by Jenny Nimmo
Paton swung around frantically. "Sorry, Julia," he muttered, staring at the soft lights that hung above the books in Ingledew's window. With an explosive crack, the shatterproof glass broke into pieces and fell to the pavement. "I bet you couldn't do that, enchanter!" Paton reached in and lifted out the heaviest book Julia had ever displayed.
Lifting the book as high as he could, Paton brought it down with all his strength onto the head of the hooded man.
There was a muffled growl of fury as the man loosened his grip and fell sideways. He began to roll over the cobblestones of the square, wrapping himself in his cloak until only a pair of shining eyes could be seen, glaring out from the dark hump of his body.
Paton was deciding whether to pursue his quarry when he heard an approaching police siren. The next
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minute, a police car roared into the square and when Paton looked for the hooded figure, it had vanished.
Two policemen jumped out of the vehicle and raced toward Paton, yelling, "Don't move. You're under arrest."
Flinging open her smoldering door, Julia Ingledew cried, "That man saved our lives. The villains are getting away."
"Who's this, then?" Officer Singh pointed to the man on the ground.
"I've no idea," said Paton.
"By the look of it, you've killed him." Officer Wood grabbed Paton's arm.
"He didn't!" cried Julia. "He saved his life."
"Seems to me you've got it all wrong, madam." Officer Singh sighed irritably. "We witnessed this man" - he pointed at Paton - "breaking a streetlamp. And who broke this window, I'd like to know."
"Ah. I did that," Paton confessed.
"You did?" Officer Singh frowned. "Wait a minute.
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This glass is supposed to be shatterproof, bulletproof, unbreakable. It's in a hundred pieces."
"That's true," Paton said nonchalantly. "But I broke it."
"And saved our lives," said Julia. "I saw it all. Oh, Paton!" She flung her arms around his neck.
Paton, smiling shyly, said, "Ah well."
"So where are these other villains?" asked Officer Singh suspiciously.
"I told you, they ran off," said Julia. "You won't catch them now. But could you help stop my door from burning down?"
"It's all right, Auntie!" Emma emerged with a bucket of water, which she flung at the door.
"Well done, Emma. You've saved the day," said Paton.
Officer Singh had just opened his mouth when a voice from the ground said, "Good lord, Paton Yewbeam."
Paton peered down at the man on the ground. "Bartholomew?" he said, in disbelief.
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"It's not like you to stick your neck out," Bartholomew grunted as Paton helped him to his feet.
"I've changed," said Paton gruffly.
The two police officers began to make notes. They took phone numbers and wrote down addresses, but Bartholomew Bloor refused to give them any information. The officers decided that the incident was not as serious as many others in the city that night, and drove away. Officer Singh even gave the group a friendly wave.
The four survivors retreated into the shop. To Julia's relief the thick oak door had survived the fire. It was scarred and scorched and its creak was worse, but the bolts and hinges still worked perfectly.
"I'll make some tea," Emma suggested. Her long blond hair and red bathrobe were soaked from a giant splash, but she was flushed with excitement.
Bartholomew refused to stay another moment. "I never meant to come into the city, but I was anxious," he explained. "My wife was watched; the shadow's
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spies are everywhere. I knew he'd want the diaries and I realized that I'd put you in danger, Miss Ingledew."
"Just stay a moment... ," Julia began.
"I must be gone," Bartholomew insisted. "Where are my diaries?"
"I'll get them." Miss Ingledew ran upstairs and Emma went to put the kettle on.
When the two men were alone, Bartholomew asked, "What made you change, Paton? You were always such a ninny."
Paton winced. "The boy," he said simply. "I had to help him."
"Ah, Charlie." Bartholomew smiled at last. "His father was the best and bravest man I ever knew. You were a poor friend to him, Paton."
"Here they are." Miss Ingledew returned with the diaries. "I'll put them in a book bag."
