by Anthology
The abrupt return of consciousness in such a condition is not easy to imagine. After all he had gone through, this strange sequel must have been terribly puzzling to him. He was a man of good education, well versed in psychology; in the first rush of consciousness he tried, as best he could, to weigh himself up in the balance of aberration. And it was this very fact that gave him his reassurance; for it told him that he could think, could reason, could count on a mind in full function.
But he could not see. The pain in his eyeballs was blinding. There was nothing he could distinguish; everything was woven together, a mere blaze of wonderful, iridescent, blazing coloration.
But if he could not see, he could feel. The pain was excruciating. He closed his eyes and fell to thinking, curiously enough, that the experience was similar to what he had gone through when upon learning to swim, he had first opened his eyes under the water. It had been under a blazing sun. The pain and the colour—it was much the same, only intensified.
Then he knew that he was very tired. The mere effort of that one thought had cost him vitality. He dropped back into unconsciousness, such as was more insensibility than slumber. He had strange dreams, of people walking, of women, and of many voices. It was blurred and indistinct, yet somehow not unreal. Then, after an unguessable length of time—he awoke.
He was much stronger. The lapse may have been very long; he could not know. But the pain in his eyes was gone; and he ventured to open the lids again in the face of the light that had been so baffling. This time he could see; not distinctly, but still enough to assure him of reality. By closing his eyes at intervals he was able to rest them and to accustom them gradually to the new degree of light. And after a bit he could see plainly.
He was on a cot, and in a room almost totally different from any that he had ever seen before. The colour of the walls, even, was dissimilar; likewise the ceiling. It was white, in a way, and yet unlike it; neither did it resemble any of the various tints; to give it a name that he afterward learned—alna—implies but little. It was utterly new to him.
Apparently he was alone. The room was not large; about the size of an ordinary bedroom. And after the first novelty of the unplaceable colour had worn off he began to take stock of his own person.
First, he was covered by the finest of bed clothing, thick but exceedingly light. There was no counterpane, but two blankets and two sheets; and none of them corresponded to any colour or material he had ever known. He only knew that their tints were light rather than dark.
Next, he moved his hands out from under the coverings, and held them up before his eyes. He was immensely puzzled. He naturally expected to see the worn, emaciated hands which had been his on that dramatic night; but the ones before him were plump, normal, of a healthy pink. The wrists likewise were in perfect condition, also his arms. He could not account for this sudden return to health, of the vigour he had known before he began to wear the ring. He lay back pondering.
Presently he fell to examining his clothes. There were two garments made of a silk-like textile, rather heavy as to weight, but exceedingly soft as to touch. They were slightly darker than the bed clothing. In a way they were much like pyjamas, except that both were designed to be merely slipped into place, without buttons or draw-strings. That is, they were tailored to fit snugly over the shoulders and waist, while loose enough elsewhere.
Then he noticed the walls of the room. They were after a simple, symmetrical style; coved—to use an architectural expression—or curved, where the corner would come with a radius much larger than common, amounting to four or five feet; so that a person of ordinary height could not stand close to the wall without stooping. Where the coved portion flowed into the perpendicular of the wall there was a broad moulding, like a plate rail, which acted as a support for the hanging pictures.
Watson counted four of these pictures. Instinctively he felt that they might give him a valuable clue as to his whereabouts. For, while his mind had cleared enough for him to feel sure that he had truly come through the Spot, he knew nothing more. Where was he? What would the pictures tell?
The first was directly before his eyes. In size perhaps two by three feet, with its greater length horizontal, it was more of a landscape than a portrait. And Watson's eagerness for the subject itself made him forget to note whether the work was mechanically or manually executed.
For it revealed a girl—about ten or twelve—very slightly draped, enjoying a wild romp with a most extraordinary creature. It was this animal that made the picture amazing; there was no subtle significance in the scene—there was nothing remarkable about the technique. The whole interest, for Watson, was in the animal.
