But, though these things and the power they held or symbolized were the terror of the peoples and the envy, of all rival magicians, the thoughts of Malygris were dark with immitigable melancholy, and weariness filled his heart as ashes fill the hearth where a great fire has died. Immovable he sat, implacable he mused, while the sun of afternoon, declining on the city and on the sea that was beyond the city, smote with autumnal rays through the window of greenish-yellow glass, and touched his shrunken hands with its phantom gold, and fired the balas-rubies1 of his rings till they burned like demonian eyes. But in his musings there was neither light nor fire; and turning from the greyness of the present, from the darkness that seemed to close in so imminently upon the future, he groped backward among the shadows of memory, even as a blind man who has lost the sun and seeks it everywhere in vain. And all the vistas of time that had been so full of gold and splendor, the days of triumph that were colored like a searing flame, the crimson and purple of the rich imperial years of his prime, all these were chill and dim and strangely faded now, and the remembrance thereof was no more than the stirring of dead embers. Then Malygris groped backward to the years of his youth, to the misty, remote, incredible years, where, like an alien star, one memory still burned with unfailing luster—the memory of the girl Nylissa whom he had loved in days ere the lust of unpermitted knowledge and necromantic dominion had ever entered his soul. He had well-nigh forgotten her for decades, in the myriad preoccupations of a life so bizarrely diversified, so replete with occult happenings and powers, with supernatural victories and perils; but now, at the mere thought of this slender and innocent child, who had loved him so dearly when he too was young and slim and guileless, and who had died of a sudden mysterious fever on the very eve of their marriage-day, the mummy-like umber of his cheek took on a phantom flush, and deep down in the his orbs was a sparkle like the gleam of mortuary tapers. In his dreams arose the irretrievable suns of youth, and he saw the myrtle-shaded valley of Meros, and the stream Zemander, by whose ever-verdant marge he had walked at eventide with Nylissa, seeing the birth of summer stars in the heavens, the stream, and the eyes of his beloved.
Now, addressing the demonian viper that dwelt in the head of the unicorn, Malygris spoke, with the low monotonous intonation of one who thinks aloud:
“Viper, in the years before you came to dwell with me and to make your abode in the head of the unicorn, I knew a girl who was lovely and frail as the orchids of the jungle, and who died as the orchids die. . . . Viper, am I not Malygris, in whom is centered the mastery of all occult lore, all forbidden dominations, with dominion over the spirits of earth and sea and air, over the solar and lunar demons, over the living and the dead? If so I desire, can I not call the girl Nylissa, in the very semblance of all her youth and beauty, and bring her forth from the never-changing shadows of the cryptic tomb, to stand before me in this chamber, in the evening rays of this autumnal sun?”
“Yes, master,” replied the viper, in a low but singularly penetrating hiss, “you are Malygris, and all sorcerous or necromantic power is yours, all incantations and spells and pentacles are known to you. It is possible, if you so desire, to summon the girl Nylissa from her abode among the dead, and to behold her again as she was ere her loveliness had known the ravening kiss of the worm.”
“Viper, is it well, is it meet, that I should summon her thus? . . . Will there be nothing to lose, and nothing to regret?”
The viper seemed to hesitate. Then, in a more slow and measured hiss: “It is meet for Malygris to do as he would. Who, save Malygris, can decide if a thing be well or ill?”
“In other words, you will not advise me?” the query was as much a statement as a question, and the viper vouchsafed no further utterance.