"Good," said Bartholomew. "Paton, you must give them to Charlie. Tell him to take them into the past."
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"What?" Paton took the bag from Julia and stared at Bartholomew in perplexity.
"He's the only one who can put them out of harm's way." Bartholomew's tone was cold and commanding. "Don't you understand? He has the gift. Tell him to take them where the shadow can never reach them."
"But where... ?"
"How do I know?" Bartholomew said roughly. "He must decide. Charlie's a clever boy. He knows that my diaries hold a secret that will help rescue his father. I'll bid you all good night." He turned to the door.
"Wait," Paton begged. "Can't we talk? It's been so long. Once you saved my life."
"And you have just saved mine. It changes nothing. Good night, Miss Ingledew." Bartholomew gave a curt nod and swept out.
"What a strange man," Miss Ingledew remarked. "So unfriendly. Come into the back room, Paton, and have some tea before you go."
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Paton shook his head. "No, I must leave. It's all my fault, Julia. On Saturday night, after you'd gone, I left the diaries on the kitchen table. My sister must have seen them when she came home from the ball. What a fool I am."
"That's not true. You couldn't have known."
Paton opened the heavy door. "Good night, my dear. Take care."
Across the square, the great cathedral clock began to strike midnight. Paton closed the bookstore door and stood for a moment, staring into the moonlit square, the place where his greatest friend had been lost.
"Yes, Lyell, I was a poor friend," Paton murmured. He strode down the cobblestoned alleys, heedless of the danger that would surely follow the diaries he carried. He was not even aware of the great cold that threatened to turn the tears in his eyes to crystal.
Charlie woke up to see the moth sitting on his pillow. He sensed that it wanted something. Yawning
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sleepily, Charlie got out of bed and crept onto the landing. The house was in darkness but he could see a thin trickle of light coming from under the kitchen door. It could have been only Uncle Paton. Anyone else would have put the hall light on.
It was freezing cold. Charlie wrapped his bathrobe tightly around him before he went downstairs. He found his uncle sitting at the table with the diaries lying before him. The single candle had almost burned out, but Charlie could see Paton's face. He wore an expression that Charlie had never seen before. It troubled him.
"Uncle Paton?"
His uncle looked up. "Ah, Charlie, I've just come from the bookstore. It's been an extraordinary night."
"I heard police sirens," said Charlie.
"Yes. Someone tried to break into Ingledew's. They were after the diaries. We think it was the shadow."
"Oh, no! Was anyone hurt? Is Emma OK? Are you... ?"
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"Charlie," Paton said solemnly, "Bartholomew was there. He wants you to take the diaries into the past."
"The past?" Charlie didn't understand.
"I'm sorry I have to ask you to do this now. You're tired and it's very late. But Bartholomew was most insistent, and I think he's right. You can travel into paintings, photographs, pictures. Is there anywhere you can think of where the
diaries would be safe? Where the shadow couldn't find them?"
Charlie scratched his head. "Yes," he said slowly. "I could take them to Skarpo."
"The sorcerer? A dangerous journey, Charlie. But if the old man could be persuaded to guard them, the diaries would certainly be safe."
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Charlie picked up the diaries and followed his uncle upstairs. The candle Paton held aloft flickered and smoked in the drafty stairwell, and Charlie had to tread carefully in order to avoid missing a step.
When he got to his room Charlie put the books on his side table and pulled a small painting from under the bed.
"I imagine you will need a good light, Charlie." Uncle Paton hovered by the door.
In the meager light from the candle, Charlie could hardly see the painting. "It'd probably be better if I put my bedside light on," he agreed.
"I'll leave you, then," said his uncle. "But, Charlie, how will you get back? Do you need my help?"
Charlie shook his head. "I'll take her with me." He nodded at the white moth resting on his bed. "She'll help me back. She's done it before, you know."
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"I see. Well... I wish you luck." Paton shifted his feet uncertainly and then retreated.
