by Anthology
"I think I do," said the Angel slowly, still at the window; and then abruptly, "Somehow I can't help thinking that ploughing must be far from enjoyable."
"Possibly," said the Vicar, "very possibly. But breakfast is ready. Won't you come down?"
The Angel left the window reluctantly.
"Our society," explained the Vicar on the staircase, "is a complicated organisation."
"Yes?"
"And it is so arranged that some do one thing and some another."
"And that lean, bent old man trudges after that heavy blade of iron pulled by a couple of horses while we go down to eat?"
"Yes. You will find it is perfectly just. Ah! mushrooms and poached eggs! It's the Social System. Pray be seated. Possibly it strikes you as unfair?"
"I'm puzzled," said the Angel.
"The drink I'm sending you is called coffee," said the Vicar. "I daresay you are. When I was a young man I was puzzled in the same way. But afterwards comes a Broader View of Things. (These black things are called mushrooms; they look beautiful.) Other Considerations. All men are brothers, of course, but some are younger brothers, so to speak. There is work that requires culture and refinement, and work in which culture and refinement would be an impediment. And the rights of property must not be forgotten. One must render unto Cæsar…. Do you know, instead of explaining this matter now (this is yours), I think I will lend you a little book to read (chum, chum, chum—these mushrooms are well up to their appearance), which sets the whole thing out very clearly."
THE VIOLIN.
XXIII.
After breakfast the Vicar went into the little room next his study to find a book on Political Economy for the Angel to read. For the Angel's social ignorances were clearly beyond any verbal explanations. The door stood ajar.
"What is that?" said the Angel, following him. "A violin!" He took it down.
"You play?" said the Vicar.
The Angel had the bow in his hand, and by way of answer drove it across the strings. The quality of the note made the Vicar turn suddenly.
The Angel's hand tightened on the instrument. The bow flew back and flickered, and an air the Vicar had never heard before danced in his ears. The Angel shifted the fiddle under his dainty chin and went on playing, and as he played his eyes grew bright and his lips smiled. At first he looked at the Vicar, then his expression became abstracted. He seemed no longer to look at the Vicar, but through him, at something beyond, something in his memory or his imagination, something infinitely remote, undreamt of hitherto….
The Vicar tried to follow the music. The air reminded him of a flame, it rushed up, shone, flickered and danced, passed and reappeared. No!—it did not reappear! Another air—like it and unlike it, shot up after it, wavered, vanished. Then another, the same and not the same. It reminded him of the flaring tongues that palpitate and change above a newly lit fire. There are two airs—or motifs, which is it?—thought the Vicar. He knew remarkably little of musical technique. They go dancing up, one pursuing the other, out of the fire of the incantation, pursuing, fluctuating, turning, up into the sky. There below was the fire burning, a flame without fuel upon a level space, and there two flirting butterflies of sound, dancing away from it, up, one over another, swift, abrupt, uncertain.
"Flirting butterflies were they!" What was the Vicar thinking of? Where was he? In the little room next to his study, of course! And the Angel standing in front of him smiling into his face, playing the violin, and looking through him as though he was only a window——. That motif again, a yellow flare, spread fanlike by a gust, and now one, then with a swift eddying upward flight the other, the two things of fire and light pursuing one another again up into that clear immensity.
The study and the realities of life suddenly faded out of the Vicar's eyes, grew thinner and thinner like a mist that dissolves into air, and he and the Angel stood together on a pinnacle of wrought music, about which glittering melodies circled, and vanished, and reappeared. He was in the land of Beauty, and once more the glory of heaven was upon the Angel's face, and the glowing delights of colour pulsated in his wings. Himself the Vicar could not see. But I cannot tell you of the vision of that great and spacious land, of its incredible openness, and height, and nobility. For there is no space there like ours, no time as we know it; one must needs speak by bungling metaphors and own in bitterness after all that one has failed. And it was only a vision. The wonderful creatures flying through the æther saw them not as they stood there, flew through them as one might pass through a whisp of mist. The Vicar lost all sense of duration, all sense of necessity——
"Ah!" said the Angel, suddenly putting down the fiddle.
