Wilfred said, with a voice utterly undescribable: 'I told Norman myself to beware of the thunderbolt.'
'That agent is outside my jurisdiction,' said the inspector with a slight smile.
'You are not outside His,' answered the smith; 'see you to it,' and, turning his broad back, he went into the house.
The shaken Wilfred was led away by Father Brown, who had an easy and friendly way with him. 'Let us get out of this horrid place, Mr Bohun,' he said. 'May I look inside your church? I hear it's one of the oldest in England. We take some interest, you know,' he added with a comical grimace, 'in old English churches.'
Wilfred Bohun did not smile, for humour was never his strong point. But he nodded rather eagerly, being only too ready to explain the Gothic splendours to someone more likely to be sympathetic than the Presbyterian blacksmith or the atheist cobbler.
'By all means,' he said; 'let us go in at this side.' And he led the way into the high side entrance at the top of the flight of steps. Father Brown was mounting the first step to follow him when he felt a hand on his shoulder, and turned to behold the dark, thin figure of the doctor, his face darker yet with suspicion.
'Sir,' said the physician harshly, 'you appear to know some secrets in this black business. May I ask if you are going to keep them to yourself?'
'Why, doctor,' answered the priest, smiling quite pleasantly, 'there is one very good reason why a man of my trade should keep things to himself when he is not sure of them, and that is that it is so constantly his duty to keep them to himself when he is sure of them. But if you think I have been discourteously reticent with you or anyone, I will go to the extreme limit of my custom. I will give you two very large hints.'
'Well, sir?' said the doctor gloomily.
'First,' said Father Brown quietly, 'the thing is quite in your own province. It is a matter of physical science. The blacksmith is mistaken, not perhaps in saying that the blow was divine, but certainly in saying that it came by a miracle. It was no miracle, doctor, except in so far as man is himself a miracle, with his strange and wicked and yet half-heroic heart. The force that smashed that skull was a force well known to scientists – one of the most frequently debated of the laws of nature.'
The doctor, who was looking at him with frowning intentness, only said: 'And the other hint?'
'The other hint is this,' said the priest. 'Do you remember the blacksmith, though he believes in miracles, talking scornfully of the impossible fairy tale that his hammer had wings and flew half a mile across country?'
'Yes,' said the doctor, 'I remember that.'
'Well,' added Father Brown, with a broad smile, 'that fairy tale was the nearest thing to the real truth that has been said today.' And with that he turned his back and stumped up the steps after the curate.
The Reverend Wilfred, who had been waiting for him, pale and impatient, as if this little delay were the last straw for his nerves, led him immediately to his favourite corner of the church, that part of the gallery closest to the carved roof and lit by the wonderful window with the angel. The little Latin priest explored and admired everything exhaustively, talking cheerfully but in a low voice all the time. When in the course of his investigation he found the side exit and the winding stair down which Wilfred had rushed to find his brother dead, Father Brown ran not down but up, with the agility of a monkey, and his clear voice came from an outer platform above.
'Come up here, Mr Bohun,' he called. 'The air will do you good.'
Bohun followed him, and came out on a kind of stone gallery or balcony outside the building, from which one could see the illimitable plain in which their small hill stood, wooded away to the purple horizon and dotted with villages and farms. Clear and square, but quite small beneath them, was the blacksmith's yard, where the inspector still stood taking notes and the corpse still lay like a smashed fly.
'Might be the map of the world, mightn't it?' said Father Brown.
'Yes,' said Bohun very gravely, and nodded his head.
Immediately beneath and about them the lines of the Gothic building plunged outwards into the void with a sickening swiftness akin to suicide. There is that element of Titan energy in the architecture of the Middle Ages that, from whatever aspect it be seen, it always seems to be rushing away, like the strong back of some maddened horse. This church was hewn out of ancient and silent stone, bearded with old fungoids and stained with the nests of birds. And yet, when they saw it from below, it sprang like a fountain at the stars; and when they saw it, as now, from above, it poured like a cataract into a voiceless pit. For these two men on the tower were left alone with the most terrible aspect of Gothic; the monstrous foreshortening and disproportion, the dizzy perspectives, the glimpses of great things small and small things great; a topsy-turvydom of stone in the mid-air. Details of stone, enormous by their proximity, were relieved against a pattern of fields and farms, pygmy in their distance. A carved bird or beast at a corner seemed like some vast walking or flying dragon wasting the pastures and villages below. The whole atmosphere was dizzy and dangerous, as if men were upheld in air amid the gyrating wings of colossal genii; and the whole of that old church, as tall and rich as a cathedral, seemed to sit upon the sunlit country like a cloudburst.
'I think there is something rather dangerous about standing on these high places even to pray,' said Father Brown. 'Heights were made to be looked at, not to be looked from.'
'Do you mean that one may fall over,' asked Wilfred.
'I mean that one's soul may fall if one's body doesn't,' said the other priest.