Charlie switched on his light and closed the door. He put the painting on his pillow and sat beside it on the bed. In his arms he held Bartholomew's ten leather-bound books.
The small painting was centuries old. The paint had darkened and cracked and its very age added menace to an already sinister scene. The title, The Sorcerer, had been scrawled in black paint at the bottom. And there he stood, the black-robed sorcerer in his cell-like room, with magical objects strewn across the table behind him. The sorcerer's dark hair and beard were threaded with silver and his eyes held a yellowish gleam. It was the eyes that Charlie focused on.
He had visited Skarpo, the sorcerer, several times before. Once, he had been afraid of the old man, but not anymore. He had become accustomed to the fiery eyes and deep, lilting speech.
Charlie Bone?
Although Charlie had expected it, the voice still
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took him by surprise and a shiver ran down his spine. The white moth flew onto his shoulder, prepared for the journey ahead.
As the familiar objects in his room began to fade, Charlie caught a whiff of the sorcerer's damp cell, mixed with the scent of burning herbs and candle grease. His head whirled and his feet became as light as air. Clutching the books even tighter, he fixed his gaze on Skarpo's burning yellow eyes. Now he could hear the drag of the sorcerer's robes, the rattle of iron, and the hiss of flames. Charlie felt himself tumbling through the centuries, his body buffeted like paper in the wind.
When his feet hit cold stone he opened his eyes. The sorcerer stood before him.
"What's this? I see Charlie Bone entirely." Skarpo rubbed his hairy chin. "There was a time when only your head appeared. Your power has strengthened."
"Has it?" Charlie looked at his arms clasped around the diaries. "Oh."
"You have a gift for me?" The sorcerer eyed the leather-bound books.
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"Not exactly," said Charlie. "I've come to ask you a favor."
"Ah!" The sorcerer rubbed his bony hands together. "I like favors. It means I can ask one of you."
"I suppose it does," said Charlie nervously.
"Let us be seated." Lifting the red cloth that hung over his table, Skarpo drew out two rough wooden stools. One he pushed toward Charlie, the other he placed behind him, pulling his heavy robes to one side as he sat upon it. "Are you going to tell me about those books?"
Charlie placed the ten books in the sorcerer's outstretched arms. "They're diaries, sir, very special diaries. They were written by a man called Bartholomew Bloor, a distant relative of mine. He's been all over the world and whenever he heard a story about the Red King, he wrote it down. They're precious because they've got secrets in them, things about the Red King that we've never known before."
"If they're precious, why give them to me?" Skarpo gave a light chuckle. "Do you trust me, Charlie Bone?"
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"I have to," said Charlie. "There's a man - a thing - that people call the shadow. He's in the Red King's portrait and he..."
"The shadow?" Skarpo stood up, his swirling black robes sending an icy draft across Charlie's slippered feet. "Say no more. I know of this shadow. Magicians try not to speak of him, for he brought our powers into great disrepute. A fleeting whisper of his name and my brother sorcerers will raise their hands in protest."
"Well, I'm going to have to say a bit more about him," said Charlie, "because he's the reason for me bringing those diaries to you."
"Ah, now we have it." Skarpo turned and put the books in two neat piles on his table. "Tell me, then." With a swish of his robes, he sat down.
The sorcerer's cavelike room was a fitting place for Charlie's story. He told Skarpo all that had happened since the snowy night when the animals had left the city. He told him about frozen Maisie and his mother's ring, about Miss Chrystal and the Mirror of
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Amoret. And, as he spoke, the five candles in their tall iron holder burned lower and lower, and soon the only light in the room seemed to come from the sorcerer's yellow eyes.
When Charlie had said all there was to say, Skarpo got to his feet again and went to the table. He lit a thick candle in the center and by the light of its leaping flame, he began to leaf through each book. Charlie watched him, hoping for a remark or a word of advice, but the sorcerer said nothing until he had scanned every page. When he had replaced the last book he turned to Charlie and said, "Fine stories, my boy. Revelations! I'll keep them safe, but the spell, the Welsh spell, you must take that back with you. I'll translate it, for I have the Welsh, you know, and you'll need it."
