by Jim Butcher
Michael frowned at me, probably more for my choice of words than anything else. “I’m talking about Susan, Harry. If you love her, you should marry her.”
“I’m a wizard. I don’t have time to be married.”
“I’m a knight,” Michael responded. “And I have the time. It’s worth it. You’re alone too much. It’s starting to show.”
I scowled at him again. “What does that mean?”
“You’re tense. Grumpy. And you’re isolating yourself more all the time. You need to keep up human contact, Harry. It would be so easy for you to start down a darker path.”
“Michael,” I snapped, “I don’t need a lecture. I don’t need the conversion speech again. I don’t need the ‘cast aside your evil powers before they consume you’ speech. Again. What I need is for you to back me up while I go take care of this thing.”
Cook County Hospital loomed into sight and I made an illegal U-turn to get the Blue Beetle up into the Emergency entrance lane.
Michael unbuckled his seat belt, even before the car had come to a stop, and reached into the backseat to draw an enormous sword, fully five feet long in its black scabbard. He exited the car and buckled on the sword. Then he reached back in for a white cloak with a red cross upon the left breast, which he tossed over his shoulders in a practiced motion. He clasped it with another cross, this one of silver, at his throat. It clashed with his flannel workman’s shirt, blue jeans, and steel-toed work boots.
“Can’t you leave the cloak off, at least?” I complained. I opened the door and unfolded myself from the Beetle’s driver’s seat, stretching my long legs, and reached into the backseat to recover my own equipment—my new wizard’s staff and blasting rod, each of them freshly carved and still a little green around the edges.
Michael looked up at me, wounded. “The cloak is as much a part of what I do as the sword, Harry. Besides, it’s no more ridiculous than that coat you wear.”
I looked down at my black leather duster, the one with the large mantle that fell around my shoulders and spread out as it billowed in a most heavy and satisfactory fashion around my legs. My own black jeans and dark Western shirt were a ton and a half more stylish than Michael’s costume. “What’s wrong with it?”
“It belongs on the set of El Dorado,” Michael said. “Are you ready?”
I shot him a withering glance, to which he turned the other cheek with a smile, and we headed toward the door. I could hear police sirens closing in behind us, maybe a block or two away. “This is going to be close.”
“Then we best hurry.” He cast the white cloak back from his right arm, and put his hand on the hilt of the great broadsword. Then he bowed his head, crossed himself, and murmured, “Merciful Father, guide us and protect us as we go to do battle with the darkness.” Once more, there was that thrum of energy around him, like the vibrations of music heard through a thick wall.
I shook my head, and fetched a leather sack, about the size of my palm, from the pocket of my duster. I had to juggle staff, blasting rod, and sack for a moment, and wound up with the staff in my left hand, as was proper, the rod in my right, and the sack dangling from my teeth. “The sun is down,” I grated out. “Let’s move it.”
And we broke into a run, knight and wizard, through the emergency entrance of Cook County Hospital. We drew no small amount of stares as we entered, my duster billowing out in a black cloud behind me, Michael’s white cloak spreading like the wings of the avenging angel whose namesake he was. We pelted inside, and slid to a halt at the first intersection of cool, sterile, bustling hallways.
I grabbed the arm of the first orderly I saw. He blinked, and then gawked at me, from the tips of my Western boots to the dark hair atop my head. He glanced at my staff and rod rather nervously, and at the silver pentacle amulet dangling at my breast, and gulped. Then he looked at Michael, tall and broad, his expression utterly serene, at odds with the white cloak and the broadsword at his hip. He took a nervous step back. “M-m-may I help you?”
I speared him into place with my most ferocious, dark-eyed smile and said, between teeth clenched on the leather sack, “Hi. Could you tell us where the nursery is?”
Chapter Two
We took the fire stairs. Michael knows how technology reacts to me, and the last thing either of us wanted was to be trapped in a broken elevator while innocent lives were snuffed out. Michael led the way, one hand on the rail, one on the hilt of his sword, his legs churning steadily.
I followed him, huffing and puffing. Michael paused by the door and looked back at me, white cloak swirling around his calves. It took me a couple of seconds to come gasping up behind him. “Ready?” he asked me.
