That name again. The Pinkerton man had been right. Such a man was in this country, hiding out or whatever. Could it be he who was behind this? That did not seem logical. Strahan by all accounts was a hold-up man, gunfighter, whatever, not a cattleman or a cautious planner.
“You goin’ to hang me?” Bemis demanded. “If you are, get on with it. I don’t like waitin’ around.”
McQueen turned his eyes on Bemis, and the young cowhand stared back boldly. He was a tough young man, but old in the hard ways of Western life.
“You’ll hang, all right. If not now, eventually. That’s the road you’ve taken. But as far as I’m concerned, that’s up to the law. Get on your horse.”
The others were mounted, and Bine was lying across a saddle. Kim looked apologetic. “He’s the only one, boss. The rest of them lit out like who flung the chuck. I think we winged a couple here or there, but they left like their tails was afire.”
Kim Sartain looked at Bemis. “Dead or gone, all but this one. Maybe on the way in…you know, boss, it’s easier to pack a dead man than a live one.”
Bemis looked from Sartain to McQueen and back. “Now, see here,” he said nervously. “I said I didn’t know who did the payin’, but I ain’t blind. Bine an’ Overlin, they used to see somebody, or meet somebody, in the Emporium. There or the Bat Cave. They used to go to both places.”
“So do half the men in the county,” McQueen said. “I’ve been in both places myself.” He paused. “How about Strahan?”
“Never seen him before…or since.”
“Put him on a horse and tie him,” McQueen said. “Well give him to Foster.”
Ward led the way toward Pelona. There trouble awaited, he knew, and secretly he hoped Foster would be out of town. He wanted no trouble with the old lawman. Foster was a good man in his own way, trying to steer a difficult course in a county where too many men were ready to shoot. Foster was a typical Western sheriff, more successful in rounding up rustlers, horse thieves, and casual outlaws than in dealing with an enemy cunning as a prairie wolf and heartless as a lynx.
They rode swiftly down the cañon to the Tularosa, and then across Polk Mesa to Squirrel Springs Cañon. It was hard riding, and the day was drawing to a close when they reached the plains and cut across toward Pelona. They had ridden far and fast, and both men and horses were done in when they walked their horses up the dusty street to the jail.
Foster came to the door to greet them, glancing from McQueen to Bemis.
“What’s the matter with him?”
“He rode with the crowd that killed Jimmy McCracken. Jimmy gave him the bad arm. I’ve brought him in for trial.”
“Who led ’em?” Foster demanded of Bemis.
Bemis hesitated, obviously worried. He glanced around to see who might overhear. “Strahan,” he said then. “Bine was in it, too.”
Foster’s features seemed to age as they watched. For the first time he looked his years.
“Bring him in,” Foster said. “Then I’ll go after Bine.”
“No need to.” McQueen jerked his head. “His body’s right back there. Look,” he added, “we’ve started a clean-up. We’ll finish it.”
“You’re forgettin’ something, McQueen! I’m the law. It’s my job.”
“Hold your horses, Sheriff. You are the law, but Bine is dead. The boys who were with him are on the run, except for Bemis, and we’re turning him over to you. Anybody else who will come willing, we’ll bring to you.”
“You ain’t the law,” Foster replied.
“Then make us the law. Deputize us. You can’t do it alone, so let us help.”
“Makes me look like a quitter.”
“Nothing of the kind. Every lawman I know uses deputies, time to time, and I’m asking for the job.”
“All right,” Foster replied reluctantly. “You brought Bemis in when you could have hung him. I guess you aim to do right.”
Outside the sheriff’s office, Baldy waited for McQueen. “You name it,” he said, as McQueen emerged. “What’s next?”
“Fox, you and Shorty get down to the Emporium. If Hutch comes out, one of you follow him. Let anybody go in who wants to, but watch him.” He turned to Jackson. “Baldy, you get across the street. Just loaf around, but watch that other store.”
“Watch that female? What d’you take me for? You tryin’ to sidetrack me out of this scrap?”
