The Dissent of Annie Lang

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by Ros Franey




  THE DISSENT OF ANNIE LANG

  Ros Franey

  CONTENTS

  TITLE PAGE

  PROLOGUE

  1932

  PART ONE

  1926

  PART TWO

  1926 and 1932

  PART THREE

  1932

  ACKNOWLEDGEMENTS

  A NOTE ON THE AUTHOR

  COPYRIGHT

  PROLOGUE

  1932

  My story starts and ends at railway stations, though of course I can’t know this yet as I clamber off the boat train at Victoria that warm May afternoon. Through the clang of shunting, whistles, the shouts of porters and the sharp smell of coal from the tenders, it’s suddenly a tremendous relief to catch sight of Beatrice. She is standing in a pool of yellow light shining through the sooty glass roof, her grey eyes scanning the throng from behind new circular horn-rimmed spectacles, a slight frown breaking into a smile as she sees me a moment after I see her.

  ‘Annie! Phew! What a crush. I thought I’d missed you!’ Her gloved hands catch mine for a moment, and then she grabs my suitcase and joins the queue jostling for the barrier. ‘Goodness, girl, what on earth have you got in here?’

  I laugh and take her arm. She’s wearing a white dress with blue roses and a little blue-grey bolero, smart grey shoes, grey-blue gloves that match her eyes and a dove-grey leather bag.

  ‘Gosh, Beatrice, you look so … elegant!’

  We’re standing at one of the bus stops in front of the station. Beatrice smiles shyly and raises a critical hand to her hair, which has been cut in a bob, held at the back with a bow. I’ve barely seen her since she took up her job in London. People say she’s not a beauty – though, to me, she’s my beautiful sister – but there’s no doubt about it: Beatrice has style. I feel a scruff in comparison, with my plaid cotton dress, its starched white collar probably coated in smuts from the journey, my creased summer coat, sensible brogues and tangled hair from sitting on deck for most of the crossing. Beatrice surveys me, taking all this in, and says nothing.

  Later, after supper at her digs in Bloomsbury, I tell her a bit about France and my ten months studying in Bordeaux, holding on to it fiercely to stop it slipping away. Beatrice is ironing a blouse for next morning and I tease her about the care she takes with her wardrobe. She says seriously, ‘The secret is to buy well, Annie – quality, not quantity.’ She is a secretary to two of the ministers at the G-Pom. ‘It’s all right for you; you’re a student,’ she adds wistfully.

  ‘When will you start your training, Bea?’ I ask her. I don’t want her to feel I’m putting on airs because of going to the university. Beatrice’s dream is to be a missionary.

  She avoids my gaze. ‘I don’t know yet. I’ll have to see. It depends.’

  ‘On what?’

  She concentrates on the ruffles of her blouse, pressing the iron against each one with precision. ‘Oh, you know … on my vocation, I suppose.’

  ‘Oh … I see.’ This is a part of her life into which I can never enquire. ‘I thought you … I mean, well, you’ve got a vocation, haven’t you? You’ve always had it!’

  ‘I don’t know, Annie. It’s more complicated than I used to think. You have to be called,’ she explains gently. ‘It’s not up to you.’

  ‘Oh,’ I say, very much hoping no one will call me.

  There’s a short silence. She finishes the blouse and stands the iron on a trivet to cool. ‘But, listen, that’s enough about me. What have you heard from home?’

  ‘Oh, you know. Nothing much.’ I’m still thinking about Beatrice and how annoying it must be to have to hang around waiting for God. I turn my mind to her question. ‘Nothing’s happening at home, is it? Daddy’s worshipful whatsit of the lodge by now, I suppose. Golly, I hope that doesn’t mean I’ll get dragged off to ladies’ evenings!’ I pull a face in mock horror. ‘I say, d’you suppose Mother has to go? I can’t see it, can you? Imagine – she’d have the Bagshaws singing “The Old Rugged Cross” within half an hour!’

  We both smile uneasily.

  ‘Anything to report on that front?’ I ask after a moment.

  ‘On Mother? No. But Annie—’ Beatrice has folded up the ironing board. She comes to sit down. ‘They haven’t mentioned Fred?’

