I said, "I've read that it was the last thing he wrote. That little allegro would have been the first work of Beethoven's fourth period, had he lived. It's not really a third-period piece."
"Where did Beethoven derive the concept, the entirely new and original concept of human freedom that his music expresses?" Tim asked. "Was he well-read?"
"He belonged to the period of Goethe and Schiller. The Aufklärung, the German Enlightenment."
"Always Schiller. It always comes back to that. And from Schiller to the rebellion of the Dutch against the Spanish, the War of the Lowlands. Which shows up in Goethe's Faust, Part Two, where Faust finally finds something that will satisfy him, and he bids the moment stay. Seeing the Dutch reclaiming land from the North Sea. I translated that passage, once, myself; I wasn't satisfied with any of the English translations available. I don't know what I did with it ... that was years ago. Do you know the Bayard Taylor translation?" He rose, approached a row of books, found the volume, brought it back, opening it as he walked.
"'Below the hills, a marshy plain
infects what I so long have been retrieving:
that stagnant pool likewise to drain
were now my latest and my best achieving.
To many millions let me furnish soil,
though not secure, let free for active toil:
green, fertile fields, where men and herds go forth
at once, with comfort, on the newest earth,—
all swiftly settled on the hill's firm base,
raised by a bold, hard-working populace.
In here, a land like Paradise about:
up to the brink the tide may roar without,
yet though it gnaw, to burst with force the limit,
by common impulse all men seek to hem it.
Yes! to this thought I hold with firm persistence,
this wisdom's ultimate and true:
he only earns his freedom and existence—'"
I said, "'Who daily conquers them anew.'"
"Yes," Tim said; he closed the copy of Faust, Part Two. "I wish I hadn't lost the translation I made." He then opened the book again. "Do you mind if I read the rest?"
"Please do," I said.
"'Thus here, by dangers girt, shall glide away
of childhood, manhood, age, and vigorous day.
And such a throng I fain would see,—
stand on free soil among a people free!
Then dared I hail the Moment fleeting,
"Ah, linger still—thou art so fair!"'"
"At that point God has won the bet in heaven," I said.
"Yes," Tim said, nodding.
"'The traces cannot, of mine earthly being,
in aeons perish: they are there!—
Anticipating here such lofty bliss,
I now enjoy the highest Moment,—this.'"
"That's a very beautiful and clear translation," I said.
Tim said, "Goethe wrote Part Two just a year before his death. I remember only one German word from that passage: verdienen. Earns. 'Earns his freedom.' I suppose that would be Freiheit, freedom. Perhaps it went, 'Verdient seine Freiheit—'" He broke off. "That's the best I can do. 'Earns his freedom who daily conquers it—them, freedom and existence—anew.' The highest point in German Enlightenment. From which they so tragically fell. From Goethe, Schiller, Beethoven to the Third Reich and Hitler. It seems impossible."
"And yet it had been prefigured in Wallenstein," I said.
"Who picked his generals by means of astrological prognostications. How could an intelligent, educated man, a great man, really, one of the most powerful men of his times—how could he begin to believe in that?" Bishop Archer said. "It is a mystery to me. It is an enigma that perhaps will never be solved."
I saw how tired he was, so I got my coat and purse, said good night, and departed.
My car had been ticketed. Shit, I said to myself as I pulled the ticket from the wiper-blade and stuck it into my pocket. While we're reading Goethe, Lovely Rita Meter-Maid is ticketing my car. What a strange world, I thought; or, rather, strange worlds—plural. They do not come together.
9
BISHOP TIMOTHY ARCHER conceived in his mind after much prayer and pondering, after much application of his brilliant analytical faculties, the notion that he had no choice but to step down as Bishop of the Episcopal Diocese of California and go—as he phrased it—into the private sector. He discussed this matter with Kirsten and me at length.
"I have no faith in the reality of Christ," he informed us. "None whatsoever. I cannot in good conscience go on preaching the kerygma of the New Testament. Every time I get up in front of my congregation, I feel that I am deceiving them."
"You told Bill Lundborg that night that Christ's reality is proven by Jeff coming back," I said.
"It's not," Tim said. "It fails to. I have exhaustively scrutinized the situation and it fails to."
"What does it prove, then?" Kirsten said.
"Life after death," Tim said. "But not the reality of Christ. Jesus was a teacher whose teachings were not even original. I have the name of a medium, a Dr. Garret living in Santa Barbara. I will be flying down there to consult him, to try to talk to Jeff. Mr. Mason recommends him." He examined a slip of paper. "Oh," he said. "Dr. Garret is a woman. Rachel Garret. Hmmm ... I was certain it was a man." He asked if the two of us wished to accompany him to Santa Barbara. It was his intention (he explained) to ask Jeff about Christ. Jeff could tell him, through the medium, Dr. Rachel Garret, if Christ were real or not, genuinely the Son of God and all the rest of that stuff that the churches teach. This would be an important trip; Tim's decision as to whether to resign his post as bishop hinged on this.
