While Sleeping.
ERIC LAURRENT, Do Not Touch.
VIOLETTE LEDUC, La Bâtarde.
EDOUARD LEVÉ, Autoportrait.
Suicide.
MARIO LEVI, Istanbul Was a Fairy Tale.
DEBORAH LEVY, Billy and Girl.
JOSÉ LEZAMA LIMA, Paradiso.
ROSA LIKSOM, Dark Paradise.
OSMAN LINS, Avalovara.
The Queen of the Prisons of Greece.
ALF MAC LOCHLAINN,
The Corpus in the Library.
Out of Focus.
RON LOEWINSOHN, Magnetic Field(s).
MINA LOY, Stories and Essays of Mina Loy.
D. KEITH MANO, Take Five.
MICHELINE AHARONIAN MARCOM,
The Mirror in the Well.
BEN MARCUS,
The Age of Wire and String.
WALLACE MARKFIELD,
Teitlebaum’s Window.
To an Early Grave.
DAVID MARKSON, Reader’s Block.
Wittgenstein’s Mistress.
CAROLE MASO, AVA.
LADISLAV MATEJKA AND KRYSTYNA POMORSKA, EDS.,
Readings in Russian Poetics:
Formalist and Structuralist Views.
HARRY MATHEWS, Cigarettes.
The Conversions.
The Human Country: New and
Collected Stories.
The Journalist.
My Life in CIA.
Singular Pleasures.
The Sinking of the Odradek
Stadium.
Tlooth.
JOSEPH MCELROY,
Night Soul and Other Stories.
ABDELWAHAB MEDDEB, Talismano.
GERHARD MEIER, Isle of the Dead.
HERMAN MELVILLE, The Confidence-Man.
AMANDA MICHALOPOULOU, I’d Like.
STEVEN MILLHAUSER, The Barnum Museum.
In the Penny Arcade.
RALPH J. MILLS, JR., Essays on Poetry.
MOMUS, The Book of Jokes.
CHRISTINE MONTALBETTI, The Origin of Man.
Western.
OLIVE MOORE, Spleen.
NICHOLAS MOSLEY, Accident.
Assassins.
Catastrophe Practice.
Experience and Religion.
A Garden of Trees.
Hopeful Monsters.
Imago Bird.
Impossible Object.
Inventing God.
Judith.
Look at the Dark.
Natalie Natalia.
Serpent.
Time at War.
WARREN MOTTE,
Fables of the Novel: French Fiction since 1990.
Fiction Now: The French Novel in the 21st Century.
Oulipo: A Primer of Potential Literature.
GERALD MURNANE, Barley Patch.
Inland.
YVES NAVARRE, Our Share of Time.
Sweet Tooth.
DOROTHY NELSON, In Night’s City.
Tar and Feathers.
ESHKOL NEVO, Homesick.
WILFRIDO D. NOLLEDO, But for the Lovers.
FLANN O’BRIEN, At Swim-Two-Birds.
The Best of Myles.
The Dalkey Archive.
The Hard Life.
The Poor Mouth.
The Third Policeman.
CLAUDE OLLIER, The Mise-en-Scène.
Wert and the Life Without End.
GIOVANNI ORELLI, Walaschek’s Dream.
PATRIK OUŘEDNÍK, Europeana.
The Opportune Moment, 1855.
BORIS PAHOR, Necropolis.
FERNANDO DEL PASO, News from the Empire.
Palinuro of Mexico.
ROBERT PINGET, The Inquisitory.
Mahu or The Material. Trio.
MANUEL PUIG, Betrayed by Rita Hayworth.
The Buenos Aires Affair.
Heartbreak Tango.
RAYMOND QUENEAU, The Last Days.
Odile.
Pierrot Mon Ami.
Saint Glinglin.
ANN QUIN, Berg.
Passages.
Three.
Tripticks.
ISHMAEL REED, The Free-Lance Pallbearers.
The Last Days of Louisiana Red.
Ishmael Reed: The Plays.
Juice!
Reckless Eyeballing.
The Terrible Threes.
The Terrible Twos.
Yellow Back Radio Broke-Down.
JASIA REICHARDT, 15 Journeys Warsaw to London.
NOËLLE REVAZ, With the Animals.
JOÃO UBALDO RIBEIRO, House of the Fortunate Buddhas.
JEAN RICARDOU, Place Names.
RAINER MARIA RILKE, The Notebooks of Malte Laurids Brigge.
JULIÁN RÍOS, The House of Ulysses.
Larva: A Midsummer Night’s Babel.
Poundemonium.
Procession of Shadows.
AUGUSTO ROA BASTOS, I the Supreme.
DANIËL ROBBERECHTS, Arriving in Avignon.
JEAN ROLIN, The Explosion of the Radiator Hose.
OLIVIER ROLIN, Hotel Crystal.
ALIX CLEO ROUBAUD, Alix’s Journal.
JACQUES ROUBAUD, The Form of a City Changes Faster, Alas, Than the Human Heart.
The Great Fire of London.
Hortense in Exile.
Hortense Is Abducted.
The Loop.
Mathematics:
The Plurality of Worlds of Lewis.
The Princess Hoppy.
Some Thing Black.
RAYMOND ROUSSEL, Impressions of Africa.
VEDRANA RUDAN, Night.
STIG SÆTERBAKKEN, Siamese.
Self Control.
LYDIE SALVAYRE, The Company of Ghosts.
The Lecture.