'I scarcely understand you,' remarked Bohun indistinctly.
'Look at that blacksmith, for instance,' went on Father Brown calmly; 'a good man, but not a Christian – hard, imperious, unforgiving. Well, his Scotch religion was made up by men who prayed on hills and high crags, and learnt to look down on the world more than to look up at heaven. Humility is the mother of giants. One sees great things from the valley; only small things from the peak.'
'But he – he didn't do it,' said Bohun tremulously.
'No,' said the other in an odd voice; 'we know he didn't do it.'
After a moment he resumed, looking tranquilly out over the plain with his pale grey eyes. 'I knew a man,' he said, 'who began by worshipping with others before the altar, but who grew fond of high and lonely places to pray from, corners or niches in the belfry or the spire. And once in one of those dizzy places, where the whole world seemed to turn under him like a wheel, his brain turned also, and he fancied he was God. So that, though he was a good man, he committed a great crime.'
Wilfred's face was turned away, but his bony hands turned blue and white as they tightened on the parapet of stone.
'He thought it was given to him to judge the world and strike down the sinner. He would never have had such a thought if he had been kneeling with other men upon a floor. But he saw all men walking about like insects. He saw one especially strutting just below him, insolent and evident by a bright green hat – a poisonous insect.'
Rooks cawed round the corners of the belfry; but there was no other sound till Father Brown went on.
'This also tempted him, that he had in his hand one of the most awful engines of nature; I mean gravitation, that mad and quickening rush by which all earth's creatures fly back to her heart when released. See, the inspector is strutting just below us in the smithy. If I were to toss a pebble over this parapet it would be something like a bullet by the time it struck him. If I were to drop a hammer – even a small hammer – '
Wilfred Bohun threw one leg over the parapet, and Father Brown had him in a minute by the collar.
'Not by that door,' he said quite gently; 'that door leads to hell.'
Bohun staggered back against the wall, and stared at him with frightful eyes.
'How do you know all this?' he cried. 'Are you a devil?'
'I am a man,' answered Father Brown gravely; 'and therefore have all devils in my heart. Listen to me,' he said after a short pause.
'I know what you did – at least, I can guess the great part of it. When you left your brother you were racked with no unrighteous rage, to the extent even that you snatched up a small hammer, half inclined to kill him with his foulness on his mouth. Recoiling, you thrust it under your buttoned coat instead, and rushed into the church. You pray wildly in many places, under the angel window, upon the platform above, and a higher platform still, from which you could see the colonel's Eastern hat like the back of a green beetle crawling about. Then something snapped in your soul, and you let God's thunderbolt fall.'
Wilfred put a weak hand to his head, and asked in a low voice: 'How did you know that his hat looked like a green beetle?'
'Oh, that,' said the other with the shadow of a smile, 'that was common sense. But hear me further. I say I know all this; but no one else shall know it. The next step is for you; I shall take no more steps; I will seal this with the seal of confession. If you ask me why, there are many reasons, and only one that concerns you. I leave things to you because you have not yet gone very far wrong, as assassins go. You did not help to fix the crime on the smith when it was easy; or on his wife, when that was easy. You tried to fix it on the imbecile because you knew that he could not suffer. That was one of the gleams that it is my business to find in assassins. And now come down into the village, and go your own way as free as the wind; for I have said my last word.'
They went down the winding stairs in utter silence, and came out into the sunlight by the smithy. Wilfred Bohun carefully unlatched the wooden gate of the yard, and going up to the inspector, said: 'I wish to give myself up; I have killed my brother.'
Eugène Valmont
Created by Robert Barr (1849 – 1912)
BORN IN SCOTLAND, Robert Barr went with his family to Canada as a small boy and it was there and in the United States that he began his career as a journalist. He returned to the UK in the early 1880s and became a well-known figure in literary London, a prolific writer of novels and short stories. In 1892 he was the co-founder, with Jerome K. Jerome, of The Idler. He was a friend of Conan Doyle, who, in the preface to his historical novel Rodney Stone, acknowledges Barr's assistance in providing information about the world of prizefighting in which the book is set. Barr was also one of the earliest writers to produce a parody of a Sherlock Holmes story, publishing 'The Pegram Mystery', featuring Sherlaw Kombs, in 1894. His own most succesful ventures into the crime genre were the short stories he wrote about the French detective resident in London, Eugène Valmont, which were published in The Windsor Magazine and Pearson's Magazine in 1904 and 1905 and later in book form. Like Holmes, Valmont is not a man given to false modesty (despite his earlier, forced resignation from a government position in his native France) and his self-possession and self-confidence are apparent throughout the stories. None of Valmont's cases demands feats of Sherlockian deduction but the wit and energy with which Barr relates them make them entertaining reading.