It was a deer; perfect and beautiful, but cast in a Lilliputian mould. It stood barely a foot high, the most delicate thing he had ever looked upon. Mature in every detail of its proportion, the dainty hoofs, the fragile legs, smooth-coated body, and small, wide-antlered head—a miniature eight-pointer—made such a vision as might come to the dreams of a hunter.
Chick rose up in bed, in order to examine it more closely. Immediately he fell back again slightly dizzy. He closed his eyes.
Shortly he began examining the other pictures. Two of these were simple flower studies. Watson scarcely knew which puzzled him most; the blossoms or their containers. For the vases were like large-sized loving cups, broad as to body, and provided with a handle on either side. Their colours were unfamiliar. As for the blossoms—in one study the blooms were a half-dozen in number, and more like Shasta daisies than anything else. But their colour was totally unlike, while they possessed wide, striped stamens that gave the flowers an identity all their own. In the other vase were several varieties, and every one absolutely unrecognisable.
On the opposite side of the room was something fairly familiar. At first glance it seemed a simple basket of kittens, done in black and white—something like crayon, and yet resembling sepia. Alongside the basket, however, was a spoon, one end resting on the edge of a saucer. And it was the size of the spoon that commanded Chick's attention; rather, the size of the kittens, any one of which could have curled up comfortably in the bowl of the spoon! Judging relatively, if it were an ordinary tablespoon, then the kittens were smaller than the smallest of mice.
Chick gave it up. Presently he began speculating about the time. He decided that, whatever the hour might be, it was still daylight. In one wall of the room was a large, oval window, of a material which may as well be called glass, frosted, so as to permit no view of what might lie outside. But it allowed plenty of light to enter.
Cut in the opposite wall was a doorway, hung with a curtain instead of a door. This curtain was a gauzy material, but its maroonlike shade completely hid all view of whatever lay beyond.
Chick waited and listened. Hitherto he had not heard a sound. There was not even that subtle, mixed hum from the distance that we are accustomed to associate with silence. He felt certain that he was inside the Blind Spot; but as to just where that locality might lie, he knew as little as before. He knew only that he in a building of some sort. Where, and what, was the building?
Just then he noticed a cord dangling from the ceiling. It came down to within six inches of his head. He gave it a pull.
Whereupon he heard a faint, musical jangling in the distance. He tried to analyse the sound. It was not bell-like; perhaps the word "tinkling" would serve better. Provisionally, Chick placed the key at middle D.
A moment later he heard steps outside the curtain. They were very soft and light and deliberate; and almost at the same instant a delicate white hand moved the curtain aside.
It was a woman. Chick lay back and wondered. Although not beautiful she was very good to look at, with large blue eyes of a deep tenderness and sympathy, even features, and a wonderful fold of rich brown hair held in place by a satiny net.
She started when she saw Chick's wide open eyes; then smiled, a motherly smile and compassionate. She was dressed in a manner at once becoming and odd, to one unaccustomed,
in a gown that draped the entire figure, yet left the right arm and shoulder bare. Chick noticed that arm especially; it was white as marble, moulded full, and laced with fine blue veins. He had never seen an arm like that. Nor such a woman. She might have been forty.
She came over to the bed and placed a hand on Chick's forehead. Again she smiled, and nodded.
"How do you feel?" she asked.
Now this is a strange thing; Watson could not account for it. For, although she did not speak English, yet he could understand her quite well. At the moment it seemed perfectly obvious; afterward, the fact became amazing.
He answered in the same way, his thoughts directing his lips. And he found that as long as he made no conscious attempt to select the words for his thought, he could speak unhesitatingly.
"Where am I?"
She smiled indulgently, but did not answer.
"Is this the—Blind Spot?"
"The Blind Spot! I do not understand."
"Who are you?"
"Your nurse. Perhaps," soothingly, "you would like to talk to the Rhamda."
