Absolute rage kac-14

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Absolute rage kac-14 Page 19

by Robert K. Tanenbaum


  Earl said, "What about my neck? That dog chewed the shit out of me. You just gonna let her get away with that?"

  Petrie considered this. "You making a complaint here, Earl?"

  "Damn right I am. And I'm gonna sue that bitch's ass for everything she got."

  The cop nodded wisely. To Marlene he said, "I got to take your animal with me. Go put it on a chain."

  "You are not taking that animal," said Marlene in an outraged tone. "That dog did nothing wrong. He knocked down and secured an armed trespasser as he's trained to do."

  Petrie hitched up his gun belt and gave Marlene a cop stare. "You better do like I said, ma'am, or you're gonna be in trouble."

  "I can't believe this!" cried Marlene. "You're arresting my dog for defending private property? Why don't you arrest me, too?"

  "I will, if you don't get the dog into my car trunk right now."

  "Oh, go fuck yourself!" she snarled, and turned to walk away.

  Petrie reached out and grabbed her arm, hard, and jerked her back. This attracted the interest of the dog. Normally, he would not have broken stay for a major earthquake, but this was a special circumstance, the exception to the rule. He sprang up, barked, growled, and menaced. Petrie let go of Marlene, stumbled back a few steps, and unsnapped his holster strap. Marlene yelled, "Gog, hide!"

  The dog whirled and ran. Petrie drew his pistol and took aim at the fleeing animal. Marlene flung herself on his gun arm. He grabbed her hair and yanked.

  "Omar Petrie," boomed a big voice. "Let that woman go! She's not one of your roadhouse whores."

  It was Poole, apparently cold sober and transformed. Petrie goggled and released Marlene's hair. She let go of his arm and stepped back. Poole walked up to the cop and laid an arm on his shoulder. "Omar, damnit, it's a good thing I was here. You almost made the mistake of your life."

  "Where'n hell did you come from, Ernie?" asked the cop.

  "I was in the kitchen pouring some coffee when this commotion started. I saw the whole thing through that window. These young Cades apparently got lost during one of their famous midnight expeditions. Ms. Ciampi here observed that old Earl was carrying a shotgun, and since she knew that two people in this very house had been killed with a shotgun, she was naturally on her guard. Now"-Poole lifted the flat of his hand to stall Petrie's objection-"as to the dog: Do you know what kind of dog that is? No, you don't. That is not just some yard mutt you can shoot because you're feeling a little cranky. That is a rare prize animal, Omar. That is a ten -thousand- dollar animal. Well, you shoot a ten-thousand-dollar animal that's just doing what it's told, apprehending prowlers on private property in the hours of the night, in the presence of a sworn officer of the court, which is me, Omar, then I think you're looking at a world of trouble. I'm talking lawsuits, here, big ones. The town ain't going to pay for no ten-thousand-dollar dog, and Sheriff Swett sure ain't, and who does that leave, hm? You want to set down and figure how long it's going to take to make that sum up, plus court costs and punitive damages, out of what you take off those girls down by Amos's out on Route 36? Why, some of those girls'll be grandmas before you paid it off."

  Petrie was staring at him, as if at an apparition, Marlene noticed, and Dan and the two Cades were staring likewise. Poole clapped his hands briskly. "Well! Let's see now. This looks to me like a little misunderstanding. Miss Ciampi here's from away, so she might not comprehend our local mores and customs. No harm's done, except to Mr. Cade's neck, and a couple of Band-Aids'll put that right. A little disinfectant, too, if you got it. In fact, I believe, Omar, that the wisest thing you could do right now is to get back in your patrol car and drive away. Given the situation, I don't think Sheriff Swett would appreciate having legal attention being drawn to this particular house and family, if you catch my drift. What I mean is, this could be worse than what happened with Commissioner Jakes. Situation like this, the best thing to do is not to do anything." Turning to the Cades, he added, "Boys, why don't you just wander back where you come from. This business is all over."

  At this Bo Cade immediately started off, but his brother rose and stood there like a dead tree. "What about my shotgun?"

  Bo ran back and grabbed Earl's arm. "Goddamn it! There wasn't no shotgun, you idiot. Come along!"