The Power of Flies.
LUIS RAFAEL SÁNCHEZ,
Macho Camacho’s Beat.
SEVERO SARDUY, Cobra & Maitreya.
NATHALIE SARRAUTE,
Do You Hear Them?
Martereau.
The Planetarium.
ARNO SCHMIDT, Collected Novellas.
Collected Stories.
Nobodaddy’s Children.
Two Novels.
ASAF SCHURR, Motti.
GAIL SCOTT, My Paris.
DAMION SEARLS, What We Were Doing and Where We Were Going.
JUNE AKERS SEESE,
Is This What Other Women Feel Too?
What Waiting Really Means.
BERNARD SHARE, Inish.
Transit.
VIKTOR SHKLOVSKY, Bowstring.
Knight’s Move.
A Sentimental Journey:
Memoirs 1917–1922.
Energy of Delusion: A Book on Plot.
Literature and Cinematography.
Theory of Prose.
Third Factory.
Zoo, or Letters Not about Love.
PIERRE SINIAC, The Collaborators.
KJERSTI A. SKOMSVOLD, The Faster I Walk, the Smaller I Am.
JOSEF ŘKVORECKÝ, The Engineer of Human Souls.
GILBERT SORRENTINO,
Aberration of Starlight.
Blue Pastoral.
Crystal Vision.
Imaginative Qualities of Actual
Things.
Mulligan Stew.
Pack of Lies.
Red the Fiend.
The Sky Changes.
Something Said.
Splendide-Hôtel.
Steelwork.
Under the Shadow.
W. M. SPACKMAN, The Complete Fiction.
ANDRZEJ STASIUK, Dukla.
Fado.
GERTRUDE STEIN, The Making of Americans.
A Novel of Thank You.
LARS SVENDSEN, A Philosophy of Evil.
PIOTR SZEWC, Annihilation.
GONÇALO M. TAVARES, Jerusalem.
Joseph Walser’s Machine.
Learning to Pray in the Age of
Technique.
LUCIAN DAN TEODOROVICI,
Our Circus Presents . . .
NIKANOR TERATOLOGEN, Assi
sted Living.
STEFAN THEMERSON, Hobson’s Island.
The Mystery of the Sardine.
Tom Harris.
TAEKO TOMIOKA, Building Waves.
JOHN TOOMEY, Sleepwalker.
JEAN-PHILIPPE TOUSSAINT, The Bathroom.
Camera.
Monsieur.
Reticence.
Running Away.
Self-Portrait Abroad.
Television.
The Truth about Marie.
DUMITRU TSEPENEAG, Hotel Europa.
The Necessary Marriage.
Pigeon Post.
Vain Art of the Fugue.
ESTHER TUSQUETS, Stranded.
DUBRAVKA UGRESIC, Lend Me Your Character.
Thank You for Not Reading.
TOR ULVEN, Replacement.
MATI UNT, Brecht at Night.
Diary of a Blood Donor.
Things in the Night.
ÁLVARO URIBE AND OLIVIA SEARS, EDS.,
Best of Contemporary Mexican Fiction.
ELOY URROZ, Friction.
The Obstacles.
LUISA VALENZUELA, Dark Desires and the Others.
He Who Searches.
PAUL VERHAEGHEN, Omega Minor.
AGLAJA VETERANYI, Why the Child Is Cooking in the Polenta.
BORIS VIAN, Heartsnatcher.
LLORENÇ VILLALONGA, The Dolls’ Room.
TOOMAS VINT, An Unending Landscape.
ORNELA VORPSI, The Country Where No One Ever Dies.
AUSTRYN WAINHOUSE, Hedyphagetica.
CURTIS WHITE, America’s Magic Mountain.
The Idea of Home.
Memories of My Father Watching TV.
Requiem.
DIANE WILLIAMS, Excitability: Selected Stories.
Romancer Erector.
DOUGLAS WOOLF, Wall to Wall.
Ya! & John-Juan.
JAY WRIGHT, Polynomials and Pollen.
The Presentable Art of Reading Absence.
PHILIP WYLIE, Generation of Vipers.
MARGUERITE YOUNG, Angel in the Forest.
Miss MacIntosh, My Darling.
REYOUNG, Unbabbling.
VLADO ŽABOT, The Succubus.
ZORAN ŽIVKOVIĆ, Hidden Camera.
LOUIS ZUKOFSKY, Collected Fiction.
VITOMIL ZUPAN, Minuet for Guitar.
SCOTT ZWIREN, God Head.
Copyright © 2013 by the Estate of Brian O’Nolan
Introduction and editorial matter
© 2013 by Daniel Keith Jernigan
First edition, 2013
Library of Congress Cataloging-in-Publication Data
O’Brien, Flann, 1911-1966.
[Plays. Selections]
Flann O’Brien : Plays and Teleplays / edited and with an introduction by
Daniel Keith Jernigan. -- First edition.
pages cm
ISBN 978-1-56478-890-0 (pbk. : acid-free paper)
I. Jernigan, Daniel K. II. Title.
PR6029.N56A6 2013
822’.912--dc23
2013011990
ISBN 978-1-564-78988-4 (e-book)
Partially funded by a grant from the Illinois Arts Council,
a state agency.
www.dalkeyarchive.com
Cover: design by Mikhail Iliatov, image by David O’Kane
Printed on permanent/durable acid-free paper
Collected Plays and Teleplays (Irish Literature) Page 29