The Vicar had forgotten the book on Political Economy, had forgotten everything until the Angel had done. For a minute he sat quite still. Then he woke up with a start. He was sitting on the old iron-bound chest.
"Really," he said slowly, "you are very clever."
He looked about him in a puzzled way. "I had a kind of vision while you were playing. I seemed to see——. What did I see? It has gone."
He stood up with a dazzled expression upon his face. "I shall never play the violin again," he said. "I wish you would take it to your room—and keep it——. And play to me again. I did not know anything of music until I heard you play. I do not feel as though I had ever heard any music before."
He stared at the Angel, then about him at the room. "I have never felt anything of this kind with music before," he said. He shook his head. "I shall never play again."
THE ANGEL EXPLORES THE VILLAGE.
XXIV.
Very unwisely, as I think, the Vicar allowed the Angel to go down into the village by himself, to enlarge his ideas of humanity. Unwisely, because how was he to imagine the reception the Angel would receive? Not thoughtlessly, I am afraid. He had always carried himself with decorum in the village, and the idea of a slow procession through the little street with all the inevitable curious remarks, explanations, pointings, was too much for him. The Angel might do the strangest things, the village was certain to think them. Peering faces. "Who's he got now?" Besides, was it not his duty to prepare his sermon in good time? The Angel, duly directed, went down cheerfully by himself—still innocent of most of the peculiarities of the human as distinguished from the angelic turn of mind.
The Angel walked slowly, his white hands folded behind his hunched back, his sweet face looking this way and that. He peered curiously into the eyes of the people he met. A little child picking a bunch of vetch and honeysuckle looked in his face, and forthwith came and put them in his hand. It was about the only kindness he had from a human being (saving only the Vicar and one other). He heard Mother Gustick scolding that granddaughter of hers as he passed the door. "You Brazen Faggit—you!" said Mother Gustick. "You Trumpery Baggage!"
The Angel stopped, startled at the strange sounds of Mother Gustick's voice. "Put yer best clo'es on, and yer feather in yer 'at, and off you goes to meet en, fal lal, and me at 'ome slaving for ye. 'Tis a Fancy Lady you'll be wantin' to be, my gal, a walkin' Touch and Go, with yer idleness and finery——"
The voice ceased abruptly, and a great peace came upon the battered air. "Most grotesque and strange!" said the Angel, still surveying this wonderful box of discords. "Walking Touch and Go!" He did not know that Mrs Gustick had suddenly become aware of his existence, and was scrutinizing his appearance through the window-blind. Abruptly the door flew open, and she stared out into the Angel's face. A strange apparition, grey and dusty hair, and the dirty pink dress unhooked to show the stringy throat, a discoloured gargoyle, presently to begin spouting incomprehensible abuse.
"Now, then, Mister," began Mrs Gustick. "Have ye nothin' better to do than listen at people's doors for what you can pick up?"
The Angel stared at her in astonishment.
"D'year!" said Mrs Gustick, evidently very angry indeed. "Listenin'."
"Have you any objection to my hearing…."
"Object to my hearing! Cour
se I have! Whad yer think? You aint such a Ninny…."
"But if ye didn't want me to hear, why did you cry out so loud? I thought…."
"You thought! Softie—that's what you are! You silly girt staring Gaby, what don't know any better than to come holding yer girt mouth wide open for all that you can catch holt on? And then off up there to tell! You great Fat-Faced, Tale-Bearin' Silly-Billy! I'd be ashamed to come poking and peering round quiet people's houses…."
The Angel was surprised to find that some inexplicable quality in her voice excited the most disagreeable sensations in him and a strong desire to withdraw. But, resisting this, he stood listening politely (as the custom is in the Angelic Land, so long as anyone is speaking). The entire eruption was beyond his comprehension. He could not perceive any reason for the sudden projection of this vituperative head, out of infinity, so to speak. And questions without a break for an answer were outside his experience altogether.