“Hrkghngh,” I answered, and nodded, still clenching my leather sack in my teeth, and fumbled a white candle from my duster pocket, along with a box of matches. I had to set my rod and staff aside to light the candle.
Michael wrinkled his nose at the smell of smoke, and pushed open the door. Candle in one hand, rod and staff in the other, I followed, my eyes flicking from my surroundings to the candle’s flame and back.
All I could see was more hospital. Clean walls, clean halls, lots of tile and fluorescent lights. The long, luminescent tubes flickered feebly, as though they had all gone stale at once, and the hall was only dimly lit. Long shadows stretched out from a wheelchair parked to the side of one door and gathered beneath a row of uncomfortable-looking plastic chairs at an intersection of hallways.
The fourth floor was a graveyard, bottom-of-the-well silent. There wasn’t a flicker of sound from a television or radio. No intercoms buzzed. No air-conditioning whirred. Nothing.
We walked down a long hall, our steps sounding out clearly despite an effort to remain quiet. A sign on the wall, decorated with a brightly colored plastic clown, read: NURSERY/MATERNITY, and pointed down another hall.
I stepped past Michael and looked down that hallway. It ended at a pair of swinging doors. This hallway, too, was quiet. The nurse’s station stood empty.
The lights weren’t just flickering here—they were altogether gone. It was entirely dark. Shadows and uncertain shapes loomed everywhere. I took a step forward, past Michael, and as I did the flame of my candle burned down to a cold, clear pinpoint of blue light.
I spat the sack out of my mouth and fumbled it into my pocket. “Michael,” I said, my voice strangled to hushed urgency. “It’s here.” I turned my body, so that he could see the light.
His eyes flicked down to the candle and then back up, to the darkness beyond. “Faith, Harry.” Then he reached to his side with his broad right hand, and slowly, silently, drew Amoracchius from its sheath. I found it a tad more encouraging than his words. The great blade’s polished steel gave off a lambent glow as Michael stepped forward to stand beside me in the darkness, and the air fairly thrummed with its power—Michael’s own faith, amplified a thousandfold.
“Where are the nurses?” he asked me in a hoarse whisper.
“Spooked off, maybe,” I answered, as quietly. “Or maybe some sort of glamour. At least they’re out of the way.”
I glanced at the sword, and at the long, slender spike of metal set into its cross guard. Perhaps it was only my imagination, but I thought I could see flecks of red still upon it. Probably rust, I reasoned. Sure, rust.
I set the candle down upon the floor, where it continued to burn pinpoint-clear, indicating a spiritual presence. A big one. Bob hadn’t been lying when he’d said that the ghost of Agatha Hagglethorn was no two-bit shade.
“Stay back,” I told Michael. “Give me a minute.”
“If what the spirit told you is correct, this creature is dangerous,” Michael replied. “Let me go first. It will be safer.”
I nodded toward the glowing blade. “Trust me, a ghost would feel the sword coming before you even got to the door. Let me see what I can do first. If I can dust the spook, this whole contest is over before it begins.”
I didn’t wait for Michael to answer me. Instead, I took my bla
sting rod and staff in my left hand, and in my right I grasped the pouch. I untied the simple knot that held the sack closed, and slipped forward, into the dark.
When I reached the swinging doors, I pressed one of them and it slowly opened. I remained still for a long moment, listening.
I heard singing. A woman’s voice. Gentle. Lovely.
Hush little baby, don’t say a word. Mama’s gonna buy you a mockingbird.
I glanced back at Michael, and then slipped inside the door, into total darkness. I couldn’t see—but I’m not a wizard for nothing. I thought of the pentacle upon my breast, over my heart, the silver amulet that I had inherited from my mother. It was a battered piece of jewelry, scarred and dented from uses for which it was never intended, but I wore it still. The five-sided star within the circle was the symbol of my magic, of what I believed in, embodying the five forces of the universe working in harmony, contained inside of human control.
I focused on it, and slid a little of my will into it, and the amulet began to glow with a gentle, blue-silver light, which spread out before me in a subtle wave, showing me the shapes of a fallen chair, and a pair of nurses at a desk behind a counter, slumped forward over their stations, breathing deeply.
