Sound of the Beast

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Sound of the Beast Page 44

by Ian Christe


  Venom, 33, 38, 42–43, 44, 61, 73, 74, 96, 104–05, 106, 107, 108, 109, 110, 115, 117, 123, 138, 146, 185, 238, 243, 244, 270, 272, 293, 317, 321

  Vicious, Sid (bassist), 29, 30, 179. See also

  Sex Pistols

  videogames, 67, 70, 302, 320, 350

  Vietnam War, the, 18, 72, 292

  Vikernes, Varg (singer/guitarist), 275, 276, 285; as Count Grishnach 277–79. See

  also Burzum

  Vincent, David (singer/bassist), 245. See

  also Morbid Angel

  Violence (band), 135, 320

  Virgin Steele, 343, 344

  Vixen, 160

  Voivod, 73, 98, 111, 112, 114, 137, 142, 197, 198–99, 206, 225, 230, 253, 335, 358, 359

  Voor, 114

  Vulcano, 106

  W.A.S.P., 56, 64, 83, 120, 121, 123, 130–31, 158, 159, 160, 166, 235, 293

  Walker, Jeff (singer/bassist), 186, 247, 248.

  See also Carcass; Napalm Death

  Wall of Voodoo, 48, 198, 334

  Ward, Bill (drummer), 1, 3, 4, 11, 18, 24, 25, 205, 340, 341, 361. See also Black Sabbath

  Warhammer, 345

  Warlock, 95, 100, 138

  Warlord, 63, 95

  Warrant (US), 156, 159, 164, 219, 222, 231, 242

  Warrior, Tom (singer/guitarist), 17, 21, 37, 61, 74, 90, 105–06, 111, 112, 113, 142, 170, 182–83, 197–98, 226, 281, 345, 355. See also Celtic Frost; Hellhammer

  Wayne, David (singer), 94, 183, 192, 228, 231, 350. See also Metal Church

  Wehrmacht, 181, 185, 231

  Whiplash (band), 137, 147, 344

  White Lion, 231

  White Zombie, 167, 183, 224, 225

  Whitesnake, 161

  Who, the, 37, 213, 234

  Williams, Michael D. (singer), 250. See also

  Eyehategod

  Williams, Wendy O. (singer), 29, 48, 120,

  357. See also Plasmatics, the

  Winger, 155, 160, 164, 218, 231

  Wino (singer/guitarist), 346–47. See also

  Obsessed, the; Saint Vitus

  Witchfinder General, 40, 44, 193, 345

  women in heavy metal, 99–100, 155–56, 180, 249–51, 265, 272

  Wood, Andrew (singer), 231

  Wrathchild, 49

  Xena: the Warrior Princess, 99, 350

  Xentrix 140, 317

  X-Ray Spex, 28

  Y&T (Yesterday and Today), 49, 53, 73, 97, 100, 143, 161, 224

  Young Gods, the, 223

  Young, Angus (guitarist), 39, 40, 52, 54, 57.

  See also AC/DC

  Young, Malcolm (guitarist), 52. See also

  AC/DC

  Yurkiewicz, Bill (entrepreneur), 255, 257.

  See also Relapse Records

  Zazula, Jon. See Johnny Z

  Zappa, Frank (guitarist), 120–21, 254, 327, 350

  Zazula, Marsha (entrepreneur), 86, 200. See

  also Megaforce Records

  Znowhite, 100, 206

  Zoetrope, 202, 206

  Zombie, Rob (singer), 167, 183, 224, 306,

  329, 350. See also White Zombie

  ZZ Top, 140, 328

  EDITOR’S NOTE

  The beautifully rendered book jacket on Sound of the Beast deserves special attention for all heavy metal fans. The painting by metal priestess Madeline von Foerster is based on a section from the massively illustrated underceiling to the sacred Baptistery of San Giovanni—St. John the Baptist—in Florence, Italy. It is part of a huge mosaic that took more than 200 years to construct and was completed in the thirteenth century.

  The most prominent monument in its distinguished home city the Baptistery was owned for centuries by the Merchant’s Guild. Its exterior espouses a grand yet plain geometric workaday presence. Inside is contained a most awe-inspiring sight—a lavish gold-paneled tile ceiling depicting hundreds of images of Christ, the Apostles, holy angels, and other religious scenes installed by faithful artisans during a thousand years of devoted labor.

  Obscured beside a large rendering of Christ is the most striking element in the fray—a single frieze, the inspiration for the jacket of Sound of the Beast. Completely distinct from all the other panels, this segment depicts a hellish and disturbing landscape of the last judgment, where a horned beast has been damned to devour and dispose of sinners while commanding a sea of winged demons, faceless vermin, and all-devouring serpents.

  This tableau has already profoundly influenced civilization. Dante himself was baptized in the Baptistery, and was later inspired to write several Cantos of the Inferno when he returned and discovered our demonic panel between the more obvious heavenly angels and golden light. When we first saw the frame, we instantly began banging our heads, flipping the devil horns, and turning up the heaviest metal we could find in tribute. We searched for other images beforehand, but this was the only one that did Sound of the Beast justice.

  COPYRIGHT

  A hardcover edition of this book was published in 2003 by HarperEntertainment, an imprint of HarperCollins Publishers.

  SOUND OF THE BEAST. Copyright © 2003, 2004 by Ian Christe. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  EPub Edition © JULY 2010 ISBN: 978-0-062-04298-9

  The Library of Congress has cataloged the hardcover edition as follows: Christe, Ian.

  Sound of the beast: the complete headbanging history

  of heavy metal / Ian Christe.—1st ed.

  p. cm.

  Includes index.

  Discography: p.

  ISBN 0-06-052362-X (hc : alk. paper)

  1. Heavy metal (Music)—History and criticism. 2. Rock groups. I. Title.

  ML3534.C475 2003

  914.5′632047—dc21

  2002068894

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