Mrs Gustick proceeded with her characteristic fluency, assured him he was no gentleman, enquired if he called himself one, remarked that every tramp did as much nowadays, compared him to a Stuck Pig, marvelled at his impudence, asked him if he wasn't ashamed of himself standing there, enquired if he was rooted to the ground, was curious to be told what he meant by it, wanted to know whether he robbed a scarecrow for his clothes, suggested that an abnormal vanity prompted his behaviour, enquired if his mother knew he was out, and finally remarking, "I got somethin'll move you, my gentleman," disappeared with a ferocious slamming of the door.
The interval struck the Angel as singularly peaceful. His whirling mind had time to analyse his sensations. He ceased bowing and smiling, and stood merely astonished.
"This is a curious painful feeling," said the Angel. "Almost worse than Hungry, and quite different. When one is hungry one wants to eat. I suppose she was a woman. Here one wants to get away. I suppose I might just as well go."
He turned slowly and went down the road meditating. He heard the cottage door re-open, and turning his head, saw through intervening scarlet runners Mrs Gustick with a steaming saucepan full of boiling cabbage water in her hand.
"'Tis well you went, Mister Stolen Breeches," came the voice of Mrs Gustick floating down through the vermilion blossoms. "Don't you come peeping and prying round this yer cottage again or I'll learn ye manners, I will!"
The Angel stood in a state of considerable perplexity. He had no desire to come within earshot of the cottage again—ever. He did not understand the precise import of the black pot, but his general impression was entirely disagreeable. There was no explaining it.
"I mean it!" said Mrs Gustick, crescendo. "Drat it!—I mean it."
The Angel turned and went on, a dazzled look in his eyes.
"She was very grotesque!" said the Angel. "Very. Much more than the little man in black. And she means it.—— But what she means I don't know!…" He became silent. "I suppose they all mean something,", he said, presently, still perplexed.
XXV.
Then the Angel came in sight of the forge, where Sandy Bright's brother was shoeing a horse for the carter from Upmorton. Two hobbledehoys were standing by the forge staring in a bovine way at the proceedings. As the Angel approached these two and then the carter turned slowly through an angle of thirty degrees and watched his approach, staring quietly and steadily at him. The expression on their faces was one of abstract interest.
The Angel became self-conscious for the first time in his life. He drew nearer, trying to maintain an amiable expression on his face, an expression that beat in vain against their granitic stare. His hands were behind him. He smiled pleasantly, looking curiously at the (to him) incomprehensible employment of the smith. But the battery of eyes seemed to angle for his regard. Trying to meet the three pairs at once, the Angel lost his alertness and stumbled over a stone. One of the yokels gave a sarcastic cough, and was immediately covered with confusion at the Angel's enquiring gaze, nudging his companion with his elbow to cover his disorder. None spoke, and the Angel did not speak.
So soon as the Angel had passed, one of the three hummed this tune in an aggressive tone.
[Illustration: Music]
Then all three of them laughed. One tried to sing something and found his throat contained phlegm. The Angel proceeded on his way.
"Who's e then?" said the second hobbledehoy.
"Ping, ping, ping," went the blacksmith's hammer.
"Spose he's one of these here foweners," said the carter from Upmorton. "Däamned silly fool he do look to be sure."
"Tas the way with them foweners," said the first hobbledehoy sagely.
"Got something very like the 'ump," said the carter from Upmorton. "Dää-ä-ämned if 'E ent."
Then the silence healed again, and they resumed their quiet expressionless consideration of the Angel's retreating figure.
"Very like the 'ump et is," said the carter after an enormous pause.
XXVI.
The Angel went on through the village, finding it all wonderful enough. "They begin, and just a little while and then they end," he said to himself in a puzzled voice. "But what are they doing meanwhile?" Once he heard some invisible mouth chant inaudible words to the tune the man at the forge had hummed.
"That's the poor creature the Vicar shot with that great gun of his," said Sarah Glue (of 1, Church Cottages) peering over the blind.
"He looks Frenchified," said Susan Hopper, peering through the interstices of that convenient veil on curiosity.