"The Rhamda!"
"Yes. The Rhamda Geos."
XXX
THE PLUNGE
The woman left him. For a while Chick reflected upon what she had said. In full rush of returning vigour his mind was working clearly and with analytical exactness.
For the first time he noticed a heaviness in the air, overladen, pregnant. He became aware of a strange, undercurrent of life; of an exceedingly faint, insistent sound, pulse-like and rhythmical, like the breathing undertones of multitudes. He was a city man, and accustomed to the murmuring throbs of a metropolitan heart. But this was very different.
Presently, amid the strangeness, he could distinguish the tinkle of elfin bells, almost imperceptible, but musical. The whole air was laden with a subdued music, lined, as it were, with a golden vibrancy of tintinnabulary cadence—distant, subdued, hardly more than a whisper, yet part of the air itself.
It gave him the feeling that he was in a dream. In the realms of the subconscious he had heard just such sounds—exotic and unearthly—fleeting and evanescent.
The notion of dreams threw his mind into sudden alertness. In an instant he was thinking systematically, and in the definite realisation of his plight.
The woman had spoken of "the Rhamda." True, she had added a qualifying "Geos," but that did not matter. Whether Geos or Avec, it was still the Rhamda. By this time Watson was convinced that the word indicated some sort of title—whether doctor, or lord, or professor, was not important. What interested Chick was identity. If he could solve that he could get at the crux of the Blind Spot.
He thought quickly. Apparently, it was Rhamda Avec who had trapped Dr. Holcomb. Why? What had been the man's motive? Watson could not say. He only knew the ethics of the deed was shaded with the subtleness of villainy. That behind it all was a purpose, a directing force and intelligence that was inexorable and irresistible.
One other thing he knew; the Rhamda Avec came out of the region in which he, Watson, now found himself. Rather, he could have come from nowhere else. And Watson could feel certain that somewhere, somehow, he would find Dr. Holcomb.
In that moment Watson determined upon his future course of action. He decided to state nothing, intimate nothing, either by word or deed, that might in any manner incriminate or endanger the professor. It was for him to learn everything possible and to do all he could to gain his points, without giving a particle of information in return. He must play a lone hand and a cautious one—until he found Dr. Holcomb.
The fact of his position didn't appall him. Somehow, it had just the opposite effect. Perhaps it was because his strength had come back, and had brought with it the buoyancy that is natural to health. He could sense the vitality that surrounded him, poised, potential, waiting only the proper attitude on his part to become an active force. Something tremendous had happened to him, to make him feel like that. He was ready for anything.
Five minutes passed. Watson was alert and ready when the woman returned, together with a companion. She smiled kindly, and announced:
"The Rhamda Geos."
At first Chick was startled. There was a resemblance to Rhamda Avec that ran almost to counterpart. The same refinement and elegance, the fleeting suggestion of youth, the evident age mingled with the same athletic ease and grace of carriage. Only he was somewhat shorter. The eyes were almost identical, with the peculiar quality of the iris and pupil that suggested, somehow, a culture inherited out of the centuries. He was dressed in a black robe, such as would befit a scholar.
He smiled, and held out a hand. Watson noted the firm clasp, and the cold thrill of magnetism.
"You wish to speak with me?"
The voice was soft and modulated, resonant, of a tone as rich as bronze.
"Yes. Where am I—sir?"
"You do not know?"
It seemed to Watson that there was real astonishment in the man's eyes. As yet it had not come to Chick that he himself might be just as much a mystery as the other. The only question in his mind at the moment was locality.
"Is this the Blind Spot?"
"The Blind Spot!"—with the same lack of comprehension that the woman had shown. "I do not understand you."
"Well, how did I get here?"
"Oh, as to that, you were found in the Temple of the Leaf. You were lying unconscious on the floor."
"A temple! How did I get there, sir? Do you know?"