Moreover, Tim's faith was involved. He had spent decades rising within the Episcopal Church, but now he seriously doubted whether Christianity was valid. That was Tim's term: "valid." It struck me as a weak and trendy term, falling tragically short of the magnitude of the forces contending within Tim's heart and mind. However, it was the term he used; he spoke in a calm manner, devoid of any hysterical overtones. It was as if he were planning whether or not to buy a suit of clothes.
"Christ," he said, "is a role, not a person. It—the word—is a mistransliteration from the Hebrew 'Messiah,' which literally means the Anointed One, which is to say the Chosen One. The Messiah, of course, comes at the end of the world and ushers in the Age of Gold which replaces the Age of Iron, the age we now live in. This finds its most beautiful expression in the Fourth Eclogue of Virgil. Let me see ... I have it here." He went to his books as he always did in time of gravity.
"We don't need to hear Virgil," Kirsten said in a biting tone.
"Here it is," Tim said, oblivious to her.
"'Ultima Cumaei venit iam carminis aetas; magnus—'"
"That's enough," Kirsten said sharply.
He glanced at her, puzzled.
Kirsten said, "I think it's insanely foolish and selfish of you to resign as bishop."
"Let me translate the eclogue for you, at least," Tim said. "Then you'll understand better."
"I understand that you're destroying your life and mine," Kirsten said. "What about me?"
He shook his head. "I'll be hired on at the Foundation for Free Institutions."
"What the hell is that?" Kirsten said.
"It's a think tank," I said. "In Santa Barbara."
"Then you're going to be talking with them while you're down there?" Kirsten said.
"Yes." He nodded. "I have an appointment with Pomeroy, who's in charge of it—Felton Pomeroy. I'd be their Consultant in Theological Matters."
"They're very highly thought of," I said.
Kirsten gave me a look that would have withered trees.
"There's been nothing decided," Tim said. "We are going to see Rachel Garret anyhow ... I see no reason why I shouldn't combine the two in a single trip. That way, I'll have to fly down there only once."
"I'm supposed to set up your appointments," Kirsten said.<
br />
"Actually," Tim said, "this will be a purely informal discussion. We'll have lunch ... I'll meet the other consultants. I'll see their buildings and gardens. They have very lovely gardens. I saw the Foundation's gardens several years ago and still remember them." To me he said, "You'll love them, Angel. Every kind of rose is represented, especially Peace. All the five-star patented roses are there, or however it is roses are rated. May I read the two of you the translation of Virgil's eclogue?
"'Now comes the final age announced in the
Cumaen Sibyl's chant; the great succession
of epochs is born anew. Now the Virgin
returns, the reign of Saturn returns; now
a new race descends from heaven on high.
O chaste Lucina, goddess of births! smile
upon the boy just born, in whose time the
race of iron shall first cease, and a race
of gold shall arise throughout the world.
Thine own Apollo is now king.'"
Kirsten and I looked at each other. I saw Kirsten's lips move but I heard no sound. Heaven only knows what she was saying and thinking at that moment, as she witnessed Tim shoot down his career and life out of conviction—more properly, lack of conviction: faith in the Savior.
The problem for Kirsten was, simply, that she could not see the problem. To her, Tim's dilemma was a phantom dilemma, manufactured for bookish reasons. According to her reasoning, he had the option to shed the problem any time he saw fit; her analysis was, simply, that Tim had become restive in his job as bishop and wanted to move on; asserting a loss of faith in Christ was his way of justifying his career move. Since it was a stupid career move, she did not approve. After all, she gained so very much from his status; as she had said, Tim was not thinking about her: he thought only of himself.
"Dr. Garret is highly recommended," Tim said, almost in a plaintive voice, as if appealing to one or the other of us for support.
"Tim," I said, "I really think—"
"You think with your crotch," Kirsten said.
"What?" I said.
"You heard me. I know about your little conversations, that you two have, after I go to bed. When you're alone. And I know you've been meeting."
"Meeting what?" I said.
"Each other,"
"Christ," I said.
"'Christ,'" Kirsten echoed. "Always Christ. Always the summoning of the Almighty Son of God to justify your selfishness and what you're up to. I find it disgusting; I find both of you disgusting." To Tim she said, "I know you visited her goddamn record store last week."
"To buy an album," Tim said. "Of Fidelio."
"You could have gotten it here in the City," Kirsten said. "Or I could have picked it up for you."
Tim said, "I wanted to see what she had—"
"She doesn't have anything I don't have," Kirsten said.
"The Missa Solemnis," Tim said faintly; he seemed dazed; appealing to me, he said, "Can you reason with her?"
"I can reason with myself," Kirsten said. "I can reason out exactly what's going on."
"You better knock off taking those downers, Kirsten," I said.
"And you better stop turning on five times a day." Her look carried such furious hate that I could not credit my senses. "You smoke enough grass to—" She broke off. "More than the San Francisco Police Department uses in a month. I'm sorry; I'm not feeling well. Excuse me." She walked into the bedroom; the door shut silently after her. We could hear her stirring around. Then we heard her go into the bathroom; water ran: she was taking a pill, probably a barbiturate.