Malygris brooded for awhile, with his chin on his knotted hands. Then he arose, with a long-unwonted celerity and sureness of movement that belied his wrinkles, and gathered together, from different coigns of the chamber, from ebony shelves, from caskets with locks of gold or brass or electrum, the sundry appurtenances that were needful for his magic. He drew on the floor the requisite circles, and standing within the centermost he lit the thuribles that contained the prescribed incense, and read aloud from a long narrow scroll of grey vellum the purple and vermilion runes of the ritual that summons the departed. The fumes of the censers, blue and white and violet, arose in thick clouds and speedily filled the room with ever-writhing interchanging columns, among which the sunlight disappeared and was succeeded by a wan unearthly glow, pale as the light of moons that ascend from Lethe. With preternatural slowness, with unhuman solemnity, the voice of the necromancer went on in a priest-like chant till the scroll was ended and the last echoes lessened and died out in hollow sepulchral vibrations. Then the colored vapors cleared away, as if the folds of a curtain had been drawn back. But the pale unearthly glow still filled the chamber, and between Malygris and the door where hung the unicorn’s head there stood the apparition of Nylissa, even as she had stood in the perished years, bending a little like a wind-blown flower, and smiling with the unmindful poignancy of youth. Fragile, pallid, and simply gowned, with anemone blossoms in her black hair, with eyes that held the new-born azure of vernal heavens, she was all that Malygris had remembered, and his sluggish heart was quickened with an old delightful fever as he looked upon her.
“Are you Nylissa?” he asked—“the Nylissa whom I loved in the myrtle-shaded valley of Meros, in the golden-hearted days that have gone with all dead aeons to the timeless gulf?”
“Yes, I am Nylissa.” Her voice was the simple and rippling silver of the voice that had echoed so long in his memory. . . . But somehow, as he gazed and listened, there grew a tiny doubt—a doubt no less absurd than intolerable, but nevertheless insistent: was this altogether the same Nylissa he had known? Was there not some elusive change, too subtle to be named or defined, had time and the grave not taken something away—an innominable something that his magic had not wholly restored? Were the eyes as tender, was the black hair as lustrous, the form as slim and supple, as those of the girl he recalled? He could not be sure, and the growing doubt was succeeded by a leaden dismay, by a grim despondency that choked his heart as with ashes. His scrutiny became searching and exigent and cruel, and momently the phantom was less and less the perfect semblance of Nylissa, momently the lips and brow were less lovely, less subtle in their curves; the slender figure became thin, the tresses took on a common black and the neck an ordinary pallor. The soul of Malygris grew sick again with age and despair and the death of his evanescent hope. He could believe no longer in love or youth or beauty; and even the memory of these things was a dubitable mirage, a thing that might or might not have been. There was nothing left but shadow and greyness and dust, nothing but the empty dark and the cold, and a clutching weight of insufferable weariness, of immedicable anguish.
In accents that were thin and quavering, like the ghost of his former voice, he pronounced the incantation that serves to dismiss a summoned phantom. The form of Nylissa melted upon the air like smoke and the lunar gleam that had surrounded her was replaced by the last rays of the sun. Malygris turned to the viper and spoke in a tone of melancholy reproof:
“Why did you not warn me?”
“Would the warning have availed?” was the counter-question. “All knowledge was yours, Malygris, excepting this one thing; and in no other way could you have learned it.”
“What thing?” queried the magician. “I have learned nothing except the vanity of wisdom, the impotence of magic, the nullity of love, and the delusiveness of memory. . . . Tell me, why could I not recall to life the same Nylissa whom I knew, or thought I knew?”
“It was indeed Nylissa whom you summoned and saw,” replied the viper. “Your necromancy was potent up to this point; but no necromantic spell could recall for you your own lost youth or the fervent and guileless heart that loved Nylissa, or the ardent eyes that beheld her then. This, my master, was the thing that you had to learn.”
T
HE DEVOTEE OF EVIL
The old Larcom house was a mansion of considerable size and dignity, set among cypresses and oaks on the hill behind Auburn’s Chinatown,1 in what had once been the aristocratic section of the village. At the time of which I write, it had been unoccupied for several years and had begun to present the signs of dilapidation and desolation which untenanted houses so soon display. The place had a tragic history and was believed to be haunted. I had never been able to secure any first-hand or precise accounts of the spectral manifestations that were accredited to it. But certainly it possessed all the necessary antecedents of a haunted house. The first owner, Judge Peter Larcom, had been murdered beneath its roof back in the seventies by a maniacal Chinese cook; one of his daughters had gone insane; and two other members of the family had died accidental deaths. None of them had prospered: their legend was one of sorrow and disaster.