“Get going and do what you’re told. Kim, you come with me. We’re going to the Bat Cave.”
Foster stared after them, and then walked back into his office. Bemis stood inside the bars of his cell door. “I’m gettin’ old, Bemis,” Foster said. “Lettin’ another man do my job.”
He sat down in his swivel chair. He was scared—he admitted it to himself. Scared not of guns or violence but of what he might find. Slowly the fog had been clearing, and the things he had been avoiding could no longer be avoided. It was better to let McQueen handle it, much better.
“Leave it to McQueen,” Bemis was saying. “McQueen was right, and he’s square.” He clutched the bars. “Believe me, Sheriff, I never thought I’d be glad to be in jail, but I am. Before this day is over men will die. Foster, you should have seen McQueen when he killed Bine. I never would have believed anybody could beat Bine so bad. Bine slapped leather and died, just like that.”
“But there’s Overlin,” Foster said.
“Yeah, that will be somethin’ to see. McQueen an’ Overlin.” Suddenly Bemis exclaimed: “Foster! I forgot to tell them about Ren Oliver!”
“Oliver? Don’t tell me he’s involved?”
“Involved? He might be the ringleader, the boss man. And he packs a sneak gun. A stingy gun. Whilst you’re expecting him to move for the gun you can see, he kills you with the other one.”
Foster was on his feet. “Thanks, Bemis. We’ll remember that when you’re up for trial.”
As Foster went out of the door, Bemis said: “Maybe, but maybe it’s too late.”
IX
The Bat Cave was alive and sinning. It was packed at this hour, and all the tables were busy. Behind one of them, seated where he could face the door, was Ren Oliver. His hair was neatly waved back from his brow, his handsome face composed as he dealt the tricky pasteboards with easy, casual skill. Only his eyes seemed alive, missing nothing. In the stable back of the house where he lived was a saddled horse. It was just a little bit of insurance.
At the bar, drinking heavily, was Overlin. Like a huge grizzly he hulked against the bar. The more he drank, the colder and deadlier he became. Someday that might change, and he was aware of it. He thought he would know when that time came, but for the present he was a man to be left strictly alone when drinking. He had been known to go berserk. Left alone, he usually drank the evening away, speaking to no one, bothering no one until finally he went home to sleep it off.
Around him men might push and shove for places at the bar, but they avoided Overlin.
The smoke-laden atmosphere was thick, redolent of cheap perfume, alcohol, and sweaty, unwashed bodies. The night was chill, so the two stoves glowed cherry red. Two bartenders, working swiftly, tried to keep up with the demands of the customers.
Tonight was different, and the bartenders had been the first to sense it. Overlin only occasionally came in, and they were always uncomfortable until he left. It was like serving an old grizzly with a sore tooth. But Overlin was only part of the trouble. The air was tense. They could feel trouble.
The burning of Bear Cañon, the slaying of Chalk Warneke, and the gun battle in Heifer Basin were being talked about, but only in low tones. From time to time, in spite of themselves, their eyes went to Overlin. They were not speculating if he would meet McQueen, but when.
Overlin called for another drink, and the big gunfighter ripped the bottle from the bartender’s hand and put it down beside him. The bartender retreated hastily, while somebody started a tearjerking ballad at the old piano.
The door opened and Ward McQueen stepped in, followed
by Kim Sartain.
Kim, lithe as a young panther, moved swiftly to one side, his eyes sweeping the room, picking up Ren Oliver at once, and then Overlin.
Ward McQueen did not stop walking until he was at the bar six feet from Overlin. As the big gunman reached again for the bottle, McQueen knocked it from under his hand.
At the crash of the breaking bottle the room became soundless. Not even the entry of Sheriff Foster was noted, except by Sartain.
“Overlin, I’m acting as deputy sheriff. I want you out of town by noon tomorrow. Ride, keep riding, and don’t come back.”
“So you’re McQueen? And you got Bine? Well, that must have surprised Hans. He always thought he was good. Even thought he was better’n me, but he wasn’t. He never saw the day.”