  I throw myself on the slippery counterpane of her bed, levering off my shoes without untying the laces. ‘Fred? What about him?’

  ‘He’s not been well.’

  I stare at her. ‘How d’you mean?’

  Beatrice sighs. ‘Oh dear. Listen, before we talk about it, let me make you some cocoa.’

  I shake my head. ‘I want to know about Fred. What’s the matter with him? Is it serious?’

  ‘Quite serious, but it’s not’ – she looks at me meaningfully – ‘physical.’

  ‘You mean it’s like last time?’

  Beatrice nods. ‘But worse. “Nervous exhaustion”, they say.’

  ‘Where is he?’

  ‘Mapperley.’

  ‘In, or as an outpatient?’

  ‘He’s in there, Annie. He’s been there a few weeks.’

  ‘And they never told me!’

  We look at each other as I take this in. The hospital is a great brick lunatic asylum from my childhood; girls at school who lived nearby called it The Building. They’d threaten to lock you up in it if you did something stupid. If you walked past, it was like ambulances: you had to hold your collar until you saw a dog. And now our brother is inside. ‘What about his work?’ Daddy had found Fred a job as an insurance clerk through one of his Masonic chums.

  ‘Well, he couldn’t cope,’ says Beatrice. ‘You know? Couldn’t concentrate. Found it hard to be there on time. Forgot things…’ She tails off. It’s not the first time this has happened: he dropped out of college two years ago, but he could never talk about it at home; couldn’t explain to any of us what was wrong.

  ‘I always thought it was that stupid school,’ I say. ‘He was never quite himself after they sent him away.’

  Beatrice shakes her head. ‘Whatever it is, he’s poorly. They’re saying complete rest is the only thing that will help. There’s some new electric treatment in America, I’ve heard, but it hasn’t come here yet.’

  ‘Can I see him?’

  ‘They’re a bit funny about visiting. They think it may upset him more…’

  ‘Is that what she says? Well, I’m going to see him!’

  Beatrice throws me a warning look. ‘Just watch it, will you? You know what you’re like!’

  ‘Why didn’t they tell me, Bea?’

  ‘They won’t have wanted to worry you, Annie, when you were so far from home.’

  *

  But as the train pulls north out of St Pancras next day, I feel further from home than ever. I think about Fred and the world I’m going back to, and realise, of course, that the story doesn’t start here at all. It began long ago, and what I can’t recall I can read – because I wrote it down when I was twelve.

  Part One

  1926

  ONE

  These are the secrets of Annie Rose Lang, in which I write the history of my hidden thoughts and all the things I can’t say to anyone, not even Beatrice, except I do say some things to her. I am twelve and a half, the daughter of Harry Lang, manager of Roebuck’s Biscuits and some other things, and of Agnes Mary Lang my beloved mother, not of Agnes Ada Lang who is my mother now.

  I can see from our photograph album that Our Own Mother and Daddy had a wonderful wedding with trails of flowers and cousins in white. Beatrice says they are in the garden of the big house at Mapperley Top where Grandfather still lives. Grandfather is there looking not too religious for once, and beside him Auntie Grace in a hat like a cake towers
over my little parents, Daddy very handsome and twinkly, Mother looking alarmed. And that’s all I know about that, because of course Beatrice wasn’t there either, so she can’t tell me.

  The first thing I have to recount is what happened to my mother Agnes Mary when I was six years old, and this is difficult because I remember only a few things. Sometimes it is hard to know what I actually recall and what Beatrice and the others have told me since. I would prefer not to write anything I don’t know for myself, but there are a few things I learnt, or thought, later. This can’t be helped, for they need to be put down as well.

  One of my earliest own memories is where it all started. Faster than Fairies, Faster than Witches, Bridges and Houses, Hedges and Ditches. We were reading The Child’s Garden of Verses at bedtime. On that particular night instead of Mother coming to read to me, Maisie came. I remember thinking it odd because Maisie should have gone home. I asked, Maisie, where is Mother? And she answered very quickly that she would read to me tonight and where had we got to? It’s poems, I said. You don’t get to anywhere with poems, you just read them. This was rude, but I didn’t want to read ‘From a Railway Carriage’ with Maisie because Mother was more fun. And Charging Along Like Troops in A Battle, All Through the Meadows of Horses and Cattle … Mother used to pretend the bed was the railway carriage and bounce as she read it, and I would laugh out loud. Maisie took up the book and leafed through it like someone who is not used to looking at poems.