  But Earl jerked his arm away, roared out a curse, and flung a roundhouse blow at his brother's head, which was ducked. Bo kicked him in the shin. Earl shouted threats of murder and ran at him, Bo took off like a hare, and they both disappeared into the darkness, yelling curses at one another. Officer Petrie holstered his sidearm, adjusted his uniform, and gave everyone a look of malevolent stupidity. Without another word he strode off. They heard his engine start and then the rattle of gravel as he sped away.

  Marlene said, "That was extremely impressive, Poole. Thank you. I guess there's still a little cherry vanilla left in the bottom of the carton."

  "Thank you," said Poole. "I must be becoming a functional drunk. Or maybe it's that shotgun blasts at night tend to sober me up."

  "But… they just walked away," Dan complained. "They snuck in here with guns and they just walked away."

  "Yeah, well, I guess we could file a complaint for trespass," said Poole, "but you know Judge Murdoch would dismiss it in two shakes."

  The phone rang in the house.

  "Who's calling this late?" asked Dan.

  "If you go answer it, you'll find out," said Marlene. Dan went into the house.

  "We should pick up that shotgun," said Marlene. She used the flashlight to look in the tall grass at the edge of the yard and came back with the gun broken over one arm.

  "A Remington twelve, fairly new. Do you think we're looking at the actual murder weapon?"

  "Possibly," said Poole. "Although there are any number of murderous Cades and they all own shotguns. And every other kind of gun. I assume that pistol…"

  "A.357 Ruger. Lizzie was killed with a.38 slug. I suppose it could've come from a.357. I take it that Officer Petrie will not put two and two together and submit the weapon for ballistic testing."

  "You would assume correctly," said Poole. "In fact, I wouldn't be surprised if that gun found its way back to the owner before long." He looked away from her and up at the sky. "I can't stand these lights. It's like a prison yard. There's something shitty about having to put in security lights in a place like this. You can't see the stars."

  "Are you a stargazer, Poole?"

  "Yes. The sole advantage of getting drunk in rural surroundings is that you get to spend a lot of time lying on your back and watching the galaxies whirl around. You can tell yourself that you're small and meaningless and futile, which gives you an excuse for another snort. Not that you need an excuse."

  Marlene went to the back door and snapped off the floods. Dan was on a stool with the phone clutched to his ear; she didn't disturb him but returned to the yard, where she found that Poole had settled himself in an aluminum lounge chair, staring at the heavens. The sky was still overcast, but the cloud cover was scudding, making holes for starshine. Marlene whistled up her dog, who arrived bounding, to be hugged and made much of.

  "You should give a nice lick to Mr. Poole, Gog," she cooed. "He saved your bacon, didn't he? Yes, he did! He said you were worth ten thousand dollars. And you are, and more. Go ahead, give him a big kiss."

  The dog licked Marlene instead, kissing on demand not being part of his extensive repertoire, and settled heavily under the hammock where his mistress now reclined.

  Poole said, "Speaking of which, I expect that this evening's events have pressed home to you exactly what we're up against here with respect to our so-called justice system."

  "Old Omar is bent, you mean."

  "No, it goes far beyond that. Bent is a useful descriptor only when you have the idea of the straight. But there is no such idea hereabouts. You need to think about a little banana republic set among these misty peaks, except instead of bananas it's coal, and instead of United Fruit, it's the Majestic Coal Company."

&
nbsp; "I know that's what you think, but I still can't understand why the state would allow it. Or the feds. I mean, we had that kind of thing in the South, and it got cleaned up twenty years ago, and the same with the bigcity machines and the Mob."

  "Yes, but the critical thing there were complaints; people bitched about it, the press was involved. You know the old joke about the kid who didn't talk and his parents took him to all kinds of specialists, and no one could cure him, and one day, the kid is about ten and he pushes his plate away and says, 'I hate spinach.' And his parents get all excited. 'You can talk! You can talk! Why didn't you say anything until now?' and the kid goes, 'Everything was okay until the spinach.' It's like that. The level of expectation is so low, and the level of terror is so high, that there are no complaints. Until Red Heeney, and you saw what happened to him. The first plate of spinach, though. Now you arrive and dragoon me into it, and soon your hubby will come with the full power of the state. It'll be interesting. I may even stay sober occasionally to observe the high jinks."