"We only know that a moment before there was nothing; next instant—you."
Watson thought. There was a subsconscious sound that still lingered in his memory; a sound full-toned, flooding, enveloping. Was there any connection—
"'The Temple of the Leaf,' you call it, sir. I seem to remember having heard a bell. Is there such a thing in that temple?"
The Rhamda Geos smiled, his eyes brightening. "It is sometimes called the Temple of the Bell."
"Ah!" A pause, and Watson asked, "Where is this temple? And is this room a part of the building?"
"No. You are in the Sar-Amenive Hospital, an institution of the Rhamdas."
The Rhamdas! So there were several of them. A sort of society, perhaps.
"In San Francisco?"
"No. San Francisco! Again I fail to understand. This locality is known as the Mahovisal."
"The Mahovisal!" Watson thought in silence for a moment. He noted the extremely keen interest of the Rhamda, the ultra-intelligent flicker of the eyes, the light of query and critical analysis. "You call this the Mahovisal, sir? What is it: town, world or institution?"
The other smiled again. The lines about his sensitive mouth were susceptible of various interpretations: emotion, or condescension, or the satisfying feeling that comes from the simple vindication of some inner conviction. His whole manner was that of interest and respectful wonder.
"You have never heard of the Mahovisal? Never?"
"Not until this minute," answered Watson.
"You have no knowledge of anything before? Do you know WHO YOU ARE?"
"I"—Watson hesitated, wondering whether he had best withhold this information. He decided to chance the truth. "My name is Chick Watson. I am—an American."
"An American?"
The Rhamda pronounced the word with a roll of the "r" that sounded more like the Chinese "Mellican" than anything else. It was evident that the sounds were totally unfamiliar to him. And his manner was a bit indefinite, doubtful, yet weighted with care, as he slowly repeated the question:
"An American? Once more I don't understand. I have never heard the word, my dear sir. You are neither D'Hartian nor Kospian; although there are some—materialists for the most part—who contend that you are just as any one else. That is—a man."
"Perhaps I am," returned Watson, utterly confounded. He did not know what to say. He had never heard of a Kospian or a D'Hartian, nor of the Mahovisal. It made things difficult; he couldn't get started. Most of all, he wanted information; and, instead, he was b
eing questioned. The best he could do was to equivocate.
As for the Rhamda, he frowned. Apparently his eager interest had been dashed with disappointment. But only slightly, as Watson could see; the man was of such culture and intellect as to have perfect control over his emotions. In his balance and poise he was very like Avec, and he had the same pleasing manner.
"My dear sir," he began, "if you are really a man, then you can tell me something of great importance."
"I" Chick retorted, "can tell you nothing until you first let me know just where I stand!"
Certainly there was a lack of common ground. Until one of them supplied it, there could be no headway. Watson realised that his whole future might revolve about the axis of his next words.
The Rhamda thought a moment, dubiously, like one who has had a pet theory damaged, though not shattered. Suddenly he spoke to the woman.
"Open the portal," said he.
She stepped to the oval window, touched a latch, and swung the pane horizontally upon two pivots. Immediately the room was flooded with a strange effulgence, amber-like, soft and mellow, as real sunshine.
But it was NOT real sunshine!
The window was set in a rather thick wall, beyond which Watson could see a royal sapphiric sky, flecked with white and purple and amethyst-threaded clouds poised above a great amber sleeping sun.
It was the sun that challenged attention. It was so mild, and yet so utterly beyond what might be expected. In diameter it would have made six of the one Watson had known; in the blue distance, touching the rim of the horizon, it looked exactly like a huge golden plate set edgewise on the end of the earth.
And—he could look straight at it without blinking!
His thoughts ran back to the first account of the Rhamda. The man had looked straight at the sun and had been blinded. This accounted for it! The man had been accustomed to this huge, soft- glowing beauty. An amberous sun, deep yellow, sleeping; could it be, after all, dreamland?