Then all again was void; and Margaret's gaze was riveted upon a great, ruined tree that stood in that waste place, alone, in ghastly desolation; and though a dead thing, it seemed to suffer a more than human pain. The lightning had torn it asunder, but the wind of centuries had sought in vain to drag up its roots. The tortured branches, bare of any twig, were like a Titan's arms, convulsed with intolerable anguish. And in a moment she grew sick with fear, for a change came into the tree, and the tremulousness of life was in it; the rough bark was changed into brutish flesh and the twisted branches into human arms. It became a monstrous, goat-legged thing, more vast than the creatures of nightmare. She saw the horns and the long beard, the great hairy legs with their hoofs, and the man's rapacious hands. The face was horrible with lust and cruelty, and yet it was divine. It was Pan, playing on his pipes, and the lecherous eyes caressed her with a hideous tenderness. But even while she looked, as the mist of early day, rising, discloses a fair country, the animal part of that ghoulish creature seemed to fall away, and she saw a lovely youth, titanic but sublime, leaning against a massive rock. He was more beautiful than the Adam of Michelangelo who wakes into life at the call of the Almighty; and, like him freshly created, he had the adorable languor of one who feels still in his limbs the soft rain on the loose brown earth. Naked and full of majesty he lay, the outcast son of the morning; and she dared not look upon his face, for she knew it was impossible to bear the undying pain that darkened it with ruthless shadows. Impelled by a great curiosity, she sought to come nearer, but the vast figure seemed strangely to dissolve into a cloud; and immediately she felt herself again surrounded by a hurrying throng. Then came all legendary monsters and foul beasts of a madman's fancy; in the darkness she saw enormous toads, with paws pressed to their flanks, and huge limping scarabs, shelled creatures the like of which she had never seen, and noisome brutes with horny scales and round crabs' eyes, uncouth primeval things, and winged serpents, and creeping animals begotten of the slime. She heard shrill cries and peals of laughter and the terrifying rattle of men at the point of death. Haggard women, dishevelled and lewd, carried wine; and when they spilt it there were stains like the stains of blood. And it seemed to Margaret that a fire burned in her veins, and her soul fled from her body; but a new soul came in its place, and suddenly she knew all that was obscene. She took part in some festival of hideous lust, and the wickedness of the world was patent to her eyes. She saw things so vile that she screamed in terror, and she heard Oliver laugh in derision by her side. It was a scene of indescribable horror, and she put her hands to her eyes so that she might not see.
She felt Oliver Haddo take her hands. She would not let him drag them away. Then she heard him speak.
'You need not be afraid.'
His voice was quite natural once more, and she realized with a start that she was sitting quietly in the studio. She looked around her with frightened eyes. Everything was exactly as it had been. The early night of autumn was fallen, and the only light in the room came from the fire. There was still that vague, acrid scent of the substance which Haddo had burned.
'Shall I light the candles?' he said.
He struck a match and lit those which were on the piano. They threw a strange light. Then Margaret suddenly remembered all that she had seen, and she remembered that Haddo had stood by her side. Shame seized her, intolerable shame, so that the colour, rising to her cheeks, seemed actually to burn them. She hid her face in her hands and burst into tears.
'Go away,' she said. 'For God's sake, go.'
He looked at her for a moment; and the smile came to his lips which Susie had seen after his tussle with Arthur, when last he was in the studio.
'When you want me you will find me in the Rue de Vaugiraud, number 209,' he said. 'Knock at the second door on the left, on the third floor.'
She did not answer. She could only think of her appalling shame.
'I'll write it down for you in case you forget.'
He scribbled the address on a sheet of paper that he found on the table. Margaret took no notice, but sobbed as though her heart would break. Suddenly, looking up with a start, she saw that he was gone. She had not heard him open the door or close it. She sank down on her knees and prayed desperately, as though some terrible danger threatened her.
But when she heard Susie's key in the door, Margaret sprang to her feet. She stood with her back to the fireplace, her hands behind her, in the attitude of a prisoner protesting his innocence. Susie was too much annoyed to observe this agitation.
'Why on earth didn't you come to tea?' she asked. 'I couldn't make out what had become of you.'
'I had a dreadful headache,' answered Margaret, trying to control herself.
Susie flung herself down wearily in a chair. Margaret forced herself to speak.
'Had Nancy anything particular to say to you?' she asked.
'She never turned up,' answered Susie irritably. 'I can't understand it. I waited till the train came in, but there was no sign of her. Then I thought she might have hit upon that time by chance and was not coming from England, so I walked about the station for half an hour.'
She went to the chimneypiece, on which had been left the telegram that summoned her to the Gare du Nord, and read it again. She gave a little cry of surprise.
'How stupid of me! I never noticed the postmark. It was sent from the Rue Littrй.'
This was less than ten minutes' walk from the studio. Susie looked at the message with perplexity.
'I wonder if someone has been playing a silly practical joke on me.' She shrugged her shoulders. 'But it's too foolish. If I were a suspicious woman,' she smiled, 'I should think you had sent it yourself to get me out of the way.'