  "You have no great hopes, I take it."

  "Oh, I think we'll get the boys who did it, the actual gunmen. As you saw tonight, we're not dealing with criminal masterminds. Probably half the people in the county know who pulled the triggers or know someone who knows. They'll toss them in the pokey, and the next squad of villains will appear ready for action. There's a never-ending supply, like cans in a soda machine. The Cades alone must have a dozen or so fellows like young Earl, shambling horrors with their eyes too close together who like to hurt people. The system, though, our way of life-changing that is another kettle of fish. It's like the transition from a society that's essentially barbaric, and based on fear and force, to a civil society based on laws and rights. It usually takes a century or so, and even then it's fragile, as the recent century has so hideously demonstrated."

  "Well, I can appreciate that," said Marlene. "I'm a kind of feudal person myself. Odd for a lawyer, but there it is. Dieu et mon droit, et cetera, and Sicilian plots and revenges."

  Poole turned his head to look at her. "Are you? And your husband, is he feudal, too?"

  "No, he's extremely rabbinical when it comes to justice. Never ever personal, which is why he's so good at what he does. The methodical, perfectionist approach. I tend to drive him crazy."

  "That sounds dull for you."

  "Mm. But sometimes I crave dullness. It's like roughage in the diet, bran flakes, no fun but necessary for the organism. There's such a thing as excessively interesting."

  "What would be interesting is if you rolled over here and gave me a big kiss," said Poole.

  "Is that in the nature of a proposition, counselor?"

  "It is. Or maybe more in the nature of tapping on the gauges to see if there's steam. I can't remember the last time I was (a) alone with a desirable woman on a soft summer's night, and (b) conscious. It gives me goose pimples."

  "I'm sorry I can't help you there, Poole, although I confess to feeling flattered, slut that I am. And also let me say that while I have come real close in twenty-odd years of marriage, I have not yet slipped over the edge into infidelity."

  "That's hard to believe. And you from the evil big city, too."

  "It's hard for me to believe. And it looks like I will slide gracefully into the unattractive years with my honor intact. Maybe that's the upside of being a medieval-type person."

  "Honor," Poole echoed, his voice sad and hollow. He lay back on the lounge and stared upward. "There's the Summer Triangle. Altair, Vega, and Deneb. Since you're not going to slake my lust, why don't you fix me a little drink."

  "I think it's coffee time," said Marlene as she rolled out of the hammock. "By the way, who's Commissioner Jakes?"

  "Duane P. Jakes. One of our fine county commissioners of a few years back. He had this thing about the space program. He thought it was making holes in the sky and changing the weather. Well, no harm in that. Duane was about average among our county fathers with respect to smarts, but the problem was he conceived the notion that the daily prop flight from Charleston to Knoxville was sent by NASA to spy on him. I mean, it stood to reason-the thing flew over his spread every day at about the same time, just when he was out feeding his hogs. So he started shooting at it with his rifle. The amazing thing is he actually hit it, so Omar and another deputy paid him a visit to get him to cut it out. Basically, it was a case of taking a rifle away from a loony old man, but Omar aggravated it into a real shoot-out. The deputy got shot, Duane got shot, and the town came in for the kind of publicity it would rather not have. I thought it wise to mention it in the present situation."

  "It was, too." She leaned over and kissed him on the forehead before she left.

  Dan was still on the phone when she walked in, and laughing. This was unusual enough to make her stop and stare. He saw this and brought himself under control.

  "Here's your mom." He handed Marlene the phone. "It's Lucy." He vanished.

  "I didn't know you were such a comedian," Marlene said.

  "We were doing accents of weird people we know in Cambridge," said her daughter.

  "For this you called in the middle of the night? Is anything wrong?"

  "No, everything's dandy. We sold all the pups, and I got the Toyota running. Why I called is, I want to go on a road trip with the boys."

  "To where?"