McQueen waited. He had not expected the man to leave. This would be a killing for one or the other, but he had to give the man a chance to make it official. Proving that he had had a hand in the murder of Jimmy McCracken would have been difficult at best.
Overlin was different from Bine. It would take a lot of lead to sink that big body.
“Where’s Strahan?” McQueen demanded.
Ren Oliver started, and then glanced hastily toward the door. His eyes met those of Kim Sartain, and he knew that to attempt to leave would mean a shoot-out, and he was not ready for that.
“Strahan, is it? Even if you get by me, you’ll never get past him. No need to tell you where he is. He’ll find you when you least expect it.”
Deliberately Overlin turned his eyes away from McQueen, reaching for his glass with his left hand. “Whiskey! Gimme some whiskey!”
“Where is he, Overlin? Where’s Strahan?”
The men were ready, McQueen knew. Inside of him, Overlin was poised for the kill. McQueen wanted to startle him, to throw him off balance, to wreck his poise. He took a half step closer. “Tell me, you drunken lobo. Tell me!”
As he spoke, he struck swiftly with his left hand and slapped Overlin across the mouth.
It was a powerful slap and it shocked Overlin. Not since he was a child had anybody dared to strike him, and it shook him as nothing else could have. He uttered a cry of choking rage and went for his gun.
Men dived for cover, falling over splintering chairs, fighting to get out of range or out the door.
McQueen had already stepped back quickly, drawn his gun, and then stepped off to the left as he fired, forcing Overlin to turn toward him. McQueen’s first bullet struck an instant before Overlin could fire, and the impact knocked Overlin against the bar, his shot going off into the floor as McQueen fired again.
Overlin faced around, his shirt bloody, one eye gone, and his gun blazed again. McQueen felt himself stagger, shaken as if by a blow, yet without any realization of where the blow had come from.
He fired again, and, not aware of how many shots he had fired, he drew his left-hand gun and pulled a border shift, tossing the guns from hand to hand to have a fully loaded gun in his right.
Across the room behind him, another brief drama played itself out. Ren Oliver had been watching and thought he saw his chance. Under cover of the action, all attention centered on McQueen and Overlin, he would kill McQueen. His sleeve gun dropped into his hand and cut down on McQueen, but the instant the flash of blue steel appeared in his hand, two guns centered on him and fired. Sartain was at the front door and Sheriff Foster on his left rear. Struck by a triangle of lead, Oliver lunged to his feet. one hand going to his stomach. In amazement, he stared at his bloody hand and his shattered body. Then he screamed.
In that scream was all the coward’s fear of the death he had brought to so many others. In shocked amazement he stared from Foster to Sartain, both holding guns ready for another shot if need be. Then his legs wilted and he fell, one hand clutching at the falling deck of cards, his blood staining them. He fell, and the table tipped, cascading chips and cards over him and into the sawdust around him.
At the bar, Overlin stood, indomitable spirit still blazing from his remaining eye. “You…! You…!”
As he started to fall, his big hand caught at the bar’s rounded edge and he stared at McQueen, trying to speak. Then the fingers gave way and he fell, striking the brass rail and rolling away.
Ward McQueen turned as if from a bad dream, seeing Kim at the door and Sheriff Foster, gun in hand, inside the rear door.
Running feet pounded the boardwalk, and the door slammed open. Guns lifted expectantly.
It was Baldy Jackson, his face white, torn with emotion. “Ward! Heaven help me! I’ve killed a woman! I’ve killed Sharon Clarity!”
The scattered spectators were suddenly a mob. “What?” They started for him.
“Hold it!” McQueen’s gun came up. “Hear him out!” Ward McQueen was thumbing shells into his gun. “All right, Baldy. Show us.”
“Before my Maker, Ward, I figured her for somebody sneakin’ to get a shot at me! I seen the gun, plain as day, an’ I fired!”
Muttering and angry, the crowd followed. Baldy led the way to an alley behind the store, where they stopped. There lay a still figure in a riding habit. For an instant Ward looked down at that still, strangely attractive face.