  ‘Here’s one,’ she said: ‘“To Mother”.’ I waited. Maisie sat very still. She didn’t bounce on the bed. She jammed her knees together, I could see the shape of them under her pinny, and read it in a sort of flat-reading voice, almost like in the Mission. I won’t copy it out here because it makes me cry.

  ‘Where is Mother?’ I asked again, when she had finished.

  ‘Go to sleep now,’ she said. ‘Mother’s lying down.’

  ‘Where’s Beatrice? Where is Fred?’

  ‘Beatrice is in her room.’

  ‘Where’s Daddy?’

  ‘Hush,’ said Maisie. She put her scaly palm on my forehead. ‘It will all be better in the morning, duckie.’ After a few minutes in which I shut my eyes and pretended to be asleep, she left the room, leaving the door ajar as Mother would have told her to. This was a good sign.

  As soon as her feet had gone downstairs I jumped out of bed and crept to the place where the gaslight fell across the corner of my room from the open door. In our rooms we had electricity but in those days the landing and the hall light was still gas that hissed a bit with a greenish smell. There was a funny sound about the house, like a doom, but no people. I tiptoed back for Little Sid, who goes everywhere with me, and then out along the corridor to see my sister Beatrice. She was lying on her bed, reading, winding her long hair in her fingers like French knitting.

  ‘Annie, you’re supposed to be asleep!’

  ‘Mother didn’t say goodnight,’ I announced.

  ‘You’ve got to be a good girl tonight.’

  ‘I want Mother to come and do “From a Railway Carriage”.’

  ‘She can’t,’ Beatrice said. ‘Maisie’s stayed late instead.’

  ‘Maisie can’t do poems.’

  ‘Daddy says Mother’s a bit poorly. If you go back to bed she’ll be better in the morning.’

  ‘Little Sid doesn’t want to go back to bed. He wants to stay here with you.’

  ‘He’ll go if you go with him. Here—’ She jumped off her own bed and took my hand.

  ‘Can we go and see Mother?’

  ‘Mother’s very tired. She’s sleeping.’ Beatrice and I and Little Sid crept back along the corridor. ‘Mind that bit,’ Beatrice whispered as we got to the creaky board, as if I didn’t know. A door opened downstairs and we heard Daddy’s voice. He was speaking to Maisie. We held our breath but the door closed again and we heard Maisie down in the hall. Beatrice hurried me back into my own room and tucked me up in bed.

  ‘Night, night Sleepyhead,’ she murmured. It was what Mother used to say. ‘Have you said your prayers?’

  ‘Sort of. No.’

  ‘Well say them in bed. Say them for Mother.’

  ‘Why?’ I demanded.

  ‘No reason. Just to be on the safe side. I’ve said mine.’ Beatrice has always been better at prayers than me. She left the room then.

  I lay in bed and curled my toes into my nightie to warm them up and clutched Little Sid very tightly. I don’t know what prayers I said, probably God Bless Mother and God Bless Daddy and God Bless Nana and God Bless Beatrice and Fred and Maisie and Little Sid and then at the end God Bless Mother again, to make sure he jolly well did.

  I hoped it would all be better in the morning, but it wasn’t. For a start, Daddy didn’t go to his office down in the town, very peculiar. Maisie seemed to be creeping up and downstairs a lot with pans of something and towels and medicine that smelt dismal in a cup. Dr Martin was away, so another doctor came. I remember his big overcoat and his bulging shoulders as I watched through the banisters. It was the holidays and we didn’t know what to do. Beatrice played the piano, Scenes of Childhood and Für Elise, then she tried to teach me Halma, one of the games in the box on the bookshelves in the drawing room. I just remember everything being jumpy and not concentrating. No one took any notice of us and I had the butterflies in my tummy. Fred came in – although he was younger than Beatrice, he was a boy and always out. Maisie said we should put on our coats and go into the Oaks with Nana, but although she was only two in those days Nana knew something was up and hung back with her tail between her legs. Fred had to drag her by the collar up to the reservoir. Beatrice and I did skipping and Fred got bored and wandered off again with Nana.