The Clue of the Silver Spoons
WHEN THE CARD was brought in to me, I looked upon it with some misgiving, for I scented a commercial transaction, and, although such cases are lucrative enough, nevertheless I, Eugène Valmont, formerly high in the service of the French Government, do not care to be connected with them. They usually pertain to sordid business affairs, presenting little that is of interest to a man who, in his time, has dealt with subtle questions of diplomacy upon which the welfare of nations sometimes turned.
The name of Bentham Gibbes is familiar to everyone, connected as it is with the much-advertised pickles, whose glaring announcements in crude crimson and green strike the eye throughout Great Britain, and shock the artistic sense wherever seen. Me! I have never tasted them, and shall not so long as a French restaurant remains open in London. But I doubt not they are as pronounced to the palate as their advertisement is distressing to the eye. If then, this gross pickle manufacturer expected me to track down those who were infringing upon the recipes for making his so-called sauces, chutneys, and the like, he would find himself mistaken, for I was now in a position to pick and choose my cases, and a case of pickles did not allure me. 'Beware of imitations,' said the advertisement; 'none genuine without a facsimile of the signature of Bentham Gibbes.' Ah, well, not for me were either the pickles or the tracking of imitators. A forged cheque! yes, if you like, but the forged signature of Mr Gibbes on a pickle bottle was out of my line. Nevertheless, I said to Armand:
'Show the gentleman in,' and he did so.
To my astonishment there entered a young man, quite correctly dressed in the dark frock-coat, faultless waistcoat and trousers that proclaimed a Bond Street tailor. When he spoke his voice and language were those of a gentleman.
'Monsieur Valmont?' he inquired.
'At your service,' I replied, bowing and waving my hand as Armand placed a chair for him, and withdrew.
'I am a barrister with chambers in the Temple,' began Mr Gibbes, 'and for some days a matter has been troubling me about which I have now come to seek your advice, your name having been suggested by a friend in whom I confided.'
'Am I acquainted with him?' I asked.
'I think not,' replied Mr Gibbes; 'he also is a barrister with chambers in the same building as my own. Lionel Dacre is his name.'
'I never heard of him.'
'Very likely not. Nevertheless, he recommended you as a man who could keep his own counsel, and if you take up this case I desire the utmost secrecy preserved, whatever may be the outcome.'
I bowed, but made no protestation. Secrecy is a matter of course with me.
The Englishman paused for a few moments as if he expected fervent assurances; then went on with no trace of disappointment on his countenance at not receiving them.
'On the night of the twenty-third, I gave a little dinner to six friends of mine in my own rooms. I may say that so far as I am aware they are all gentlemen of unimpeachable character. On the night of the dinner I was detained later than I expected at a reception, and in driving to the Temple was still further delayed by a block of traffic in Piccadilly, so that when I arrived at my chambers there was barely time for me to dress and receive my guests. My man Johnson had everything laid out ready for me in my dressing-room, and as I passed through to it I hurriedly flung off the coat I was wearing and carelessly left it hanging over the back of a chair in the dining-room, where neither Johnson nor myself noticed it until my attention was called to it after the dinner was over, and everyone rather jolly with wine.
'This coat contains an inside pocket. Usually any frock-coat I wear at an afternoon reception has not an inside pocket, but I had been rather on the rush all day.
'My father is a manufacturer whose name may be familiar to you, and I am on the directors' board of his company. On this occasion I took a cab from the city to the reception I spoke of, and had not time to go and change at my rooms. The reception was a somewhat bohemian affair, extremely interesting, of course, but not too particular as to costume, so I went as I was. In this inside pocket rested a thin package, composed of two pieces of cardboard, and between them rested five twenty-pound Bank of England notes, folded lengthwise, held in place by an elastic rubber band. I had thrown the coat across the chair-back in such a way that the inside pocket was exposed, leaving the ends of the notes plainly recognisable.
'Over the coffee and cigars one of my guests laughingly called attention to what he termed my vulgar display of wealth, and Johnson, in some confusion at having neglected to put away the coat, now picked it up, and took it to the reception-room where the wraps of my guests lay about promiscuously. He should, of course, have hung it up in my wardrobe, but he said afterwards he thought it belonged to the guest who had spoken. You see, Johnson was in my dressingroom when I threw my coat on the chair in the corner while making my way thither, and I suppose he had not noticed the coat in the hurry of arriving guests, otherwise he would have put it where it belonged. After everybody had gone Johnson came to me and said the coat was there, but the package was missing, nor has
any trace of it been found since that night.'
'The dinner was fetched in from outside, I suppose?'
'Yes.'
'How many waiters served it?'
'Two. They are men who have often been in my employ on similar occasions, but, apart from that, they had left my chambers before the incident of the coat happened.'
'Neither of them went into the reception-room, I take it?'
'No. I am certain that not even suspicion can attach to either of the waiters.'
'Your man Johnson – ?'
'Has been with me for years. He could easily have stolen much more than the hundred pounds if he had wished to do so, but I have never known him to take a penny that did not belong to him.'
Rivals of Sherlock Holmes, The Page 14