Some later occupants, who had purchased the place from the one surviving son of Peter Larcom, had left under circumstances of inexplicable haste after a few months, moving permanently to San Francisco. They did not return even for the briefest visit; and beyond paying their taxes, they gave no attention whatever to the place. Everyone had grown to think of it as a sort of historic ruin, when the announcement came that it had been sold to Jean Averaud, of New Orleans.
My first meeting with Averaud was strangely significant, for it revealed to me, as years of acquaintance would not necessarily have done, the peculiar bias of his mind. Of course, I had already heard some odd rumors about him: his personality was too signal, his advent too mysterious, to escape the usual fabrication and mongering of village tales. I had been told that he was extravagantly rich, that he was a recluse of the most eccentric type, that he had made certain very singular changes in the inner structure of the old house; and last, but not least, that he lived with a beautiful mulatress, who never spoke to anyone and who was thought to be his mistress as well as his housekeeper. The man himself had been described to me by some as an unusual but harmless lunatic, and by others as an all-round Mephistopheles.
I had seen him several times before our initial meeting. He was a sallow, saturnine Creole, with the marks of race in his hollow cheeks and feverish eyes. I was struck by his air of intellect, and by the fiery fixity of his gaze—the gaze of a man who is dominated by one idea to the exclusion of all else. Some medieval alchemist, who believed himself to be on the point of attaining his objective after years of unrelenting research, might have looked as he did.
I was in the Auburn library2 one day, when Averaud entered. I had taken a newspaper from one of the tables and was reading the details of an atrocious crime—the murder of a woman and her two infant children by the husband and father, who had locked his victims in a clothes-closet, after saturating their garments with oil. He had left the woman’s apron-string caught in the shut door, with the end protruding, and had set fire to it like a fuse.
Averaud passed the table where I was reading. I looked up, and saw his glance at the headlines of the paper I held. A moment later he returned and sat down beside me, saying in a low voice:
“What interests me in a crime of that sort, is the implication of unhuman forces behind it. Could any man, on his own initiative, have conceived and executed anything so gratuitously fiendish?”
“I don’t know,” I replied, somewhat surprised by the question and by my interrogator. “There are terrifying depths in human nature—gulfs of instinct and impulse more abhorrent than those of the jungle.”
“I agree. But how could such impulses, unknown to the most brutal progenitors of man, have been implanted in his nature, unless through some ulterior agency?”
“You believe, then, in the existence of an evil force or entity—a Satan or an Ahriman?”3
“I believe in evil—how can I do otherwise when I see its manifestations everywhere? I regard it as an all-controlling power; but I do not think that the power is personal, in the sense of what we know as personality. A Satan? No. What I conceive is a sort of dark vibration, the radiation of a black sun, of a center of malignant aeons—a radiation that can penetrate like any other ray—and perhaps more deeply. But probably I don’t make my meaning clear at all.”
I protested that I understood him; but, after his burst of communicativeness, he seemed oddly disinclined to pursue the conversation. Evidently he had been prompted to address me; and no less evidently, he regretted having spoken with so much freedom. He arose; but before leaving, he said:
“I am Jean Averaud—perhaps you have heard of me. You are Philip Hastane, the novelist. I have read your books and I admire them. Come and see me some time—we may have certain tastes and ideas in common.”
Averaud’s personality, the conception he had avowed, and the intense interest and value which he so obviously attached to these conceptions, made a singular impression on my mind, and I could not forget him. When, a few days afterward, I met him on the street, and he repeated his invitation with a cordialness that was unfeignedly sincere, I could do no less than accept. I was interested, though not altogether attracted, by his bizarre, well-nigh morbid individuality, and was impelled by a desire to learn more concerning him. I sensed a mystery of no common order—a mystery with elements of the abnormal and the uncanny.