The idea flashed through Margaret that Oliver Haddo was the author of it. He might easily have seen Nancy's name on the photograph during his first visit to the studio. She had no time to think before she answered lightly.
'If I wanted to get rid of you, I should have no hesitation in saying so.'
'I suppose no one has been here?' asked Susie.
'No one.'
The lie slipped from Margaret's lips before she had made up her mind to tell it. Her heart gave a great beat against her chest. She felt herself redden.
Susie got up to light a cigarette. She wished to rest her nerves. The box was on the table and, as she helped herself, her eyes fell carelessly on the address that Haddo had left. She picked it up and read it aloud.
'Who on earth lives there?' she asked.
'I don't know at all,' answered Margaret.
She braced herself for further questions, but Susie, without interest, put down the sheet of paper and struck a match.
Margaret was ashamed. Her nature was singularly truthful, and it troubled her extraordinarily that she had lied to her greatest friend. Something stronger than herself seemed to impel her. She would have given much to confess her two falsehoods, but had not the courage. She could not bear that Susie's implicit trust in her straightforwardness should be destroyed; and the admission that Oliver Haddo had been there would entail a further acknowledgment of the nameless horrors she had witnessed. Susie would think her mad.
There was a knock at the door; and Margaret, her nerves shattered by all that she had endured, could hardly restrain a cry of terror. She feared that Haddo had returned. But it was Arthur Burdon. She greeted him with a passionate relief that was unusual, for she was by nature a woman of great self-possession. She felt excessively weak, physically exhausted as though she had gone a long journey, and her mind was highly wrought. Margaret remembered that her state had been the same on her first arrival in Paris, when, in her eagerness to get a preliminary glimpse of its marvels, she had hurried till her bones ached from one celebrated monument to another. They began to speak of trivial things. Margaret tried to join calmly in the conversation, but her voice sounded unnatural, and she fancied that more than once Arthur gave her a curious look. At length she could control herself no longer and burst into a sudden
flood of tears. In a moment, uncomprehending but affectionate, he caught her in his arms. He asked tenderly what was the matter. He sought to comfort her. She wept ungovernably, clinging to him for protection.
'Oh, it's nothing,' she gasped. 'I don't know what is the matter with me. I'm only nervous and frightened.'
Arthur had an idea that women were often afflicted with what he described by the old-fashioned name of vapours, and was not disposed to pay much attention to this vehement distress. He soothed her as he would have done a child.
'Oh, take care of me, Arthur. I'm so afraid that some dreadful thing will happen to me. I want all your strength. Promise that you'll never forsake me.'
He laughed, as he kissed away her tears, and she tried to smile.
'Why can't we be married at once?' she asked. 'I don't want to wait any longer. I shan't feel safe till I'm actually your wife.'
He reasoned with her very gently. After all, they were to be married in a few weeks. They could not easily hasten matters, for their house was not yet ready, and she needed time to get her clothes. The date had been fixed by her. She listened sullenly to his words. Their wisdom was plain, and she did not see how she could possibly insist. Even if she told him all that had passed he would not believe her; he would think she was suffering from some trick of her morbid fancy.
'If anything happens to me,' she answered, with the dark, anguished eyes of a hunted beast, 'you will be to blame.'
'I promise you that nothing will happen.'
9
Margaret's night was disturbed, and next day she was unable to go about her work with her usual tranquillity. She tried to reason herself into a natural explanation of the events that had happened. The telegram that Susie had received pointed to a definite scheme on Haddo's part, and suggested that his sudden illness was but a device to get into the studio. Once there, he had used her natural sympathy as a means whereby to exercise his hypnotic power, and all she had seen was merely the creation of his own libidinous fancy. But though she sought to persuade herself that, in playing a vile trick on her, he had taken a shameful advantage of her pity, she could not look upon him with anger. Her contempt for him, her utter loathing, were alloyed with a feeling that aroused in her horror and dismay. She could not get the man out of her thoughts. All that he had said, all that she had seen, seemed, as though it possessed a power of material growth, unaccountably to absorb her. It was as if a rank weed were planted in her heart and slid long poisonous tentacles down every artery, so that each part of her body was enmeshed. Work could not distract her, conversation, exercise, art, left her listless; and between her and all the actions of life stood the flamboyant, bulky form of Oliver Haddo. She was terrified of him now as never before, but curiously had no longer the physical repulsion which hitherto had mastered all other feelings. Although she repeated to herself that she wanted never to see him again, Margaret could scarcely resist an overwhelming desire to go to him. Her will had been taken from her, and she was an automaton. She struggled, like a bird in the fowler's net with useless beating of the wings; but at the bottom of her heart she was dimly conscious that she did not want to resist. If he had given her that address, it was because he knew she would use it. She did not know why she wanted to go to him; she had nothing to say to him; she knew only that it was necessary to go. But a few days before she had seen the _Phиdre_ of Racine, and she felt on a sudden all the torments that wrung the heart of that unhappy queen; she, too, struggled aimlessly to escape from the poison that the immortal gods poured in her veins. She asked herself frantically whether a spell had been cast over her, for now she was willing to believe that Haddo's power was all-embracing. Margaret knew that if she yielded to the horrible temptation nothing could save her from destruction. She would have cried for help to Arthur or to Susie, but something, she knew not what, prevented her. At length, driven almost to distraction, she thought that Dr Porhoлt might do something for her. He, at least, would understand her misery. There seemed not a moment to lose, and she hastened to his house. They told her he was out. Her heart sank, for it seemed that her last hope was gone. She was like a person drowning, who clings to a rock; and the waves dash against him, and beat upon his bleeding hands with a malice all too human, as if to tear them from their refuge.