Charlie waited, wondering if this was the spell Bartholomew had mentioned. The sorcerer snatched a scrap of parchment from a leather folder, and dipping a fancy-looking quill into a jar of ink, he began to scratch across the surface of the parchment. Now and again he would glance at one of the diaries lying
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open on his table, scratch his head, look into the distance, smile, and then continue writing.
When the last line had been scrawled, Skarpo laid down his quill and looked at Charlie with a grin of triumph. "A wonderful spell," he declared. "Not mine, oh, no. Your relative must have got it from one of Mathonwy's descendants. Mathonwy being the friend of your Red King, of course." He gave another of his light chuckles. "It was from him that I stole that wand of yours, Charlie Bone. Not stole, no, he was old then and would have given it to me before he died. How they love to pass on their names, those Welsh." He paused and cocked his head. "Speaking of wands, where is it?"
"As a matter of fact, it's a moth now," said Charlie.
"Ah, that moth. I see it!" Skarpo put out his hand to catch the white moth that was fluttering between them.
"DON'T!" shouted Charlie. "She's mine!"
"Just a joke, Charlie Bone! I'll not hurt your wee moth."
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The sorcerer blew on the parchment and held it out. "Take your spell and leave this place. It doesn't do to linger in distant worlds."
"Yes, I'd better go," said Charlie, taking the spell. "And thank you. You will keep the diaries safe, won't you?"
"Do you doubt it?" The sorcerer tilted his head and gave a crooked smile.
"No. No, of course not." Charlie held out his free hand and the moth flew onto his finger. "She helps me travel," he explained.
The sorcerer nodded. "Ah."
Before Charlie lef
t, he glanced through a small window at the back of the shadowy room. A dark forest could be seen, fringing a sea of glittering moonlit water. Once, Charlie had accidentally made a visit to that forest, and it had always lain at the back of his mind, a memory that puzzled and yet comforted him. "Sir, did the Red King ever live near here?" he asked.
"Aye, he did," said Skarpo, turning to the window. "And when the king was gone, Mathonwy, the
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magician, came to live here. He took me in when I was very young, a homeless orphan, my people murdered by the soldiers of the English king. He was a great magician and he taught me much, but I was never as good as he, in any sense of the word." A shadow crossed the sorcerer's face, a fleeting hint of regret, and then the wicked grin returned and he waved his hand at Charlie. "Go, boy, go. And may luck accompany you."
"Good-bye, then, sir. And thank you." Charlie looked at the moth and gently asked, "Can we go now, Claerwen?"
The sorcerer's face was the last thing Charlie saw before the mist of time drifted between them, and he began to travel home. Skarpo's yellow eyes were wide with surprise, for Charlie had spoken in Welsh. The unfamiliar word had come to him out of the blue, and yet he knew that it belonged to the moth. Claerwen: snow white.
A moment later he was sitting on his bed with the painting beside him and the moth on his arm. Charlie
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yawned and kicked off his slippers. He had never felt so drowsy. In a few hours he would have to get up and pack his bag, get ready for school. But not yet. He put the painting under his bed, lay back on the pillow, and fell asleep.
He awoke to find his uncle anxiously peering at him from the doorway.
"Far be it from me to remind you of school," said Uncle Paton, "but I thought I should at least alert you to the time. No one else seems to be awake."
As Charlie rolled out of bed a scrap of stiff, yellowish paper floated to the floor. Frowning, Uncle Paton stepped into the room and picked it up. "What's this?"
"Don't know," mumbled Charlie, rubbing his eyes.
"A poem? No, more a ... a sort of charm." Paton turned the paper and studied the large, slanting script. "Good lord, where did you get this, Charlie?"