  "Oh, I don't know, just around. I thought I'd take them on the car ferry to Bridgeport and see Tran and then maybe up to Boston, take them to the Children's Museum and Science Museum. I have a couple of things to do there anyway."

  "How long would you be gone?"

  "Oh, three, four days. They're antsy and it would do them good."

  "And you love to drive."

  "That, too. The car runs great. With the new tires it came in under a grand. I charged it to the farm."

  "No problem. But, Lucy? When you get to driving, make sure your wheels don't turn southward. I don't want you and the boys down here. The situation is still too fluid. Did Dan tell you what went down just now?"

  "Yeah. It sounds like something out of Deliverance. Do you think they'll try again?"

  "Not in the same way. They're stupid, but not that stupid. You know your father is going to be playing Mighty Mouse in this cartoon?"

  "Yeah, he told me. Are you going to come back when he gets there?"

  "I don't know," said Marlene a little sharply. "It depends on the situation. Look, call me from Tran's or Boston or if you have any problems. Keep in touch. Meanwhile I have to go. I have to drive this guy back to his place."

  "Okay, take care, Mom, and could you put Dan back on the phone?"

  "Planning the wedding? I'd like to be involved."

  "Mo-m."

  "Okay, okay, here he is."

  He had been hovering, and when Marlene handed him the cordless, he took it back to his bedroom. No, I will not hang around and listen in, she thought virtuously, and went off to pour the coffee.

  "So," Dan said, "you checked in. Everything is approved?"

  "Oh, yeah. I get a pretty loose rein. From her. My dad worries a lot more."

  "Strange. It's funny. Mom always drummed it into us to let them know our plans, like if we weren't coming home for supper, or staying over. The other day, I drove out to Huntington to see a guy I went to school with and they asked me to stay for dinner and I said sure, let me call and tell them I won't be home. I had the phone in my hand, dialing."

  Lucy had nothing to say to this that she thought would be tolerated by the other, so she stayed mum. He went on, "Could I ask you something dumb?"

  "Sure. I'm an expert on dumb."

  "Do you, um, believe in ghosts?"

  "No."

  "No? Why not? You believe in all that other supernatural cr-stuff."

  "Because the spirits of the dead leave this world and other stuff happens to them. Also, it's insulting for you to imagine that, because I'm religious, I'm generally credulous or superstitious. It's like thinking that rocket scientists ought to
believe in flying saucers."

  "I didn't mean that," he said quickly, with genuine contrition. "Sorry, really I didn't mean… it's just… I mean weird stuff has been happening. Like calling home. I have this feeling that I'll call and Mom will pick up. It sends chills down my spine. But, okay, night before last, it's late, I'm reading in bed, totally absorbed, and all of a sudden I felt this weird feeling, like being light-headed, like when you stand up too fast? And I just knew that Lizzie was in the room with me. She used to like to be with me while I worked, or read. She had some games she liked to play on my machine. And I knew that if I had turned around, she'd be there in her quilted bathrobe, sitting in my chair. I mean the sweat was popping out on my face. And just then the hard drive kicked in, and my heart practically stopped, it was like she was there playing a game. I was just getting ready to turn and look when it went away. I mean the feeling. God, I can't believe I'm telling this to anyone! Did you ever, ah, have one like that?"

  "Oh, sure, all the time. That's not ghosts, though. It's what we call the communion of saints. It's part of the Apostles' Creed as a matter of fact. I used to have long conversations with St. Teresa of Avila."

  "You're kidding."

  "Uh-uh, no lie. Starting from when I was about eight. For a while, I thought everyone could. I could see her and hear her and smell her, even."

  "What did she smell like?"

  "Onions. And roses."

  "You spoke to her in English?"

  "Of course not. In sixteenth-century Castilian Spanish, lisping all over the place."

  "Oh, right, you can do that whole language bit. So, what are you telling me. Lizzie is some kind of saint?"

  "Not at all. We just think that there remains a connection open between people who have died and people who're still alive, and there's an unseen world that can touch us and that's just as real as the one we can see. It's pretty complex and we're not encouraged to speculate about it in detail, or to try to penetrate the barrier. But it happens, there's contact."

 

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