Then he bent swiftly, and, as several cried out in protest, he seized Sharon Clarity’s red gold hair and jerked.
It came free in his hand, and the head flopped back on the earth, the close-cropped head of a man.
Ward stooped, gripped the neckline, and ripped it away. With the padding removed, all could see the chest of a man, lean, muscular, and hairy.
“Not Sharon Clarity,” he said, “but Strahan.”
Kim Sartain wheeled and walked swiftly away, McQueen following. As they reached the Emporium, Bud Fox appeared.
“Nobody left here but that girl. She was in there a long time. The old man started out, but we warned him back. He’s inside.”
Ward McQueen led the way, with Sheriff Foster behind him, then Sartain, Jackson, Fox, and Jones.
Silas Hutch sat at his battered rolltop desk. His lean jaws seemed leaner than ever. He peered at them from eyes that were mean and cruel. “Well? What’s this mean? Bargin’ in like this?”
“You’re under arrest, Hutch, for ordering the killing of Jimmy McCracken and Neal Webb.”
Hutch chuckled. “Me? Under arrest? You got a lot to learn, boy. The law here answers to me. I say who is to be arrested and who is prosecuted. You got no proof of anything. You got no evidence. You’re talkin’ up the wind, sonny.”
Baldy Jackson pushed forward. “Ward, this here’s the one I told you about. This is the first time I’ve had a good look at him. He’s Shorty Strahan, the mean one. He’s an uncle, maybe, of that one out there who made such a fine-lookin’ woman.”
“Hutch, you had your killings done for you. All but one. You killed Chalk Warneke.” He turned to Foster. “Figure it out for yourself, Sheriff. Remember the position Chalk was in, remember the crowd, and Warneke on a horse. There’s only one place that shot could come from…that window. And only one man who could have fired it. Him.”
Silas Hutch shrank back in his chair. When Foster reached for him, he cringed. “Don’t let them hang me,” he pleaded.
“You take it from here, Foster,” McQueen said. “We can mesure the angle of that bullet and you’ve got Bemis. He can testify as to the connection between Neal Webb and Hutch as well as that with Chalk. He knows all about it.”
Ward McQueen turned toward the door. He was tired, very tired, and all he wanted was rest. Besides, his hip bone was bothering him. He had been aware of it for some time, but only now was it really hurting. He looked down, remembering something hitting him during the battle with Overlin.
His gun belt was somewhat torn and two cartridges dented. A bullet had evidently struck and glanced off, running two perfectly good cartridges and giving him a bad bruise on the hip bone. “Kim,” he said, “let’s get back to the ranch.”
About the Editor
Jon Tuska is the author of numerous books abo
ut the American West as well as editor of several short story collections, Billy the Kid: His Life and Legend (Greenwood Press, 1994) and The Western Story: A Chronological Treasury (University of Nebraska Press, 1995) among them. Together with his wife Vicki Piekarski, Tuska co-founded Golden West Literary Agency that primarily represents authors of Western fiction and Western Americana. They edit and copublish twenty-six titles a year in two prestigious series of new hardcover Western novels and story collections, the Five Star Westerns and the Circle ς Westerns. They also coedited the Encyclopedia of Frontier and Western Fiction (McGraw-Hill, 1983), The Max Brand Companion (Greenwood Press, 1996), The Morrow Anthology of Great Western Short Stories (Morrow, 1997), and The First Five Star Western Corral (Five Star Westerns, 2000). Tuska has also edited a series of short novel collections, Stories of the Golden West, of which there have been seven volumes.
Other Leisure books by Louis L’Amour:
TRAILING WEST
BIG MEDICINE
GRUB LINE RIDER
THE LAWLESS WEST (Anthology)
SHOWDOWN TRAIL
A MAN CALLED TRENT
THE SIXTH SHOTGUN
THE GOLDEN WEST (Anthology)
THE UNTAMED WEST (Anthology)
Copyright
A LEISURE BOOK®
July 2010
Published by special arrangement with Golden West Literary Agency.
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Copyright © 2010 by Golden West Literary Agency
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