Instead of going to the sketch-class, which was held at six in the evening, she hurried to the address that Oliver Haddo had given her. She went along the crowded street stealthily, as though afraid that someone would see her, and her heart was in a turmoil. She desired with all her might not to go, and sought vehemently to prevent herself, and yet withal she went. She ran up the stairs and knocked at the door. She remembered his directions distinctly. In a moment Oliver Haddo stood before her. He did not seem astonished that she was there. As she stood on the landing, it occurred to her suddenly that she had no reason to offer for her visit, but his words saved her from any need for explanation.
'I've been waiting for you,' he said.
Haddo led her into a sitting-room. He had an apartment in a _maison meublйe_, and heavy hangings, the solid furniture of that sort of house in Paris, was unexpected in connexion with him. The surroundings were so commonplace that they seemed to emphasise his singularity. There was a peculiar lack of comfort, which suggested that he was indifferent to material things. The room was large, but so cumbered that it gave a cramped impression. Haddo dwelt there as if he were apart from any habitation that might be his. He moved cautiously among the heavy furniture, and his great obesity was somehow more remarkable. There was the acrid perfume which Margaret remembered a few days before in her vision of an Eastern city.
Asking her to sit down, he began to talk as if they were old acquaintances between whom nothing of moment had occurred. At last she took her courage in both hands.
'Why did you make me come here?' she asked suddenly,
'You give me credit now for very marvellous powers,' he smiled.
'You knew I should come.'
'I knew.'
'What have I done to you that you should make me so unhappy? I want you to leave me alone.'
'I shall not prevent you from going out if you choose to go. No harm has come to you. The door is open.'
Her heart beat quickly, painfully almost, and she remained silent. She knew that she did not want to go. There was something that drew her strangely to him, and she was ceasing to resist. A strange feeling began to take hold of her, creeping stealthily through her limbs; and she was terrified, but unaccountably elated.
He began to talk with that low voice of his that thrilled her with a curious magic. He spoke not of pictures now, nor of books, but of life. He told her of strange Eastern places where no infidel had been, and her sensitive fancy was aflame with the honeyed fervour of his phrase. He spoke of the dawn upon sleeping desolate cities, and the moonlit nights of the desert, of the sunsets with their splendour, and of the crowded streets at noon. The beauty of the East rose before her. He told her of many-coloured webs and of silken carpets, the glittering steel of armour damascened, and of barbaric, priceless gems. The splendour of the East blinded her eyes. He spoke of frankincense and myrrh and aloes, of heavy perfumes of the scent-merchants, and drowsy odours of the Syrian gardens. The fragrance of the East filled her nostrils. And all these things were transformed by the power of his words till life itself seemed offered to her, a life of infinite vivacity, a life of freedom, a life of supernatural knowledge. It seemed to her that a comparison was drawn for her attention between the narrow round which awaited her as Arthur's wife and this fair, full existence. She shuddered to think of the dull house in Harley Street and the insignificance of its humdrum duties. But it was possible for her also to enjoy the wonder of the world. Her soul yearned for a beauty that the commonalty of men did not know. And what devil suggested, a warp as it were in the woof of Oliver's speech, that her exquisite loveliness gave her the right to devote herself to the great art of living? She felt a sudden desire for perilous adventures. As though fire passed
through her, she sprang to her feet and stood with panting bosom, her flashing eyes bright with the multi-coloured pictures that his magic presented.
Oliver Haddo stood too, and they faced one another. Then, on a sudden, she knew what the passion was that consumed her. With a quick movement, his eyes more than ever strangely staring, he took her in his arms, and he kissed her lips. She surrendered herself to him voluptuously. Her whole body burned with the ecstasy of his embrace.
'I think I love you,' she said, hoarsely.
She looked at him. She did not feel ashamed.
'Now you must go,' he said.
He opened the door, and, without another word, she went. She walked through the streets as if nothing at all had happened. She felt neither remorse nor revulsion.
Then Margaret felt every day that uncontrollable desire to go to him; and, though she tried to persuade herself not to yield, she knew that her effort was only a pretence: she did not want anything to prevent her. When it seemed that some accident would do so, she could scarcely control her irritation. There was always that violent hunger of the soul which called her to him, and the only happy hours she had were those spent in his company. Day after day she felt that complete ecstasy when he took her in his huge arms, and kissed her with his heavy, sensual lips. But the ecstasy was extraordinarily mingled with loathing, and her physical attraction was allied with physical abhorrence.
The Magician Page 11