley was more than he seemed. Hastur was paranoid, which was simply a sensible and well‑adjusted reaction to living in Hell, where they really were all out to get you.

  Crowley began to dial a number. "'S'okay, Duke Hastur. I wouldn't expect you to believe it from me, " he admitted. "But why don't we talk to the Dark Council‑I am sure that they can convince you."

  The number he had dialed clicked and started to ring.

  "So long, sucker," he said.

  And vanished.

  In a tiny fraction of a second, Hastur was gone as well.

  – – -

  Over the years a huge number of theological man‑hours have been spent debating the famous question:

  How Many Angels Can Dance on the Head of a Pin?

  In order to arrive at an answer, the following facts must be taken into consideration:

  Firstly, angels simply don't dance. It's one of the distinguishing characteristics that marks an angel. They may listen appreciatively to the Music of the Spheres, but they don't feel the urge to get down and boogie to it. So, none.

  At least, nearly none. Aziraphale had learned to gavotte in a dis­creet gentlemen's club in Portland Place, in the late 1880s, and while he had initially taken to it like a duck to merchant banking, after a while he had become quite good at it, and was quite put out when, some decades later, the gavotte went out of style for good.

  So providing the dance was a gavotte, and providing that he had a suitable partner (also able, for the sake of argument, both to gavotte, and to dance it on the head of a pin), the answer is a straightforward one.

  Then again, you might just as well ask how many demons can dance on the head of a pin. They're of the same original stock, after all. And at least they dance.[35]

  And if you put it that way, the answer is, quite a lot actually, providing they abandon their physical bodies, which is a picnic for a de­mon. Demons aren't bound by physics. If you take the long view, the universe is just something small and round, like those water‑filled balls which produce a miniature snowstorm when you shake them.[36] But if you look from really close up, the only problem about dancing on the head of a pin is all those big gaps between electrons.

  For those of angel stock or demon breed, size, and shape, and composition, are simply options.

  Crowley is currently traveling incredibly fast down a telephone

  RING.

  Crowley went through two telephone exchanges at a very respect­able fraction of light‑speed. Hastur was a little way behind him: four or five inches, but at that size it gave Crowley a very comfortable lead. One that would vanish, of course, when he came out the other end.

  They were too small for sound, but demons don't necessarily need sound to communicate. He could hear Hastur screaming behind him, "You bastard! I'll get you. You can't escape me!"

  RING.

  "Wherever you come out, I'll come out too! You won't get away!"

  Crowley had traveled through over twenty miles of cable in less than a second.

  Hastur was close behind him. Crowley was going to have to time this whole thing very, very carefully.

  RING.

  That was the third ring. Well, thought Crowley, here goes nothing. He stopped, suddenly, and watched Hastur shoot past him. Hastur turned and‑

  RING.

  Crowley shot out through the phone line, zapped through the plastic sheathing, and materialized, full‑size and out of breath, in his lounge.

  click

  The outgoing message tape began to turn on his ansaphone. Then there was a beep, and, as the incoming message tape turned, a voice from the speaker screamed, after the beep, "Right! What? . . . You bloody snake!"

  The little red message light began to flash.

  On and off and on and off, like a tiny, red, angry eye.

  Crowley really wished he had some more holy water and the time to hold the cassette in it until it dissolved. But getting hold of Ligur's terminal bath had been dangerous enough, he'd had it for years just in case, and even its presence in the room made him uneasy. Or . . . or maybe . . . yes, what would happen if he put the cassette in the car? He could play Hastur over and over again, until he turned into Freddie Mer­cury. No. He might be a bastard, but you could only go so far.

  There was a rumble of distant thunder.

  He had no time to spare.

  He had nowhere to go.

  He went anyway. He ran down to his Bentley and drove toward the West End as if all the demons of hell were after him. Which was more or less the case.

  * * * * *

  Madame Tracy heard Mr. Shadwell's slow tread come up the stairs. It was slower than usual, and paused every few steps. Normally he came up the stairs as if he hated every one of them.

  She opened her door. He was leaning against the landing wall.

  "Why, Mr. Shadwell," she said, "whatever have you done to your hand?"

  "Get away frae me, wumman," Shadwell groaned. "I dinna know my ane powers!"

  "Why are you holding it out like that?"

  Shadwell tried to back into the wall.

  "Stand back, I tell ye! I canna be responsible!"

  "What on earth has happened to you, Mr. Shadwell?" said Ma­dame Tracy, trying to take his hand.

  "Nothing on earth! Nothing on earth!"