The soothing, quiet lullaby continued as I studied the nurses. Enchanted sleep. It was nothing new. They were out, they weren’t going anywhere, and there was little sense in wasting time or energy in trying to break the spell’s hold on them. The gentle singing droned on, and I found myself reaching for the fallen chair, with the intention of setting it upright so that I would have a comfortable place to sit down for a little rest.
I froze, and had to remind myself that I would be an idiot to sit down beneath the influence of the unearthly song, even for a few moments. Subtle magic, and strong. Even knowing what to expect, I had barely sensed its touch in time.
I skirted the chair and moved forward, into a room filled with dressing hooks and little pastel hospital gowns hung upon them in rows. The singing was louder, here, though it still drifted around the room with a ghostly lack of origin. One wall was little more than a sheet of Plexiglas, and behind it was a room that attempted to look sterile and warm at the same time.
Row upon row of little glass cribs on wheeled stands stood in the room. Tiny occupants, with toy-sized hospital mittens over their brand-new fingernails, and tiny hospital stocking caps over their bald heads, were sleeping and dreaming infant dreams.
Walking among them, visible in the glow of my wizard’s light, was the source of the singing.
Agatha Hagglethorn had not been old when she died. She wore a proper, high-necked shirt, as was appropriate to a lady of her station in nineteenth-century Chicago, and a long, dark, no-nonsense skirt. I could see through her, to the little crib behind her, but other than that she seemed solid, real. Her face was pretty, in a strained, bony sort of way, and she had her right hand folded over the stump at the end of her left wrist.
If that mockingbird don’t sing, Mama’s going to buy you . . .
She had a captivating singing voice. Literally. She lilted out her song, spun energy into the air that lulled listeners into deeper and deeper sleep. If she was allowed to continue, she could draw both infants and nurses into a sleep from which they would never awaken, and the authorities would blame it on carbon monoxide, or something a little more comfortably normal than a hostile ghost.
I crept closer. I had enough ghost dust to pin down Agatha and a dozen spooks like her, and allow Michael to dispatch her swiftly, with a minimum of mess and fuss—just as long as I didn’t miss.
I hunkered down, kept the little sack of dust gripped loosely in my right hand, and slipped over to the door that led into the roomful of sleeping babies. The ghost did not appear to have noticed me—ghosts aren’t terribly observant. I guess being dead gives you a whole different perspective on life.
I entered the room, and Agatha Hagglethorn’s voice rolled over me like a drug, making me blink and shudder. I had to keep focused, my thoughts on the cool power of my magic flowing through my pentacle and coming out in its spectral light.
If that diamond ring don’t shine . . .
I licked my lips and watched the ghost as it stooped over one of the rolling cradles. She smiled, loving-kindness in her eyes, and breathed out her song over the baby.
The infant shuddered out a tiny breath, eyes closed in sleep, and did not inhale.
Hush little baby . . .
Time had run out. In a perfect world, I would have simply dumped the dust onto the ghost. But it’s not a perfect world: Ghosts don’t have to play by the rules of reality, and until they acknowledge that you’re there, it’s tough, very, very tough, to affect them at all. Confrontation is the only way, and even then, knowing the shade’s identity and speaking its name aloud is the only sure way to make it face you. And, better and better, most spirits can’t hear just anyone—it takes magic to make a direct call to the hereafter.
I rose fully to my feet, bag gripped in my hand and shouted, forcing my will into my voice, “Agatha Hagglethorn!”
The spirit started, as though a distant voice had come to her, and turned toward me. Her eyes widened. The song abruptly fell silent.
“Who are you?” she said. “What are you doing in my nursery?”
I struggled to keep the details Bob had told me about the ghost straight. “This isn’t your nursery, Agatha Hagglethorn. It’s more than a hundred years since you died. You aren’t real. You are a ghost, and you are dead.”
The spirit drew itself up with a sort of cold, high-society haughtiness. “I might have known. Benson sent you, didn’t he? Benson is always doing something cruel and petty like this, then calling me a madwoman. A madwoman! He wants to take my child away.”