The grounds of the old Larcom place were precisely as I remembered them, though I had not found occasion to pass them for some time. They were a veritable tangle of Cherokee rose-vines, arbutus, lilac, ivy and crepe-myrtle, half-overshadowed by the great cypresses and somber evergreen oaks. There was a wild, half-sinister charm about them—the charm of rampancy and ruin. Nothing had been done to put the place in order, and there were no outward repairs on the house itself, where the white paint of bygone years was being slowly replaced by mosses and lichens that flourished beneath the eternal umbrage of the cypresses. There were signs of decay in the roof and pillars of the front porch; and I wondered why the new owner, who was reputed to be so rich, had not already made the necessary restorations.
I raised the gargoyle-shapen knocker and let it fall with a dull, lugubrious clang. The house remained silent; and I was about to knock again, when the door opened slowly and I saw for the first time the mulatress of whom so many village rumors had reached me.
The woman was more exotic than beautiful, with fine, mournful eyes and bronze-colored features of a semi-negroid irregularity. Her figure, though, was truly perfect, with the curving lines of a lyre and the supple grace of some feline animal. When I asked for Jean Averaud, she merely smiled and made signs for me to enter. I surmised at once that she was dumb.
Waiting in the gloomy library to which she conducted me, I could not refrain from glancing at the volumes with which the shelves were congested. They were an ungodly jumble of tomes that dealt with anthropology, ancient religions, demonology, modern science, history, psychoanalysis and ethics. Interspersed with these, were a few romances and volumes of poetry. Beausobre’s monograph on Manichaeism was flanked with Byron and Poe; and Les Fleurs du Mal jostled a late treatise on chemistry.4
Averaud entered, after some minutes, apologizing extravagantly for his delay. He said that he had been in the midst of certain labors when I came; but he did not specify the nature of these labors. He looked even more hectic and fiery-eyed than when I had seen him last. He was patently glad to see me, and eager to talk.
“You have been looking at my books,” he observed immediately. “Though you might not think so at first glance, on account of their seeming diversity, I have selected them with a single object: the study of evil in all its aspects, ancient, medieval and modern. I have traced it in the demonologies and religions of all peoples; and, more than this, in human history itself. I have found it in the inspiration of poets and romancers who have dealt with the darker impulses, emotions and acts of man. Your novels have interested me for this reason: you are aware of the baneful influences which surround us, which so often actuate or influence us. I have followed the workings of these agencies even in chemical reacti
ons, in the growth and decay of trees, flowers, minerals. I feel that the processes of physical decomposition, as well as the similar mental and moral processes, are due entirely to them.
“In brief, I have postulated a monistic evil, which is the source of all death, deterioration, imperfection, pain, sorrow, madness and disease. This evil, so feebly counteracted by the powers of good, allures and fascinates me above all things. For a long time past, my life-work has been to ascertain its true nature, and trace it to its fountain-head. I am sure that somewhere in space there is the center from which all evil emanates.”
He spoke with a wild air of excitement, with a morbid and semi-maniacal intensity. His obsession convinced me that he was more or less unbalanced; but there was a delusive logic in the development of his ideas.
Scarcely waiting for me to reply, he continued his monologue:
“I have learned that certain localities and buildings, certain arrangements of natural or artificial objects, are more favorable to the reception of evil influences than others. The laws that determine the degree of receptivity are obscure to me; but at least I have verified the fact itself. As you know, there are houses or neighborhoods notorious for a succession of crimes or misfortunes; and there are also articles, such as certain jewels, whose possession is accompanied by disaster. Such places and things are receivers of evil. I have a theory, however, that there is always more or less interference with the direct flow of the malignant force; and that pure, absolute evil has never yet been manifested.
“By the use of some device which would create a proper field or form a receiving station, it should be possible to evoke this absolute evil. Under such conditions, I am sure that the dark vibration would become a visible and tangible thing, comparable to light or electricity.”
He eyed me with a gaze that was disconcertingly keen and exigent. Then:
The Dark Eidolon and Other Fantasies Page 5