  She managed to grab his arm. He, Shadwell, scourge of evil, was powerless to resist being drawn into her flat.

  He'd never
been in it before, at least in his waking moments. His dreams had furnished it in silks, rich hangings, and what he thought of as scented ungulants. Admittedly, it did have a bead curtain in the entrance to the kitchenette and a lamp made rather inexpertly from a Chianti bottle, because Madame Tracy's apprehension of what was chic, like Aziraphale's, had grounded around 1953. And there was a table in the middle of the room with a velvet cloth on it and, on the cloth, the crystal ball which increasingly was Madame Tracy's means of earning a living.

  "I think you could do with a good lie‑down, Mr. Shadwell," she said, in a voice that brooked no argument, and led him on into the bed­room. He was too bewildered to protest.

  "But young Newt is out there," Shadwell muttered, "in thrall to heathen passions and occult wiles."

  "Then I'm sure he'll know what to do about them," said Madame Tracy briskly, whose mental picture of what Newt was going through was probably much closer to reality than was Shadwell's. "And I'm sure he wouldn't like to think of you getting yourself worked up into a state here. Just you lie down, and I'll make us both a nice cup of tea."

  She disappeared in a clacking of bead curtains.

  Suddenly Shadwell was alone on what he was just capable of recall­ing, through the wreckage of his shattered nerves, was a bed of sin, and right at this moment was incapable of deciding whether that was in fact better or worse than not being alone on a bed of sin. He turned his head to take in his surroundings.

  Madame Tracy's concepts of what was erotic stemmed from the days when young men grew up thinking that women had beach balls affixed firmly in front of their anatomy, Brigitte Bardot could be called a sex kitten without anyone bursting out laughing, and there really were magazines with names like Girls, Giggles and Garters. Somewhere in this cauldron of permissiveness she had picked up the idea that soft toys in the bedroom created an intimate, coquettish air.

  Shadwell stared for some time at a large, threadbare teddy bear, which had one eye missing and a torn ear. It probably had a name like Mr. Buggins.

  He turned his head the other way. His gaze was blocked by a pajama case shaped like an animal that may have been a dog but, there again, might have been a skunk. It had a cheery grin.

  "Urg," he said.

  But recollection kept storming back. He really had done it. No one else in the Army had ever exorcised a demon, as far as he knew. Not Hopkins, not Siftings, not Diceman. Probably not even Witchfinder Com­pany Sergeant Major Narker,* who held the all‑time record for most witches found.[37] Sooner or later every Army runs across its ultimate weapon and now it existed, Shadwell reflected, on the end of his arm.

  Well, screw No First Use. He'd have a bit of a rest, seeing as he was here, and then the Powers of Darkness had met their match at last . . .

  When Madame Tracy brought the tea in he was snoring. She tact­fully closed the door, and rather thankfully as well, because she had a seance due in twenty minutes and it was no good turning down money these days.

  Although Madame Tracy was by many yardsticks quite stupid, she had an instinct in certain matters, and when it came to dabbling in the occult her reasoning was faultless. Dabbling, she'd realized, was exactly what her customers wanted. They didn't want to be shoved in it up to their necks. They didn't want the multi‑planular mysteries of Time and Space, they just wanted to be reassured that Mother was getting along fine now she was dead. They wanted just enough Occult to season the simple fare of their lives, and preferably in portions no longer than forty‑five minutes, followed by tea and biscuits.

  They certainly didn't want odd candles, scents, chants, or mystic runes. Madame Tracy had even removed most of the Major Arcana from her Tarot card pack, because their appearance tended to upset people.

  And she made sure that she had always put sprouts on to boil just before a seance. Nothing is more reassuring, nothing is more true to the comfortable spirit of English occultism, than the smell of Brussels sprouts cooking in the next room.

  – – -

  It was early afternoon, and the heavy storm clouds had turned the sky the color of old lead. It would rain soon, heavily, blindingly. The firemen hoped the rain would come soon. The sooner the better.

  They had arrived fairly promptly, and the younger firemen were dashing around excitedly, unrolling their hosepipe and flexing their axes; the older firemen knew at a glance that the building was a dead loss, and weren't even sure that the rain would stop it spreading to neighboring buildings, when a black Bentley skidded around the corner and drove up onto the pavement at a speed somewhere in excess of sixty miles per hour, and stopped with a screech of brakes half an inch away from the wall of the bookshop. An extremely agitated young man in dark glasses got out and ran toward the door of the blazing bookshop.

  He was intercepted by a fireman.

  "Are you the owner of this establishment?" asked the fireman.

  "Don't be stupid! Do I look like I run a bookshop?"