  This went on for several days, until Sunday. Sunday in our house is different because of the Mission and we all have to go. You have to go at least three times, morning and evening and Sunday School, which is Bible Story in the afternoons. But Mother said I was too little and I only had to go twice. When we are older and baptised with the total immersion, we shall have to take the pledge, as in the foreswearing of alcohol, and go to the Mission even more. It is important to go to the Mission because it was founded by our grandfather, William Eames, who is the Pastor there, and so we have to set an example. It is known as the Golgotha Mission, after the Crucifixion. The other people who go there have to name their children after us because of Pastor Eames being our grandfather. Well, maybe they don’t have to, but a lot of them do it anyway and there are all these Freds and Beatrices and Annies running round in the Sunday School class. I hate it. Why can’t they think up names for themselves? Anyway, on this particular Sunday a whole lot of prayers were said for the sick and Our Dear Sister Agnes Lang and it was awful afterwards when everyone came up to us and wanted to take us by the hand and look pityingly at us, as if she was dead or something, which they couldn’t have known she was going to die. I hung on to Beatrice with one hand and kept the other clutched around Little Sid in my pocket, so I didn’t have a hand free and they couldn’t touch me. I was glad Auntie Vera wasn’t there to see me: she is very fierce with people who put their hands in their pockets, especially in the Mission.

  Once (though this was later) I forgot my gloves when Auntie Vera was visiting and spent the whole service in an agony of not knowing whether it was worse to keep your hands in your pockets, or to reveal to the entire congregation you had no gloves on. In the end I tucked my hands under The Hymnal, on the grounds that if she caught me with my hands in my pockets she would discover, on making me remove them, that I was committing not one sin but two. I tried to walk out at the end with my fingers concealed in the folds of my coat, but she spotted me anyway. In Auntie Vera’s view not wearing gloves is as dreadful as not wearing knickers, especially in church. I had to learn a whole chunk of Isaiah: And in the year that King Uzziah died, I saw the Lord sitting upon a throne … But that was lucky because I had learnt it in school the previous term, though I didn’t let on. Oh, I must record that I have nev
er, ever forgotten to wear knickers at the Mission.

  On this occasion I was wearing gloves, because on most Sundays it is too cold in there not to. Of course it’s rude to shake people’s hands with your gloves on so I would have had to take them off and feel all that sympathy coming at me through the skin of the congregation. And Auntie Vera wasn’t there to see me, so I stuffed my left hand in my pocket and my right hand into Beatrice’s left. Beatrice is four years older than me and always knows what to say. I wanted to run away but I couldn’t because I’m afraid of Grandfather Pastor Eames who is very fond of going on about the Wrath of God, and giving you even bigger chunks of the Bible to learn, and I still am scared even now when I’m twelve and so much older. I don’t like Sundays, but that Sunday was the second worst I can remember.

  That night it was the end of the holidays. I was supposed to be starting at Mundella in the juniors but no one had made any preparations. Daddy said Beatrice should take me, but Maisie told him I couldn’t go if I didn’t have a uniform or pencils and Daddy didn’t argue. There were things that Mother had to do, but how could she? Mother was lying in the high twin bed in the big front bedroom and I don’t remember anything more about that. I stayed at home and the house became very quiet. Little Sid and I took to spending a lot of time in the breakfast room with Nana when Fred and Beatrice were at school.

  One day, when Maisie was out and Daddy doing other things, I sneaked in to the bedroom when Mother was alone. It didn’t seem the right thing to bounce on the bed, so I stood as close to her as I could and recited softly, ‘… All of the sights of the hill and the plain Fly as Thick as Driving Rain; And ever again in the Wink of an Eye, Painted stations whistle by.’

  I waited. She seemed to be very far away from me, on a distant journey of her own. But she stirred a bit and opened her eyes. They were deep in her face, much deeper than usual, but they were smiling. She whispered, ‘Here is a cart run away in the road Lumping along with man and load; And here is a mill and there is a river. Each a glimpse and gone for ever.’

 

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