"He has sweet eyes," said Sarah Glue, who had met them for a moment.
The Angel sauntered on. The postman passed him and touched his hat to him; further down was a dog asleep in the sun. He went on and saw Mendham, who nodded distantly and hurried past. (The Curate did not care to be seen talking to an angel in the village, until more was known about him). There came from one of the houses the sound of a child screaming in a passion, that brought a puzzled look to the angelic face. Then the Angel reached the bridge below the last of the houses, and stood leaning over the parapet watching the glittering little cascade from the mill.
"They begin, and just a little while, and then they end," said the weir from the mill. The water raced under the bridge, green and dark, and streaked with foam.
Beyond the mill rose the square tower of the church, with the churchyard behind it, a spray of tombstones and wooden headboards splashed up the hillside. A half dozen of beech trees framed the picture.
Then the Angel heard a shuffling of feet and the gride of wheels behind him, and turning his head saw a man dressed in dirty brown rags and a felt hat grey with dust, who was standing with a slight swaying motion and fixedly regarding the Angelic back. Beyond him was another almost equally dirty, pushing a knife grinder's barrow over the bridge.
"Mornin'," said the first person smiling weakly. "Goomorn'." He arrested an escaping hiccough.
The Angel stared at him. He had never seen a really fatuous smile before. "Who are you?" said the Angel.
The fatuous smile faded. "No your business whoaaam. Wishergoomorn."
"Carm on:" said the man with the grindstone, passing on his way.
"Wishergoomorn," said the dirty man, in a tone of extreme aggravation. "Carncher Answerme?"
"Carm on you fool!" said the man with the grindstone—receding.
"I don't understand," said the Angel.
"Donunderstan'. Sim'l enough. Wishergoomorn'. Willyanswerme? Wontchr? gemwishergem goomorn. Cusom answer goomorn. No gem. Haverteachyer."
The Angel was puzzled. The drunken man stood swaying for a moment, then he made an unsteady snatch at his hat and threw it down at the Angel's feet. "Ver well," he said, as one who decides great issues.
"Carm on!" said the voice of the man with the grindstone—stopping perhaps twenty yards off.
"You wan fight, you ——" the Angel failed to catch the word. "I'll show yer, not answer gem's goomorn."
He began to struggle with his jacket. "Think I'm drun," he said, "I show yer." Th
e man with the grindstone sat down on the shaft to watch. "Carm on," he said. The jacket was intricate, and the drunken man began to struggle about the road, in his attempts to extricate himself, breathing threatenings and slaughter. Slowly the Angel began to suspect, remotely enough, that these demonstrations were hostile. "Mur wun know yer when I done wi' yer," said the drunken man, coat almost over his head.
At last the garment lay on the ground, and through the frequent interstices of his reminiscences of a waistcoat, the drunken tinker displayed a fine hairy and muscular body to the Angel's observant eyes. He squared up in masterly fashion.
"Take the paint off yer," he remarked, advancing and receding, fists up and elbows out.
"Carm on," floated down the road.
The Angel's attention was concentrated on two huge hairy black fists, that swayed and advanced and retreated. "Come on d'yer say? I'll show yer," said the gentleman in rags, and then with extraordinary ferocity; "My crikey! I'll show yer."
Suddenly he lurched forward, and with a newborn instinct and raising a defensive arm as he did so, the Angel stepped aside to avoid him. The fist missed the Angelic shoulder by a hairsbreadth, and the tinker collapsed in a heap with his face against the parapet of the bridge. The Angel hesitated over the writhing dusty heap of blasphemy for a moment, and then turned towards the man's companion up the road. "Lemmeget up," said the man on the bridge: "Lemmeget up, you swine. I'll show yer."
A strange disgust, a quivering repulsion came upon the Angel. He walked slowly away from the drunkard towards the man with the grindstone.
"What does it all mean?" said the Angel. "I don't understand it."
"Dam fool!… say's it's 'is silver weddin'," answered the man with the grindstone, evidently much annoyed; and then, in a tone of growing impatience, he called down the road once more; "Carm on!"