To Tim, who stood inert and amazed, I said, "Barbiturates cause that kind of personality change. It's the pills talking, not her."
"I think—" He rallied. "I really want to fly down to Santa Barbara and see Dr. Garret. Do you think it's the fact that she's a woman?"
"Kirsten?" I said. "Or Garret?"
"Garret. I could swear it was a man; I just now noticed the first name. I may have gotten it wrong. Maybe that's what's upsetting her. She'll calm down. We'll go together. Dr. Mason said that Dr. Garret is elderly and infirm and semiretired, so she won't pose any threat to Kirsten, once she sees her."
To change the subject, I said, "Did you play the Missa Solemnis that I sold you?"
"No," Tim said vaguely. "I haven't had time."
"It's not the best recording," I said. "Columbia uses a peculiar microphone placement; they have microphones scattered around throughout the orchestra, with the idea of bringing out the individual instruments. The idea is good, but it does away with hall ambiance."
"It bothers her that I'm stepping down," Tim said. "As bishop."
"You should think about it longer," I said. "Before you do it. Are you sure it's this medium that you want to consult? Isn't there someone in the church you go to when you have a spiritual crisis?"
"I will be consulting Jeff. The medium acts as a passive agent, much in the fashion that a telephone acts." He went on, then, to explain how misunderstood mediums are; I half-listened, neither impressed nor caring. Kirsten's hostility had upset me, even though I had become used to it; this amounted to more than her chronic bitchiness. I can tell a red freak when I see one, I said to myself. The personality change, the hair-trigger response. The paranoia. She is crapping out on us, I said to myself. She is going down the drain. Worse, she is not going down the drain alone; her nails are dug deep in us and we go perforce along. Shit. This is just dreadful; a man like Tim Archer should not have to put up with this. I should not have to.
Kirsten opened the bedroom door. "Come in here," she said to Tim.
"I will in a minute," Tim said.
"You will come in here now."
I said, "I'll take off."
"No," Tim said, "you will not take off. I have further things to discuss with you. Is it your contention that I should not step down as bishop? When my book comes out about Jeff, I will have to step down. The church will not allow me to publish a controversial book of that sort. It is too radical for them; put another way, they are too reactionary for it. It is ahead of its time and they are behind the times. There is no difference between my stand on this issue and my stand on the Vietnam War; I bucked the Establishment on that, and I should—theoretically—be able to buck the Establishment on the issue of life beyond the grave, but with the war I have support from the youth of America. But in this matter, I have support from no one."
Kirsten said, "You have my support but that doesn't matter to you."
"I mean public support. The support of those in power, those who control human minds, unfortunately."
"My support means nothing to you," Kirsten repeated.
"It means everything to me," Tim said. "I could not—I would not—have dared to write the book without you; I would not even have believed without you. It is you who gives me my strength. My capacity to understand. And from Jeff, when we have contacted him, I will learn about Jesus Christ one way or another. I will learn if the Zadokite Documents do, in fact, indicate that Jesus spoke only secondhand of what he had been taught ... or possibly Jeff will tell me that Christ is with him, or he with Christ, in the other world, the upper realm, where we all go eventually, where he is now, reaching across to us as best he can, God bless him."
I said, "You see this business with Jeff, then, as a sort of opportunity. To clear up your doubts one way or another about the meaning of the Zadokite—"
"I think I have made that clear," Tim interrupted, peevishly. "That is why it is so crucial. To talk to him."
How strange, I thought. To use his son—make calculated use of his dead son—to determine an historical issue. But it is more than an historical issue: it is Tim Archer's entire corpus of faith, the summation, for him, of belief itself. Belief or the falling away of belief. What is at stake here is belief versus nihilism ... for Tim to lose Christ is for Tim to lose everything. And he has lost Christ; his statements to Bill that night may have been Tim's last defense of the fortress before that fortress fell.
It may have fallen then, or perhaps before then; Tim argued from memory, as if from a page. A written speech spread out before him, as when, in the celebration of the Last Supper, he reads from the Book of Common Prayer.
The son, his son, my husband, subordinated to an intellectual matter—I could never, myself, view it that way. This amounts to a depersonalization of Jeff Archer; he is converted into an instrument, a device for learning; why, he is converted into a talking book! Like all these books that Tim forever reaches for, especially in moments of crisis. Everything worth knowing can be found in a book; conversely, if Jeff is important he is important not as a person but as a book; it is books for books' sakes then, not knowledge, even, for the sake of knowledge. The book is the reality. For Tim to love and appreciate his son, he must—as impossible as this may seem—he must regard him as a kind of book. The universe to Tim Archer is one great set of reference books from which he picks and chooses as his restless mind veers on, always seeking the new, always turning away from the old; it is the very opposite of that passage from Faust that he read; Tim has not found the moment where he says, "Stay"; it is still fleeing from him, still in motion.
The VALIS Trilogy Page 60