“Benson Hagglethorn is long dead, Agatha Hagglethorn,” I responded, and gathered back my right hand to throw. “As is your child. As are you. These little ones are not yours to sing to or bear away.” I steeled myself to throw, began to bring my arm forward.
The spirit looked at me with an expression of lost, lonely confusion. This was the hard part about dealing with really substantial, dangerous ghosts. They were almost human. They appeared to be able to feel emotion, to have some degree of self-awareness. Ghosts aren’t alive, not really—they’re a footprint in stone, a fossilized skeleton. They are shaped like the original, but they aren’t it.
But I’m a sucker for a lady in distress. I always have been. It’s a weak point in my character, a streak of chivalry a mile wide and twice as deep. I saw the hurt and the loneliness on the ghost-Agatha’s face, and felt it strike a sympathetic chord in me. I let my arm go still again. Perhaps, if I was lucky, I could talk her away. Ghosts are like that. Confront them with the reality of their situation, and they dissolve.
“I’m sorry, Agatha,” I said. “But you aren’t who you think you are. You’re a ghost. A reflection. The true Agatha Hagglethorn died more than a century ago.”
“N-no,” she said, her voice shaking. “That’s not true.”
“It is true,” I said. “She died on the same night as her husband and child.”
“No,” the spirit moaned, her eyes closing. “No, no, no, no. I don’t want to hear this.” She started singing to herself again, low and desperate—no enchantment to it this time, no unconscious act of destruction. But the infant girl still hadn’t inhaled, and her lips were turning blue.
“Listen to me, Agatha,” I said, forcing more of my will into my voice, lacing it with magic so that the ghost could hear me. “I know about you. You died. You remember. Your husband beat you. You were terrified that he would beat your daughter. And when she started crying, you covered her mouth with your hand.” I felt like such a bastard to be going over the woman’s past so coldly. Ghost or not, the pain on her face was real.
“I didn’t,” Agatha wailed. “I didn’t hurt her.”
“You didn’t mean to hurt her,” I said, drawing on the information Bob had provided. “But he was drunk and you were
terrified, and when you looked down she was gone. Isn’t that right?” I licked my lips, and looked at the infant girl again. If I didn’t get this done quickly, she’d die. It was eerie, how still she was, like a little rubber doll.
Something, some spark of memory caught a flame in the ghost’s eyes. “I remember,” she hissed. “The axe. The axe, the axe, the axe.” The proportions of the ghost’s face changed, stretched, became more bony, more slender. “I took my axe, my axe, my axe and gave my Benson twenty whacks.” The spirit grew, expanding, and a ghostly wind rustled through the room, emanating from the ghost, and rife with the smell of iron and blood.
“Oh, crap,” I muttered, and gathered myself to make a dash for the girl.
“My angel gone,” screamed the ghost. “Benson gone. And then the hand, the hand that killed them both.” She lifted the stump of her arm into the air. “Gone, gone, gone!” She threw back her head and screamed, and it came out as a deafening, bestial roar that rattled the nursery walls.
I threw myself forward, toward the breathless child, and as I did the rest of the infants burst into terrified wails. I reached the child and smacked her little upturned baby butt. She blinked her eyes open in sudden shock, drew in a breath, and joined the rest of her nursery mates in crying.
“No,” Agatha screamed, “no, no, no! He’ll hear you! He’ll hear you!” The stump of her left arm flashed out toward me, and I felt the impact both against my body and against my soul, as though she had driven a chip of ice deep into my chest. The power of the blow flung me back against a wall like a toy, hard enough to send my staff and rod clattering to the floor. By some miracle or other, I kept hold of my sack of ghost dust, but my head vibrated like a hammer-struck bell, and cold shivers racked my body in rapid succession.
“Michael,” I wheezed, as loudly as I could, but already I could hear doors being thrown open, heavy work boots pounding toward me. I struggled to my feet and shook my head to clear it. The wind rose to gale force, sending cribs skittering around the room on their little wheels, tearing at my eyes so that I had to shield them with one hand. Dammit. The dust would be useless in such a gale.