  "I really wouldn't know about that, sir. Appearances can be very deceptive. For example, I am a fireman. However, upon meeting me so­cially, people unaware of my occupation often suppose that I am, in fact, a chartered accountant or company director. Imagine me out of uniform, sir, and what kind of man would you see before you? Honestly?"

  "A prat," said Crowley, and he ran into the bookshop.

  This sounds easier than it actually was, since in order to manage it Crowley needed to avoid half a dozen firemen, two policemen, and a num­ber of interesting Soho night people,[38] out early, and arguing heatedly amongst themselves about which particular section of society had bright­ened up the afternoon, and why.

  Crowley pushed straight through them. They scarcely spared him a glance.

  Then he pushed open the door, and stepped into an inferno.

  The whole bookshop was ablaze. "Aziraphale!" he called.

  "Aziraphale, you‑you stupid Aziraphale? Are you here?"

  No answer. Just the crackle of burning paper, the splintering of glass as the fire reached the upstairs rooms, the crash of collapsing timbers.

  He scanned the shop urgently, desperately, looking for the angel, looking for help.

  In the far corner a bookshelf toppled over, cascading flaming books across the floor. The fire was all around him, and Crowley ignored it. His left trouser leg began to smolder; he stopped it with a glance.

  "Hello? Aziraphale! For Go‑, for Sa‑, for somebody's sake! Aziraphale!"

  The shop window was smashed from outside. Crowley turned, star­tled, and an unexpected jet of water struck him full in the chest, knocking him to the ground.

  His shades flew to a far corner of the room, and became a puddle of burning plastic. Yellow eyes with slitted vertical pupils were revealed. Wet and steaming, face ash‑blackened, as far from cool as it was possible for him to be, on all fours in the blazing bookshop, Crowley cursed Aziraphale, and the ineffable plan, and Above, and Below.

  Then he looked down, and saw it. The book. The book that the girl had left in the car in Tadfield, on Wednesday night. It was slightly scorched around the cover, but miraculously unharmed. He picked it up, stuffed it into his jacket pocket, stood up, unsteadily, and brushed himself off.

  The floor above him collapsed. With a roar and gargantuan shrug the building fell in on itself, in a rain of brick and timber and flaming debris.

  Outside, the passersby were being herded back by the police, and a fireman was explaining to anyone who would listen, "I couldn't stop him. He must have been mad. Or drunk. Just ran in. I couldn't stop him. Mad. Ran straight in. Horrible way to die. Horrible, horrible. Just ran straight in . . .

  Then Crowley came out of the flames.

  The police and the firemen looked at him, saw the expression on his face, and stayed exactly where they were.

  He climbed into the Bentley and reversed back into the road, swung around a fire truck, into Wardour Street, and into the darkened afternoon.

  They stared at the car as it sped away. Finally one policeman spoke. "Weather
like this, he ought to of put his lights on," he said, numbly.

  "Especially driving like that. Could be dangerous," agreed another, in flat, dead tones, and they all stood there in the light and the heat of the burning bookshop, wondering what was happening to a world they had thought they understood.

  There was a flash of lightning, blue‑white, strobing across the cloud‑black sky, a crack of thunder so loud it hurt, and a hard rain began to fall.

  * * * * *

  She rode a red motorbike. Not a friendly Honda red; a deep, bloody red, rich and dark and hateful. The bike was apparently, in every other respect, ordinary except for the sword, resting in its scabbard, set onto the side of the bike.

  Her helmet was crimson, and her leather jacket was the color of old wine. In ruby studs on the back were picked out the words HELL'S AN­GELS.

  It was ten past one in the afternoon and it was dark and humid and wet. The motorway was almost deserted, and the woman in red roared down the road on her red motorbike, smiling lazily.

  It had been a good day so far. There was something about the sight of a beautiful woman on a powerful motorbike with a sword stuck on the back that had a powerful effect on a certain type of man. So far four traveling salesmen had tried to race her, and bits of Ford Sierra now decorated the crash barriers and bridge supports along forty miles of mo­torway.

  She pulled up at a service area, and went into the Happy Porker Cafe. It was almost empty. A bored waitress was darning a sock behind the counter, and a knot of black‑leathered bikers, hard, hairy, filthy, and huge, were clustered around an even taller individual in a black coat. He was resolutely playing something that in bygone years would have been a fruit machine, but now had a video screen, and advertised itself as TRIVIA SCRABBLE.

  The audience were saying things like:

  "It's 'D'! Press 'D'‑The Godfather must've got more Oscars than Gone With the Wind!"

 

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